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ANDERTON Music Festival Capitalism
1 Music Festival Capitalism Chris Anderton Abstract: This chapter adds to a growing subfield of music festival studies by examining the business practices and cultures of the commercial outdoor sector, with a particular focus on rock, pop and dance music events. The events of this sector require substantial financial and other capital in order to be staged and achieve success, yet the market is highly volatile, with relatively few festivals managing to attain longevity. It is argued that these events must balance their commercial needs with the socio-cultural expectations of their audiences for hedonistic, carnivalesque experiences that draw on countercultural understanding of festival culture (the countercultural carnivalesque). This balancing act has come into increased focus as corporate promoters, brand sponsors and venture capitalists have sought to dominate the market in the neoliberal era of late capitalism. The chapter examines the riskiness and volatility of the sector before examining contemporary economic strategies for risk management and audience development, and critiques of these corporatizing and mainstreaming processes. Keywords: music festival; carnivalesque; counterculture; risk management; cool capitalism A popular music festival may be defined as a live event consisting of multiple musical performances, held over one or more days (Shuker, 2017, 131), though the connotations of 2 the word “festival” extend much further than this, as I will discuss below. For the purposes of this chapter, “popular music” is conceived as music that is produced by contemporary artists, has commercial appeal, and does not rely on public subsidies to exist, hence typically ranges from rock and pop through to rap and electronic dance music, but excludes most classical music and opera (Connolly and Krueger 2006, 667). -
Section a Concept and Management
Section A Concept and Management 01-Raj-Ch-01-Section A.indd 1 24/01/2013 5:33:02 PM 01-Raj-Ch-01-Section A.indd 2 24/01/2013 5:33:02 PM Introduction to Events 1 Management In this chapter you will cover: x the historical development of events; x technical definitions of events management; x size of events within the sector; x an events industry; x value of areas of the events industry; x different types of events; x local authorities’ events strategies; x corporate events strategies; x community festivals; x charity events; x summary; x discussion questions; x case studies; x further reading. This chapter provides an historical overview of the events and festivals industry, and how it has developed over time. The core theme for this chapter is to establish a dialogue between event managers and event spe- cialists who need to have a consistent working relationship. Each strand of the chapter will be linked to industry best practice where appropriate. In addition, this chapter discusses the different types of events that exist within the events management industry. Specifically, the chapter will analyse and discuss a range of events and their implications for the events industry, including the creation of opportunities for community orientated events and festivals. 01-Raj-Ch-01-Section A.indd 3 24/01/2013 5:33:02 PM 4 SECTION A: CONCEPT AND MANAGEMENT The historical development of events Events, in the form of organised acts and performances, have their origins in ancient history. Events and festivals are well documented in the historical period before the fall of the Western Roman Empire (AD 476). -
Big Scottish Pop Quiz Questions
Rip It Up THE BIG SCOTTISH POP QUIZ ROUND 1: Same Letter Round All the answers start with the same letter – 2 points per correct answer 1 Which Scottish pop band’s biggest hits include ‘Let There Be Love’, ‘She’s a River’ and ‘Belfast Child’? 2 What is the only ABBA song which mentions Glasgow in the lyrics? 3 What was the name of the duo comprised of Jill Bryson and Rose McDowall who had a top ten hit in 1984 called ‘Since Yesterday’? 4 What was the name of the Glasgow venue on Jamaica Street which hosted club night ‘Optimo’ for most of its 13-year run through the 90s and 00s? 5 Which Scottish singer was listed by Time magazine in 2010 as the seventh most influential person in the world? ROUND 1: ANSWERS 1 Simple Minds 2 Super Trouper (1st line of 1st verse is “I was sick and tired of everything/ When I called you last night from Glasgow”) 3 Strawberry Switchblade 4 Sub Club (address is 22 Jamaica Street. After the fire in 1999, Optimo was temporarily based at Planet Peach and, for a while, Mas) 5 Susan Boyle (She was ranked 14 places above Barack Obama!) ROUND 6: Double or Bust 4 points per correct answer, but if you get one wrong, you get zero points for the round! 1 Which Scottish New Town was the birthplace of Indie band The Jesus and Mary Chain? a) East Kilbride b) Glenrothes c) Livingston 2 When Runrig singer Donnie Munro left the band to stand for Parliament in the late 1990s, what political party did he represent? a) Labour b) Liberal Democrat c) SNP 3 During which month of the year did T in the Park music festival usually take -
