PENROD.By Booth Tarking'ton V!

Total Page:16

File Type:pdf, Size:1020Kb

PENROD.By Booth Tarking'ton V! PENROD.By BootH v! Tarking'tonvalued as «ome- avalanche. She to "worst in town" when the to. seemed - . S-gHE boy (pop- agitation, th?n£ *nd "acred,*nt,I to be acclaimed and redder: lightnings playedrro*. II ulation 125,000) emerged hast- «-«- In fact- th« very first head; he had a vague h*JJ from the kitchen door of 5 hS" tkii .i,ea. Schofleidie^ and Williams did the audience out®S1 In II lly dnj spraying ^ his father's house one scented lilV * and *¦ chair for hlm the tumult, squealing*, trampling*nigftt.ojl«n®: to"it o° dispersals of a stricken flel<L morning* In apple blossom time. His AN OVERWHELMING SATURDAY. ln Roderick's mountain was close upon him. pockets bulged abnormally; so did his bolom W»"'«rr^subsequent activities of He stood by the open mouth and he swallowed with diffi¬ thS flim L. " bothersome enough to havchute. which went through theOT^ cheeks, opened make f to ^ Across the a cottage which raikiiTimhim forego hi. prominence as ex- "the manger below. Penrod al»o culty. from It. He not * through the floor. He a thrifty *.a(a built on the at. too. Talk some, Verman." Verman "At the slightest pre-text," he re¬ the music was quite drowned in the ever, unresponsive.far "quick-minded" propelled nin_ A threatening mop. wielded by a to the ac¬ offered comment very chilling to the boy and it (and much happen- into the chute and shot down, out rented complied. peated, and continued, suiting agitated clamors of Miss Rennsdale, r"Jon« to cook-like arm in a checkered sleeve, Sam was Interested. "What'd tion to the word: "I will now hammer who was to ascend the warm grandiloquence Qf the orator. edf comprehended quite the manger, for Mr. BMnU-_ nesroir and V warmly endeavoring theine causes J'fof hisk,r°UghI'new He Williams had followed him through the doorway, and a^negro you say his name was?" he asked. upon the box and each and all may stairs in spite of the physical dissua¬ "That's my uncle Ethelbert's dachs¬ cai?w« celebrity. thoughtfully stepped see these full-blooded he at the beginning that lf ^e affair the chute a moment in advance or intfljlmm. he was a "Verman." genuine Michigan sion of her governess. hund," remarked, f.ee'ln* preceded by small, hurried, "Oh!" said Sam. rats perform at the slightest pre¬ "I won't go home to lunch!" screamed of the lecture. "You better take him wer.ah««'^OW» a' hom® might not be partner. Penrod lit upon Sain. a warm wd,°! th0 noises wistful dog with doughnut in "Point to something, Herman." Pen- text. There! (That's all they do now, Miss Rennsdale, her voice accompanied back if you don't want to get arrest¬ Kated by Klamour Catastrophic, resounded in them the Ind hn,M. ~hiC surrounds a public loft; volcanoes seemed to the i his mouth. The kitchen door slammed rod commanded, and Sam's excitement, but I and Sam are goin' to train by a sound of ripping. "I will hear ed." V ic? romp upon lots more this wild talk some It's me a lots better character, he made no protest. On the stairway. petulantly, inclosing the sore voice when Herman pointed, was sufficient before afternoon.) tattooed boy more! "My papa would buy . to the occasion. "Gen-til-mun and I will will hear him talk! I will! I than was the information wholeheartedly Then there ensued a period wnen oniy of the Penrod Scho- lay-deeze, lovely.I .coon that," ?,ntercd a shrill \ cook, whereupon Penrod, the discoverer, continued his kindly now call your at-tain-.shon to will! I want to listen to Verman.I want volunteered a little later, "only I fnto'the'nren.r for the new show. keening marked the wake of field and Duke seated themselves