2019 Harry Potter and the Goblet of Fire™ in Concert
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Blockbusters: Films and the Books About Them Display Maggie Mason Smith Clemson University, [email protected]
Clemson University TigerPrints Presentations University Libraries 5-2017 Blockbusters: Films and the Books About Them Display Maggie Mason Smith Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/lib_pres Part of the Library and Information Science Commons Recommended Citation Mason Smith, Maggie, "Blockbusters: Films and the Books About Them Display" (2017). Presentations. 105. https://tigerprints.clemson.edu/lib_pres/105 This Display is brought to you for free and open access by the University Libraries at TigerPrints. It has been accepted for inclusion in Presentations by an authorized administrator of TigerPrints. For more information, please contact [email protected]. Blockbusters: Films and the Books About Them Display May 2017 Blockbusters: Films and the Books About Them Display Photograph taken by Micki Reid, Cooper Library Public Information Coordinator Display Description The Summer Blockbuster Season has started! Along with some great films, our new display features books about the making of blockbusters and their cultural impact as well as books on famous blockbuster directors Spielberg, Lucas, and Cameron. Come by Cooper throughout the month of May to check out the Star Wars series and Star Wars Propaganda; Jaws and Just When you thought it was Safe: A Jaws Companion; The Dark Knight trilogy and Hunting the Dark Knight; plus much more! *Blockbusters on display were chosen based on AMC’s list of Top 100 Blockbusters and Box Office Mojo’s list of All Time Domestic Grosses. - Posted on Clemson University Libraries’ Blog, May 2nd 2017 Films on Display • The Amazing Spider-Man. Dir. Marc Webb. Perf. Andrew Garfield, Emma Stone, Rhys Ifans. -
Press Release 23/5/2018
THE KARLOVY VARY FESTIVAL TO HONOR ACADEMY AWARD-WINNING DIRECTOR BARRY LEVINSON At this year’s Karlovy Vary festival, screenwriter-producer-director Barry Levinson, who won an Academy Award for Rain Man, will accept the Crystal Globe for Outstanding Artistic Contribution to World Cinema. The Karlovy Vary festival continues its tradition of recognizing the most important personalities of world cinema, the likes of which include directors William Friedkin, Jerry Schatzberg, and Ken Loach, and screenwriter Paul Laverty. In his writing and directing capacity, Academy Award winner and five-time nominee Barry Levinson deftly combines personal stories with an often satirical look at society, and his movies have fundamentally influenced numerous young filmmakers. Barry Levinson established himself as a writer of successful television shows. With his onetime wife, Valerie Curtin, he then wrote the movie script for Norman Jewison’s courtroom drama …and justice for all (1979), which brought them an Oscar nomination. He debuted as a director with the comedy-drama Diner (1982), receiving his second Oscar nomination for the script. Ivan Král, a Czech musician based in the US, co- wrote the film music. Subsequent titles confirmed his reputation with critics and audiences: The Natural (1984) with Robert Redford, Tin Men (1987) with Richard Dreyfuss and Danny DeVito, and Good Morning, Vietnam (1987) with Robin Williams. This year marks the 30th anniversary of the legendary picture Rain Man (1988), awarded four Oscars (e.g. Best Director for Barry Levinson) and numerous other honors, including the Golden Bear at the Berlinale and the David di Donatello for Best Foreign Film. -
Invented Worlds
