Maa Durga Shakti : the Supreme Power
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Sri Chakra the Source of the Cosmos
Sri Chakra The Source of the Cosmos The Journal of the Sri Rajarajeswari Peetam, Rush, NY Blossom 22 Petal 3 December 2017 Blossom 22, Petal 3 I N Temple Bulletin 3 T Past Temple Events 4 H Upcoming Temple I Events 6 S Balancing Your Life I in the Two Modes of Existence 8 S Kundalini: A S Mosaic Perspective 11 U Sahasra Chandi 13 E Kailash Yatra 17 Ganaamritam 20 Gurus, Saints & Sages 23 Naivēdyam Nivēdayāmi 26 Kids Korner! 29 2 Sri Rajarajeswari Peetam • 6980 East River Road • Rush, NY 14543 • Phone: (585) 533 - 1970 Sri Chakra ● December 2017 TEMPLETEMPLETEMPLE BULLETINBULLETINBULLETIN Rajagopuram Project As many of you know, Aiya has been speaking about the need for a more permanent sacred home for Devi for a number of years. Over the past 40 years, the Temple has evolved into an import- ant center for the worship of the Divine Mother Rajarajeswari, Temple Links attracting thousands of visitors each year from around the world. Private Homa/Puja Booking: It is now time to take the next step in fulfilling Aiya’s vision of srividya.org/puja constructing an Agamic temple in granite complete with a tradi- tional Rajagopuram. With the grace of the Guru lineage and the Rajagopuram Project (Granite loving blessings of our Divine Mother, now is the right time to Temple): actively participate and contribute to make this vision a reality. srividya.org/rajagopuram The new Temple will be larger and will be built according to Email Subscriptions: the Kashyapa Shilpa Shastra. By following the holy Agamas, srividya.org/email more divine energy than ever will be attracted into the Tem- ple, and the granite will hold that energy for 10,000 years, bring- Temple Timings: ing powerful blessings to countless generations into the future. -
Durga Worship in Upper Mahanadi Valley
Orissa Review * September-October - 2008 Durga Worship in Upper Mahanadi Valley Sasanka S. Panda We find the traces of the worship of goddess We find another two-handed Durga image Durga in her Mahisasuramardini aspect as early at Dharapgarh village of Balangir district, which as the sixth century A.D. This is evident from the can be dated to the same period. The textual discovery of the ruins of a references to the goddess collapsed brick temple with two arms is quite rare, containing a two-handed though Suprabhedagama, Mahisasuramardini Durga Purvakarmagama and image in the Alidha posture in Uttarakarmagama describe the Garbhagriha and having Durga as having two hands.2 an inscription on the pedestal R. Chanda has suggested that in the box-headed Brahmi the two-armed figures of the alphabets of the sixth century goddess were confined to the 3 mentioning goddess pre-Gupta period. But as the Mahesvari. The temple was Brahmanisation process unearthed by the noted seems to have started in western part of Orissa only historian, late Prof. N.K. after the subjugation of this Sahu, in 1983, during area by the Gupta monarch excavation in the Maraguda Samudragupta during his valley of the Nuapada district. military expedition to the A Sakta Math (Monastery), Goddess Durga, Lalei, Sundargarh District Daksinapatha in the middle said to be the earliest of its of the fourth century A.D., kind was also unearthed near this temple during 1 both the two-handed Durga images of Western this excavation. The discovery of the two-handed Orissa can be taken to be of the post-Gupta Mahisasuramardini Durga image in the period. -
Sapta Matrikas Bharati Pal
Orissa Review September - 2009 Sapta Matrikas Bharati Pal The Sapta Matrikas or the seven divine mothers, weild the trisula in one of her hands and carry a representing the saktis, or the energies of the kapala in another. All the Matrikas are to be important familiar deities are Brahmani (Saraswati) seated images and should have two of their hands Mahesvari (Raudani) Kaumari (Karttikeyani) held in the Varada and Abhaya poses, while the Vaishnavi (Lakshmi) Varahi, Indrani and other two hands carry weapons appropriate to Chamunda (Chamundi). According to a legend the male counterparts of the female powers. described in the Isanasivagurudevapaddhati, The Varaha Purana states that these the Matrikas were created to help Lord Siva in mother-goddesses are eight in number and his fight against Andhakasura. When the Lord includes among them the goddess Yogesvari. It inflicted wounds on Andhaka, blood began to flow further says that these Matrikas represent eight profusely from his body. Each drop which touched mental qualities which are morally bad. the ground assumed the shape of another Accordingly, Yogesvari represents kama or Andhaka. Thus there were innumerable Asuras desire; Mahesvari, krodh or anger; Vaishnavi, fighting Siva. To stop the flow of the blood, Siva lobha or covetousness; Brahmani; mada or created a goddess called Yogesvari from the pride; Kaumari moha or illusion; Indrani, flames issuing out of his mouth. Brahma, Vishnu, matsarya or fault finding; Yami or Chumunda Maheswara, Kumara, Varaha, Indra and Yama paisunya, that is tale bearing; and Varahi asuya also sent their saktis to follow Yogesvari in or envy. stopping the flow of blood. -
