The Social Network
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Transcript of Proceedings Held on 06/23/08, Before Judge Ware. Court
The Facebook, Inc. v. Connectu, LLC et al Doc. 474 1 IN THE UNITED STATES DISTRICT COURT 2 FOR THE NORTHERN DISTRICT OF CALIFORNIA 3 SAN JOSE DIVISION 4 5 THE FACEBOOK, INC., ) C-07-01389-JW ) 6 PLAINTIFF, ) JUNE 23, 2008 ) UNSEALED AND REDACTED BY 7 V. ) SEALED ) THE COURT 8 CONNECTU, LLC, ET AL., ) PAGES 1-79 ) 9 DEFENDANTS. ) _______________________ ) 10 11 THE PROCEEDINGS WERE HELD BEFORE 12 THE HONORABLE UNITED STATES DISTRICT 13 JUDGE JAMES WARE 14 A P P E A R A N C E S: 15 FOR THE PLAINTIFF: ORRICK, HERRINGTON & SUTCLIFFE BY: I. NEEL CHATTERJEE 16 MONTE M.F. COOPER SUSAN D. RESLEY 17 1000 MARSH ROAD MENLO PARK, CALIFORNIA 94025 18 19 FOR THE DEFENDANTS: BOIES, SCHILLER & FLEXNER BY: DAVID A. BARRETT 20 EVAN ANDREW PARKE STEVEN C. HOLTZMAN 21 575 LEXINGTON AVENUE 7TH FLOOR 22 NEW YORK, NEW YORK 10022 23 (APPEARANCES CONTINUED ON THE NEXT PAGE.) 24 OFFICIAL COURT REPORTER: IRENE RODRIGUEZ, CSR, CRR 25 CERTIFICATE NUMBER 8074 1 U.S. COURT REPORTERS Dockets.Justia.com 1 A P P E A R A N C E S: (CONT'D) 2 3 FOR THE DEFENDANTS: FINNEGAN, HENDERSON, FARABOW, GARRETT & DUNNER 4 BY: SCOTT R. MOSKO JOHN F. HORNICK 5 STANFORD RESEARCH PARK 3300 HILLVIEW AVENUE 6 PALO ALTO, CALIFORNIA 94304 7 FENWICK & WEST BY: KALAMA LUI-KWAN 8 555 CALIFORNIA STREET 12TH FLOOR 9 SAN FRANCISCO, CALIFORNIA 94104 10 11 ALSO PRESENT: BLOOMBERG NEWS BY: JOEL ROSENBLATT 12 PIER 3 SUITE 101 13 SAN FRANCISCO, CALIFORNIA 94111 14 THE MERCURY NEWS 15 BY: CHRIS O'BRIEN SCOTT DUKE HARRIS 16 750 RIDDER PARK DRIVE SAN JOSE, CALIFORNIA 94190 17 18 THE RECORDER BY: ZUSHA ELINSON 19 10 UNITED NATIONS PLAZA SUITE 300 20 SAN FRANCISCO, CALIFORNIA 94102 21 CNET NEWS 22 BY: DECLAN MCCULLAGH 1935 CALVERT STREET, NW #1 23 WASHINGTON, DC 20009 24 25 2 U.S. -
Administration of Barack Obama, 2015 Remarks at the CEO Summit of the Americas in Panama City, Panama April 10, 2015
Administration of Barack Obama, 2015 Remarks at the CEO Summit of the Americas in Panama City, Panama April 10, 2015 Well, thank you, Luis. First of all, let me not only thank you but thank our host and the people of Panama, who have done an extraordinary job organizing this summit. It is a great pleasure to be joined by leaders who I think have done extraordinary work in their own countries. And I've had the opportunity to work with President Rousseff and Peña Nieto on a whole host of regional, international, and bilateral issues and very much appreciate their leadership. And clearly, President Varela is doing an outstanding job here in Panama as well. A lot of important points have already been made. Let me just say this. When I came into office, in 2009, obviously, we were all facing an enormous economic challenge globally. Since that time, both exports from the United States to Latin America and imports from Latin America to the United States have gone up over 50 percent. And it's an indication not only of the recovery that was initiated—in part by important policies that were taken and steps that were taken in each of the countries in coordination through mechanisms like the G–20—but also the continuing integration that's going to be taking place in this hemisphere as part of a global process of integration. And I'll just point out some trends that I think are inevitable. One has already been mentioned: that global commerce, because of technology, because of logistics, it is erasing the boundaries by which we think about businesses not just for large companies, but also for small and medium-sized companies as well. -
Siff Announces Full Lineup for 40Th Seattle
