Ancient Egyptian Art

Total Page:16

File Type:pdf, Size:1020Kb

Ancient Egyptian Art Ancient Egyptian Art https://www.ducksters.com/history/art/ancient_egyptian_art.php arthistoryandartistsancientegyptianart.mp3 A lot of what we know about the Ancient Egyptians comes from their art. From the many pieces of art they created we can learn things like what they looked like, what kind of clothes they wore, what jobs they worked, and what they considered important. Nefertiti by Unknown Similar Art for Over 3000 Years The civilization of Ancient Egypt ruled the land of the Nile for over 3000 years. Surprisingly enough, their art changed little during that time. The original style of art was first used in 3000 B.C. and the most respected artists continued to copy these styles for the next 3000 years. Religion and Art Much of the artwork created by the Ancient Egyptians had to do with their religion. They would fill the tombs of the Pharaohs with paintings and sculptures. Much of this artwork was there to help the Pharaohs in the afterlife. Temples were another popular place for art. The temples often held large statues of their gods as well as many paintings on the walls. Egyptian Sculpture The Egyptians are famous for their giant works of sculptures. Some examples of this include the Great Sphinx of Giza and the statues of Ramses II at the Abu Simbel temples. Ancient Egyptian Art https://www.ducksters.com/history/art/ancient_egyptian_art.php Abu Simbel Temple by Than217 Click picture for larger view In the above picture the statues of Ramses II are shown. They are each over 60 feet tall. The Sphinx at Giza is over 240 feet long! Although they are famous for their giant statues, the Egyptians also carved smaller, more ornate sculptures. They used various materials including alabaster, ivory, limestone, basalt, wood gilded with gold, and sometimes even solid gold. Golden funeral mask of Tutankhamun by Jon Bodsworth Click picture for larger view Above is an example of the intricate work of Ancient Egyptian sculpture. It is the funerary mask of a pharaoh named Tutankhamen. The expression on his face is the same used to convey the look of all the pharaohs throughout the history of Egypt. The coloring of the collar is made with semiprecious stones and the stripes on the headdress are made with blue glass. The rest of the mask is made from twenty-four pounds of solid gold! Ancient Egyptian Art https://www.ducksters.com/history/art/ancient_egyptian_art.php Egyptian Painting and Tomb Walls In Ancient Egypt the tomb walls of the rich and powerful were often filled with paintings. These paintings were there to help the person in the afterlife. They often depicted the person buried passing into the afterlife. They would show scenes of this person happy in the afterlife. In one painting the man buried is shown hunting and his wife and son are in the picture. Nefertari from the Yorck Project Click picture for larger view The above painting is a picture on a tomb wall of Queen Nefertari, wife of Ramses the Great. Relief A relief is a sculpture that is part of a wall or structure. The Egyptians often carved them into the walls of their temples and tombs. Reliefs were generally painted as well. Interesting Facts about Ancient Egyptian Art They mostly used the colors blue, black, red, green, and gold in their paintings. A lot of Egyptian art depicted the pharaohs. This was often in a religious sense as the pharaohs were considered gods. Many of the paintings of Ancient Egypt survived for so many thousands of years because of the extremely dry climate of the area. Small carved models were sometimes included inside tombs. These included slaves, animals, boats, and buildings that the person may need in the afterlife. A majority of the art hidden in tombs was stolen by thieves over thousands of years. Ancient Egyptian Art https://www.ducksters.com/history/art/ancient_egyptian_art.php Activities Take a ten question quiz about this page. Test Quiz Questions on this quiz are based on information from Ancient Egypt - Art. 1. Most of Egyptian art was based on what subject? a. People b. Religion c. Landscapes d. Animals e. Politics 2. The mask of Tutankhamen was made from 24 pounds of what valuable metal? a. Iron b. Silver c. Platinum d. Bronze e. Gold 3. True or False: Egyptian art changed little over the course of the Egyptian civilization. a. TRUE b. FALSE 4. What can we learn about the Egyptians from their art? a. What kind of clothes they wore b. What kind of jobs they had c. What they looked like d. What they considered important e. All of the above Ancient Egyptian Art https://www.ducksters.com/history/art/ancient_egyptian_art.php 5. Around how long did the Egyptian civilization last? a. 100 years b. 500 years c. 1000 years d. 3000 years e. 10,000 years 6. The giant statues at Abu Simbel were of what pharaoh? a. Cleopatra VII b. Ramses II c. Ahmose I d. Hatshepsut e. Amenhotep 7. What is a sculpture that is part of a wall or structure called? a. Statue b. Carving c. Relief d. Figurine e. Bust 8. Why are so many Ancient Egyptian paintings preserved after thousands of years? a. Because they were covered with a protective layer of plastic b. Because of the special paint the Egyptians used c. Because of the dry climate in Egypt d. All of the above e. None of the above 9. True or False: Tomb walls were left blank as paintings were considered bad luck in the afterlife. a. TRUE b. FALSE 10. What happened to most of the art that was hidden in Egyptian tombs? a. It was stolen by thieves b. It was destroyed by the humid weather c. It is likely still hidden and may someday be found d. It was found by archeologists e. It was removed by the relatives of the dead .