Celebrating 20 Years As the T in T in the Park: Tennent's
CELEBRATING 20 YEARS AS THE T IN T IN THE PARK: TENNENT’S LAGER’S JOURNEY AS FOUNDING PARTNER OF SCOTLAND’S BIGGEST FESTIVAL Marketing Society Scotland Star Awards 2014 Category 3.7: PR Tennent’s Lager - T in the Park 2013 Material_UK PRECIS In 2013, T in the Park celebrated 20 years as Scotland’s biggest festival, and Scotland’s favourite pint Tennent’s Lager celebrated 20 years as its founding partner. The milestone represented a major PR opportunity to tell the story of Tennent’s’ 20-year journey as the T in T in the Park, and revitalise the sponsorship’s relevance to its target market by positioning the brand at the heart of the festivities. A creative and high profile campaign generated a nationwide buzz for the 20th year of T in the Park, successfully engaging consumers and media in the celebrations and delivering strong AVE and brand cut- through. Marketing Society Scotland Star Awards 2014 Category 3.7: PR Tennent’s Lager - T in the Park 2013 Material_UK BACKGROUND – A 20 YEAR JOURNEY Over the past two decades, Tennent’s Lager has cultivated a strong emotional connection with over 2.5million festival-goers through its iconic and ground-breaking title sponsorship of T in the Park (TITP). The brand has been at the heart of the TITP experience for generations of music fans since the festival’s inception in 1994, which has enabled it to build brand relevance within its target market and develop an increased share of their lager consumption. More than just a sponsor, Tennent’s are cofounders of the festival, and together with the country’s leading live music promoter DF Concerts, they have shaped its evolution into a landmark event on Scotland’s cultural landscape, one which attracts a daily crowd of 85,000 music fans as well as the biggest artists in the world to Balado every July. -
(Public Pack)Agenda Document for People and Communities Committee, 05/06/2018 16:30
Public Document Pack Democratic Services Section Chief Executive’s Department Belfast City Council City Hall Belfast BT1 5GS 1st June, 2018 MEETING OF PEOPLE AND COMMUNITIES COMMITTEE Dear Alderman/Councillor, The above-named Committee will meet in the Lavery Room - City Hall on Tuesday, 5th June, 2018 at 4.30 pm, for the transaction of the business noted below. You are requested to attend. Yours faithfully, SUZANNE WYLIE Chief Executive AGENDA: 1. Routine Matters (a) Apologies (b) Minutes (c) Declarations of Interest 2. Restricted Items (a) Temporary Structure at Alderman Tommy Patton Memorial Park (Pages 1 - 6) (b) Belfast Vital 2019 - 2023 (Pages 7 - 10) (c) Use of Lower Crescent Open Space for Music Festival (Pages 11 - 24) (d) Use of lower Crescent Open Space for Focal Festival (Pages 25 - 30) - 2 - 3. Committee/Strategic Issues (a) Minutes of Strategic Cemeteries and Crematorium Development Working Group (Pages 31 - 36) (b) Plot Z1 Memorial at City Cemetery (Pages 37 - 46) (c) Response to DOJ ASB Consultation (Pages 47 - 72) (d) 2017/2018 Year End Committee Plan Update (Pages 73 - 84) (e) Belfast City Council Sports Development Strategy (Pages 85 - 88) 4. Physical Programme and Asset Management (a) Partner Agreements - Quarterly Update (Pages 89 - 92) (b) Asset Management (Pages 93 - 102) 5. Operational Issues (a) Proposal for naming new streets and the realignment of existing streets (Pages 103 - 106) (b) Naming of Path at Olympia (Pages 107 - 138) (c) Water Refill Points (Pages 139 - 142) (d) Food Service Delivery Plan (Pages -
From Glyndebourne to Glastonbury: the Impact of British Music Festivals
An Arts and Humanities Research Council- funded literature review FROM GLYNDEBOURNE TO GLASTONBURY: THE IMPACT OF BRITISH MUSIC FESTIVALS Emma Webster and George McKay 1 CONTENTS EXECUTIVE 4 INTRODUCTION 6 THE IMPACT OF FESTIVALS: A SURVEY OF THE FIELD(S) 7 ECONOMY AND CHARITY SUMMARY 8 POLITICS AND POWER 10 TEMPORALITY AND TRANSFORMATION Festivals are at the heart of British music and at the heart 12 CREATIVITY: MUSIC of the British music industry. They form an essential part of AND MUSICIANS the worlds of rock, classical, folk and jazz, forming regularly 14 PLACE-MAKING AND TOURISM occurring pivot points around which musicians, audiences, 16 MEDIATION AND DISCOURSE and festival organisers plan their lives. 