Buddenbrooks: the Decline of a Family
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The Blue Review Literature Drama Art Music
Volume I Number III JULY 1913 One Shilling Net THE BLUE REVIEW LITERATURE DRAMA ART MUSIC CONTENTS Poetry Rupert Brooke, W.H.Davies, Iolo Aneurin Williams Sister Barbara Gilbert Cannan Daibutsu Yone Noguchi Mr. Bennett, Stendhal and the ModeRN Novel John Middleton Murry Ariadne in Naxos Edward J. Dent Epilogue III : Bains Turcs Katherine Mansfield CHRONICLES OF THE MONTH The Theatre (Masefield and Marie Lloyd), Gilbert Cannan ; The Novels (Security and Adventure), Hugh Walpole : General Literature (Irish Plays and Playwrights), Frank Swinnerton; German Books (Thomas Mann), D. H. Lawrence; Italian Books, Sydney Waterlow; Music (Elgar, Beethoven, Debussy), W, Denis Browne; The Galleries (Gino Severini), O. Raymond Drey. MARTIN SECKER PUBLISHER NUMBER FIVE JOHN STREET ADELPHI The Imprint June 17th, 1913 REPRODUCTIONS IN PHOTOGRAVURE PIONEERS OF PHOTOGRAVURE : By DONALD CAMERON-SWAN, F.R.P.S. PLEA FOR REFORM OF PRINTING: By TYPOCLASTES OLD BOOKS & THEIR PRINTERS: By I. ARTHUR HILL EDWARD ARBER, F.S.A. : By T. EDWARDS JONES THE PLAIN DEALER: VI. By EVERARD MEYNELL DECORATION & ITS USES: VI. By EDWARD JOHNSTON THE BOOK PRETENTIOUS AND OTHER REVIEWS: By J. H. MASON THE HODGMAN PRESS: By DANIEL T. POWELL PRINTING & PATENTS : By GEO. H. RAYNER, R.P.A. PRINTERS' DEVICES: By the Rev.T. F. DIBDIN. PART VI. REVIEWS, NOTES AND CORRESPONDENCE. Price One Shilling net Offices: 11 Henrietta Street, Covent Garden, W.G. JULY CONTENTS Page Post Georgian By X. Marcel Boulestin Frontispiece Love By Rupert Brooke 149 The Busy Heart By Rupert Brooke 150 Love's Youth By W. H. Davies 151 When We are Old, are Old By Iolo Aneurin Williams 152 Sister Barbara By Gilbert Cannan 153 Daibutsu By Yone Noguchi 160 Mr. -
Akhenaten and Moses
Story 27 A k h e n a t e n . and MOSES !? Aten is a creator of the universe in ancient Egyptian mythology, usually regarded as a sun god represented by the sun's disk. His worship (Atenism) was instituted as the basis for the mostly monotheistic — in fact, monistic — religion of Amenhotep IV, who took the name Akhenaten. The worship of Aten ceased shortly after Akhenaten's death; while Nefertiti was knifed to death by the Amun priesthood! Fig. 1. Pharaoh Akhenaten, his beloved Queen Nefer- titi, and family adoring the Aten, their Sun God; second from the left is Tutankhamen who was the son of Akhenaten. The relief dated 1350BC of the sun disk of Aten is a lime stone slab, with traces of the draufts- man’s grid still on it, found in the Royal Tomb of Amarna, the ill-fated capital of the founder of mono- theism long before Moses claimed it for Judaism. Aten was the focus of Akhenaten's religion, but viewing Aten as Akhena- ten's god is a simplification. Aten is the name given to represent the solar disc. The term Aten was used to designate a disc, and since the sun was a disc, it gradually became associated with solar deities. Aten expresses indirectly the life-giving force of light. The full title of Akhenaten's god was The Rahorus who rejoices in the horizon, in his/her Name of the Light which is seen in the sun disc. (This is the title of the god as it appears on the numerous stelae which were placed to mark the boundaries of Akhenaten's new capital at Amarna, or "Akhetaten."). -
Benjamin Britten and Luchino Visconti: Iterations of Thomas Mann's Death in Venice James M
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Benjamin Britten and Luchino Visconti: Iterations of Thomas Mann's Death in Venice James M. Larner Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES BENJAMIN BRITTEN AND LUCHINO VISCONTI: ITERATIONS OF THOMAS MANN’S DEATH IN VENICE By JAMES M. LARNER A Dissertation submitted to the Interdisciplinary Program in the Humanities in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2006 The members of the Committee approve the Dissertation of James M. Larner defended on 17 April 2006. Caroline Picart Professor Directing Dissertation Jane Piper Clendinning Outside Committee Member William Cloonan Committee Member Raymond Fleming Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii This dissertation is lovingly dedicated to my wife Janet and my daughter Katie. Their patience, support, and love have been the one constant throughout the years of this project. Both of them have made many sacrifices in order for me to continue my education and this dedication does not begin to acknowledge or repay the debt I owe them. I only hope they know how much I appreciate all they have done and how much I love them. iii ACKNOWLEDGEMENTS I wish to thank the four members of my dissertation committee for their role in the completion of this document. The guidance of Kay Picart as director of the committee was crucial to the success of this project. -