upon exploitation the manifold wonders of Sherman, the wild animal from Africa, to.I want to." the old Assuming. iS?cl0n?with Sam s assistance, a blue Roderick as he was borne to the tumbril of wouldn't want nasty thing. .and then all was the pleasant sward and immediately the Sherman, Herman and Verman col¬ costing the lives of the wild trapper Wailing, she was borne away.of her Verman, confident in his own singular ..an "sideburns," he helped In silence. a and of his Next, sex not the first to be fascinated ob¬ fhliSthe ^fipainting: of a new poster, which consumed the of their raid. sssra - lection and proceeded to dramatic many companions. by powers, chuckled openly at the failure . spoils climax.the recital of the episode of lot me kindly interodoose Herman and scurity, or the last to champion its elo¬ to charm the supplanting: the old one on the wall of From the cross-street which tracing.a of the other attractions the screamed murder at formed "What's larc9,racc?on_-m<,-»the 'coons name. askedasicea the pitchfork and its consequences. Verman. Their father got mad and quence. when his turn came, stable, bloody a frosty visitor, and, the in thatus rather Sunset, striking through westerrtf, the side boundary of the Schofleld's Penrod. intending to no The cumulative effect was enormous, stuck his pitchfork right inside of an¬ The first performance of the afternoon forth a torrent of conversation passers ' v populous window, roughed the walls of the one result. other man, as rivaled the successes of and poured thoroughfare. Scho-<j ample yard came a jingle of harness "Aim gommo mame," said the amau and could have but possible exactly promised upon the morning, which was straightway dammed. fields' library, where gathered a joint darky. "Let's get up a show!" the advertisements outside the big tent, although Miss Rennsdale was detained council and court-martial | and the cadenced clatter of a pair of and got in Look at them at thus the source "Rotten,'' said Mr. Bltts, languidly. SCHoFiELD Sk WILLIAMS family of fou*J The bundle under Sam's arm, brought put jail. well, home, drying up single "I could get up a better show than NEW BIG SHow Mrs Schofleld, Mr. Schofleld and Mr4 to havo gen-til-mun and lay-deeze, there is no of cash income before lunch, . trotting horses, and Penrod, looking looked with unsettled purposes, proved developed this with my left hand. RODERICK MAGSWoRTH BITTS JR and Mrs. Williams, parents of Samuel Thermal! darky a-noyed. been an It consisted of extra charge, and remem-bur you are little Maurice Levy appeared escorting of that ilk. up, beheld the passing of a fat ac¬ » ^ inspiration. what would have in your ONLY LIVING NEPHEW Mr. Williams read aloud » "Aim g"ommo mame, I hell . broad sheets of light-yellow wrapping each and all now looking at two wild, beautiful Marjorie Jones, and paid coin "Well, you quaintance, torpid amid the conserva¬ old show?" asked Penrod, condescend¬ oF conspicuous passage from the last edl- j paper, discarded by Sam's mother in tattooed men which the father of is in for two admissions, dropping the money MAGSWORTH tlon of the evening paper tive splendors of a rather old-fash¬ Sape'nrod> conceived that insult was in- housecleaning. There were ing to language. RENA ' her spring "That's all right, what I'd have. T& THE FAMOS "Prominent people here believed rloe» ioned victoria. the matter of he de- half-filled cans and buckets of paint in MUDERESS GoiNG To BE relations of woman sentenced to nangi This was Roderick '""What's you?" the storeroom adjoining the carriage have enough!" denial' Mrs. R. Magsworth Bitts, manded advancing. "You get fresh the side wall of have?