Wayne Higby – (1943 - )
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
An Artists' Resume
DANTE MARIONI Selected Museum Collections The White House Collection of American Crafts, Washington, DC Tacoma Art Museum, Tacoma, WA Seattle Art Museum, Seattle, WA Corning Museum of Glass, Corning, NY Los Angeles County Museum of Art, Los Angeles, CA The Museum of Art and Design, New York, NY Smithsonian American Art Museum Renwick Gallery, Washington, DC Carnegie Museum of Art, Pittsburgh, PA Birmingham Museum of Art, Birmingham, AL Chrysler Museum of Art, Norfolk, VA Cincinnati Art Museum, Cincinnati, OH Columbia Museum of Art, Columbia, SC The Museum of Fine Arts, Houston, TX Hunter Museum of American Art, Chattanooga, TN Racine Art Museum, Racine, WI Vero Beach Museum of Art, Vero Beach, FL Huntsville Museum of Art, Huntsville, AL Mint Museum of Craft and Design, Charlotte, NC Mobile Museum of Art, Mobile, AL Suffolk Center for Cultural Arts, Suffolk VA New Orleans Museum of Art, New Orleans, LA Philadelphia Museum of Art, Philadelphia, PA Whatcom Museum, Bellingham, WA Washington State University’s Museum of Art, Pullman, WA University of Miami’s Lowe Art Museum, Miami, FL Western Washington University, Bellingham, WA University of Missouri’s Museum of Art and Archaeology, Columbia, MO Stanford University’s Iris & Gerald Cantor Center for Visual Arts, Stanford, CA Arizona State University’s Art Museum, Tempe, AZ Montreal Museum of Fine Arts, Quebec, Canada Victoria and Albert Museum, London, England Scottish National Gallery, Edinburgh, Scotland Ebeltoft Glass Museum, Ebeltoft, Denmark National Museum if Fine Arts, Stockholm, Sweden -
Checklist of Anniversary Acquisitions
Checklist of Anniversary Acquisitions As of August 1, 2002 Note to the Reader The works of art illustrated in color in the preceding pages represent a selection of the objects in the exhibition Gifts in Honor of the 125th Anniversary of the Philadelphia Museum of Art. The Checklist that follows includes all of the Museum’s anniversary acquisitions, not just those in the exhibition. The Checklist has been organized by geography (Africa, Asia, Europe, North America) and within each continent by broad category (Costume and Textiles; Decorative Arts; Paintings; Prints, Drawings, and Photographs; Sculpture). Within each category, works of art are listed chronologically. An asterisk indicates that an object is illustrated in black and white in the Checklist. Page references are to color plates. For gifts of a collection numbering more than forty objects, an overview of the contents of the collection is provided in lieu of information about each individual object. Certain gifts have been the subject of separate exhibitions with their own catalogues. In such instances, the reader is referred to the section For Further Reading. Africa | Sculpture AFRICA ASIA Floral, Leaf, Crane, and Turtle Roundels Vests (2) Colonel Stephen McCormick’s continued generosity to Plain-weave cotton with tsutsugaki (rice-paste Plain-weave cotton with cotton sashiko (darning the Museum in the form of the gift of an impressive 1 Sculpture Costume and Textiles resist), 57 x 54 inches (120.7 x 115.6 cm) stitches) (2000-113-17), 30 ⁄4 x 24 inches (77.5 x group of forty-one Korean and Chinese objects is espe- 2000-113-9 61 cm); plain-weave shifu (cotton warp and paper cially remarkable for the variety and depth it offers as a 1 1. -
JESSE RING: Sculpture