The Egyptian Enlightenment and Mann, Freud, and Freund
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 15 (2013) Issue 1 Article 4 The Egyptian Enlightenment and Mann, Freud, and Freund Rebecca C. Dolgoy University of Oxford Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the American Studies Commons, Comparative Literature Commons, Education Commons, European Languages and Societies Commons, Feminist, Gender, and Sexuality Studies Commons, Other Arts and Humanities Commons, Other Film and Media Studies Commons, Reading and Language Commons, Rhetoric and Composition Commons, Social and Behavioral Sciences Commons, Television Commons, and the Theatre and Performance Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Dolgoy, Rebecca C. -
“On Translating Thomas Mann. Edited with an Introduction and Commentary by Henry I. Mac Adam
SCRIPTA JUDAICA CRACOVIENSIA * Vol. 7 Kraków 2009 Edith Simon “ON TRANSLATING THOMAS MANN” Edited with an Introduction and Commentary by Henry I. MacAdam After all, every translator knows that translating is a sort of trick, a device like the sleight-of-hand operator’s to attract attention to something in order to distract it from something else. Lowe-Porter 1966, 196. Without her [Lowe-Porter’s] translations, the name of Tho- mas Mann might well be as little known to the English- speaking world as that of his brother Heinrich. Thirlwall 1966, vi. Introduction Among the literary papers of the late Edith Simon (1917–2003) is a typescript essay entitled “On Translating Thomas Mann.” Internal evidence suggests that it was written in the late 1960s, approximately 40 years after Mann’s monumental Der Zauberberg (1924) was translated into English as The Magic Mountain (1928) by Helen Tracy Lowe-Porter. Simon’s essay is critical of the quality of Lowe-Porter’s translation of The Magic Mountain and is full of suggested re-translations as well as a closer look at several images embedded in German culture, e.g. language; literature, mytho- logy/folklore – that Mann drew upon for “special effects” in the epic novel that ensured his nomination for and acceptance of the Nobel Prize for Literature in 1929 (the politicized head of the Nobel Committee cited Buddenbrooks as the reason for the award). Simon wrote her essay at a time when Lowe-Porter’s rendition of Mann’s major works was still garnering plaudits from reviewers. That essay by Simon, published here for the first time, and another shorter essay on writing historical fiction, are part of her creative legacy now archived within her art studio in Edinburgh, Scotland. -
Kenneth A. Kitchen, "The Old Testament in Its Context: Part
The Old Testament in its Context: 1 From the Origins to the Eve of the Exodus by K A Kitchen Lecturer in the School of Archaeology and Oriental Studies, Liverpool University [p. 2] Conservative Old Testament scholars often seem to spend more time demolishing the views of others about the composition of the Old Testament than in putting forward their own positive theories about it. In the present brief series of articles Mr. Kitchen has been asked to devote his main attention to the outlining of a conservative view of the composition of the Old Testament. He stresses that the present article is merely complementary to his other writings on the subject; his footnote references will enable readers to consult these at the appropriate points. The aim of the series of articles of which this is the first part is simply to present an appreciation of the Old Testament books and data in the context of that world in which they came to be, namely the world of the Ancient Near East. It is the Hebrews’ own world of the twentieth to fourth centuries BC, and not the unverifiable speculations of the eighteenth to twentieth centuries AD, that alone can provide criteria of study that are both tangible/verifiable and relevant to study of the Old Testament and its contents. We must utilize the existing Old Testament because we have no other; major theoretical reconstructions which cannot be independently validated by external evidence as a touchstone are ipso facto creations of the imagination and cannot be accorded preference over the extant documents that we now have. -
Qt4nd9t5tt.Pdf