** Insist¬ HUNG Angry by MagsworttL jr., a fellow sufferer at the Friday . house, and presently "Well, what would you NEXT JULY KiLED EIGHT PEOPIF Bltts Relationship admitted by younger afternoon dancing class, but other¬ the stable flamed information upon the ed Penrod, derisively. "You'd have to PUT ARSINECK IN THEiR MILK ALSO member of family. His statement J wise not often a companion; a home- passerby from a great and spreading have sumpthlng; you think you could SHERMAN HERMAN AND VERMAN firmed by boy friends..'' con»j sheltered lad, tutored privately and poster. be a show all by yourself?" demanded THE MICHIGAN RATS DOG PART "Don't:" said Mrs. addre preserved against the coarsening influ¬ SSHHaSfeS Subsequent arrangements proceeded Penrod. her husband Williams.^"We ve l ALLIGATOR DUKE THE GENUINE ing vehemently. ences of rude and miscel¬ with a fury of energy which transform¬ "How do you know I couldn't?** read it a comradeship to you." An InDlAN DoG ADMISSion 1 CENT oR dozen times. We ve got plenty laneous information. -Heavily over¬ trtraii «. ed the empty hayloft. Interpreta¬ Two white boys and two black boys AS BEFORE Do NoT of trouble on our hands vir¬ .why can't he answer. to whites 20 PINS SAME wltlymt hearing; grown in all physical dimensions, "He can't. He can't talk no tion of the spiral, inclining shrieked their scorn of the boaster. CHANSE TO SEE ROD¬ tuous and placid, this cloistered mut¬ bettern and was brilliantly effective too!" Roderick raised his MlSS THIS greens, of "I could, ERICK Singularly enough, Mrs. William* ton was wholly uninteresting to Pen- W"Oh » saTdapetniod? mon?fledn,Then he upon the dark facial backgrounds voice to a sudden howl, obtaining a ONLY LIVING NEPHEW oF RENA not look troubled; she looked as dlJ, rod Schofield. Nevertheless. Roderick Herman and Verman: and the counte¬ hearing.
Recommended publications
  • Exhibition Catalog
    The Missouri Historic Costume and Textile Collection presents FASHIONING A COLLECTION: 50 Years 50 Objects March 7 – May 20, 2017 State Historical Society of Missouri Gallery FASHIONING A COLLECTION: 50 YEARS, 50 OBJECTS Missouri Historic Costume and Textile Collection Department of Textile and Apparel Management College of Human Environmental Sciences University of Missouri State Historical Society of Missouri FASHIONING A COLLECTION: 50 YEARS, 50 OBJECTS Curated by Nicole Johnston and Jean Parsons The Missouri Historic Costume and Textile Collection was established in 1967 by Carolyn Wingo to support the teaching mission of the Department of Textile and Apparel Management within the College of Human Environmental Sciences at the University of Missouri. MHCTC received its first donation of artifacts from the Kansas City Museum in Kansas City, Missouri and has grown to include over 6,000 items of apparel, accessories and household textiles donated by alumni, faculty and friends. Curator Laurel Wilson guided and nurtured the collection for over half of the Collection’s fifty years, and today, the MHCTC collects and preserves clothing and textiles of historic and artistic value for purposes of teaching, research, exhibition and outreach. This exhibit celebrates the variety and mission of the collection, and is thus organized by the three branches of that mission: education, research and exhibition. It was a challenge to choose only 50 objects as representative. We have chosen those objects most frequently used in teaching and are student favorites, as well as objects used in research by undergraduate and graduate students, faculty, and visiting scholars. Finally, favorites from past exhibits are also included, as well as objects and new acquisitions that have never been previously exhibited.