5/1/2014 ***FOR IMMEDIATE RELEASE*** Full Lineup Announced for 40th Seattle International Film Festival FOR IMMEDIATE RELEASE Press Contact, SIFF Rachel Eggers, PR Manager [email protected] | 206.315.0683 Contact Info for Publication Seattle International Film Festival www.siff.net | 206.464.5830 SIFF ANNOUNCES FULL LINEUP FOR 40TH SEATTLE INTERNATIONAL FILM FESTIVAL Elisabeth Moss & Mark Duplass in "The One I Love" to Close Fest Quincy Jones to Receive Lifetime Achievement Award Director Richard Linklater to attend screening of "Boyhood" 44 World, 30 North American, and 14 US premieres Films in competition announced SEATTLE -- April 30, 2014 -- Seattle International Film Festival, the largest and most highly attended festival in the United States, announced today the complete lineup of films and events for the 40th annual Festival (May 15 - June 8, 2014). This year, SIFF will screen 440 films: 198 features (plus 4 secret films), 60 documentaries, 14 archival films, and 168 shorts, representing 83 countries. The films include 44 World premieres (20 features, 24 shorts), 30 North American premieres (22 features, 8 shorts), and 14 US premieres (8 features, 6 shorts). The Festival will open with the previously announced screening of JIMI: All Is By My Side, the Hendrix biopic starring Outkast's André Benjamin from John Ridley, Oscar®-winning screenwriter of 12 Years a Slave, and close with Charlie McDowell's twisted romantic comedy The One I Love, produced by Seattle's Mel Eslyn and starring Elisabeth Moss and Mark Duplass. In addition, legendary producer and Seattle native Quincy Jones will be presented with a Lifetime Achievement Award at the screening of doc Keep on Keepin' On. -
Classic Noir Pdf, Epub, Ebook
LA CONFIDENTIAL: CLASSIC NOIR PDF, EPUB, EBOOK James Ellroy | 496 pages | 02 Jun 2011 | Cornerstone | 9780099537885 | English | London, United Kingdom La Confidential: Classic Noir PDF Book Both work for Pierce Patchett, whose Fleur-de-Lis service runs prostitutes altered by plastic surgery to resemble film stars. It's paradise on Earth Best Sound. And while Mickey Cohen was certainly a major player in the LA underworld, the bigger, though less famous, boss was Jack Dragna , who took over mob business after the murder of Bugsy Siegel in Confidential is a film-noir-inspired mystery in vivid colour. Exclusive Features. When for example, did film noir evolve into neo-noir, and what exactly constitutes neo-noir? The film's look suggests how deep the tradition of police corruption runs. The tortured relationship between the ambitious straight-arrow Det. The title refers to the s scandal magazine Confidential , portrayed in the film as Hush-Hush. Confidential Milchan was against casting "two Australians" in the American period piece Pearce wryly noted in a later interview that while he and Crowe grew up in Australia, he is British by birth, while Crowe is a New Zealander. Director Vincente Minnelli. For Myers, that meant working one-on-one with actors to find looks that both evoked the era and allowed audiences to form a meaningful connection with the characters. One of the film's backers, Peter Dennett, was worried about the lack of established stars in the lead roles, but supported Hanson's casting decisions, and the director had the confidence also to recruit Kevin Spacey , Kim Basinger and Danny DeVito. -
Here Are Patrick Bet-David's Picks for the Top 10 Movies for Entrepreneurs
Here are Patrick Bet-David’s picks for the top 10 movies for Entrepreneurs. You may also want to check out the video that this PDF is based on. Enjoy! If you ask my friends that go and watch movies with me, they’d tell you one thing. Sixty percent of the time, I walk out of the movie. I literally get up and walk out of the movie. I don’t know anyone that walks out of movies more than I do, because I don’t like to waste my time watching a movie without a point to it, and you can’t keep my attention if there’s no point. To me, watching a movie is like reading a book for two hours. Give me a message! Move me! Tap into my emotions! I want to FEEL it. I would never walk out on the movies that I talk about in this video. They are worth your time, and if you’re an entrepreneur, each of them has a message for you. 1 Page #10: The Social Network Many of you have probably watched The Social Network. It tells a very, very good story of Mark Zuckerberg who built Facebook, and what he went through when during that time. It demonstrates what you’re capable of building when you put your minds together with other like-minded people. But it also talks about the darker side. Listen here, to learn about some of those things. Another important thing to keep in mind as you watch this movie is that Zuckerberg wasn’t the visionary. -