CV JESSE RING: sculpture EDUCATION -2013-2015 MFA in Ceramics, New York State College of Ceramics at Alfred University, Alfred, NY |AlfredCeramics.com -2002-2006 BFA in Ceramics with minor studies in Painting, Kansas City Art Institute, Kansas City, MO. | KCAI.edu SOLO EXHIBITIONS -2015 “Paper Moon”, Thesis Exhibition, Fosdick Nelson Gallery, Alfred University, Alfred, NY. (Curatorial Advisor Sharon McConnell) -2012 “Moonlight Mythstakes & Summerscape-isms” Carbondale Clay Center, Carbondale, CO. (Curated by K Cesark) -2011 “Enshrined” Springfield Pottery, Springfield, MO -2010 “Monuments Too” Gilloiz Theater Lobby, Springfield, MO “Collagescape” The Albatross, Springfield, MO. June 2010- Jan 2011 -2008 “Vagrant Opulence” Via Viva, Mural Opening, Carbondale, CO. SELECTED EXHIBITIONS -2017 “Confluence and Bifurcations” NCECA Exhibition, Oregon College of Art and Craft, Portland, OR. -2016 “Modern Makers” Bathgate, Cincinatti, OH. (Jurors:) “SOFA Chicago” University of Cincinatti Booth 220, Chicago, IL. “Inhale” Aotu Studio, Beijing, China. (Curator Jialin Yang) “Bang Bang” Open Gate Gallery, Caochangdi, Beijing, China “Planning the Improbable, Sketching the Impossible” Washington Street Arts Center, Invitational, Boston, MA (Curator Mitch Shiles) “Clay Landmarks” The Arabia Steamboat Museum, Invitational Site Specific Group Show, Kansas City, MO. (Curator Allison Newsome) -2015 “Art in Craft Media-2015” Burchfield Penny Museum, Buffalo, NY. (Juror Wayne Higby, Curator Scott Propeak) “ Midwest Life Vest” University of Nebraska Kearney, Kearny, NS. (Curator Amy Santoferarro) “History in the Making” Carbondale Clay Center, Carbondale, CO. (Curator Jill Oberman) “Variance” The Wurks Gallery, Providence, RI. -2013 “Sustain” Art House Delray, Delray Beach, FL. (Curators Jade Henderson and Chelsea Odum) “Resident Artist Show” Armory Art Center, West Palm Beach, FL. “Beyond the Brickyard” Archie Bray Foundation, Helena, MT. -
Curriculum Vitae Ezra Shales, Ph.D. [email protected] Professor
Curriculum Vitae Ezra Shales, Ph.D. [email protected] Professor, Massachusetts College of Art and Design Publications Books Holding Things Together (in process) Revised editions and introductions to David Pye, Nature and Art of Workmanship (1968) and Pye, Nature and Aesthetics of Design (1964) (Bloomsbury Press, 2018) The Shape of Craft (Reaktion Books, anticipated publication Winter 2017-2018) Made in Newark: Cultivating Industrial Arts and Civic Identity in the Progressive Era (Rutgers University Press, 2010) Peer-Reviewed Scholarly Publications “Craft” in Textile Terms: A Glossary, ed. Reineke, Röhl, Kapustka and Weddigen (Edition Immorde, Berlin, 2016), 53-56 “Throwing the Potter’s Wheel (and Women) Back into Modernism: Reconsidering Edith Heath, Karen Karnes, and Toshiko Takaezu as Canonical Figures” in Ceramics in America 2016 (Chipstone, 2017), 2-30 “Eva Zeisel Recontextualized, Again: Savoring Sentimental Historicism in Tomorrow’s Classic Today” Journal of Modern Craft vol. 8, no. 2 (November 2015): 155-166 “The Politics of ‘Ordinary Manufacture’ and the Perils of Self-Serve Craft,” Nation Building: Craft and Contemporary American Culture (Smithsonian American Art Museum, 2015), 204-221 “Mass Production as an Academic Imaginary,” Journal of Modern Craft vol. 6, no. 3 (November 2013): 267-274 “A ‘Little Journey’ to Empathize with (and Complicate) the Factory,” Design & Culture vol. 4, no. 2 (Summer 2012): 215-220 “Decadent Plumbers Porcelain: Craft and Modernity in Ceramic Sanitary Ware,” Kunst Og Kultur (Norwegian Journal of Art and Culture) vol. 94, no. 3 (Fall 2011): 218-229 “Corporate Craft: Constructing the Empire State Building,” Journal of Modern Craft vol. 4, no. 2 (July 2011): 119-145 “Toying with Design Reform: Henry Cole and Instructive Play for Children,” Journal of Design History vol. -
American Craft Week Rary Art
