DOCSLIB.ORG

Laconic Space Pilot Just Relaxing

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

A A j i V • f' Aywago Daily N«t Pn w Rnn ;,,.¥ For the Week Ended April 10, m s Tiio WsathsT Fsreeaat of t . I . Wdnthor SanM 13,974 Showers tonight.,, Low In thg . Itanber o< «l» AnAt SO’a. Tneaday oloudy- with r**""?!’ s. ftirean o( Oraalattoa ot ehowera late In tho dny. IHpll' Manchettmr^A City of Village Charm around 70. ▼OL. LRXXn, NO. 196 Mi Fngn 14) MANCHESTER, CONN., MONDAY, MAY SO, 1968 (SIXTEEN PAGES) PRICE SEVEN CENTS Bomb in Auto Integration State N ew s Jars Montreal Broadening Roundup Laconic Space Pilot At Tulane Weekend Crashes MONTREAL (AP)—A vio-t I'O** Friday, polico discovered low. tent explosion today demolish­ "i bombs plantedlianted In mall boxes, NEW ORLEANS, La. Claim Five Lives ed one car, damaged two A demolition expert, Sgt.-MaJ. (AP) — Tulane University, Ip’a milglv- Walter Leja, was critically in­ which ended a 129-year seerre- :a niMwsr others, hurled wreckage for jured when one of the bombs blew By THE ASeOOIA’TED PRESS dMMrtbM gation policy this semester by Just Relaxing up as he was removing It from a oa. poekat M yards and'^broke windows It was another costly week­ » private homes a block mall box. He la la a Montreal quietly admitting 11 Negroes hospital. end on Connecticut’s high­ away. for graduate work, indicated ways, as five persons were today integration may come iMrntaC » No one was injured In the blast, OTTAWA (AP) — Terrorist fatally injured in accidents. wrlir oosta in back of tho armory of the Roy- , (R) threats to bomb Ottawa hotels next on th e, college level— The worst was a amashup on In­ Stock Market vt » ,^ ^ d la n -Mechanical and brought increased security w e- perhaps by the fall. terstate Rt. 91 in Hartford Sun­ Electrical Engineers. cautlons today as top-ranking lUp- A spokesman disclosed that' the day in which two persons were A cco la d e s Firemen said damage was eo huna, Jana lomats continued arriving in the New Orleans university — rated killed and another critically In­ Held Under irlow cuaat ^ v y that It appeared possible Canadian capital for the minister­ as one of the Deep ekiuth's top jured. a hnaband were was rndTe than one bomb. ial meeting of the North Atlantic academic InstltuUons — has re The victims were Richard Ca- fa thalldo- OTt an army spokesman said tho To Resume /i Vir him br Treaty Organisation. ceived several Negro undergradU' passo, 20, of Hartford and Mrs. Anti-Trust Law u m a g e was caused by a single Among those due in today were ate applications. He said they prob­ Ludivia Blaln, 70, of Falrvlew Shaw bomb placed under tho engine of U.S. Secretary of State Dean ably number imder 10. He would Mass. ’ Mlnatrala one o f the cars. The damaged WASHINGTON (AP) — The aaU; Frad Rusk, British Foreign Secretary not say if ahy has been accepted. Capasso was driving north on T om orr o w .nnlnc and cars, all owned by civilians, were Supreme Court ruled today that i Lord Hoipe and French Foreign The Negro students are seeking the superhighway when hls car the Securities Exchange Act does ■ In a dairy parking lot next to tho Mlnisteer Maurice Couve de Mur- admission next faH to the men’s crossed the center esplanade and armory. not give the New York Stock Ex­ CAPE CANAVERAL, Fla. maa Staw* vllle. undergraduate school, Tulane's was struck by a car in which Mrs. change immunity from antiturst lall craat, The armory had 40 broken wln- The meeting begins Wednesday. College of Arts and Sciences, and Blain was a passenger. (AP)—With two days of ex­ 'ln( a Me » w panes, slight damage to aome laws. A number of hotels received an­ to Newcomb College, the uni­ Capasso’s passenger, Robert Lu­ The practical effect of the 7-2 aminations, questions and tker aad ■t®®! window frames, and broken onymous letters during the week­ versity’s exclusive women’s col bas, 20, also of Hartford, was seri­ telephone and power lines. decision is to restrict the confetti behind him, Astro­ end saying hotels housing NATO lege. ously hurt. exchange’s regulatory p ow er- Police did not immediately at­ delegates would be blown up. The contrast the Tulane scene George E. Shufelt, 49, of Plain- naut (5ordon Cooper planned tribute blame for the eocplosion. through concerted action by its I It was assumed the threats presents to the pattern of Deep ville was struck and killed on members—over dealings in secu­ to do absolutely nothing: to­ matt, Wal* However, a recent series of ex­ came from the FLQ (Quebec Lib­ South college integration Is that Farmington Ave. In Plainvllle rities. day except relax. plosions at Canadian army