18 HEALTH AND WELL-BEING 19 ENVIRONMENT: Funded by the Arts and Humanities Research Council, the LOCAL AND GLOBAL purpose of this report is to chart and critically examine 20 THE IMPACT OF ACADEMIC available writing about the impact of British music festivals, RESEARCH ON MUSIC drawing on both academic and ‘grey’/cultural policy FESTIVALS literature in the field. The review presents research findings 21 RECOMMENDATIONS FOR under the headings of: FUTURE RESEARCH 22 APPENDIX 1. NOTE ON • economy and charity; METHODOLOGY • politics and power; 23 APPENDIX 2. ECONOMIC • temporality and transformation; IMPACT ASSESSMENTS • creativity: music and musicians; 26 APPENDIX 3. TABLE OF ECONOMIC IMPACT OF • place-making and tourism; MUSIC FESTIVALS BY UK • mediation and discourse; REGION IN 2014 • health and well-being; and 27 BIBLIOGRAPHY • environment: local and global. 31 ACKNOWLEDGEMENTS It concludes with observations on the impact of academic research on festivals as well as a set of recommendations for future research. -
The Clash and Mass Media Messages from the Only Band That Matters
THE CLASH AND MASS MEDIA MESSAGES FROM THE ONLY BAND THAT MATTERS Sean Xavier Ahern A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill © 2012 Sean Xavier Ahern All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis analyzes the music of the British punk rock band The Clash through the use of media imagery in popular music in an effort to inform listeners of contemporary news items. I propose to look at the punk rock band The Clash not solely as a first wave English punk rock band but rather as a “news-giving” group as presented during their interview on the Tom Snyder show in 1981. I argue that the band’s use of communication metaphors and imagery in their songs and album art helped to communicate with their audience in a way that their contemporaries were unable to. Broken down into four chapters, I look at each of the major releases by the band in chronological order as they progressed from a London punk band to a globally known popular rock act. Viewing The Clash as a “news giving” punk rock band that inundated their lyrics, music videos and live performances with communication images, The Clash used their position as a popular act to inform their audience, asking them to question their surroundings and “know your rights.” iv For Pat and Zach Ahern Go Easy, Step Lightly, Stay Free. v ACKNOWLEDGMENTS This thesis would not have been possible without the help of many, many people. -
Evaluación Final De Educación Secundaria 4º
EVALUACIÓNEVALUACIÓNEVALUACIÓN FINAL FINALFINAL DE DEDE EDUCACIÓNEDUCACIÓNEDUCACIÓN SECUNDARIA SECUNDARIASECUNDARIA ººº 444 IInInngggllélésés s 2019 Dirección General de Ordenación y Evaluación Educativa CONSEJERÍAConsejeríaConsejeríaConsejería DE deEDUCACIÓN de Educación deEducación Educación I Agencia IY Agencia DEPORTE I Agencia Andaluza Andaluza Andaluza de de Evaluación deEvaluación Evaluación Educativa Educativa Educativa “LAS LUCES, MOTOR DE CAMBIO” INSTRUCCIONES “LA MUJER Y LA NIÑA EN LA CIENCIA” En este cuadernillo vas a encontrar diferentes tipos de preguntas. Para responder utiliza un bolígrafo. Cada actividad tiene un título, un enunciado y una o varias preguntas para que respondas. Léelas atentamente para comprender bien lo que se te pide que hagas. En el inicio de la prueba vas a escuchar una audición. Guarda silencio y presta atención. En ella aparece este símbolo: A continuación, te explicamos cómo contestar. Fíjate en el siguiente ejemplo: “ACTIVIDAD DE EJEMPLO” “HOLIDAYS” Lee el texto y responde a las preguntas. Read the text and answer the questions. Brighton, Wednesday 23rd July Dear Silvia, I am spending my holidays in Brighton, in the south of England. Every morning I go for a walk along the seashore. Brighton is lively, as you can see in the photograph. El 11 de febrero es el Día Internacional de la Mujer y la Niña en la Ciencia y la coordinadora del I hope the weather is good in A Coruña. Here, Plan de Igualdad en nuestro centro nos ha lanzado el reto de investigar sobre la labor de las it is sunny and warm. Tell everybody I said hello! Love, científicas. Maddie (your best school friend forever) ¿Sabías que actualmente en el mundo solo 28 de cada 100 científicos son mujeres? ¡Y que a estas alturas la ciencia siga siendo cosa de hombres! 1. -
Usa Admissions Guide