Recommended publications
  • Pharaohs in Egypt Fathi Habashi
    Laval University From the SelectedWorks of Fathi Habashi July, 2019 Pharaohs in Egypt Fathi Habashi Available at: https://works.bepress.com/fathi_habashi/416/ Pharaohs of Egypt Introduction Pharaohs were the mighty political and religious leaders who reigned over ancient Egypt for more than 3,000 years. Also known as the god-kings of ancient Egypt, made the laws, and owned all the land. Warfare was an important part of their rule. In accordance to their status as gods on earth, the Pharaohs built monuments and temples in honor of themselves and the gods of the land. Egypt was conquered by the Kingdom of Kush in 656 BC, whose rulers adopted the pharaonic titles. Following the Kushite conquest, Egypt would first see another period of independent native rule before being conquered by the Persian Empire, whose rulers also adopted the title of Pharaoh. Persian rule over Egypt came to an end through the conquests of Alexander the Great in 332 BC, after which it was ruled by the Hellenic Pharaohs of the Ptolemaic Dynasty. They also built temples such as the one at Edfu and Dendara. Their rule, and the independence of Egypt, came to an end when Egypt became a province of Rome in 30 BC. The Pharaohs who ruled Egypt are large in number - - here is a selection. Narmer King Narmer is believed to be the same person as Menes around 3100 BC. He unified Upper and Lower Egypt and combined the crown of Lower Egypt with that of Upper Egypt. Narmer or Mena with the crown of Lower Egypt The crown of Lower Egypt Narmer combined crown of Upper and Lower Egypt Djeser Djeser of the third dynasty around 2670 BC commissioned the first Step Pyramid in Saqqara created by chief architect and scribe Imhotep.
    [Show full text]
  • Howard Carter and the Tomb of Tutankhamun
    History International presents Howard Carter and The Tomb of Tutankhamun Classroom Premiere: April 11 at 6am ET/PT Classroom Encore: July 11 at 6am ET/PT EGYPT - 1922: Archaeologist Howard Carter removing oils from the coffin of Tutankhamun (lived around 1350 BC), ancient Egyptian pharoah, which he discovered in 1922. (Photo by Mansell/Mansell/Time & Life Pictures/Getty Images) n November 26, 1922, Howard Carter first peered into the treasure-filled tomb of OEgypt’s famous King Tutankhamun. What he found in Egypt’s Valley of the Kings would make headlines around the globe. In this nearly untouched tomb, Carter uncovered room upon room of stunning Egyptian artifacts – and meticulously recorded each object with the help of his fastidious team of excavators. HistoryInternational.com The Idea Book for Educators 5 This nearly intact tomb was a remarkable discovery; it had been nearly unscathed for over 3,000 years. Carter’s contribution to the world of archaeology is profound – the riches of Tutankhamun’s tomb are virtually priceless, offering tremendous insights into ancient Egyptian society and culture. Howard Carter and the Tomb of Tutankhamun narrates Carter’s tumultuous path to this archaeological breakthrough, from his boyhood in England and his penchant for drawing to his bitter conflicts with Egyptian officials and his friendship with the eccentric Lord Carnarvon. This short documentary would be a great addition to a lesson on Egyptian history and archaeology. Curriculum links Howard Carter and the Tomb of Tutankhamun fulfills several standards as outlined by the National Council for History Education including: (1) Patterns of Social and Political Interaction; and (2) Civilization, Cultural Diffusion, and Innovation.