THE WIZARD OF OZ 1939, Victor Fleming Invented Worlds > This beloved classic hails from the peak of Hollywood’s Golden Age, 1939, and By Steve Chagollan was directed by the no-nonsense Victor Fleming—who also helmed Gone With the Wind, released that same year. The film’s blend of realism and fantasy is still OLLYWOOD HAS OFTEN been referred to as a fantasy striking to this day, especially the transition from Dorothy’s sepia-toned Kansas to the factory—a place where both reality and make-believe Technicolor brilliance of Oz. Sixty-five sets were constructed over six sound stages are plumbed from the vast recesses of the filmmakers’ at MGM for the effort, and the quest for perfection was so arduous it took the art imaginations. But when directors delve into literal fantasy department a week to settle on the proper and futurism, that imagination is allowed to run truly wild. shade of yellow for the Yellow Brick Road. Fleming told the film’s producer, Mervyn There have been countless milestones over the years that LeRoy, that he wanted to make “a picture that searched for beauty and decency and point to the medium’s ability to transport us to worlds that love in the world.” H only exist in the movies; here are a few choice examples. 68 DGA QUARTERLY PHOTOS: (ABOVE) AMPAS; (RIGHT) PHOTOFEST DGA QUARTERLY 69 BLADE RUNNER (1982), Ridley Scott > It’s hard to believe we’ve caught up with the time frame, 2019, in which Ridley Scott transformed Los Angeles into what he termed a near-future, “mul- tinational megalopolis,” where a rogue group of synthetic humans, known as replicants, are tracked down by a world-weary cop played by Harrison FORBIDDEN Ford. -
Film As Text: Reading Hamlet Breen O’Reilly
Film as Text: Reading Hamlet Breen O’Reilly First published on Academia.org An analysis of how different film directors use the language of film to create different interpretations of the same material is a great way to build the skills required for your DP Film Textual Analysis and Comparative Study. Students of DP Language and Literature can apply these ideas to their Visual Literacy comparative analysis. View this on Academia.org: https://www.academia.edu/37576209/Film_as_Text_HAMLET_Breen_OReilly_201 1 One of the great ways to hone your film analysis skills is to examine how different directors handle the same scene, either as an interpretation of a scene from literature or as a re-make of an earlier film. Re-makes often allow you to examine an updating of the original socio-cultural context – something you need to include in your textual analysis and comparative study. William Shakespeare’s Hamlet has been adapted for the screen over 40 times, and each interpretation allows film directors, art directors and screenwriters to bring their own creative touches to this classic tragedy. By examining the filmic presentation of a single soliloquy from the play, we can see how different directors use the language of film to bring different meaning to Shakespeare’s text. The iconic “To be or not to be” soliloquy contains the lines with which a movie audience is probably most familiar. As a student examining these three adaptations by Lawrence Olivier (1948), Franco Zeffirelli (1990), and Kenneth Brannagh (1996), you should focus on “the usual suspects” of film language analysis: camera movement, camera angles, setting, sound design, script, costume and composition. -
Christopher Fairbank
CHRISTOPHER FAIRBANK Film: Zygielbojm's Death Adam Ryszard Brylski Wytwornia Filmow The Show Patsy Bleaker Mitch Jenkins The Show The Fight Frank Jessica Hynes Unstoppable Entertainment Walk Like a Panther Lesley Beck Dan Cadan Fox International Productions Viy 2: Journey to China: Grey Oleg Stepchenko C T B Film Company Papillon Jean Castili Michael Noer Bleeker Street Media Lady Macbeth Boris William Oldroyd Sixty Six Pictures Guardian of the Galaxy The Broker James Gunn Marvel Studios Hercules Gryza Brett Ratner MGM Orthodox Goldberg David Leon Zeitgeist Films Writers Retreat Nigel Diego Rocha MoliFilms Entertainment Boogeyman 4 Franklin / Skinner Jeffrey Lando UFO Films Jack the Giant Slayer Uncle Bryan Singer Red Lion Films Ltd Pirates of the Caribbean 4 Ezekiel Rob Marshall Walt Disney Little Deaths X Andrew Parkinson Almost Midnight Productions Mindflesh Verdain Robert Pratten Zen Films Flushed Away Thimblenose Ted/ Cockroach David Bowers, Sam Fell Aardman Animations Almost Heaven Teapot Ted Shell Pearcey Almost Heaven Productions Cargo Ralph Clive Gordon Slate Films Goal! Foghorn Danny Cannon Goal Productions Below Pappy David Twohy Dimension Films The Bunker Sgt. Heydrich Rob Green Millenium Pictures The Fifth Element Prof. Mactilburgh Luc Bresson Zaltman Films Aliens I I I Murphy David Fincher C20 Fox Hamlet Player Queen Franco Zefferelli Marquis Films White Hunter Black Heart Tom Harrison Clint Eastwood Warner Bros Batman Nick Derelict Tim Burton Warner Bros Venus Peter Blindman Ian Sellar British Film Institute Hanna's War -
