DOCSLIB.ORG

Elizabeth Bowen 19

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Elizabeth Bowen 19 Elizabeth BOl1Jen A BIBLIOGRAPHY by J'NAN M. SELLERY and WILLIA MO. HARRIS I I I Humanities Research Center THE UNIVERSITY OF TEXAS AT AUSTIN " '\ CONTENTS Copyright © 1981 by "nan M. Sellery and William o. Harris Introduction 7 L. C. Card Number: 78-52676 Acknowledgments 11 ISBN: 0-87959-080-7 Abbreviations A Books and Pamphlets by Elizabeth Bowen 19 B Contributions by Elizabeth Bowen to Books and Pamphlets 101 C Contributions by Elizabeth Bowen to Periodicals 129 --w Goo -~~) D Translations 192 E Manuscripts by Elizabeth Bowen \ O~ 1~S·7 Books and Pamphlets 199 '::~ c\ '---\ Contributions to Books and Periodicals 216 .Miscellaneous, Unfinished, and Unpublished Items 226 \~Y~J Miscellaneous Items about Elizabeth Bowen 235 Letters from Elizabeth Bowen 237 Letters to Elizabeth Bowen 260 A11404 240914 F RadIO and Television Productions and Appearances .Productions 274 Appearances 280 G Anthologies 286 H Books, Pamphlets, Dissertations, and Theses about Blizabeth Bowen 295 I Periodical Articles about (or partially about) Elizabeth Bowen J Obituaries Appendix: Contracts Frontispiece: a snapshot of Elizabeth Bowell taken ill 1946 Selective Index by Alfred Kllopf. Used by permissioll. Virginia Commonwealth University Libraries ABBREVIATIONS AmerRey American Review [replaced Book­ man after March 1933] Among Our Books Among Our Books [in Pittsburgh Monthly Bulletin, a publication of the Pittsburgh Carnegie Li­ brary] ArchR Architectural Review Atlantic Atlantic Monthly [1857-1959]; The Atlantic [1959 +] ArQ Arizona Quarterly BA Books Abroad B&B Books and Bookmen BD British Digest BETrans Boston Evening Transcript BOMCNews Book-of-the-Month Club News BufJEN · BufJalo Evening News CanF Canadian Forum CathW Catholic World ChCent' Christian Century ChiDTrib Chicago Daily Tribune ChiST Chicago Sun-Times ChiSTrib Chicago Sunday Tribune ChScM Christian Science Monitor ChScMM Christian Science Monitor Maga- zine ColD Collllnbus Dispatch COS [Cleveland] Open Shelf CSllnBW [Chicago Sun] Book Week CTribMB [Chicago Tribune] Magazine of Books CTribBW [Chicago Tribune] Book World EB Reviews [book review column written by Elizabeth Bowen in Tatler and Bystander under the titles, 'Eliza­ beth Bowen's Bookshelf', 'Eliza­ beth Bowen's Book Reviews', and 'Elizabeth Bowen Reviewing Books'] EJ English Journal F&C Forul/! and Century Guardian Manchester Guardian 15 (~ .. HopR Hopkins Review PlQB, [Pratt Institute Library] Quarter­ ItalQ Italian Quarterly ly Booklist JO'LW John O'London's Weekly SatN Saturday Night Kirkus Kirklls Bookshop Service [1940s- SatRev SahlTday Review of Literature 1967 J; Kirklls Service [1967- [New York, 1924-1951J; Sat­ 1969J; Kirklls Reviews [1969+ J lII'day Review [1951+] LJ Library Journal SatRevPLSA Saturday Revie'w of Politics, Lit­ ManGW Manchester GllardianWeekly emtu1'e, Science and A1't ManG&EN Manchester Guardian and Evening [London, 1855-1930J; Satm'­ News day Review [1930-1938] N&A Nation & Athenaeum SFChron San Francisco Chronicle NLB National Library for the Blind SFChronTWM [San Francisco ChronicleJ This [London] World Magazine NAmerR North American Review SpRep Springfield Republican [Springfield, NCDN