and eration Front), the underground most desegregation situations around midnight Saturday. Justice Goldberg, delivering the 'niat’s something that comaa federal buildings In Montreal has group that wants to separate have occurred at low-cost state The driver of the car, Paul easy to a man who can doze off been blamed on the outlawed sep­ court’s majority opinion, .said "the French-speaking Quebec {u-ovlnce universities. ’Tulane is a private Swanson, 44, of Plainvllle, was antitrust laws are peculiarly ap­ - while perched atop a rocket eet aratist group called the Quebec from Canada. The FLQ has institution where tuition alone charged with negligent homicide. t to blast him into space. Liberation Front. propriate as a check upon anti­ clatimed credit for a number of runs 11,400 a year. Another pedestrian, Louis Heu- competitive acts of exchanges Asked at, a news conference The armory la in a predomi­ bombings in the past few months Other Negroes are seeking ad­ ser, 27, of Danbury, was fatally In- Sunday if he thought hls fli^ t nantly French-speaking district of which conflict with their duty to in Montreal. So far its violence mission in the fall to the Gradu­ jiu-ed on Rt. 7 In New Milford keep their operations and those of concluded Project Mercury, Coop­ a ac Uaaa> Montreal. Previous bombings early Saturday. has been confined to Quebec prov- ate School and University College, their members honest and via­ f ^ er replied that it was hls personal have been in predominantly Eng­ ble." opinion that great gain would lish-speaking dlstricU. (Oontlnued on Page Eight) (Continued on Page Seven) . come from an extended Mercury Wanted by Police At the same time, Goldberg said flight. ^ aHClIidty HARTFORD (A P) — The chief it was clear that there must be BuiM vw of the Hartford Detective Division some method of telling a protest­ Then he tossed the question to i) taQai said today there is an 18-State ing noiunember of the exchange Dr. Robert C. Seamans, associate administrator of the National Aer­ ir Bart Actress Jailed alarm out for the capture of E3d- "why a rule is being Invoked and t a wttd ward J. Austin, 4S, of Hartford. allowing him to reply In explana­ onautics and Space Administra­ iMJartcet Oapt. Thomas Hankard said tion of his position.” tion. ’a "Wida “ We are faced with a decision On Race Walk^ Austin is wanted in connection In New York, the stock ex­ iS (7 :30- with several incidents that oc­ change and three large members in the next week or so on another O ot 3B, curred here and in Winsted on had no immediate comment. Mercury flight,’’ Seamans said, Gets Applause Sunday. Justice Stewart dissented with but said it is quite unlikely an­ HanUard said Austin’s estranged an opinion In which Justice Har­ other Mercury manned mission wife, Adeline, was missing and lan joined, making the court’s will be conducted. ATTALLA, Ala. (AP) —As a prSbably was with Austin against vote 7-2. "The longer you keep Mercury V racial demonstrator, actress Ma­ her will. Stewart said the court’s answer personnel working on Mercury deleine Sherwood won applause According to police, Austin to the problem "is both unsatis­ flights, the longer you delay put­ • a l I from Negro spectators and a trip forced his wife and Luigi Sardelli, factory and incomplete.” ting them on the Gemini pro­ to an Alabama Jail with 10 other gram,” he said. 23, of 84 Oxford St., IMo his car Stewart protested that he c "Freedom Marchers.” after they emerged from the thought the court erred In using Tuesday the laconic Oklahoman They were arrested Sunday be­ Caithedral of St. Joseph Sunday the antitrust laws "to serve ends with the Huck Finn grin will re­ side U.S. 11 at the spot where morning. that they were never intended to Frog Lfcaps to Fame ceive the National Aeronatucs and Baltimore postman William L. He drove to Winsted where he serve—to enforce the court’s con­ Space Administration’s Distin­ “Repo” is the 1963 international frog jump champion after hop­ guished Service medal from Presi­ Moore was shot to death April 24. parked in the rear of the ’Tiffany cept of fair procedures under a ping 13 feet 4 Inches yesterday In the annual contest that has its Moore was walking to Jackson, and Pickett Lumiber Co., tied Sur- totally unrelated statute." dent Kennedy at a ceremony hi origin in Mark ’Twain’s famous short story. ‘"The celebrated the White House Rose Garden. Miss., where he hoped to present delli’s hanebs and feet with tape. Stewart and Harlan said they Jumping Frog of Calaveras County.” Here “ Repo” is urged on by hls integration views to Gov.
Recommended publications
  • Jim Hall's Comping On

