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About The Author Felix Aeppli was born in 1949. He lives in Zurich, Switzerland, with his wife and their two children. A student of History and English, the author spent the academic year 1969/1970 in Great Britain as an assistant German teacher in two South Wales grammar schools. His graduate thesis was entitled Thomas Jefferson: The Urban Critic Of The City (1975). Felix Aeppli is also the author of the book Swiss Cinema, 1929-1964 (1981, in German). For Heart Of Stone (Ann Arbor, 1985) and The Rolling Stones, 1962-1995: The Ultimate Guide (London, 1996), see the Introduction of this book, ‘The First Forty Years’. A part-time employee in further education for Politics and Social Sciences, Felix Aeppli also regularly lectures at the Film Department of Zurich University and is an analyst of social, cultural and historical issues (see his website http://mypage.bluewin.ch/aeppli/index.html). In Spring, 2002, he was approached by the «NZZ am Sonntag» (a Zurich Sunday Newspaper) to name his personal FORTY LICKS by The Rolling Stones. This was his choice: 1. Honky Tonk Women 21. Do Ya Think I Really Care? 2. Stray Cat Blues 22. Street Fighting Man 3. Little Red Rooster 23. Down Home Girl 4. Child Of The Moon 24. Backstreet Girl 5. Sympathy For The Devil 25. Start Me Up 6. Sway 26. Who’s Been Sleeping Here? 7. Dear Doctor 27. Cry To Me 8. Dead Flowers 28. Sweethearts Together 9. It’s All Over Now 29. Time Is On My Side 10. The Last Time 30. 19th Nervous Breakdown 11. Under The Boardwalk 31. Let It Bleed 12. You Can’t Always Get What You Want 32. Country Honk 13. Ruby Tuesday 33. Have You Seen Your Mother, Baby, Standing 14. Far Away Eyes In The Shadow? 15. Jumpin’ Jack Flash 34. Thief In The Night 16. Brown Sugar 35. Winter 17. The Spider And The Fly 36. She’s A Rainbow 18. (I Can’t Get No) Satisfaction 37. Sparks Will Fly 19. Tell Me 38. Rocks Off 20. Tumbling Dice 39. Respectable 40. Off The Hook Comments, corrections or additions to this book would be welcome and should be addressed directly to the author either by e-mail: [email protected] or to Felix Aeppli Im Tiergarten 26 CH-8055 Zurich Switzerland When writing, please do not ask for copies of audio or video recordings, and please understand in advance that no information can be provided as to where deleted or unofficial material might be obtained. 475.

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The Rolling Stones and Performance of Authenticity
University of Kentucky UKnowledge Theses and Dissertations--Art & Visual Studies Art & Visual Studies 2017 FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY Mariia Spirina University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2017.135 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Spirina, Mariia, "FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY" (2017). Theses and Dissertations--Art & Visual Studies. 13. https://uknowledge.uky.edu/art_etds/13 This Master's Thesis is brought to you for free and open access by the Art & Visual Studies at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Art & Visual Studies by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
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