North Carolina Daily News Mass,J NCF Nineteenth-Centllry Fiction SR Sewanee Review N&D Night & Day Tatler Tatler [1901-1940]; Tatler and New Statesman New Statesman h913-1931]; New Bystander [1940+] Statesman and Nation [1931+] T (rev) Tatler [book reviews by Elizabeth NewSt (rev) New Statesman [book reviews by Bowen in Tatler and Bystander Elizabeth Bowen] which do not appear in the 'EB NY New Yorker Reviews' columnsJ NYEPost New York Evening Post T&T Time and Tide NYEPostLR [New York Evening PostJ Literary TLS Times Literary Supplement Review VQK Virginia Quarterly Review NYHTB [New York Herald TribuneJ Books WD World Digest of Current Fact and [1924-1943]; Weekly Book Re­ Comment view [1943-1949]; Book Review WiscLB· Wisconsin Library Bulletin [1949-1960]; Book Week WWGaz Weekly Westminster Gazette [1960- 1967] YR Yale Review NYRB New York Review of Books NYTBR New York Times Book Review NYTimes New York Times NYWorld New York World [1860-1931] ObsWeekRev Observer Weekend Review 0&1 Olltlook and Independent [London Olltlook merged with Indepen­ dent on 24 Oct. 1928J Outlook The Outlook: A Weekly Review [New York, 1880-1928] Outlook (London) Outlook, A Weekly Review of Pol­ itics, A rt, Literature and Filial/ce [London] PIBR [Philadelphia Inquirer] Book Re­ view 17 A BOOKS AND PAMPHLETS BY ELIZABETH BOWEN Al ENCOUNTERS 1923 a. First edition: Encounters: Stories I by Elizabeth Bowen I London: Sidgwick & Jackson, Ltd. I 3 Adam Street, Adelphi, W.e. 1923 Col/ation: 7* x 5'\-"; [AP B-08; pp. [8], 1-203 [204-208]. [.l]: half title. [2]: publisher's advertisement. l3]: the title page. [4]: blank. [5]: To M.J.' [6]: blank. [7]: contents. [8]: blank. 1-[204]: text. [204], at bottom: The Westminster Press I 411a Harrow Road I London W.g'. [205]: publisher's device. [206-208]: publisher's advertisements. Binding: Bound in vivid dark greenish blue (175) cloth lettered across the spine in gold: '[triple rule] I ENCOUNTERS I ELIZABETH I BOWEN I SIDGWICK I & JACKSON I [triple rule]'. On the front cover in gold: '[within an ornamental design of frames] Encounters I Elizabeth Bowen'. .., ' Dust jacket: Enti.re wrapper' in light olive gray (1l2) paper. Front:;:(,-.. i '[triple-ruled frame in black (267)] ENCOUNTERS: I Stories by I"· ELIZABETH BOWEN I CONTENTS I Breakfast I Daffodils I The Re- turn I The Confidante I Requiescat I All Saints I The New House I Lunch I The Lover I Mrs. Windermere I The Shadowy Third i The Evil that Men do - I Sunday Evening I Coming Home I LONDON: SIDG­ WICK :& JACKSON, Ltd.' Spine: '[triple rule] I Encounters: I Stories by I Elizabeth I Bowen I 5/- I net I Sidgwick I & Jackson I [triple rule]'. Back: '[within a single-rule frame] UNIFORM WITH THIS VOLUME I [rule across] I [reference and reviews on the following four books] Third Impression I The Celestial Omniblls: and other Stories by E. M. Forster, The Temple 0/1 the Hill. A Tale of Transyll'ania by Eisa de SZ3SZ, The Third Miss Symons by F. M. Mayor, and Vain Oblations: and other Stories by Katharine F. Gerould I [rule across] I LONDON: SIDGWICK & JACKSON, LTD.' Front and back flaps are blank. Contents: 'Breakfast'. Reprinted in A20 and A28. 'Daffodils'. Reprinted in A20, The Return'. Reprinted in A2o, The Confidante'. Reprinted in A20. 