USA ADMISSIONS GUIDE qub.ac.uk WELCOME CONTENTS Thank you for considering applying to Our beautiful, vibrant campus is located 4 Higher Education in the UK study at Queen’s University Belfast. As in the heart of Belfast – one of the you read through this guide, I hope world’s favourite cities and a hub of 5 Why Queen’s? it will give you a real sense of life at culture, innovation, great food and 6 Northern Ireland Queen’s. I trust you will find all the lively social life. Safe, fun, friendly and information you need in the following compact, Belfast is also one of the most 8 Belfast pages to help you make your decision. affordable student cities in the UK. 10 A Global University At Queen’s, we are committed to Our hope is that every undergraduate 12 Our North America Team excellence and quality in the courses on and postgraduate is enriched by offer, our teaching and our research. their time at Queen’s University 14 US Students at Queen’s Belfast and we look forward to I know that your time at university 16 Fees, Funding and Admissions welcoming you to our University. is not simply about receiving an 20 Steps to University education, it’s also about enjoying a unique, life-defining experience. And 22 A-Z of Degrees we want your Queen’s experience 26 Accommodation to be wonderful and memorable. Professor Ian Greer 28 Students’ Union One of the longest established President and Vice-Chancellor universities in the UK and ranked 200 30 Sport at Queen’s in the world1, Queen’s has much to 34 Campus Map offer. -
3.5 Event Marketing Precis
CAMPAIGN: #HELLOSTRATHALLAN - T IN THE PARK 2016 AGENCY: DF CONCERTS & MATERIAL_UK CATEGORY: 3.5 EVENT MARKETING PRECIS T in the Park (TITP) is one of Europe’s leading festivals – a cornerstone of Scottish culture and a rite of passage for music fans across the country. Co-founded in 1994 by DF Concerts and Tennent’s Lager, over the past 22 years the festival has grown in influence and reputation and is now a major player on the world stage. THE CHALLENGES In 2015, T in the Park faced the biggest challenge of its 22-year history, with the festival relocating from its much-loved Balado home to a brand new site – Strathallan Castle. The complexities involved with moving Scotland’s biggest music event were not to be underestimated, and neither was the level of media attention this would inevitably generate. Understandably festival-goers were apprehensive – how would the new site compare to their beloved Balado? This fell at a time when T in the Park faced increasing competition from the wider UK and European festival market. It was imperative that T in the Park upheld its reputation as an unmissable festival experience. AMBITIONAMBITION ANDAND OBJECTIVESOBJECTIVES TARGET MARKET We knew our marketing and communications strategy had to be confident, savvy and engaging for our target market, which comprised: • Primary target market - music fans in Scotland (core demographic: 18-24 year-olds) • Secondary target market: music fans outwith Scotland - across the UK and Europe CAMPAIGN OBJECTIVES • Capitalise on the PR and marketing opportunities presented by the new site move • Reinforce TITP’s stature as an internationally acclaimed festival and a major event on the global stage • Create a high ATL and media profile for the event to drive ticket sales and consumer engagement • Drive sales of key revenue generation initiatives and services ie. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
Detecting Disease Outbreaks in Mass Gatherings Using Internet Data
JOURNAL OF MEDICAL INTERNET RESEARCH Yom-Tov et al Original Paper Detecting Disease Outbreaks in Mass Gatherings Using Internet Data Elad Yom-Tov1, BSc, MA, PhD; Diana Borsa2, BSc, BMath, MSc (Hons); Ingemar J Cox3,4, BSc, DPhil; Rachel A McKendry5, BSc, PhD 1Microsoft Research Israel, Herzelia, Israel 2Centre of Computational Statistics and Machine Learning (CSML), Department of Computer Science, University College London, University of London, London, United Kingdom 3Copenhagen University, Department of Computer Science, Copenhagen, Denmark 4University College London, University of London, Department of Computer Science, London, United Kingdom 5University College London, University of London, London Centre for Nanotechnology and Division of Medicine, London, United Kingdom Corresponding Author: Diana Borsa, BSc, BMath, MSc (Hons) Centre of Computational Statistics and Machine Learning (CSML) Department of Computer Science University College London, University of London Malet Place Gower St London, WC1E 6BT United Kingdom Phone: 44 20 7679 Fax: 44 20 7387 1397 Email: [email protected] Abstract Background: Mass gatherings, such as music festivals and religious events, pose a health care challenge because of the risk of transmission of communicable diseases. This is exacerbated by the fact that participants disperse soon after the gathering, potentially spreading disease within their communities. The dispersion of participants also poses a challenge for traditional surveillance methods. The ubiquitous use of the Internet may enable the detection of disease outbreaks through analysis of data generated by users during events and shortly thereafter. Objective: The intent of the study was to develop algorithms that can alert to possible outbreaks of communicable diseases from Internet data, specifically Twitter and search engine queries.