    [Show full text]
  • Legion of Frontiersmen Notebook
    Legion of Frontiersmen Notebook Includes over 30 pages with maps, charts, images and about 300 referenced historical entries Part I - General Information Part II - Referenced Timeline Part III - Uniform and Accoutrements ©Barry William Shandro M.Ed – Edmonton Canada – 01 January 2017 1 Foreword This is a personal notebook. Hopefully, this cache of information from a Canadian perspective assists with understanding the enigmatic Legion of Frontiersmen. This document is not intended for commercial reproduction nor is it intended for sale; however, the reader is most welcome to use this information as a starting point for further research. Please credit the original sources of information noted. Four decades ago I began to hear stories about the Legion of Frontiersmen from First and Second World War veterans. These accounts seemed questionable so I began a long process of investigating these claims and looking for informative sources. – To my surprise much of the verbal lore was confirmed with news quotations, documents, photos or addressed in rediscovered Frontiersmen publications. Concurrent to my efforts, the members of the History and Archives Section, Legion of Frontiersmen [Countess Mountbatten’s Own] willingly discussed their respective efforts to rediscover and preserve a very unique piece of Imperial history. Spearheaded by the Legion Historian, Geoffrey A. Pocock [Outrider of Empire, University of Alberta Press] a great deal of material has been placed online - see The Frontiersmen Historian. Additionally, the University of Alberta has been most helpful as the repository of Legion of Frontiersmen related documents. Finally, the grammatical errors and technical writing irregularities have been inserted to see if you are paying attention.
    [Show full text]
  • A Dictionary of Men's Wear Works by Mr Baker
    LIBRARY v A Dictionary of Men's Wear Works by Mr Baker A Dictionary of Men's Wear (This present book) Cloth $2.50, Half Morocco $3.50 A Dictionary of Engraving A handy manual for those who buy or print pictures and printing plates made by the modern processes. Small, handy volume, uncut, illustrated, decorated boards, 75c A Dictionary of Advertising In preparation A Dictionary of Men's Wear Embracing all the terms (so far as could be gathered) used in the men's wear trades expressiv of raw and =; finisht products and of various stages and items of production; selling terms; trade and popular slang and cant terms; and many other things curious, pertinent and impertinent; with an appendix con- taining sundry useful tables; the uniforms of "ancient and honorable" independent military companies of the U. S.; charts of correct dress, livery, and so forth. By William Henry Baker Author of "A Dictionary of Engraving" "A good dictionary is truly very interesting reading in spite of the man who declared that such an one changed the subject too often." —S William Beck CLEVELAND WILLIAM HENRY BAKER 1908 Copyright 1908 By William Henry Baker Cleveland O LIBRARY of CONGRESS Two Copies NOV 24 I SOB Copyright tntry _ OL^SS^tfU XXc, No. Press of The Britton Printing Co Cleveland tf- ?^ Dedication Conforming to custom this unconventional book is Dedicated to those most likely to be benefitted, i. e., to The 15000 or so Retail Clothiers The 15000 or so Custom Tailors The 1200 or so Clothing Manufacturers The 5000 or so Woolen and Cotton Mills The 22000
    [Show full text]
  • Fashion Museum July
    Fashion Museum July – December 2018 Fashion Museum Gallery information for 2018 3 Assembly Rooms, Bennett Street, Bath BA1 2QH Welcome The Fashion Museum Bath is one of the world’s great museum collections of historical and contemporary dress. Fashion has the power to capture the imagination and to illuminate personal and social stories. The Museum’s headline exhibition A History of Fashion in 100 Objects shows how fashions have changed throughout the ages, whilst our annual Dress of the Year selection shines a spotlight on contemporary fashion. New for 2018 is the show-stopping exhibition Royal Women which showcases royal dress and explores the fashions worn by four successive generations of women in the British royal family. Visitors can also create their own period outfit from the replica dressing up items, based on the Museum’s collection. A vibrant events programme offers creative workshops, after-hours talks and family activities. We are also home to the Bath branch of the Knitting and Crochet Guild. “ Must see for fashion A visit to the Museum lasts an hour or more and includes an audioguide available and history” in 12 languages. Find out more at fashionmuseum.co.uk, “ Fabulous royal Facebook, Pinterest and Twitter. You can also contact us at dresses exhibition” [email protected] Online reviews from Tripadvisor We hope you enjoy your visit to the Fashion Museum! From left to right: Black lace and pink Yellow, grey and Red and white striped silk strapless evening peach figured silk cotton evening dress dress by Norman
    [Show full text]