Theaters 3 & 4 the Grand Lodge on Peak 7
The Grand Lodge on Peak 7 Theaters 3 & 4 NOTE: 3D option is only available in theater 3 Note: Theater reservations are for 2 hours 45 minutes. Movie durations highlighted in Orange are 2 hours 20 minutes or more. Note: Movies with durations highlighted in red are only viewable during the 9PM start time, due to their excess length Title: Genre: Rating: Lead Actor: Director: Year: Type: Duration: (Mins.) The Avengers: Age of Ultron 3D Action PG-13 Robert Downey Jr. Joss Whedon 2015 3D 141 Born to be Wild 3D Family G Morgan Freeman David Lickley 2011 3D 40 Captain America : The Winter Soldier 3D Action PG-13 Chris Evans Anthony Russo/ Jay Russo 2014 3D 136 The Chronicles of Narnia: The Voyage of the Dawn Treader 3D Adventure PG Georgie Henley Michael Apted 2010 3D 113 Cirque Du Soleil: Worlds Away 3D Fantasy PG Erica Linz Andrew Adamson 2012 3D 91 Cloudy with a Chance of Meatballs 2 3D Animation PG Ana Faris Cody Cameron 2013 3D 95 Despicable Me 3D Animation PG Steve Carell Pierre Coffin 2010 3D 95 Despicable Me 2 3D Animation PG Steve Carell Pierre Coffin 2013 3D 98 Finding Nemo 3D Animation G Ellen DeGeneres Andrew Stanton 2003 3D 100 Gravity 3D Drama PG-13 Sandra Bullock Alfonso Cuaron 2013 3D 91 Hercules 3D Action PG-13 Dwayne Johnson Brett Ratner 2014 3D 97 Hotel Transylvania Animation PG Adam Sandler Genndy Tartakovsky 2012 3D 91 Ice Age: Continetal Drift 3D Animation PG Ray Romano Steve Martino 2012 3D 88 I, Frankenstein 3D Action PG-13 Aaron Eckhart Stuart Beattie 2014 3D 92 Imax Under the Sea 3D Documentary G Jim Carrey Howard Hall -
Embargoed Until Announced at the Ceremony on Sunday 14 February 2016
EMBARGOED UNTIL ANNOUNCED AT THE CEREMONY ON SUNDAY 14 FEBRUARY 2016 JOHN BOYEGA WINS THE EE RISING STAR AWARD AT THE EE BRITISH ACADEMY FILM AWARDS IN 2016 The Star Wars actor tops the public vote The EE Rising Star Award is the only one at the EE British Academy Film Awards to be voted for by the public The other 2016 nominees were: Taron Egerton, Brie Larson, Dakota Johnson and Bel Powley Last year’s EE Rising Star Award winner, Jack O’Connell presented this year’s award Previous winners include Will Poulter, Tom Hardy, Kristen Stewart, Noel Clarke, Eva Green and James McAvoy London, Sunday 14 February 2016: EE is proud to announce John Boyega as the winner of the EE Rising Star Award in 2016. The EE Rising Star Award is the only publicly-voted award presented at the EE British Academy Film Awards, and a hotly contested accolade for up and coming acting talent. Boyega was one of five international actors nominated for their exceptional talent and recognised as a true star in the making. The other nominees were: Taron Egerton, Brie Larson, Dakota Johnson and Bel Powley. JOHN BOYEGA was cast as the lead role in Star Wars: Episode VII – The Force Awakens, which premiered at the end of last year. Boyega had his screen debut in the critically acclaimed BBC series, Becoming Human, where he starred as Danny Curtis the school bully in four episodes. His first foray into feature films was playing the lead in cult sci-fi film, Attack the Block, which opened SXSW in 2011, collecting a plethora of international awards. -
CHAPTER I INTRODUCTION A. Background of the Study Love In