Bhoga-Bhaagya-Yogyata Lakshmi
BHOGA-BHAAGYA-YOGYATA LAKSHMI ( FULFILLMENT AS ONE DESERVES) Edited, compiled, and translated by VDN Rao, Retd. General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, currently at Chennai 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu Essence of Shiva Sahasra Lingarchana Essence of Paraashara Smtiti Essence of Pradhana Tirtha Mahima Dharma Bindu Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ (Quintessence of Upanishads) Essence of Virat Parva of Maha Bharata Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Also Essence of Knowledge of Numbers Essence of Narada Charitra; Essence Neeti Chandrika-Essence of Hindu Festivals and Austerities- Essence of Manu Smriti*- Quintessence of Manu Smriti* - *Essence of Pratyaksha Bhaskara- Essence of Maha Narayanopanishad*-Essence of Vidya-Vigjnaana-Vaak Devi* Note: All the above Scriptures already released on www. -
South-Indian Images of Gods and Goddesses
ASIA II MB- • ! 00/ CORNELL UNIVERSITY* LIBRARY Date Due >Sf{JviVre > -&h—2 RftPP )9 -Af v^r- tjy J A j£ **'lr *7 i !! in ^_ fc-£r Pg&diJBii'* Cornell University Library NB 1001.K92 South-indian images of gods and goddesse 3 1924 022 943 447 AGENTS FOR THE SALE OF MADRAS GOVERNMENT PUBLICATIONS. IN INDIA. A. G. Barraud & Co. (Late A. J. Combridge & Co.)> Madras. R. Cambrav & Co., Calcutta. E. M. Gopalakrishna Kone, Pudumantapam, Madura. Higginbothams (Ltd.), Mount Road, Madras. V. Kalyanarama Iyer & Co., Esplanade, Madras. G. C. Loganatham Brothers, Madras. S. Murthv & Co., Madras. G. A. Natesan & Co., Madras. The Superintendent, Nazair Kanun Hind Press, Allahabad. P. R. Rama Iyer & Co., Madras. D. B. Taraporevala Sons & Co., Bombay. Thacker & Co. (Ltd.), Bombay. Thacker, Spink & Co., Calcutta. S. Vas & Co., Madras. S.P.C.K. Press, Madras. IN THE UNITED KINGDOM. B. H. Blackwell, 50 and 51, Broad Street, Oxford. Constable & Co., 10, Orange Street, Leicester Square, London, W.C. Deighton, Bell & Co. (Ltd.), Cambridge. \ T. Fisher Unwin (Ltd.), j, Adelphi Terrace, London, W.C. Grindlay & Co., 54, Parliament Street, London, S.W. Kegan Paul, Trench, Trubner & Co. (Ltd.), 68—74, iCarter Lane, London, E.C. and 25, Museum Street, London, W.C. Henry S. King & Co., 65, Cornhill, London, E.C. X P. S. King & Son, 2 and 4, Great Smith Street, Westminster, London, S.W.- Luzac & Co., 46, Great Russell Street, London, W.C. B. Quaritch, 11, Grafton Street, New Bond Street, London, W. W. Thacker & Co.^f*Cre<d Lane, London, E.O? *' Oliver and Boyd, Tweeddale Court, Edinburgh. -
Sakti Centres in Cuttack District : a Historical Perspective
Click Here & Upgrade Expanded Features PDF Unlimited Pages CompleteDocuments Orissa Review * September - October - 2005 Sakti Centres in Cuttack District : A Historical Perspective Pareswar Sahoo With its bountiful nature, Orissa is an enchanting Kathajodi on the south. The stone embankment state of old charms and new glamour. Having protecting the river banks speak eloquently of the thirty districts in her heart it has a kaleidoscope engineering skills of the earlier era and is regarded of tourist attractions. Cuttack, as an interregnum in the the previous capital city of history of the Somavamsi rule modern Orissa, is famous for in Orissa. filigree silverware, horn and The origin of Sakti cult brass work. The old Cuttack is shrouded in mystery. Since district is known for its silk and time immemorial the worship cotton textiles, besides the of Sakti (power) has been an Buddhist golden triangle and important religious persuit. also for Sakti pithas The archaeologists, (Bhattarika, Charchika and historians, indologist, Maa Pragala). These places philosophers and scholars of are associated with Devi many other disciplines have Durga, the symbol of power expounded various theories and strength and are therefore with regard to the origin and regarded as traditional Sakti evolution of the Sakti cult. It Kshetras of Orissa dedicated is easy to understand that to Brahmanical Sakti means power and Panchadevatas. 1 These strength, which is expressed centers are honeycombed by through different phenomena. glamorous scenic beauty and the religious In Devisukta, the Saptasati records,2 potentialities are intended for all sections of visiting intelligence, satisfaction peity etc. as the various tourists, both inland and outland. -