'Requiescat'. Reprinted in A20. 'All Saints'. Reprinted in A20. Published in anthology, Gl. The New House'. Reprinted in A20. 'Lunch'. Reprinted in A20. The Lover'. Reprinted in A20. 'Mrs, Windermere'. Reprinted in A20, The Shadowy Third'. Reprinted in A20. Published in anthology, G2. Celtic device in deep reddish orange (36)] 1 THE CUALA Bind~ng: Bound in very deep red (14) cloth, the spine lettered in gold: PRESS 1 DUBLIN IRELAND 1 MCMXLII [v~rtlcally up] 'Seven Winters'. On the front cover in gold: 'Seven WlIlters I by I Elizabeth Bowen I Longmans'. Collation: 8t x 5i"; [a]4 b-i4; pp. [8], [1] 2-57 [58-64]. [1-4]: blank. [5]: title page. [6---8]: blank. [1]-57: text. [58]: blank. Dusl ja~ket: Pale yellow (89) cover lettered in deep reddish orange (36). [59]: [in red] 'Here ends "Seven Winters" by I ,Elizabeth Bowen. Four F"ront: SEVEN I WINTERS I by I ELIZABETH BOWEN I [small de­ hun- I dred and fifty copies of this I book, of which four hundred I ~ig~] Memories of I A DUBLIN CHILDHOOD'. Spine: [vertically up) and forty are for sale, have been I set in Caslon type, and printed I Elrzabeth Bowen-SEVEN WINTERS'. Back has blurbs on 'BOWEN'S by Esther Ryan and Maire Gill, I on paper made in Ireland, and I , , COURT' by LiverpooL Daily Post, SlInday Times, Listener, and New published by the Cuala Press, I 46 Palmerston Road, Dublin, I Ireland. ~talesman. Front flap has a blurb on the contents; back flap has a 29- Finished in the last I week of August, nineteen hun- I dred and forty lme blurb on BBC program 'BRITAIN CALLS THE WORLD'. two. I This is Number '. [60-64]: blank. l!0tes: Published 12 May 1943, at 3/6 in the United Kingdom and h.25 Binding: Quarter-bound in grayish yellow (90) cloth, with boards cov­ m Canada: Th: publ~sher declines to reveal the number of copies printed. ered in grayish yellow paper. The spine is lettered in black (267) on a Transcnbed m Bratlle 1943, in NLB. paper label: [vertically up] 'SEVEN WINTERS BY ELIZABETH For the First American edition, see A25. BOWEN'. On the front: 'SEVEN WINTERS I BY I ELIZABETH BOWEN'. Reviews: Desmond ShawecTaYlo~, New Statesman 25 (19 June 1943) :403-4 Dllst jacket: Unprinted glassine wrapper. M. J. MacM., Irish Press 13 (11 Aug. 1943):2 unsigned,-Spectator 171 (3 Sept. 1943) :226 Notes: Published, at 13/6, in late 1942, the colophon indicating comple­ Robert Speaight, Dllblin Review 213' (Oct.-Dec. 1943): 196 tion of the volume in late August, and the deposit receipt stamp in the British Library copy being dated 15 October 1942. Although the colophon states that the edition was limited to 450 copies, there are copies, extant A15 THE DEMON LOVER AND OTHER STORIES 1945 (as in the Sellery collection) which are unnumbered and inscribed 'out of series.' On 29 March 1971, the Irish University Press reprinted 257 copies by photolithography under its imprint, at $10.50. a. First edition: An excerpt was reprinted in The Bell (C129), another in WD (C211.1). TIffi 1 DEMON LOVER 1 and Other Stories 1 by 1 ELIZABETH Reviews: BOWEN 1 [publisher'sdevice] 1 JONATHAN CAPE 1 THIRTY unsigned, TLS #2126 (31 Oct. 1942) :539 BEDFORD SQUARE·I LONDON Naomi Royde Smith, T&T 24 (2 Jan. 1943):15 Desmond Shawe-Taylor, New Statesman 25 (19 June 1943) :403-4 Collatio,,: ~i x 4~';; [A]a B-M8; pp.