Mark Zuckerberg I'm Glad We Got a Chance to Talk Yesterday
Mark Zuckerberg I'm glad we got a chance to talk yesterday. I appreciate the open style you have for working through these issues. It makes me want to work with you even more. I was th inking about our conversation some more and wanted to share a few more thoughts. On the thread about lnstagram joining Facebook, I'm really excited about what we can do to grow lnstagram as an independent brand and product while also having you take on a major leadership role within Facebook that spans all of our photos products, including mobile photos, desktop photos, private photo sharing and photo searching and browsing. This would be a role where we'd be working closely together and you'd have a lot of space to shape the way that the vast majority of the workd's photos are shared and accessed. We have ~300m photos added daily with tens of billions already in the system. We have almost 1O0m mobile photos a day as well and it's growing really quickly -- and that's without us releasing and promoting our mobile photos product yet. We also have a lot of our infrastructure built p around storing and serving photos, querying them, etc which we can do some amazing things with . Overall I'm really excited about what you'd be able to do with this and what we could do together. One thought I had on this is that it might be worth you spending some time with.to get a sense for the impact you could have here and the value of using all of the infrastructure that we've built up rather than having to build everything from scratch at a startup. -
Social Network
DEADLINE.com FROM THE BLACK WE HEAR-- MARK (V.O.) Did you know there are more people with genius IQ’s living in China than there are people of any kind living in the United States? ERICA (V.O.) That can’t possibly be true. MARK (V.O.) It is. ERICA (V.O.) What would account for that? MARK (V.O.) Well, first, an awful lot of people live in China. But here’s my question: FADE IN: INT. CAMPUS BAR - NIGHT MARK ZUCKERBERG is a sweet looking 19 year old whose lack of any physically intimidating attributes masks a very complicated and dangerous anger. He has trouble making eye contact and sometimes it’s hard to tell if he’s talking to you or to himself. ERICA, also 19, is Mark’s date. She has a girl-next-door face that makes her easy to fall for. At this point in the conversation she already knows that she’d rather not be there and her politeness is about to be tested. The scene is stark and simple. MARK How do you distinguish yourself in a population of people who all got 1600 on theirDEADLINE.com SAT’s? ERICA I didn’t know they take SAT’s in China. MARK They don’t. I wasn’t talking about China anymore, I was talking about me. ERICA You got 1600? MARK Yes. I could sing in an a Capella group, but I can’t sing. 2. ERICA Does that mean you actually got nothing wrong? MARK I can row crew or invent a 25 dollar PC. -
La Protección De La Intimidad Y Vida Privada En Internet La Integridad