    [Show full text]
  • ANCIENT HISTORY ATAR Course Examination 2020 Marking
    ANCIENT HISTORY ATAR course examination 2020 Marking key Marking keys are an explicit statement about what the examining panel expect of candidates when they respond to particular examination items. They help ensure a consistent interpretation of the criteria that guide the awarding of marks. Copyright © School Curriculum and Standards Authority 2020 2021/2784 Web version of 2020/65145 MARKING KEY 2 ANCIENT HISTORY Section One: Short answer – Unit 3 25% (24 Marks) New Kingdom Egypt to the death of Horemheb Question 1 (6 marks) Outline the political and economic importance of Nubia to Egypt. Description Marks Accurately identifies and outlines the political and economic importance of Nubia 6 to Egypt in detail. Mostly accurately identifies and outlines the political and economic importance of 5 Nubia to Egypt including some detail. Identifies and outlines the political and economic importance of Nubia to Egypt. 4 Identifies and outlines some aspects of the political and economic importance of Nubia to Egypt. May be generalised and include unequal description of economic 3 or political importance. Identifies and/or describes limited aspects of the political and/or economic 2 importance of Nubia to Egypt. Makes minimal identification of the political and/or the economic importance of 1 Nubia to Egypt. May include errors. Total 6 Good answers should be able to outline the interconnected nature of political and economic matters. The Theban kings required the economic benefits provided by control over Nubia, in order to fund the political/religious growth and maintenance of the state, territorial expansion and any attendant military campaigns. • Part of Nubia’s economic importance lay in its resources: quarries of diorite, granite and amethyst, as well as its access to gold and copper mines, and its strategic location in terms of the control of the desert and river routes.
    [Show full text]
  • Howard Carter Expressed His Concern That the Entry of Visitors Would Damage the Fabric of the Tomb
    THE AUTHORIZED FACSIMILE OF THE BURIAL CHAMBER OF TUTANKHAMUN WITH SARCOPHAGUS, SARCOPHAGUS LID AND THE MISSING FRAGMENT FROM THE SOUTH WALL A GIFT TO THE PEOPLE OF EGYPT FROM FaCTUM ARTE, MADRID THE FaCTUM FOUNDATION FOR DIGITAL TECHNOLOGY IN CONSERVATION WITH THE SOCIETY FOR THE FRIENDS OF THE ROYAL TOMBS OF EGYPT, ZURICH TaREK WaLY CENTRE: ARCHITECTURE AND HERITAGE, CAIRO THE FACSIMILE OF THE TOMB OF TUTANKHAMUN The Facsimile of the tomb of Tutankhamun is part of an initiative to safeguard the tombs of the Theban Necropolis through the application of new recording technologies and the creation of exact facsimiles of tombs that are either closed to the public for conservation reasons or are in need of closure to preserve them for future generations. The tomb of Tutankhamun was discovered intact and in near perfect condition in 1923. The only fault in over 3000 years was the growth of microbacteria on the walls that probably reveals that the tomb was painted and sealed quickly. Soon after the discovery Howard Carter expressed his concern that the entry of visitors would damage the fabric of the tomb. The objects that once filled the tomb were removed and most are now in the Cairo Museum. The recent work undertaken in the tomb of Tutankhamun is an initiative that was first suggested in 1988 by the Society of Friends of the Royal Tombs of Egypt. Factum Arte’s involvement began in 2001 with a research project approved by Dr Gaballah Ali Gaballah to develop the techniques to accurately scan the tomb of Seti I.