Load more

Recommended publications
  • Read Ebook {PDF EPUB} the Last September by Elizabeth Bowen the Last September by Elizabeth Bowen
    Read Ebook {PDF EPUB} The Last September by Elizabeth Bowen The Last September by Elizabeth Bowen. The Last September by Elizabeth Bowen. "Brilliant. A successful combination of social comedy and private tragedy."-- The Times Literary Supplement. About the Book. In 1920, at their country home in County Cork, Sir Richard Naylor and his wife, Lady Myra, and their friends maintain a skeptical attitude toward the events going on around them, but behind the facade of tennis parties and army camp dances, all know that the end is approaching--the end of British rule in the south of Ireland and the demise of a way of life that had survived for centuries. Their niece, Lois Farquar, attempts to live her own life and gain her own freedoms from the very class that her elders are vainly defending. THE LAST SEPTEMBER depicts the tensions between love and the longing for freedom, between tradition and the terrifying prospect of independence, both political and spiritual. "[Elizabeth Bowen] is one of the handful of great. novelists of this century." -- The Washington Post. About the Author. Elizabeth Bowen (1899-1973), a central figure in London literary society, who counted among her friends Virginia Woolf, T. S. Eliot, Evelyn Waugh and Graham Greene, is widely considered to be one of the most distinguished novelists of the modern era, combining psychological realism with an unparalleled gift for poetic impressionism. Born in Dublin in 1899, the only child of an Irish lawyer/landowner and his wife, Bowen spent her early summers on the family's estate in County Cork.
    [Show full text]
  • Metafiction in Elizabeth Bowen's the Last
    METAFICTION IN ELIZABETH BOWEN’S THE LAST SEPTEMBER : SELF- WRITING, PERFORMATIVITY, AND STORY-TELLING by ALISON T CORBETT B.A., Fordham University, 2007 M.A., University of Colorado at Boulder, 2011 A thesis submitted to the Faculty of the Graduate School of the University of Colorado at Boulder in partial fulfillment of the requirement for the degree of Masters in English Department of English 2011 This thesis entitled: Metafiction in The Last September : Self-Writing, Performativity, and Storytelling written by Alison T Corbett has been approved for the Department of English __________________ Jane Garrity __________________ Janice Ho __________________ Laura Winkiel April 15, 2011 The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. iii Corbett, Alison T. (MA, English) Metafiction in The Last September : Self-Writing, Performativity, and Storytelling Thesis directed by Associate Professor Jane Garrity Elizabeth Bowen’s The Last September , set during the Irish War of Independence, draws insistent attention to the elaborate fiction of normalcy on which the Anglo-Irish Ascendancy has come to depend through its highly self conscious meta-text. The novel’s fictionality, and the fictionality of the lives of its characters, emerges as a result of the characters’ sense that language can be used to defer and shape reality. The palpable sense of performance that pervades the novel, in addition to its insistence of the formative role of text, stories, and conversations in shaping character, prefigures the Ascendancy’s end long before the war has intruded on the demesne.
    [Show full text]
  • Modernist Women Writers, the Senses, and Technology
    Graduate Theses, Dissertations, and Problem Reports 2018 Dissensual Women: Modernist Women Writers, the Senses, and Technology Allyson DeMaagd Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation DeMaagd, Allyson, "Dissensual Women: Modernist Women Writers, the Senses, and Technology" (2018). Graduate Theses, Dissertations, and Problem Reports. 5469. https://researchrepository.wvu.edu/etd/5469 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. Dissensual Women: Modernist Women Writers, the Senses, and Technology Allyson DeMaagd Dissertation submitted to the Eberly College of Arts and Science at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English Lisa Weihman, Ph.D. Julia Daniel, Ph.D. Dennis Allen, Ph.D. Lara Farina, Ph.D. Pamela L. Caughie, Ph.D. Department of English Morgantown, West Virginia 2018 Keywords: modernism; modernist women; senses; synaesthesia; technology; H.D.; Bowen, Elizabeth; Loy, Mina; Woolf, Virginia Copyright 2018 Allyson DeMaagd ABSTRACT Dissensual Women: Modernist Women Writers, the Senses, and Technology Allyson DeMaagd My project, Dissensual Women: Modernist Women Writers, the Senses, and Technology, analyzes depictions of the senses and technology in modernist women’s writing.