    Jim Hall's Comping On

    Jim Hall’s Comping on “The Days of Wine and Roses” By Tim Fischer Many guitarists find themselves at a loss when first asked to take on the role of the sole harmonic instrument in a small jazz combo. Often times, jazz guitarists develop their comping as members of a big band rhythm section, where three-note chord voicings with the root in the bass and four quarter notes to the bar are stock- in-trade. This traditional style of rhythm guitar does not always transition well into the small jazz combo, and many guitarists without small group combo experience are left with questions about voicings, rhythms, and bal- ancing silence with interaction. Mastering accompaniment, like improvisation, is a life-long process and is best developed by studying the recordings and transcriptions of the master musicians. In this article, we will study guitar comping in the rhythm section by looking at Jim Hall’s accompaniment behind Art Farmer’s solo on the standard “The Days of Wine and Roses,” from Farmer’s 1963 album Interaction. Jim Hall helped popularize the use of the guitar as a valid replacement for the piano in the rhythm section through his sideman work with such high-profile artists as Sonny Rollins,Art Farmer, Paul Desmond, Chico Hamilton, and Jimmy Guiffre during the 50’s and 60’s. Often cited as the father of modern jazz guitar, Hall’s accompaniment style in each one of the aforementioned artists’ recordings details how Hall adapted to the musi- cal demands of each situation. As the album title states, the Art Farmer quartet of 1963 and 1964 was based on active interaction between its members, which also included Steve Swallow on upright bass and Walter Perkins on drums.
  • Jimmy Raney Thesis: Blurring the Barlines By: Zachary Streeter

    Jimmy Raney Thesis: Blurring the Barlines By: Zachary Streeter

    Jimmy Raney Thesis: Blurring the Barlines By: Zachary Streeter A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey In partial fulfillment of the requirements for the degree of Master of Jazz History and Research Graduate Program in Arts written under the direction of Dr. Lewis Porter and Dr. Henry Martin And approved by Newark, New Jersey May 2016 ©2016 Zachary Streeter ALL RIGHT RESERVED ABSTRACT Jimmy Raney Thesis: Blurring the Barlines By: Zach Streeter Thesis Director: Dr. Lewis Porter Despite the institutionalization of jazz music, and the large output of academic activity surrounding the music’s history, one is hard pressed to discover any information on the late jazz guitarist Jimmy Raney or the legacy Jimmy Raney left on the instrument. Guitar, often times, in the history of jazz has been regulated to the role of the rhythm section, if the guitar is involved at all. While the scope of the guitar throughout the history of jazz is not the subject matter of this thesis, the aim is to present, or bring to light Jimmy Raney, a jazz guitarist who I believe, while not the first, may have been among the first to pioneer and challenge these conventions. I have researched Jimmy Raney’s background, and interviewed two people who knew Jimmy Raney: his son, Jon Raney, and record producer Don Schlitten. These two individuals provide a beneficial contrast as one knew Jimmy Raney quite personally, and the other knew Jimmy Raney from a business perspective, creating a greater frame of reference when attempting to piece together Jimmy Raney.
  • Jazzletter Jujy 1936, VOI