UC Irvine FlashPoints Title Moses and Multiculturalism Permalink https://escholarship.org/uc/item/4nd9t5tt ISBN 978-0-520-26254-6 Author Johnson, Barbara Publication Date 2010 eScholarship.org Powered by the California Digital Library University of California Moses and Multiculturalism UCP_Johnson_Moses-ToPress.indd 1 12/1/09 10:10 AM FlashPoints The series solicits books that consider literature beyond strictly national and dis- ciplinary frameworks, distinguished both by their historical grounding and their theoretical and conceptual strength. We seek studies that engage theory without losing touch with history, and work historically without falling into uncritical positivism. FlashPoints will aim for a broad audience within the humanities and the social sciences concerned with moments of cultural emergence and transformation. In a Benjaminian mode, FlashPoints is interested in how literature contributes to forming new constellations of culture and history, and in how such formations func- tion critically and politically in the present. Available online at http://repositories .cdlib.org/ucpress s eries editors Judith Butler, Edward Dimendberg, Catherine Gallagher, Susan Gillman Richard Terdiman, Chair 1. On Pain of Speech: Fantasies of the First Order and the Literary Rant, by Dina Al-Kassim 2. Moses and Multiculturalism, by Barbara Johnson UCP_Johnson_Moses-ToPress.indd 2 12/1/09 10:10 AM Moses and Multiculturalism Barbara Johnson Foreword by Barbara Rietveld UN IVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles London UCP_Johnson_Moses-ToPress.indd 3 12/1/09 10:10 AM University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. -
An Alabama School Girl in Paris 1842-1844
An Alabama School Girl in Paris 1842-1844 the letters of Mary Fenwick Lewis and her family Nancyt/ M. Rohr_____ _ An Alabama School Girl in Paris, 1842-1844 The Letters of Mary Fenwick Lewis and Her Family Edited by Nancy M. Rohr An Alabama School Girl In Paris N a n c y M. Ro h r Copyright Q 2001 by Nancy M. Rohr All rights reserved. No part of this book may be reproduced in any form without permission of the editor. ISPN: 0-9707368-0-0 Silver Threads Publishing 10012 Louis Dr. Huntsville, AL 35803 Second Edition 2006 Printed by Boaz Printing, Boaz, Alabama CONTENTS Preface...................................................................................................................1 EditingTechniques...........................................................................................5 The Families.......................................................................................................7 List of Illustrations........................................................................................10 I The Lewis Family Before the Letters................................................. 11 You Are Related to the Brave and Good II The Calhoun Family Before the Letters......................................... 20 These Sums will Furnish Ample Means Apples O f Gold in Pictures of Silver........................................26 III The Letters - 1842................................................................................. 28 IV The Letters - 1843................................................................................ -
The Figure of Joseph the Patriarch in the New Testament and the Early Church
ABSTRACT “Much More Ours Than Yours”: The Figure of Joseph the Patriarch in the New Testament and the Early Church by John Lee Fortner This paper investigates the figure of Joseph the patriarch in early Christian interpretation, demonstrating the importance of such figures in articulating a Christian reading of the history of Israel, and the importance of this reading in the identity formation of early Christianity. The paper also illumines the debt of this Christian reading of Israel’s history to the work of Hellenistic Judaism. The figure of Joseph the patriarch is traced through early Christian interpretation, primarily from the Eastern Church tradition up to the 4th century C.E. The key methodological approach is an analysis of how the early church employed typological, allegorical, and moral exegesis in its construction of Joseph as a “Christian saint of the Old Testament.” A figure who, to borrow Justin Martyr’s phrase, became in the Christian identity “much more ours than yours.” “Much More Ours Than Yours”: The Figure of Joseph the Patriarch in the New Testament and the Early Church A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of History by John Lee Fortner Miami University Oxford, Ohio 2004 Advisor ________________________ Dr. Edwin Yamauchi Reader ________________________ Dr. Charlotte Goldy Reader _________________________ Dr. Wietse de Boer Table of Contents Introduction 1 Early Christian Hermeneutics 1 The Aura of Antiquity 6 Apologetics of Hellenistic Judaism 8 Scope and Purpose of Study 12 1. Joseph in the New Testament 13 Acts 7 14 Heb 11 15 2. -
I. Thomas Mann, a Sketch of My Life, Translated from the German by H. T. Lowe-Porter (New, York, 1970), P