    [Show full text]
  • The Heat of the Day Free
    FREE THE HEAT OF THE DAY PDF Elizabeth Bowen | 400 pages | 01 Dec 2011 | Vintage Publishing | 9780099276463 | English | London, United Kingdom The Heat of the Day by Elizabeth Bowen From Coraline to ParaNorman check out some of our favorite family-friendly movie picks to watch this Halloween. See the full gallery. In World War II England, a woman is approached by a man claiming to work as an intelligence agent who has found out her lover is a spy. He promises to not arrest him if she'll have a relationship with him. I was never impressed by Harold Pinter, and when this film turned up and I saw his name on it I was almost tempted to turn it off, but I usually see a film to the very bitter end, and at least it was worth while. The story is excellent, a widow with a relationship with Michael York working in the war office during the war is importuned by Michael Gambon The Heat of the Day a rather rude and most disturbing elderly stranger, who suggests to Patricia that Michael York is a spy. A most intrinsic discussion about motives, truth, honesty and war morals follow, which is interesting indeed, but Harold Pinter obfuscates the intrigue into a fog of vagueness in which no one can find his way and least of all the audience, who is fooled by Pinter into a black hole of trivial beatings around the bush. Harold Pinter has the habit of compensating his lack of dramatic talent by tricking the audience into arguments of nothing by a trivial dialogue that sounds like basic language lessons.
    [Show full text]
  • Elizabeth Bowen's the Last September: a Postcolonial Reading* Kanako Yamaneki
    Persica, Augast 2014 No. 41 Elizabeth Bowen’s The Last September: A Postcolonial Reading* Kanako Yamaneki 0. Introduction The Last September (1929), Elizabeth Bowen’s (1899–1973) second novel, traces the search for gender and national identity of Lois Farquar, a 19-year-old orphan who lives with her uncle, Sir Richard Naylor, in his manor house, “Danielstown,” in County Cork, Ireland. The historical background of the novel is set in the summer of 1920, which saw the intensification of the Irish War of Independence (1919–1921) against the British rule. As Danielstown is one of the houses, which in Ireland are generally called “Big Houses,” i.e., the country mansions of the Anglo-Irish Protestant ascendancy, The Last September has often been interpreted and evaluated as a conservative, nostalgic Big House novel. This literary genre, which treats the problems surrounding a Big House, emerged with Maria Edgeworth’s Castle Rackrent (1800) and continues as a traditional genre of Irish fiction. However, some recent critical studies approach The Last September challengingly using contemporary literary theories such as feminism, psychoanalysis, colonialism, and new historicism.1 Unlike conventional critical studies, in this paper, I explore postcolonial discourse in The Last September and clarify how Lois’ identity is established in this context. In addition, I explore how Danielstown functions on a metaphorical level, focusing on postcolonial terms such as “domination,” “ambivalence,” “exploitation,” and “appropriation.” From this postcolonial reading, I also aim to reveal the nature of Bowen’s modernity. 1. Danielstown in a Historical Context 1.1. The History of the Protestant Ascendancy’s Domination Until the beginning of the 20th century, the Anglo-Irish Protestant gentry had reigned over Ireland, supporting a British settler colonial system.
    [Show full text]
  • Spatial Politics/Poetics, Late Modernism, and Elizabeth Bowen's the Last September
    Spatial Politics/Poetics, Late Modernism, and Elizabeth Bowen’s The Last September SIÂN E. WHITE, JAMES MADISON UNIVERSITY In her 1956 talk “Truth and Fiction” on the BBC Home Service, Elizabeth Bowen (1962, 135) speaks about story time in spatial terms: “The good story is a suc- cession of effective Nows — call them scenes, if you like — and those Nows are linked together by intermediate action. We may move backwards and forwards, but the present moment must grip and hold us, so that while we read it is as important — more important — as the moment in the room where we are in our chair.” In linking moments in time (the reading moment and the story time moment) together in terms of spatial juxtaposition rather than temporal sequenc- ing, Bowen celebrates spatialization as a way of reading and a way of writing.1 The snapshots of “effective Nows” create story as a montage might, collapsing time by showing simultaneous events in different spaces, like reading the page of a newspaper. In the next moment in the broadcast, Bowen links that aesthetic to high modernism, remarking that the “master of the dramatic Now was Virginia Woolf,” with her use of “extraordinary simultaneousness in which a number of things may be made dramatic by happening close to each other” (135 – 36). Those “things made dramatic” might be happening closely in the space of the story world or on the space of the textual page. Bowen is not clear on this point, but Joseph Frank’s similar response to the experimental forms of writers from the high modernist 1910s and 1920s suggests the latter.