  • 1910 #20 Costume De Quatier – Maitre -- Sailor Suit for This Suit, 10
    1910 #20 Costume de Quatier – Maitre -- Sailor Suit For this suit, 10 patterns are needed. It is composed of a dress without sleeves, or skirt sewn onto a bodice, and of a jacket with a sailor collar. You will make, this week the dress. You will prepare the collar and the sleeves. We will finish the suit next week. Fig.1. – This is the whole suit finished. Fig.2. – Patron du col [Pattern of the collar]; it is on the straight thread on three sides. Fig.3 and 4. – Devant et dos du gilet [Front and back of the bodice] The front is pointed out to you three quarters. Trace the pattern until the dotted line which passes just through the middle of the front and place it on the fabric folded double, putting the dotted line edge to edge with the fold of the fabric. The pattern of the back will also be placed on the fabric folded double, or on two pieces placed wrong side against wrong side or right side against right side. The back and the front are joined together by the shoulder seams (a) and those of the sides (b, c). The bodice is closed at the back by snaps. It is decorated in front with small soutache or very narrow velvet. It is better to sew on this ornament before assembling the back and the front, because the ends of the soutache or velvet will go in the seams; this will be neater. The anchor which is at the top of the page was enlarged intentionally, in order to be able to be useful to your mothers for a suit for a child.
    [Show full text]
  • Development and Testing of a Data Collection Instrument For
    AN ABSTRACT OF THE THESIS OF Kelly S. Gallett for the degree of Master of Arts in Apparel, Interiors, Housina, and Merchandising presented on June 6. 1995. Title: Development and Testina of a Data Collection Instrument for Boys' Clothina 1867-1910: An Oregon Photographic Study. Redacted for Privacy Abstract approved: E. Pedersen The purpose of this study was to develop and test a data collection instrument that would facilitate description of the clothing of Oregon school boys 1867-1910. In addition, the researcher attempted to describe Oregon school-aged boys' clothing and determine if fashion changes occurred in Oregon boys' clothing. The researcher also determined if there were differences in the clothing of boys from rural and urban areas. The data collection instrument was developed by examining literature on children's clothing, photographs, and magazine and catalogue illustrations. In an attempt to capture dress characteristic of everyday wear, the data source for the study consisted of documented class portrait photographs from the collections of the Oregon and Benton County Historical Associations. The instrument provided for a systematic method of data collection according to the principles of content analysis. The instrument consisted of garment categories and design detail options. A handbook of illustrations and terms accompanied the instrument to ensure consistency and reliability. A total of 503 records were collected over a period of four months. After data collection, the original instrument was revised for future use. Some detail options were added and some deleted. A footwear category was incorporated into the revised instrument after it was determined that it would be possible to gather information about footwear from group photographs.
    [Show full text]
  • Press Release
    Office of Communications and External Relations telephone 212 217.4700 fax 212 217.4701 email: [email protected] November 27, 2017 Cheri Fein Executive Director of Public and Media Relations 212 217.4700; [email protected] Norell: Dean of American Fashion February 9–April 14, 2018 The Museum at FIT The Museum at the Fashion Institute of Technology (MFIT) presents Norell: Dean of American Fashion (February 9–April 14, 2018), a retrospective exhibition of work by pioneering designer Norman Norell, who created some of the finest and most innovative clothing ever crafted in the United States. On view in Norell will be approximately 100 ensembles and accessories from MFIT’s permanent collection, as well as a compelling selection of objects borrowed from the stellar private collection of Kenneth Pool. The exhibition is organized by Patricia Mears, MFIT deputy director, and designer Jeffery Banks, guest curator. The exhibition emphasizes key Norell designs that were developed early on and remained constant throughout his career. Many examples of his day and evening wear are on view. These garments, accessories, and related objects are organized thematically to illustrate the range of Norell’s extraordinary output and the consistently outstanding quality of work produced by his atelier. Although some of the objects date back to the early 1930s, most were designed during the last 12 years of Norell’s career—from 1960 to 1972. This phase is notable because Norell bought out his investors in the 1960s, and from then on, his name alone appeared on his label. It also was arguably his most Photograph by Milton H.