XIX Edición del Premio Protección de Datos Personales de Investigación de la Agencia Española de Protección de Datos PREMIO 2015 Las redes sociales se han convertido en una herramienta de comu- nicación y contacto habitual para millones de personas en todo el La protección de la intimidad mundo. De hecho, se calcula que más de un 75% de las personas Amaya Noain Sánchez que se conectan habitualmente a Internet cuentan con al menos un y vida privada en internet: la perfil en una red social. La autora plantea en el texto si las empre- sas propietarias de estos servicios ofrecen una información sufi- integridad contextual y los flujos de ciente a los usuarios sobre qué datos recogen, para qué los van a información en las redes sociales utilizar y si van a ser cedidos a terceros. En una reflexión posterior, propone como posibles soluciones el hecho de que estas empresas (2004-2014) pudieran implantar directrices técnicas compartidas y una adapta- ción normativa, fundamentalmente con la privacidad desde el di- seño, la privacidad por defecto y el consentimiento informado. Así, Amaya Noain Sánchez el resultado sería un sistema de información por capas, en el que el usuario fuera conociendo gradualmente las condiciones del trata- miento de su información personal. Este libro explica el funcionamiento de una red social, comenzan- do por la creación del perfil de usuario en el que se suministran datos, y analiza cómo la estructura del negocio está basada en la monetización de los datos personales, con sistemas como el targe- ting (catalogando al usuario según sus intereses, características y predilecciones) y el tracking down (cruzando información dentro y fuera de la red). -
Television Sharknados and Twitter Storms
Television Sharknados and Twitter Storms: Cult Film Fan Practices in the Age of Social Media Branding Stephen William Hay A thesis submitted to Victoria University of Wellington in fulfilment of the regulations for the degree of Master of Arts in Media Studies Victoria University of Wellington 2016 Abstract This thesis examines the Syfy channel’s broadcast of the television movie Sharknado and the large number of tweets that were sent about it. Sharknado’s audience engaged in cult film viewing practices that can be understood using paracinema theory. Paracinema engagement with cult films has traditionally taken place in midnight screenings in independent movie theatres and private homes. Syfy’s audience was able to engage in paracinematic activity that included making jokes about Sharknado’s low quality of production and interacting with others who were doing the same through the affordances of Twitter. In an age where branding has become increasingly important, Syfy clearly benefited from all the fan activity around its programming. Critical branding theory argues that the value generated by a business’s brand comes from the labour of consumers. Brand management is mostly about encouraging and managing consumer labour. The online shift of fan practices has created new opportunities for brand managers to subsume the activities of consumers. Cult film audience practices often have an emphasis on creatively and collectively engaging in rituals and activities around a text. These are the precise qualities that brands require from their consumers. Sharknado was produced and marketed by Syfy to invoke the cult film subculture as part of Syfy’s branding strategy. -
Case Study Master
! 1 Fundamentals of Screenwriting: Assessment Two Analyse EITHER a film OR a screenplay of your choice, referring in detail to one or more of the models and/ or theories of narrative structure that you have encountered on this module. --------------------------- The Social Network in an adapted screenplay based on the book ‘The Accidental Billionaires’ By Ben Mezrich. The screenplay was written by Aaron Sorkin and tells the story of the social networking site, Facebook, and its founder Mark Zuckerberg, from the inception of the idea to Zuckerberg’s establishment as one of the youngest billionaires in recent history. It also details the other people said to be involved in Facebook’s creation including Eduardo Saverin, Zuckerberg’s best friend, and the Winklevoss twins, who claim that Zuckerberg stole the idea of Facebook from them. The Social Network is both an adaptation