CHAPTER I INTRODUCTION A. Background of the Study Love in the Time of Cholera is a film that was directed by England director, Mike Newell, which in screen writer is Ronald Harwood and Gabriel Garcia Marquez, then producer by Scott Steindorff and editor by Mick Audsley. It was released in November 16, 2007 in English and there is some filming location at Cartagena (Colombia), London (UK) and Twickenham Film Studios, England (UK). Information about box office from imdb.com that budget Love in the Time of Cholera movie $45,000,000 (estimated) while in opening weekend $1,924,860 (USA) 852 screens and RUR 346,488 (Russia) 3 screens. The category of this film is drama romance in 139 minute of duration of this film. Love in the Time of Cholera was production by New Line Cinema, Stone Village Pictures, Grosvenor Park Media. Mike Newell is one of famous director. Mike Newell was born on March 28, 1942 in St. Albans, Hertfordshire, England. He was raised the son of amateur actors who exposed him early in life to the theatrical world. After receiving his education from St. Albans School, he attended the University of Cambridge, where he majored in English. Following his graduation in the early 1960s, Newell joined Granada Television as a 1 2 production trainee and spent a few years learning his craft with the intention of entering the theatre world. Instead he begin directing television helming the gangster series “Spindoe” (ITV, 1968) and the crime serial “Big Breadwinner Hog” (ITV, 1969) along with fellow director Michael Apted. -
SEAGER Chris
McKinney Macartney Management Ltd NICK SHUTTLEWORTH – 1st Assistant Director WATCHMEN Directors: Nicole Kassell, Steph Green, Andrij Parekh and Stephen Williams. Producer: Darin McLeod Starring: Regina King, Jeremy Irons and Don Johnson. DC Comics / HBO. HIS HOUSE Director: Remi Weekes. Producers: Martin Gentles, Ed King, Roy Lee. Starring: Matt Smith, Javier Botet and Wunmi Mosaku New Regency Pictures DAS BOOT Director: Andreas Prochaska. Producer: Holger Reibiger. Starring: Lizzy Caplan, Tom Wlaschiha and Ricky Okon Bavara Fiction / Stillking Films / Sky KING LEAR Director: Richard Eyre. Producer: Noëlette Buckley. Starring: Anthony Hopkins and Emma Thompson. BBC / Sonia Friedman Productions / Playground Television. DOMINO Director: Brian De Palma. Producers: Malene Blenkov, Jacqueline de Goeij, Anotnio P. Pérez and Michel Schønnemann. Starring: Nikolaj Coster-Waldau, Carice van Houren and Younes Bachir. Backup Films. ALL THE DEVIL’S MEN (2nd Unit) Director: Matthew Hope. Producer: Amory Leader. Starring: Milo Gibson, William Fichtner, Silvia Hoeks and Gbenga Akinnagbe. Gateway Films Ltd. CROOKED HOUSE (2nd Unit) Director: Gilles Paquet-Brenner Producers: Joseph Abrams and James Spring. Starring: Christina Hendricks, Gillian Anderson, Max Irons and Glenn Close. Gable House, 18 – 24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 Fax: 020 8995 2414 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 NICK SHUTTLEWORTH Contd … 2 KILLING JESUS Director: Chris Menaul. Producers: David W. Zucker, Aidan Elliott and Mark Huffam. Starring: Kelsey Grammer, Rufus Sewell and Eoin Macken. Bounder & Cad. GLANCE (Short) Dirertor: Conkerco. Producer: Mark Whittow-Williams. Academy Films. FRIDAY (Short) Director: Seb Edwards. Producer: Dominic Thomas. Academy Films. 2nd AD JASON BOURNE (Key 2nd AD) Director: Paul Greengrass. -
The Film Music Label Partners with the Golden State Pops Orchestra for Another 'Music of the 'Star Wars' Universe' Concert
7:20 PM PDT 6/19/2013 by Austin Siegemund-Broka The Golden State Pops Orchestra The film music label partners with the Golden State Pops Orchestra for another 'Music of the 'Star Wars' Universe' concert. Film music label Varèse Sarabande Records is celebrating its 35th anniversary at home and abroad. The Golden State Pops Orchestra’s June 15 concert Music of the 'Star Wars' Universe commemorated the milestone with a performance of Joel McNeely’s score, released on Varèse, for the 1996 multimedia project Star Wars: Shadows of the Empire, alongside pieces from John Williams’ iconic Star Wars film scores -- not released on Varèse, though the label has distributed other orchestras’ renditions of Williams’ Star Wars compositions. Hans Zimmer, Danny Elfman, Michael Giacchino, John Powell and other guest composers came out for the GSPO’s previous concert, a Varèse Sarabande 35th anniversary revue on May 11. Varèse executive producer Robert Townson, who hosted the revue, says he opted to work with the GSPO to bring Varèse’s anniversary festivities back to the label’s Los Angeles