    [Show full text]
  • USS Pueblo: the Ship That Went out in the Cold
    USS Pueblo: The Ship That Went Out in the Cold FOR USE NOV. 2, and thereafter-- The 40,000 word, illustrated story "USS Pueblo— • Photo Prints are available for a two week assess- The Ship That Went Out in the Cold" is designed for ment of the regular APN Illustration service. use as a special supplement, for daily publication in • Offset reproductions of the pages are available. chapter form, or as you desire to fit your own par- Tape of the entire text can be furnished at a rea- ticular needs. The illustrations are available in several forms: sonable rate to those papers interested in using it. Please use the printed form on the inside cover • Mats are available to AP member papers at the to order what form of illustration you wish. Or you usual supplement rate. can order directly through your AP bureau chief or- AP NEWSFEATURES USS Pueblo: The Ship That Went Out in the Cold By AP Writers Sid Moody, Jules Loh and Richard E. Meyer ***** * * **************************** The USS Pueblo is gone. But she isn't. Her case is closed. But it isn't. It persists, and the Pueblo has joined that haunted fleet of ships whose ghosts remain long after they have vanished from the seas. The Navy has spoken and would wish the waters stilled. But the Navy can only decide for the Navy. Others, too, must decide. For they were more than sailors aboard. They were, as well, men. It is their suffering as men, the bitterness of the decisions they made as men, about duty, courage, loyalty, that return and return and return to pluck at the conscience.
    [Show full text]
  • The White Poodle
    THE WHITE POODLE by Alexander Kuprin From the compilation “The Garnet Bracelet and Other Stories” FOREIGN LANGUAGES PUBLISHING HOUSE Moscow Translated from the Russian by Stepan Apresyan Ocr: http://home.freeuk.com/russica2 THE WHITE POODLE I They were strolling players making their way along narrow mountain paths from one summer resort to another, on the south coast of the Crimea. Usually they were preceded by Arto—a white poodle with a lion cut— who trotted along with his long pink tongue lolling out on one side. When he came to a cross-road he would stop and look back questioningly, wagging his tail. By certain signs that he alone knew, he would unerringly pick the right way and go on at a run, his ears flapping gaily. Behind the dog came Sergei, a boy of twelve, who carried under his left arm a rolled-up rug for acrobatics, and in his right hand a dirty little cage with a goldfinch, trained to pull out of a box coloured slips of paper telling the future. Old Martin Lodizhkin shamblingly brought up the rear, a hurdy-gurdy on his crooked back. The hurdy-gurdy was an old one; it gave out croaking, coughing sounds, having undergone innumerable repairs during its long life. It played two tunes: a dreary German waltz by Launer and a gallop from "Journey to China," both of which had been in vogue some thirty or forty years ago and were now completely forgotten. There were two treacherous pipes in it. One of them, the treble, did not work at all and as soon as its turn came the music seemed to stutter, limp and stumble.