    [Show full text]
  • Tutankhamun Exhibition at the British Museum in 1972: a Historical Perspective
    Journal of Tourism Theory and Research Online, http://dergipark.gov.tr/jttr Volume: 3(2), 2017 Tutankhamun Exhibition at the British Museum in 1972: A historical perspective Asaad A. Zaki1 Abstract The fiftieth anniversary of the discovery of Tutankhamun’s tomb by Carter and Carnarvon was celebrated at the British Museum in 1972 by an exhibition “the Treasures of Tutankhamun”. Fifty items from Tutankhamun’s collection were selected to be displayed on this occasion in London; seventeen pieces were being displayed outside Egypt for the first time. The exhibition had a humanitarian purpose as it helped in the heritage conservation in Egypt; its proceeds were devoted to the UNESCO fund project for moving the temples of Philae to a higher ground. Special Agreements were signed between the British and the Egyptians regarding the exhibition items and its security. Keywords: Tutankhamun’s Exhibition 1972 – the British Museum – Museum history – Tutankhamun’s tomb To cite this article: Zaki, A.A. (2017). Tutankhamun Exhibition at the British Museum in 1972: A historical perspective. Journal of Tourism Theory and Research, 3(2), 79-88. DOI: 10.24288/jttr.312180 1Lecturer (Ph.D) at Department of Tourism Guidance - Faculty of Tourism and Hotels – University of Sadat City – Egypt. [email protected] Copyright © 2015 by JTTR ISSN: 2548-7583 80 Zaki (2017) 1. Introduction To have the right of displaying those items at the British Museum in London, an agreement should be The fiftieth anniversary of the discovery of signed between the two concerned Governments; the Tutankhamun’s tomb at Luxor by Howard Carter and British and the Egyptian, and another agreement Lord Carnarvon was commemorated in London by an between the Cairo Museum and the British Museum.
    [Show full text]
  • Nefertiti, Devonia, Michael by Ancient Art Podcast on Monday, July 6, 2009 at 8:04Pm
    Episode 22: Nefertiti, Devonia, Michael by Ancient Art Podcast on Monday, July 6, 2009 at 8:04pm Complete transcript of podcast by Lucas Livingston, an Egyptologist associated with the Art Institute of Chicago, which discusses Nefertiti/Devonia Evangeline and Miscegenated Family Album in detail. Also a YouTube video with high-quality images. **** Transcript On October 31, 1980 at Just Above Midtown Gallery in New York City, artist Lorraine O'Grady, dressed in a long red robe, debuted her new work of performance art. On a dark stage with a slideshow backdrop and dramatic recorded narration, O'Grady enacted hypnotic, ritualized motions, like the priestess of an ancient mystery cult, incanting magicks over vessels of sacred sand and offerings blessings of protection to the projected images of the Ancient Egyptian Queen Nefertiti and her late sister Devonia Evangeline O'Grady Allen. In the piece entitled Nefertiti/Devonia Evangeline, Lorraine O'Grady confronted her relationship with her sister through the lens of Nefertiti and Nefertiti's own apparent sister, Mutnedjmet -- a relationship which O'Grady felt would have been equally troubled. O'Grady's sister Devonia tragically died just a few short weeks after the two of them had finally begun speaking after many years of a strained relationship. Inspired two years later after a trip to Egypt, O'Grady began researching Queen Nefertiti and her famed family of the Amarna Period. While in Egypt, O'Grady encountered a new found feeling of belonging -- as the artist says in her own words, "surrounded for the first time by people who looked like me" (Art Journal 56:4, Winter 1997, p.
    [Show full text]
  • Work at the Tomb of Tutankhamun
    Workat the Tombof Tutankhamun In November 1922 the tomb of the pharaoh Tutankhamun was discov- ered, the most spectacular ancient Egyptian royal burial found rela- tively intact. The find had been made in the Theban necropolis - not far from the spot where the Egyptian Expedition of the Metropolitan Museum was working - by workmen led by the archaeologist Howard Carter, who excavated for the fifth Earl of Carnarvon. Carter realized the need for expert aid in examining so important a find, and asked his colleague A. M. Lythgoe, the Metropolitan's Curator of the Egyptian Department, for the assist- ance of the skilled photographer Harry Burton in recording the dis- covery. Lythgoe immediately cabled back offering not only Burton's help but other Museum expedition help as well: "Only too delighted to assist in every possible way. Please call upon Burton and any other members of our staff."In this way four members of the Metropolitan Museum's Egyptian Expedition took part in this historic work: Burton, the archaeologist Arthur C. Mace, and the draughtsmen Lindsley F. Hall and Walter Hauser. The following twelve pages present some of Burton's famous photo- graphs, with captions drawn from Howard Carter's own account of the discovery (the first of the three vol- umes was written with Arthur Mace). "I inserted the candle and peered in. At first I could see nothing, the hot air escaping from the chamber caus- ing the candle flame to flicker, but presently, as my eyes grew accus- tomed to the light, details of the room within emerged slowly from the mist, strange animals, statues, and gold - everywhere the glint of gold.