Notes I. Thomas Mann, A Sketch of My Life, translated from the German by H. T. Lowe-Porter (New, York, 1970), p. 74. 2. See Hans Burgin and Hans-Otto Mayer, Thomas Mann: A Chronicle of his Life (Alabama, 1969), p. I. 3. A Sketch of My Life, op. cit., pp. 3-4. 4. Quoted from Hans Burgin and Hans-Otto Mayer, op. cit., p. 20. 5. Ibid, pp. 18-19. 6. See, for example, his diary entry for 30 March 1919, in Thomas Mann, Diaries for 1918-1939, translated from the German by Richard and Clara Winston, selection and foreword by Hermann Kesten (New York, 1982), p. 42. What Mann termed his 'sexual inversion' seems to have reached a critical point in 1920, as is shown by an entry for 14 July. See ibid, p. 101. 7. See The Letters of Thomas Mann, selected and translated by Richard and Clara Winston (Harmondsworth, 1975), p. 69. 8. The history of this tense relationship between the two brothers at this time has been well charted by Marcel Reich-Ranicki in his The King and his Rival (Bonn, 1985). 9. See Thomas Mann, Reflections of a Nonpolitical Man, translated, and with an introduction by Walter D. Morris (New York, 1983), p. 2. The original German edition was first published in 1918. 10. Mann's refutation of these accusations was published in a short article in Die Literarische Welt, 4 (24 February 1928), p. l. II. See Thomas Mann, 'Mario and the Magician', in Mario and the Magician and other Stories (Penguin edition, Harmondsworth, 1975), p. -
The Novels Reader
The Novels Old Western Culture Reader Volume 16 The Novels Old Western Culture Reader Volume 16 Companion to Early Moderns: The Novels, a great books curriculum by Roman Roads Press MOSCOW, IDAHO The Novels: Old Western Culture Reader, Volume 16 Copyright © 2020 Roman Roads Media, LLC Published by Roman Roads Press Moscow, Idaho 83843 romanroadspress.com Series Editor: Daniel Foucachon Cover Design: Valerie Anne Bost, Daniel Foucachon, and Rachel Rosales Cover Image: At Pemberley, by Joey Nance Typesetting: Joey Nance Printed in the United States of America. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form by any means, electronic, mechanical, photocopy, recording, or oth- erwise, without prior permission of the publisher, except as provided by the USA copyright law. The Novels: Old Western Culture Reader, Volume 16 Roman Roads Media, LLC ISBN: 978-1-944482-50-3 (paperback) Version1.0.0 August 2020 This is a companion reader for the Old Western Culture curriculum by Roman Roads Press. To find out more about this course, visit www.romanroadspress.com. Old Western Culture Great Books Reader Series THE GREEKS VOLUME 1 The Epics VOLUME 2 Drama & Lyric VOLUME 3 The Histories VOLUME 4 The Philosophers THE ROMANS VOLUME 5 The Aeneid VOLUME 6 The Historians VOLUME 7 Early Christianity VOLUME 8 Nicene Christianity CHRISTENDOM VOLUME 9 Early Medievals VOLUME 10 Defense of the Faith VOLUME 11 The Medieval Mind VOLUME 12 The Reformation EARLY MODERNS VOLUME 13 Rise of England VOLUME 14 Poetry and Politics VOLUME 15 The Enlightenment VOLUME 16 The Novels Contents Jane Austen 1 Pride and Prejudice Book I 105 Pride and Prejudice Book II 189 Pride and Prejudice Book III Charles Dickens A Christmas Carol 303 Stave One 319 Stave Two 334 Stave Three 354 Stave Four 367 Stave Five Fyodor Dostoevsky The Brothers Karamazov Book 5 377 Chapter IV: Rebellion 388 Chapter V: The Grand Inquisitor Anton Checkov 411 The Bet C.S.Lewis 421 De Descriptione Temporum Pride and Prejudice Jane Austen BOOK I CHAPTER I. -
Aschenbach Crosses the Waters: Reading Death in Venice in America
$VFKHQEDFK&URVVHVWKH:DWHUV5HDGLQJ'HDWKLQ9HQLFH TobiasLQ$PHULFD Boes Modernism/modernity, Volume 21, Number 2, April 2014, pp. 429-445 (Article) Published by The Johns Hopkins University Press DOI: 10.1353/mod.2014.0039 For additional information about this article http://muse.jhu.edu/journals/mod/summary/v021/21.2.boes.html Access provided by University of Notre Dame (30 Jun 2014 12:52 GMT) Aschenbach Crosses the Waters: Reading Death in Venice in America Tobias Boes The year 2012 marked the centenary of Thomas Mann’s novel- MODERNISM / modernity la Death in Venice, one of the foremost examples of transnational VOLUME TWENTY ONE, literary modernism. The term “transnational” is admittedly much NUMBER TWO, overused in contemporary criticism, but it applies perfectly in this PP 429–445. © 2014 case, for one of the great paradoxes of Thomas Mann’s career is JOHNS HOPKINS that although he was perhaps the most self-consciously “German” UNIVERSITY PRESS of all great modernist writers, he reached the height of his fame and influence only after he had been exiled from Hitler’s Reich and had made a new name for himself in the United States.1 Between 1933 and 1945, his books became increasingly difficult Tobias Boes is to obtain in his native country. At the same time, a new audience Associate Professor of German at the discovered his works in America, where the publisher Alfred A. University of Notre and Knopf advertised him as “the world’s greatest living author,” the the author of Formative Book of the Month Club distributed hundreds of thousands