A Commparative Analysis of the Mahakali and the Ganges Treaties
Volume 39 Issue 2 Spring 1999 Spring 1999 Hydro-Politics in South Asia: A Commparative Analysis of the Mahakali and the Ganges Treaties Salman M. Salman Kishor Uprety Recommended Citation Salman M. Salman & Kishor Uprety, Hydro-Politics in South Asia: A Commparative Analysis of the Mahakali and the Ganges Treaties, 39 Nat. Resources J. 295 (1999). Available at: https://digitalrepository.unm.edu/nrj/vol39/iss2/5 This Article is brought to you for free and open access by the Law Journals at UNM Digital Repository. It has been accepted for inclusion in Natural Resources Journal by an authorized editor of UNM Digital Repository. For more information, please contact [email protected], [email protected], [email protected]. SALMAN M.A. SALMAN & KISHOR UPRETY Hydro-Politics in South Asia: A Comparative Analysis of the Mahakali and the Ganges Treaties ABSTRACT The numerous problems raised by the management of water resources are currently receiving ever-greater attention from governments around the globe. These problems stem from the fact that water resourcesare qualitativelyand quantitatively limited, and that opportunities for the exploitation of these resources abound. These factors have led to an increasingneed to adopt an integratedapproach to the development of water resources. In this context, the triangularrelations between Bangladesh, India, and Nepal in South Asia posit an intriguingand unique set of circum- stances that illustrates the effect that the practices of one country can have on other surroundingcountries. India has significantly shaped theforeign economic relationsbetween India andBangladesh and India and Nepal, especially insofar as water resources develop- ment and cooperation are concerned. -
Sri Vidya Mantra: Unravelling the Cosmos Niraj Kumar
Sri Vidya Mantra: Unravelling the Cosmos Niraj Kumar he visible world is only a small part a different sonic universe. Recent explorations in of reality, which again is relative to an ob some branches of theoretical physics have led to Tserver. Human beings experience only a the formulation of the idea of a multiverse. More sliver—20 Hz to 20,000 Hz—of the vast world over, many astrophysicists suggest that only about of sounds. For bats and some other creatures it is five per cent of our universe comprises of visible 332 PB May 2014 —No bleed here— Sri Vidya Mantra: Unravelling the Cosmos 29 matter. The rest is composed of dark energy and fusion of Shiva and Shakti—the spandana, vi dark matter, whose properties are elusive. bratory, principle. Ordinarily, a bindu takes half The human mind is unaware of many things the time taken for uttering a phoneme. But the outside and inside the body. However, to an bindu also tapers into the subtler sound of nāda, introspective person, the universe appears to be which is equivalent to 1/16th of a phoneme. The a graded existence from the gross to the subtle. further subtle division of sound ends at the level Sri Vidya is a subtle conception of tracing the of unmanā, mind in extremely low vibration, relationship between various levels of existence. which corresponds to 1/512th of the time taken This vidya, science, structurally correlates the to utter a mātra. microcosm and the macrocosm and establishes Since sparśa, touch, always produces sound, a connection between the human body, the cos the sages developed a paradigm for phonemic mic body, and the geographical body. -
Saraswati's Live Darshan: Exalted Pilgrimage to the Invisible River In
Saraswati’s live darshan: Exalted pilgrimage to the invisible river in Haryana April 18, 2019, Gopa Nayak in The right lens | Lifestyle | TOI Much before environmental studies acquired a hallowed academic status, Vedic scriptures had shown both respect and sensitivity to the environment by according to the status of deity to the river, Saraswati. Worship of femininity in Hinduism was symbolically represented in the river Saraswati, revered as a mother and depicted in the Rg Veda as having healing and purifying powers. While Goddess Saraswati is worshipped all over India on auspicious occasions, especially during Vasant Panchami, ‘Saraswati Ghat’ located in Pehowa near Kurukshetra in Haryana is the sacred spot where the invisible river is believed to have manifest by surfacing herself as a river deity originating out of Alaknanda river in Adi Badri region of Himalayas. A Saraswati Development Board created by the government is attempting to connect the missing dots and it has dug out the traces of the vanished river. Saraswati shrouds herself yet again beyond the region, going underground and shows up finally in Saraswati Koop in Allahabad fort (opened for public viewing during Kumbh 2019 at the personal intervention of the Prime Minister of India, Narendra Modi) before merging into Triveni in Sangam at Prayagraj. The temple dedicated to goddess Saraswati adjoining a pond along with the Ghat in Pehowa is one of the oldest where Hindus offer all the three major religious obligations – Swakarya (Snan and Daan), Pitra Karya (Pind Daan, Shradh, and Tarpan), and Deva Karya (Tapa, Japa, Satsang, Katha, Raas etc) – through the fame of the sacred spot is primarily forPitra Karya, second only to Gaya. -