skilled and visionary artists. This year’s juror is Mark Leach, the Executive Director of The Southeastern Center for Contempo- American Craft Week rary Art. continued from Page 18 32 Flavors Boutique, 9525 Birkdale Cross- rary in pottery, glass, jewelry, metal, wood County craft artists, who will give tours ing Drive, Suite 102, Huntersville, NC and other media. and demonstrations at their studios. Studios (http://www.32flavorsboutique.com/) include weaving, pottery, and metalwork In celebration of American Craft Week, 32 Gingko Tree Gallery, 128 Broadway to provide a broad range of understanding Flavors Boutique will be hosting “Craftapa- Street, Black Mountain, NC (http://www. and activity. For directions and information, looza!” Saturday, Oct. 13, from 11am-4pm. artistwithcamera.com/) contact (wingedgriffinstudios@hotmail. We will have 20 area artists on the green The Gingko Tree Gallery is a photo gallery com). in front of the shop exhibiting and selling Work by Ben Owen III and custom frame shop showing the works their artwork and we will be hosting various of Joye Ardyn Durham. We have been Hand in Hand Gallery, 2720 Greenville crafting demonstrations and classes on the Ben Owen Pottery, 2199 S Pottery Hwy. serving the Swannanoa Valley and Western Hwy., Flat Rock, NC (http://www.handin- green throughout the day. Live music, kids 705, Seagrove, NC (http://www.benowen- North Carolina for more than 18 years. Our handgallery.com/) craft activities & more! pottery.com/) participation in AWC is one of celebration Hand in Hand Gallery-our 16th year offer- Ben Owen III is a potter from Seagrove. His of the American Craft. -
The Wood Turning Center Is a Non-Profit Arts Institution Dedicated
Chronological List of Exhibitions & Publications The Center for Art in Wood 141 N. 3rd Street | Philadelphia, PA 19106 | 215-923-8000 Exhibitions in italics were accompanied by publications. Title of exhibition catalogue is listed with its details. 2012 Hooked on Wood: The Allure of the Fish Decoy, The Center for Art in Wood, May 18 – July 21, 2012, Curated by Dick Walters, Adviser Gene Kangas. Hooked on Wood, showcases modern wood fish decoys and highlights historical works as early as 3000 years ago. Today fish decoys are appreciated for their beauty as polychrome sculptures and are evaluated on their ability to move in the water to attract real fish. Families and people of all ages will be astonished and delighted at the utter creativity and craftsmanship in this exhibit. Over 100 fish decoys are on display: Ice spearing decoys – a handmade utilitarian tool, trophy fish – decorative piscatorial portraits, and folk sculpture. 2012 Life Aquatic, The Center for Art in Wood, May 18 – July 21, 2012. In conjunction with Hooked on Wood, The Center invited six artists to exhibit work inspired by and in response to themes of sea life. Pulling inspiration from water, sea animals and plants the artists produced captivating sculptures, wall hangings, and even imaginative creatures that may lurk in the abyss. Exhibited Artists: Michael De Forest, Satoshi Fujinuma, Michael Hosulak, Janel Jacobson, Merryll Saylan, and David Sengel. 2011 Turning to Art in Wood: A Creative Journey, The Center for Art in Wood, November 4, 2011 – April 21, 2012. Curator: Gerard Brown. Celebrating the 25th anniversary of Philadelphia’s renowned Wood Turning Center as it takes a new name—The Center for Art in Wood—and moves to an exciting new location among the art galleries in Old City. -
Oral History Interview with Merry Renk