    [Show full text]
  • 42001 Sworders OOTO 11 Feb.Pdf
    OUT OF THE ORDINARY at the Stansted Mountfitchet Auction Rooms Tuesday 11 February 2020 at 10am ORDER OF SALE Lots 1 - 27 All the Fun of the Fair Lot 28 - 36 Precious Things Lots 37 - 84 Witches & Monsters Lots 85 - 126 Folk Art Lots 127 - 161 Stranger Things Lots 162 - 185 Lights, Camera, Action Lots 186 Easy Rider Lots 187 - 195 Light Fantastic Lots 196 - 226 After Death Lots 227 - 238 Fifty Shades... Lots 239 - 284 Life on Earth Lots 285 - 292 Call a Doctor Lots 293 - 297 Corpus Christi Lots 298 - 306 Counter Culture Lots 307 - 309 North Korea Lots 310 - 315 Live Aid 1985 Lots 316 - 320 Extinct Lots 321 - 326 Harry Potter Lots 327 - 351 War and Peace Lots 352 - 377 An Architectural Eye Lots 378 - 402 Contemporary and Modern Lots 403 - 408 Gabriel Summers Lots 409 - 420 Planes, Trains and Automobiles Lots 421 - 461 Stranger Things Lots 462 - 491 Gastronomy VIEWING TIMES Friday 7 February 9am - 5pm Sunday 9 February 10am - 1pm Monday 10 February 9am - 5pm Tuesday 11 February From 9am To obtain more images and condition reports for lots in this catalogue, please visit our website www.sworder.co.uk Auction highlights are on view at our London office FURTHER INFORMATION Wednesday 22 January - Monday 3 February Sworders Auctioneers Tel: 01279 817778 15 Cecil Court, London WC2N 4EZ Email: [email protected] Telephone: 0203 971 2500 | [email protected] Contact: ONLINE BIDDING Bid live at www.sworder.co.uk (0% surcharge) REMOVAL OF LOTS All lots should be removed by 5pm on Friday Mark Wilkinson Alex Hallet Errol Fuller 21 February 2020.
    [Show full text]
  • The Glint of Gold: Press Coverage of the Discovery of Tutankhamun's Tomb
    UNLV Retrospective Theses & Dissertations 1-1-1999 The glint of gold: Press coverage of the discovery of Tutankhamun's tomb Jon S Arakaki University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Arakaki, Jon S, "The glint of gold: Press coverage of the discovery of Tutankhamun's tomb" (1999). UNLV Retrospective Theses & Dissertations. 1021. http://dx.doi.org/10.25669/g36x-dn08 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction.
    [Show full text]
  • Pharaoh's Flowers
    1 2 3 4 5 6 7 8 9 10 Pharaoh’s Flowers 1 2 3 4 5 6 7 8 9 20 1 2 3 4 5 6 7 8 9 30 1 2 3 4 5 6 7 8 9 40 1 2 3 4 5 6 7 8 9 1222 2 3 4 5 6 7 8 Pharaoh’s Flowers 9 10 1 2 The Botanical Treasures of Tutankhamun 3 4 5 6 F Nigel Hepper 7 8 Second Edition 9 20 1 2 3 4 5 6 7 8 9 30 1 2 3 4 5 6 7 8 9 40 1 2 3 4 5 6 7 8 9 50 51222 © F Nigel Hepper, 2009 First edition published in 1990 by HMSO on behalf of the Board of Trustees of the Royal Botanic Gardens, Kew Published by KWS Publishers, 2009 All rights reserved, including the right of reproduction in whole or in part in any form. For information write to: KWS Publishers 1516 North State Parkway Chicago, Illinois 60610 USA or Gainsborough House 81 Oxford Street London W1D 2EU UK www.kwspublishers.com British Library and Library of Congress Cataloguing in Publication Data are available. ISBN 978–0–9817736–3–6 Front cover: On the back of the golden throne Tutankhamun and his Queen Ankhesenamun are shown wearing floral collars similar to those found in his tomb. Beside them are gorgeous floral bouquets with papyrus, lotus and poppy flowers. See also pl 28. Photo: Robert Harding Picture Library Back cover: The solid gold mask of Tutankhamun, which covered the mummy’s head.