    Jazzletter Jujy 1936, VOI

    Jazzletter Jujy 1936, VOI. 5 NO. 7 \ how much jazz had infused his playing. The miscegenation of Are You Reading jazz and hillbilly has longgone on in-Nashville. and some ofthe best of its players are at ease in both idioms. Someone Else’s Copy? Lenny Breau came up through country-and-western music. Each issue of The Underground Grammarian contains the his parents beingprofessionals in the field. and it was'Nashville above question. lt’s discouraging. in the struggle to keep a small that made him welcome. He is. like Garland,‘Carllile and Reed, publication alive. to hear someone say something like, “-1 just the result ofthejazz-country fusion, exceptythat Breau took it a love it. A friend sends me his copies when he’s through with step further and brought into his work the full range ofclassical them.” . A guitar technique. Chet Atkins was the first a&r man to givehim ' In publications supported by advertising. salesmen boast to his head, letting him record for RCAia milestone album in potential advertisers about how many people read each copy. which he showed 0-ff his startling. .for the time, jazz-classical and to the advertiser seeking exposure of his message. those ‘technique, Gene Bertoncini, who is ‘probably the best living figures have weight. He is less interested in how manyypeople exponent of jazz on the five-finger classical guitar. admires buy a periodical than in how many see it. An important Breau; but then you’ll search far to find a guitarist who doesn’t. phenomenon in periodical publishing is what is known as Lenny was a heroin addict.
  • Mike Ryan Collection, 1964-1997

    Mike Ryan Collection, 1964-1997

    99 Main Street, Haverhill, MA 01830 978-373-1586 ext. 642 http://www.haverhillpl.org/information-services/local-history-2/ Mike Ryan Collection, 1964-1997 Collection Summary Reference Code: MRQ, US. Repository: Special Collections, Haverhill Public Library, Haverhill, Massachusetts. Call Number: HG2.2.7 Creator: Haverhill Public Library Title: Mike Ryan Collection, 1964-1997 Dates: 1964-1997 Size: 1.0487 linear feet Language(s): Collection materials are in English. Abstract: Mike Ryan was born in Haverhill and would go on to become a major league baseball player for several times including the Boston Red Sox, Philadelphia Phillies, and Pittsburgh Pirates. He would spend 35 years in baseball, 27 in the majors. Biographical History Michael James Ryan was born on November 25, 1941 in Haverhill, Massachusetts. His father was John Ryan and his mother was Lorraine Ryan. John Ryan “worked as a foreman at a shoe factory in Haverhill owned by his brother Dan Ryan. Lorraine Ryan was a homemaker.”1 Mike has six siblings (five brothers and a sister). Mike came from an athletic family. His father was a tackle who nearly made the Boston Yanks of the National Football League and “His grandfather’s cousin Jack Ryan had been a major-league ballplayer, breaking in with Louisville of the old American Association in 1889. Jack Ryan later caught for the National League Boston Beaneaters from 1894 through 1896, and finished his playing career with the Washington Senators, appearing in one game in each of the 1912 and 1913 seasons”2 In addition, Paul Ryan, Mike’s uncle, was a minor league A ball pitcher.
  • How to Play in a Band with 2 Chordal Instruments

    How to Play in a Band with 2 Chordal Instruments

    FEBRUARY 2020 VOLUME 87 / NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
  • There Are Many Typical Duo Configurations – Piano and Bass

    There Are Many Typical Duo Configurations – Piano and Bass

    There are many typical duo configurations – piano and bass, piano and guitar, guitar and bass – and many outstanding duo recordings in the jazz archives, but the joining of Jim Hall on guitar and Bob Brookmeyer on valve trombone is far from typical. The challenges of performing in a jazz duo ensemble are tremendous, and the exposure is absolute — there's simply nowhere to hide. But that doesn't seem to bother these two, and they don't try to make it easy on themselves either. Sometimes duo partners do little more than accompany or comp for one another while swapping endless solos. Not Jim and Bob. Instead, in the true spirit of ensemble playing, both are equal partners in producing the music. They work together to lay down the melody, fill out the harmonies, and keep the rhythm, all the while applying their improvisational magic that makes it jazz. This particular performance was recorded live in 1979 at the North Sea Jazz Festival; it was part of a three-week European tour. Bob and Jim first worked together as a duo in 1978, just one year earlier, but their first collaborative experience together came twenty years before that, when Jim and Bob were both members of the Jimmy Giuffre Trio. “Giuffre’s idea was to have three linear instruments improvise collectively,” recalls Jim. “He believed it didn’t make any difference whether or not the group had bass or drums. He said the instruments should be able to keep time themselves. It was damn hard, but it was one of the most enlarging experiences I’ve had.” Despite that early experience, Bob says, "When we first had the idea of playing duo together, we were not at all sure that it would work.
  • Robert Glasper's In