Puja Rituals in Srimandir
Orissa Review June - 2009 Puja Rituals in Srimandir Padmanabha Mahapatra Shri Jagannath in Yantra, Tantra and Mantra mouth of Siva; that which has entered into the mouth of Uma; and that which is the opinion of The mode of worship of Sri Jagannath is Vishnu. - 'Agatam Sivamukhabjat gatam tu unique and different from that of the other Vishnu Girija mukhe, matam ch Basudevasya tasmat temples, situated in north and south India. Sri Agama uchyate'. So Agam or Tantra Sastra is Jagannath is Pranab; He has been identified with mainly based on three aspects, such as - Saivism; the mystic Vedic Bijamantra 'Om'. His puja has (Saivagam) Saktism (Saktagam) and Vaishnavism been developed and systematized in a well (Vaishnavagam). Agam or Tantra Sastra is a designed- process by coordinating the basics of means for over all development of human society Vedic, Tantric and Vaisnavite streams. - 'Dharmarth kamamokhyadi chaturbarga Dharmashastras prescribe three main streams for sadhan pathpradarshak.' the puja of Hindu Devatas, those are - Nigam, Agam and Lokacar. Nigam is the pure Vedic 'Tantra aims to transform every action in system, Agam is the tantric system and Lokacar life into a ritual, so that the individual performs is the combination of both or some other system, every action and thought with a feeling of worship which is followed with reference to the prevailing and awareness. The action of bathing, dressing, conditions of the locality, time and authorities. sitting for worship, offering various symbolic sacrifices, sexual relations, stages of development Nigam - (the Vedic system) - The guide from inception to womb, birth to marriage etc. -
1 Essence of Paramartha Saara
ESSENCE OF PARAMARTHA SAARA (The Quintessence of Supreme Awareness) Edited and translated by VDN Rao, Retd. General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, currently at Chennai 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu Essence of Shiva Sahasra Lingarchana Essence of Paraashara Smtiti Essence of Pradhana Tirtha Mahima Dharma Bindu Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ (Quintessence of Upanishads) Essence of Virat Parva of Maha Bharata Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Also Essence of Knowledge of Numbers Essence of Narada Charitra; Essence Neeti Chandrika Essence of Hindu Festivals and Austerities Essence of Manu Smriti*------------------- Quintessence of Manu Smriti* Note: All the above Scriptures already released on www. Kamakoti. Org/news as also on Google by the respective references. -
SAPTHA Mathas Or Matrikas (Seven Divine Mothers)
SAPTHA MATHAs or MATRIKAs (Seven Divine Mothers) Contd..2 -2- Sapta Matrikas are mentioned in the Rigveda, Gobhilasmriti, Markandeya Purana, Matsya Purana, etc. Varahamihira’s Brihat Samhita also mentions about the images of Saptha Matrikas. SAPTHA MATHAs or MATRIKAs - Seven Divine Mothers. As per legend the Matrikas were created to help Lord Siva in his fight against Andhakasura. During the fight, on being hurt blood began to flow profusely from Andhaka's body. Each drop which touched the ground assumed the shape of another Andhaka. Thus there were innumerable Asuras fighting Shiva. To stop the flow of the blood, Shiva created a goddess called Yogesvari from the flames coming out of his mouth. Brahma, Vishnu, Maheswara, Kumara, Varaha, Indra and Yama also sent their saktis to follow Yogesvari in stopping the flow of blood. Thus the Sapta Matrikas originated and Andhakasura finally lost his power and was defeated by Lord Shiva. The Saptha Mathas are Brahmi Mahesvari Kaumari Vaishnavi Vaarahi Indraani Chamundi According to the Varaha Purana the account given of Andhakasura and the Matrikas is an allegory; it represents Atma-Vidya or spiritual wisdom as warring against ‘Andhakara’ the darkness of ignorance. Contd..3 -3- The spirit of vidya, represented by Shiva, fights with Andhakasura, the darkness of Avidya. The more this is attempted to be attacked by Vidya, the more does it tend to increase for a time; this fact is represented by the multiplication of the figures of Andhakasura. Unless the eight evil qualities,kama,krodha etc. are completely brought under the control of Vidya and kept under restraint, it can never succeed in putting down Andhakara.