roots. “I sent an email to the conductor and said, ‘we’d like to do something locally. To be honest, your orchestra came to mind because of the attitude and the degree to which you’re making a point of celebrating the aspects of film music I really appreciate, the artistry,’” Townson says. Two more concerts will partner the GSPO with Varèse: the orchestra’s annual Halloween and winter holiday performances, held October 19 and December 21. Plans for a single revue concert grew into a yearlong Varèse celebration when GSPO conductor Steven Allen Fox realized how much Varèse-released music was already on the GSPO season’s programs. -
100% Print Rights Administered by ALFRED 633 SQUADRON MARCH
100% Print Rights administered by ALFRED 633 SQUADRON MARCH (Excluding Europe) Words and Music by RON GOODWIN *A BRIDGE TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS A CHANGE IS GONNA COME (from “ Malcolm X”) Words and Music by SAM COOKE A CHI (HURT) (Excluding Europe) Words and Music by JIMMIE CRANE and AL JACOBS A CHICKEN AIN’T NOTHING BUT A BIRD Words and Music by EMMETT ‘BABE’ WALLACE A DARK KNIGHT (from “ The Dark Knight ”) Words and Music by HANS ZIMMER and JAMES HOWARD A HARD TEACHER (from “ The Last Samurai ”) Words and Music by HANS ZIMMER A JOURNEY IN THE DARK (from “ The Lord of the Rings: The Fellowship of the Ring”) Music by HOWARD SHORE Lyrics by PHILIPPA BOYENS A MOTHER’S PRAYER (from “ Quest for Camelot ”) Words and Music by CAROLE BAYER SAGER and DAVID FOSTER *A WINDOW TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS ACCORDION JOE Music by CORNELL SMELSER Lyrics by PETER DALE WIMBROW ACES HIGH MARCH (Excluding Europe) Words and Music by RON GOODWIN AIN'T GOT NO (Excluding Europe) Music by GALT MACDERMOT Lyrics by JAMES RADO and GEROME RAGNI AIN’T MISBEHAVIN’ (from “ Ain’t Misbehavin’ ) (100% in Scandinavia, including Finland) Music by THOMAS “FATS” WALLER and HARRY BROOKS Lyrics by ANDY RAZAF ALL I DO IS DREAM OF YOU (from “ Singin’ in the Rain ”) (Excluding Europe) Music by NACIO HERB BROWN Lyrics by ARTHUR FREED ALL TIME HIGH (from “ Octopussy ”) (Excluding Europe) Music by JOHN BARRY Lyrics by TIM RICE ALMIGHTY GOD (from “ Sacred Concert No. -
The Last Laugh
THE LAST LAUGH A Tangerine Entertainment Production A film by Ferne Pearlstein Featuring: Mel Brooks, Carl Reiner, Sarah Silverman, Robert Clary, Rob Reiner, Susie Essman, Harry Shearer, Jeffrey Ross, Alan Zweibel, Gilbert Gottfried, Judy Gold, Larry Charles, David Steinberg, Abraham Foxman, Lisa Lampanelli, David Cross, Roz Weinman, Klara Firestone, Elly Gross, Deb Filler, Etgar Keret, Shalom Auslander, Jake Ehrenreich, Hanala Sagal and Renee Firestone Directed, Photographed and Edited by: Ferne Pearlstein Written by: Ferne Pearlstein and Robert Edwards Produced by: Ferne Pearlstein and Robert Edwards, Amy Hobby and Anne Hubbell, Jan Warner 2016 / USA / Color / Documentary / 85 minutes / English For clips, images, and press materials, please visit our DropBox: http://bit.ly/1V7DYcq U.S. Sales Contacts Publicity Contacts [email protected] / 212 625-1410 [email protected] Dan Braun / Submarine Janice Roland / Falco Ink Int’l Sales Contacts [email protected] [email protected] / 212 625-1410 Shannon Treusch / Falco Ink Amy Hobby / Tangerine Entertainment THE LAST LAUGH “The Holocaust itself is not funny. There's nothing funny about it. But survival, and what it takes to survive, there can be humor in that.” -Rob Reiner, Director “I am…privy to many of the films that are released on a yearly basis about the Holocaust. I cannot think of one project that has taken the approach of THE LAST LAUGH. THE LAST LAUGH dispels the notion that there is nothing new to say or to reveal on the subject because this aspect of survival is one that very few have explored in print and no one that I know of has examined in a feature documentary.” -Richard Tank, Executive Director at the Simon Wiesenthal Center SHORT SYNOPSIS THE LAST LAUGH is a feature documentary about what is taboo for humor, seen through the lens of the Holocaust and other seemingly off-limits topics, in a society that prizes free speech.