    Robert Glasper's In

    ’s ION T T R ESSION ER CLASS S T RO Wynton Marsalis Wayne Wallace Kirk Garrison TRANSCRIP MAS P Brass School » Orbert Davis’ Mission David Hazeltine BLINDFOLD TES » » T GLASPE R JAZZ WAKE-UP CALL JAZZ WAKE-UP ROBE SLAP £3.50 £3.50 U.K. T.COM A Wes Montgomery Christian McBride Wadada Leo Smith Wadada Montgomery Wes Christian McBride DOWNBE APRIL 2012 DOWNBEAT ROBERT GLASPER // WES MONTGOMERY // WADADA LEO SmITH // OrbERT DAVIS // BRASS SCHOOL APRIL 2012 APRIL 2012 VOLume 79 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
  • 13. Cleveland Jazz Guitarists

    13. Cleveland Jazz Guitarists

    13. Cleveland Jazz Guitarists itariSts who grew up in still a teenager. He joined the leveland have been among musicians' union when he was 16. By Gthe most important and most 1940, when he was 17, he was playing acclaimed in jazz history. They all at parties and country clubs around drew their inspiration from the all­ Cleveland. "I played with band leaders time grand masters of jazz guitar, Clint Noble and Jack Horowitz," he Django Reinhardt and Charlie said, but he had bigger plans. Christian. "In 1941, I went to New York to become famous. My father borrowed Fred Sharp $50 on his life insurance policy and Anyone who was even a casual gave me the money to go. Joe Sharp listener ofjazz in Cleveland from the never had money at all. In New York, 1940s to the '80s probably heard I put in for my union card. You had to guitarist Fred Sharp. He played with stay six months to get your card and I some ofthe biggest names in jazz and went to the union floor every day and was the man Jim Hall credited as his started to get some club dates. The teacher. scale was $7 then for a club date, but In the mid-1930s, when Sharp was most everybody paid $4." growing up in the Glenville area of Courtesy of Fred Sharp When he was still in his teens, Fred Sharp and Babik Reinhardt, Cleveland and listening to music on Sharp remembered he almost starved the 23-year-old son of Sharp's the radio, the guitar, with a few guitar idol Ojango Reinhardt, in trying to become famous in New exceptions, was not a solo jazz voice, Paris in 1967 York.
  • Los Sesenta: Inquietudes Y Cambios

    Los Sesenta: Inquietudes Y Cambios

    LOS SESENTA: INQUIETUDES Y CAMBIOS “Los más importantes eventos y cambios sociales de los años sesenta –el 1. The Comics Since 1945, de Brian Walker (Harry N. Abrams, Inc, asesinato de Kennedy, la llegada a la Luna, la guerra en Vietnam, el movi- 2002), página XXX miento por los derechos civiles, la revolución cultural- fueron refl ejados en los cómics pero no inspiraron directamente creaciones de larga duración. Las 2 El concepto de Nueva Izquierda fue acuñado en Gran Bretaña a estrellas de las páginas de cómics no eran astronautas, hippies, activistas o fi nales de los años cincuenta, estrellas de rock”1. De nuevo reconozco que el historiador norteamericano tras la denuncia por parte de Nikita Khrushchev del culto a la de cómics Brian Walker tiene más razón que un santo. Y no será por temas a personalidad y los crímenes de tratar, que la década de los sesenta fue de las más moviditas en EE UU (vale, Josef Stalin. A raíz de ello, varios y en todo el mundo). A pesar de ello, en estos diez años las tiras de prensa re- miembros del Partido Comunista de Gran Bretaña formaron forzaron la intensidad crítica en aspectos sociales y cotidianos, amén del na- grupos troskistas o se unieron al cimiento de algunas series que el tiempo convertirá en clásicas o de aportar Partido Laborista, formando la “nueva izquierda”. Inicialmente originales fórmulas gráfi cas y temáticas. concentrados en una campaña por el desarme nuclear y la justicia La conmoción social y política de los sesenta en EE UU vendrá marcada global, sus componentes se opusieron a la estructura autoritaria 2 por tres ejes contestatarios básicos: el movimiento hippy, la Nueva Izquierda social del momento, reivindicando y el Movimiento Americano por los Derechos Civiles3.
  • 1964 Topps Baseball Checklist