    [Show full text]
  • The Western Perception of Ancient Egypt: the Discovery, Spectacle and Exposition of King Tutankhamun
    THE WESTERN PERCEPTION OF ANCIENT EGYPT: THE DISCOVERY, SPECTACLE AND EXPOSITION OF KING TUTANKHAMUN A Thesis by Tonisha Bell Bachelor of Arts, Newman University, 2010 Submitted to the Department of History and the faculty of the Graduate School of Wichita State University in partial fulfillment of the requirements for the degree of Master of Arts December 2017 © Copyright 2017 by Tonisha Bell All Rights Reserved THE WESTERN PERCEPTION OF ANCIENT EGYPT: THE DISCOVERY, SPECTACLE AND EXPOSITION OF KING TUTANKHAMUN The following faculty members have examined the final copy of this thesis for form and content, and recommend that it be accepted in partial fulfillment of the requirement for the degree of Master of Arts with a major in History. Jay Price, Committee Chair Peer Moore-Jansen, Committee Member John Dreifort, Committee Member iii DEDICATION To my parents, Amy and Tony, to my best friend, Tiffany, to my uncle Joey, to Dr. Jay Price and all my family and friends, thank you so much iv ABSTRACT Since Napoleon’s invasion of Egypt, Western nations such as France, Britain, and the United States have displayed Egyptian antiquities as an exotic spectacle, creating the image of ancient Egypt that is known today. Orientalist attitudes shaped exhibitions and museum displays that portrayed ancient Egypt as a place of gilded, strange trinkets, while monuments such as obelisks were taken as trophies and mummies were treated as objects rather than human remains. Even the field of Egyptology emerged outside of Egypt from the creation of Western scholars who thought that they not only understood Egypt on a deeper level than the Egyptians themselves but also assumed that they could preserve the antiquities better.
    [Show full text]
  • ERASMUS MUNDUS MASTER in ARCHAEOLOGICAL MATERIALS SCIENCE) Scienze E Tecnologie Per La Conservazione Dei Beni Culturali
    Sapienza University of Rome ARCHMAT (ERASMUS MUNDUS MASTER IN ARCHAEOLOGICAL MATERIALS SCIENCE) Scienze e Tecnologie per la Conservazione dei Beni Culturali Study and Investigations of Archaeobotanical remains from Tutankhamun tomb NagmEldeen Morshed Hamza [email protected] 1905033 Relator: Prof. Laura Sadori Dipartimento di Biologia Ambientale Università degli Studi di Roma "La Sapienza" Supervisor Prof.Laura Sadori Sapienza University Rome, September 2020 1 Abstract An immense ―natural‖ treasure was recently recovered from the storerooms of the Archaeological Museum of Cairo. Once moved to the new seat and museum, the Grand Egyptian Museum, it was time to start studying this precious ―rubbish‖ recovered one century ago, at the end of the archaeological excavation of the tomb of Pharaoh Tutankhamun by Howard Carter‘s team. The study focuses on carpological remains swiped from the surfaces of the tomb and deposited in a wooden box in 1933. The carpological remains retrieved from the box are still in excellent condition, and allowed identification at a species level. Identified remains contained fruits and seeds belonging to 24 species belonging to 14 different plant families. New Species found in all the tombs of the Eighteenth Dynasty include faba bean (Vicia faba L.) and onion (Allium cepa L.). Egyptian luffa / sponge gourd (Luffa aegyptiaca Mill.) is a total novelty. In this work I started analyzing the plant remains, using only a qualitative approach. The restrictions caused by the pandemic prevented, in fact, a continuous laboratory work and the complete identification of the so far extracted macroremains. Keywords: Tutankhamun, Plant, Identification, Macroremains, Carpology 2 Preface The tomb of the young King Tutankhamun (born c.
    [Show full text]