    [Show full text]
  • MEN's FURNISHINGS Hosiery and Underwear Our Saturday Shoe
    Linens, White Goods L. L. Sheetings, best -quality, well worth 6a yard, -*\JB 1Q quantity limited, yd..~..~.**'2,\M White Goods, Fancies and plain sheer and heavy qualities, values to 25c yd., special 401*% Some good Writing Paper, with for Saturday • «"2** 25 neat envelopes, rjut up in a characterize this store Table Linens—All pure linen, nice box, a bargain at 15c, IS g% full bleached damask, extra sale price per box O w Little Differences!!•superio r service, good value, worth 'f&Olf* Just opened another shipment 75c yard tf 4Si2t* of Rattan and Raffia, best qual­ goods of the best quality and the LOWEST PRICES ALWAYS. Dinner Napkins—Broken lot of ity at lowest prices. New Fash-" !)U «f K " \ * : half dozens, worth to' $3.00 per ion Journals, popular Maga­ dozes, your choice, half fi^l zines and Periodicals. EVANS, MUNZER, PICKERING & GO. dozen V • Wash Goods Handkerchiefs Batiste—Splendid sheer 30-inch Ba­ .A great special sale of neat embroidered tiste, nice assortment of dainty styles, MEN'S FURNISHINGS and scalloped or hemstitched edge Hand­ including the popular white ground kerchiefs. Values to 25c, sale ft ft work. The usual 12^c yard T^f* "Small leaks sink great ships." Look, out for the leaks of extravagance and buy price, each 5Fw . quality £ 2** where you can purchase the best goods for the least money. You can save money on any of these items Saturday. r , Tissue Persian—Very sheer, filmy and Millinery cool warm weather fabric, fine collec­ Men's Silk-Bows—for the high turn'f Men's Fine Balbriggan Shirts and During the next 30 days we will close tion of swell styles.
    [Show full text]
  • Docent Training Manual
    Docent Training Manual March 29, 2017 Dressing Downtown Exhibit Summary Exhibit Goals Expand the Rosson House Museum beyond its role as a historic house to become a backdrop for expanded interpretation of the themes of the American West – specifically as they manifested themselves in Phoenix; People can easily relate to clothing. Use this accessibility to cultivate a creative, inclusive, diverse public audience; Drive membership Provide visitors with a reason to visit and revisit; Introduce a popular theme that can be carried through all operations of the Foundation, including education, Museum Store sales, development, and collections; Create partnership opportunities through loaned artifacts that lifts the Foundation’s reputation as a bona fide repository of significant artifacts Grab the attention of followers of entertainment icons like BBC period dramas, literary enthusiasts, and pop culture fans through social media Where did the exhibit name come from? This concept for this exhibit is based on the international travelling exhibit, “Dressing Downton,” which uses fashion from the popular “Downton Abbey” television show and puts it into historic context for interpretation. Exhibit Description Victorian fashion; Phoenix style. “Dressing Downtown” will showcase dynamic period costumes against the backdrop of the 1895 Rosson House. This new display gives visitors insight into the elaborate outfits that shaped wardrobes, defined gender and class, and influenced politics in territorial Arizona. This exhibit explores the clothing of 1895 through WWI of Phoenicians from all walks of life, men, women and children. It illustrates the Victorian sensibilities of high morals, cultured manners, and excess and how they changed rapidly with social and technological advances.
    [Show full text]
  • Japanese School Uniforms
    JAPANESE SCHOOL UNIFORMS Photograph by Travis Nep Smith Japanese school uniforms are interesting because they are quite different from the standard school uniform of Western schools. If you have ever watched anime you may have some idea already, but for everyone else this is an interesting look into a part of Japan they may not often get a chance to see. Traditional style: gakuran and sailor uniform The traditional school uniform is based on military uniforms from old Europe. Both male and female versions are very common in anime, very often worn by the 'bad' kids (yankees), so you may recognise them. Schoolboys wearing gakurans Photo by cpkatie The high-necked standing collar male uniform is called a gakuran1 and is based on 19th-century Prussian army uniforms. Once upon a time it featured a hat, but nowadays usually only grade schoolers wear the hat. More on that below. © 2014 Education Services Australia Ltd (unless otherwise indicated), licensed under a Creative Commons CC BY-NC-SA 3.0 licence. Material sourced from: JapanDave, Japanese School Uniforms, CC BY-NC-SA 3.0. 1 Sailorsuit uniforms Photo by Archangeli The sailor suit, the female school uniform, is based on the old British navy uniforms. Unlike the gakuran which is pretty consistent from school to school, the sailor suit can be slightly different at each school. Modern style: variations on Western school uniforms At present many schools are switching to a more Western style. I suppose this could be because of the military associations with the traditional Japanese school uniforms. But I don’t know for sure, nor do any of the school administrators I asked.
    [Show full text]