    1964 Topps Baseball Checklist

    1964 Topps Baseball Checklist 1 Dick Ellswo1963 NL ERA Leaders Bob Friend Sandy Koufax 2 Camilo Pasc1963 AL ERA Leaders Gary Peters Juan Pizarro 3 Sandy Kouf1963 NL Pitching Leaders Jim Maloney Juan Marichal Warren Spahn 4 Jim Bouton1963 AL Pitching Leaders Whitey Ford Camilo Pascual 5 Don Drysda1963 NL Strikeout Leaders Sandy Koufax Jim Maloney 6 Jim Bunnin 1963 AL Strikeout Leaders Camilo Pascual Dick Stigman 7 Hank Aaron1963 NL Batting Leaders Roberto Clemente Tommy Davis Dick Groat 8 Al Kaline 1963 AL Batting Leaders Rich Rollins Carl Yastrzemski 9 Hank Aaron1963 NL Home Run Leaders Orlando Cepeda Willie Mays Willie McCovey 10 Bob Allison1963 AL Home Run Leaders Harmon Killebrew Dick Stuart 11 Hank Aaron1963 NL RBI Leaders Ken Boyer Bill White 12 Al Kaline 1963 AL RBI Leaders Harmon Killebrew Dick Stuart 13 Hoyt Wilhelm 14 Dick Nen Dodgers Rookies Nick Willhite 15 Zoilo Versalles Compliments of BaseballCardBinders.com© 2019 1 16 John Boozer 17 Willie Kirkland 18 Billy O'Dell 19 Don Wert 20 Bob Friend 21 Yogi Berra 22 Jerry Adair 23 Chris Zachary 24 Carl Sawatski 25 Bill Monbouquette 26 Gino Cimoli 27 New York Mets Team Card 28 Claude Osteen 29 Lou Brock 30 Ron Perranoski 31 Dave Nicholson 32 Dean Chance 33 Sammy EllisReds Rookies Mel Queen 34 Jim Perry 35 Eddie Mathews 36 Hal Reniff 37 Smoky Burgess 38 Jimmy Wynn 39 Hank Aguirre 40 Dick Groat 41 Willie McCoFriendly Foes Leon Wagner 42 Moe Drabowsky 43 Roy Sievers 44 Duke Carmel 45 Milt Pappas 46 Ed Brinkman 47 Jesus Alou Giants Rookies Ron Herbel 48 Bob Perry 49 Bill Henry 50 Mickey
  • 1965 Topps Baseball Checklist