    [Show full text]
  • May Sarton Papers, 1860-1994
    May Sarton papers, 1860-1994 This finding aid was produced using ArchivesSpace on August 01, 2019. Describing Archives: A Content Standard Maine Women Writers Collection Abplanalp Library University of New England 716 Stevens Avenue Portland, Maine 04103 [email protected] URL: http://www.une.edu/mwwc May Sarton papers, 1860-1994 Table of Contents Summary Information .................................................................................................................................... 3 Biographical/Historical Note ......................................................................................................................... 3 Collection Scope and Content ....................................................................................................................... 4 Arrangement ................................................................................................................................................... 5 Administrative Information ............................................................................................................................ 5 Related Materials ........................................................................................................................................... 6 Controlled Access Headings .......................................................................................................................... 6 Collection Inventory ......................................................................................................................................
    [Show full text]
  • Spatial Liminality in Elizabeth Bowen's Short Fiction
    Facultade de Filoloxía Departamento de Filoloxía Inglesa e Alemá Spatial Liminality in Elizabeth Bowen’s Short Fiction Traballo de Fin de Grao Autor: Andrés Miranda Acuña Director: Jorge Sacido Romero Santiago de Compostela Curso Académico 2016-2017 Contents Introduction ...................................................................................................................... 5 Chapter 1: Elizabeth Bowen‟s Wartime Houses .............................................................. 7 1.1. Urban Gothic of the Second World War: The Subversion of the “Home Front” in Elizabeth Bowen‟s Uncanny Houses ........................................................................ 7 1.2. “The Demon Lover” ........................................................................................ 13 Chapter 2: Illumination ................................................................................................... 31 2.1. Under the Light of War .................................................................................... 31 2.2. “Mysterious Kôr” ............................................................................................. 34 Chapter 3: Wilderness Invading the Urban Landscape .................................................. 45 3.1. A Gothic Nature ............................................................................................... 45 3.1. “Ivy Gripped the Steps” ................................................................................... 47 Conclusions ...................................................................................................................
    [Show full text]
  • The Iris Murdoch Review
    The Iris Murdoch Review Published by the Iris Murdoch Archive Project in association with Kingston University Press Kingston University London, Penrhyn Road, Kingston Upon Thames, KT1 2EE http://fass.kingston.ac.uk/kup/ © The contributors, 2014 The views expressed in this Review are the views of the contributors and are not those of editors. Printed by Lightning Source Cover design by Chantelle Harbottle Typesetting by Chantelle Harbottle Cover image is from the Iris Murdoch Archives in Kingston University's Special Collections. © Kingston University A record of this journal is available from the British Library. The Iris Murdoch Society President Barbara Stevens Heusel, Northwest Missouri State University, Maryville, MO 64468, USA Secretary J.Robert Baker, Fairmont State University, 1201 Locust Ave, Fairmont, WV 26554, USA Lead Editor Anne Rowe, Director of the Iris Murdoch Archive Project, Kingston University, Penrhyn Road, Kingston Upon Thames, Surrey, KT1 2EE, UK. Email: [email protected] Assistant Editors Frances White. Email: [email protected] Daniel Read. Email: [email protected] Editorial Board Maria Antonaccio, Bucknell University, USA Cheryl Bove, retd, Ball State University, USA Avril Horner, Kingston University Bran Nicol, University of Surrey Priscilla Martin, St Edmund Hall, Oxford Advisor Peter J. Conradi (Emeritus Professor, Kingston University) Administrator Penny Tribe, Faculty of Arts and Social Sciences, Kingston University. Email: p.tribe@ kingston ac.uk Review Production Chantelle Harbottle The Iris Murdoch Review The Iris Murdoch Review ISSN 1756-7572 (Kingston University Press) publishes articles on the life and work of Iris Murdoch and her milieu. The Review aims to represent the breadth and eclecticism of contemporary critical approaches to Murdoch, and particularly welcomes new perspectives and contexts of inquiry.