of book ‘The Accidental Billionaires’, by Ben Mezich, and a historical adaptation. Whilst Mezrich claims to have tried to accurately re-tell the events of the creation of Facebook, himself saying “I have tried to keep the chronology as close to exact as possible” (Mezrich, 2009), Sorkin appears to have written the screenplay for The Social Network under no such restriction, adhering more to the logic mentioned in unused dialogue of Lawrence of Arabia, “History isn’t made up of truth anyhow, so why worry”. (Chopra-Gant, 2008). This essay will analyse the screenplay of the Social Network, first through the lens of a number of classical film theories, before discussing the tendency of Sorkin’s screenplay to bend rules, particularly those of the modern screenwriting gurus. -
About-Asana.Pdf
About Asana Asana is a leading work management platform that helps teams orchestrate their work, from daily tasks to strategic initiatives. Asana adds structure to unstructured work, creating clarity, transparency and accountability to everyone within an organization—individuals, team leads and executives—so they understand exactly who is doing what, by when. Our co-founders started Asana because they experienced firsthand the growing problem of work about work, or internal coordination. Instead of spending time on work that generated results, they were spending time in status meetings and long email threads trying to figure out who was doing what. They recognized this pain was universal to teams that need to coordinate their work effectively to achieve their objectives. As a result of that frustration, they were inspired to create Asana to solve this problem for the world’s teams. Leadership Team https://asana.com/leadership ● Dustin Moskovitz, Co-Founder and CEO ● Anna Binder, Head of People Operations ● Chris Farinacci, Head of Business ● Alex Hood, Head of Product ● Oliver Jay, Head of Sales & Customer Success ● Dave King, Head of Marketing ● Eleanor Lacey, General Counsel ● Prashant Pandey, Head of Engineering ● Tim Wan, Head of Finance Board of Directors ● Sydney Carey, CFO, Sumologic ● Matt Cohler, General Partner, Benchmark Capital ● Adam D’Angelo, CEO, Quora ● Dustin Moskovitz, CEO, Asana ● Lorrie Norrington, Operating Partner, Lead Edge Capital ● Anne Raimondi, Chief Customer Officer, Guru ● Justin Rosenstein, Board Member -
View the 2021 Project Dossier
www.durbanfilmmart.com Project Dossier Contents Message from the Chair 3 Combat de Nègre et de Chiens (Black Battle with Dogs) 50 introduction and Come Sunrise, We Shall Rule 52 welcome 4 Conversations with my Mother 54 Drummies 56 Partners and Sponsors 6 Forget Me Not 58 MENTORS 8 Frontier Mistress 60 Hamlet from the Slums 62 DFM Mentors 8 Professional Mourners 64 Talents Durban Mentors 10 Requiem of Ravel’s Boléro 66 Jumpstart Mentors 13 Sakan Lelmoghtrebat (A House For Expats) 68 OFFICAL DFM PROJECTS The Day and Night of Brahma 70 Documentaries 14 The Killing of A Beast 72 Defying Ashes 15 The Mailman, The Mantis, and The Moon 74 Doxandem, les chasseurs de rêves Pretty Hustle 76 (Dream Chasers) 17 Dusty & Stones 19 DFM Access 78 Eat Bitter 21 DFM Access Mentors 79 Ethel 23 PARTNER PROJECTS IN My Plastic Hair 25 FINANCE FORUM 80 Nzonzing 27 Hot Docs-Blue Ice Docs Part of the Pack 29 Fund Fellows 81 The Possessed Painter: In the Footsteps The Mother of All Lies 82 of Abbès Saladi 31 The Wall of Death 84 The Woman Who Poked The Leopard 33 What’s Eating My Mind 86 Time of Pandemics 35 Unfinished Journey 37 Talents Durban 88 Untitled: Miss Africa South 39 Feature Fiction: Bosryer (Bushrider) 89 Wataalat Loughatou él Kalami (Such a Silent Cry) 41 Rosa Baila! (Dance Rosa) 90 Windward 43 Kinafo 91 L’Aurore Boréale (The Northern Lights) 92 Fiction 45 The Path of Ruganzu Part 2 93 2065 46 Yvette 94 Akashinga 48 DURBAN FILMMART 1 PROJECT DOSSIER 2021 CONTENTS Short Fiction: Bedrock 129 Crisis 95 God’s Work 131 Mob Passion 96 Soweto on Fire 133