    1965 Topps Baseball Checklist

    1965 Topps Baseball Checklist 1 Tony Oliva AL Batting Leaders Elston Howard Brooks Robinson 2 Roberto CleNL Batting Leaders Hank Aaron Rico Carty 3 Harmon Kil AL Home Run Leaders Mickey Mantle Boog Powell 4 Willie MaysNL Home Run Leaders Billy Williams Jim Ray Hart Orlando Cepeda Johnny Callison 5 Brooks RobAL RBI Leaders Harmon Killebrew Mickey Mantle Dick Stuart 6 Ken Boyer NL RBI Leaders Willie Mays Ron Santo 7 Dean ChancAL ERA Leaders Joe Horlen 8 Sandy KoufNL ERA Leaders Don Drysdale 9 Dean ChancAL Pitching Leaders Gary Peters Dave Wickersham Juan Pizarro Wally Bunker 10 Larry JacksoNL Pitching Leaders Ray Sadecki Juan Marichal 11 Al DowningAL Strikeout Leaders Dean Chance Camilo Pascual 12 Bob Veale NL Strikeout Leaders Don Drysdale Bob Gibson 13 Pedro Ramos 14 Len Gabrielson 15 Robin Roberts 16 Joe MorganRookie Stars, Rookie Card Compliments of BaseballCardBinders.com© 2019 1 Sonny Jackson 17 Johnny Romano 18 Billy McCool 19 Gates Brown 20 Jim Bunning 21 Don Blasingame 22 Charlie Smith 23 Bobby Tiefenauer 24 Minnesota Twins Team Checklist 25 Al McBean 26 Bobby Knoop 27 Dick Bertell 28 Barney Schultz 29 Felix Mantilla 30 Jim Bouton 31 Mike White 32 Herman FraManager 33 Jackie Brandt 34 Cal Koonce 35 Ed Charles 36 Bobby Wine 37 Fred Gladding 38 Jim King 39 Gerry Arrigo 40 Frank Howard 41 Bruce HowaRookie Stars Marv Staehle 42 Earl Wilson 43 Mike Shannon 44 Wade Blasi Rookie Card 45 Roy McMillan 46 Bob Lee 47 Tommy Harper 48 Claude Raymond 49 Curt BlefaryRookie Stars, Rookie Card John Miller 50 Juan Marichal 51 Billy Bryan 52 Ed Roebuck 53 Dick McAuliffe 54 Joe Gibbon 55 Tony Conigliaro 56 Ron Kline 57 St.
  • Dec 11 Cover.Qxd 11/5/2020 2:39 PM Page 1 Allall Starstar Cardscards Volumevolume 2828 Issueissue #5#5

    Dec 11 Cover.Qxd 11/5/2020 2:39 PM Page 1 Allall Starstar Cardscards Volumevolume 2828 Issueissue #5#5

    ASC080120_001_Dec 11 cover.qxd 11/5/2020 2:39 PM Page 1 AllAll StarStar CardsCards VolumeVolume 2828 IssueIssue #5#5 We are BUYING! See Page 92 for details Don’t Miss “Cyber­Monday” Nov. 30th!!! It’s Our Biggest Sale of theYear! (See page 7) ASC080120_001_Dec 11 cover.qxd 11/5/2020 2:39 PM Page 2 15074 Antioch Road To Order Call (800) 932-3667 Page 2 Overland Park, KS 66221 Mickey Mantle Sandy Koufax Sandy Koufax Willie Mays 1965 Topps “Clutch Home Run” #134 1955 Topps RC #123 Centered! 1955 Topps RC #123 Hot Card! 1960 Topps #200 PSA “Mint 9” $599.95 PSA “NM/MT 8” $14,999.95 PSA “NM 7” $4,999.95 PSA “NM/MT 8” Tough! $1,250.00 Lou Gehrig Mike Trout Mickey Mantle Mickey Mantle Ban Johnson Mickey Mantle 1933 DeLong #7 2009 Bowman Chrome 1952 Bowman #101 1968 Topps #280 1904 Fan Craze 1953 Bowman #59 PSA 1 $2,499.95 Rare! Auto. BGS 9 $12,500.00 PSA “Good 2” $1,999.95 PSA 8 $1,499.95 PSA 8 $899.95 PSA “VG/EX 4” $1,799.95 Johnny Bench Willie Mays Tom Brady Roger Maris Michael Jordan Willie Mays 1978 Topps #700 1962 Topps #300 2000 Skybox Impact RC 1958 Topps RC #47 ‘97-98 Ultra Star Power 1966 Topps #1 PSA 10 Low Pop! $999.95 PSA “NM 7” $999.95 Autographed $1,399.95 SGC “NM 7” $699.95 PSA 10 Tough! $599.95 PSA “NM 7” $850.00 Mike Trout Hank Aaron Hank Aaron DeShaun Watson Willie Mays Gary Carter 2011 Bowman RC #101 1954 Topps RC #128 1964 Topps #300 2017 Panini Prizm RC 1952 Bowman #218 1981 Topps #660 PSA 10 - Call PSA “VG/EX 4” $3,999.95 PSA “NM/MT 8” $875.00 PSA 10 $599.95 PSA 3MK $399.95 PSA 10 $325.00 Tough! ASC080120_001_Dec 11 cover.qxd