    [Show full text]
  • Elizabeth Bowen and the New Cosmopolitanism
    Fairfield University DigitalCommons@Fairfield English Faculty Publications English Department 2010 Elizabeth Bowen and the New Cosmopolitanism Nels C. Pearson Fairfield University, [email protected] Follow this and additional works at: https://digitalcommons.fairfield.edu/english-facultypubs Copyright 2010 Twentieth Century Literature. Archived with permission of copyright holder. Peer Reviewed Repository Citation Pearson, Nels C., "Elizabeth Bowen and the New Cosmopolitanism" (2010). English Faculty Publications. 18. https://digitalcommons.fairfield.edu/english-facultypubs/18 Published Citation Pearson, Nels. “Elizabeth Bowen and the New Cosmopolitanism,” Twentieth Century Literature. 56:3 (2010): 1-26. This item has been accepted for inclusion in DigitalCommons@Fairfield by an authorized administrator of DigitalCommons@Fairfield. It is brought to you by DigitalCommons@Fairfield with permission from the rights- holder(s) and is protected by copyright and/or related rights. You are free to use this item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses, you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Nels C. Pearson Elizabeth Bowen and the New Cosmopolitanism Nels C. Pearson The weight of being herself fell on her like a clock striking. She saw the clothes she would put on to go home in hanging over a chair. While it is still Before, Afterwards has no power, but after- wards it is the kingdom, the power and the glory. What [my family] can never know will soon never have been.
    [Show full text]
  • Elizabeth Bowen's Wartime Short Stories. Draft Conference
    ‘The violent destruction of solid things’: Elizabeth Bowen’s wartime short stories. Draft conference presentation Warsaw, July 2016 Whilst Elizabeth Bowen might have written to William Plomer that she “had such a good war”,1 she was acutely aware of the horrors experienced by many during the Second World War. She explores some of these horrors in The Demon Lover and Other Stories, a collection of short stories written and published individually during the second world war and then republished in the UK in 1945 and in 1946 in America as Ivy Gripped the Steps and Other Stories. In her introduction to the American edition, Bowen highlights some of her emotions during this time: In war, this feeling of slight differentiation [experienced during peace time] was suspended: I felt one with, and just like, everyone else. Sometimes I hardly knew where I stopped and everyone else began. The violent destruction of solid things, the explosion of the illusion that prestige, power and permanence attach to bulk and weight, left all of us, equally, heady and disembodied. Walls went down; and we felt, if not knew, each other. We all lived in a state of lucid abnormality.2 Commenting that the “stories are not placed in the time-order in which they were first written”,3 Bowen believed that the collection represented “a rising tide of hallucination”, adding that the “hallucinations in the stories are not a peril; nor are the stories studies of mental peril. The hallucinations are an unconscious, instinctive, saving resort on the part of the characters”.4 This paper focuses then on three stories which these hallucinations are explored through the manipulation of time – ‘The Inherited Clock’ (where time is literally stopped), ‘The Demon Lover’ and ‘The Happy Autumn Fields’.
    [Show full text]
  • When the Specters of the First World War Return to the Anglo-Irish Estate: Elizabeth Bowen’S a World of Love and J
    e-Keltoi: Journal of Interdisciplinary Celtic Studies Volume 5 Warfare Article 4 8-9-2019 When the Specters of the First World War Return to the Anglo-Irish Estate: Elizabeth Bowen’s A World of Love and J. G. Farrell’s Troubles Andréa Caloiaro University of Florida Follow this and additional works at: https://dc.uwm.edu/ekeltoi Part of the Celtic Studies Commons, English Language and Literature Commons, Folklore Commons, History Commons, History of Art, Architecture, and Archaeology Commons, Linguistics Commons, and the Theatre History Commons Recommended Citation Caloiaro, Andréa (2019) "When the Specters of the First World War Return to the Anglo-Irish Estate: Elizabeth Bowen’s A World of Love and J. G. Farrell’s Troubles," e-Keltoi: Journal of Interdisciplinary Celtic Studies: Vol. 5 , Article 4. Available at: https://dc.uwm.edu/ekeltoi/vol5/iss1/4 This Article is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in e-Keltoi: Journal of Interdisciplinary Celtic Studies by an authorized administrator of UWM Digital Commons. For more information, please contact open- [email protected]. When the Specters of the First World War Return to the Anglo-Irish Estate: Elizabeth Bowen’s A World of Love and J. G. Farrell’s Troubles Andréa Caloiaro, University of Florida Abstract In Elizabeth Bowen’s A World of Love and J. G. Farrell’s Troubles, the First World War’s dead reappear as specters within the Anglo-Irish estate. Through the lens of traumatology, this essay examines the symbolic function of this spectral return in light of its psychological, political, and cultural-historical implications for the Anglo-Irish Ascendancy, and more broadly, for contemporary Ireland.
    [Show full text]