Oral history interview with Merry Renk Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 General............................................................................................................................. 2 Scope and Contents........................................................................................................ 1 Scope and Contents........................................................................................................ 1 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 2 Container Listing ...................................................................................................... Oral history interview with Merry Renk AAA.renk01 Collection -
The Factory of Visual
ì I PICTURE THE MOST COMPREHENSIVE LINE OF PRODUCTS AND SERVICES "bey FOR THE JEWELRY CRAFTS Carrying IN THE UNITED STATES A Torch For You AND YOU HAVE A GOOD PICTURE OF It's the "Little Torch", featuring the new controllable, méf » SINCE 1923 needle point flame. The Little Torch is a preci- sion engineered, highly versatile instrument capa- devest inc. * ble of doing seemingly impossible tasks with ease. This accurate performer welds an unlimited range of materials (from less than .001" copper to 16 gauge steel, to plastics and ceramics and glass) with incomparable precision. It solders (hard or soft) with amazing versatility, maneuvering easily in the tightest places. The Little Torch brazes even the tiniest components with unsurpassed accuracy, making it ideal for pre- cision bonding of high temp, alloys. It heats any mate- rial to extraordinary temperatures (up to 6300° F.*) and offers an unlimited array of flame settings and sizes. And the Little Torch is safe to use. It's the big answer to any small job. As specialists in the soldering field, Abbey Materials also carries a full line of the most popular hard and soft solders and fluxes. Available to the consumer at manufacturers' low prices. Like we said, Abbey's carrying a torch for you. Little Torch in HANDY KIT - —STARTER SET—$59.95 7 « '.JBv STARTER SET WITH Swest, Inc. (Formerly Southwest Smelting & Refining REGULATORS—$149.95 " | jfc, Co., Inc.) is a major supplier to the jewelry and jewelry PRECISION REGULATORS: crafts fields of tools, supplies and equipment for casting, OXYGEN — $49.50 ^J¡¡r »Br GAS — $49.50 electroplating, soldering, grinding, polishing, cleaning, Complete melting and engraving. -
Rilzler School of Art, Rernple, Univergl*:."10*:G:T$Ttl,Rlt
RESUME PAULA COIJTON WINOKUR. 435 Norristown Road Horsham, Pennsylvania L9044 2L5/675-7708 EDUCATION rilzler school of Art, rernple, univergl*:."10*:g:t$ttl,rlt, State University of New York at Alfred, Alfred, New York College of Ceramics, Summer 1958 i l IEACHING EXPERIENCE l I 1968-69 PhiLadelphia College of Art - Ceramics l 1973-present Beaver College, Glenside, PA - Ceramics J PROFESSIONAL ORGANI ZATIONS : 1968-1973 Philad.elphia Council of Professional Craftsmen, Treasurer Lg72-L976 American Crafts Council, Pennsylvania Representa- tive to the Northeast Regional Assembly L979-L982 National Council on Education in the Ceramic Arts, Chairman, Liaison Committee REPRESENTED BY: IIeIen Drutt Gallery, Philadelprr'ia, PA P. Winokur - 2 GRANTS 1973 New Jersey Council on the Arts,/Montclair State College summer apprentj-ce program: student apprentice and stipend L97 4 Pennsylvania Council on the Arts,/ACC/NE Summer apprentice programs student apprentice and stipend L976 National Endowment for the Arts Craftsmens Fellowship COMMTSSIONS 1969 Ford and Earl ArchitecturaL Designers, Detroit, Michigan - for the First Uationat Bank of Chicago, a series of J-arge planters 19 75 Eriends Sel-ect School, phiJ_adelphia pA Patrons Plate, limited edition - EOLLECTTONS 1950 Witte }luseum of Art, San Antonio TX 1966 Mr. & !{rs. Francis Merritt, Deer IsIe ME 1969 Mr. Yamanaka, Cu1tural Attache to the Japanese Embassy, Washington DC 19 70 Philadelphia Museum of Art - 20th Century Decorative Arts Collection L970/72 Helen Williams Drutt, philadelphia pA 19 71 l4r. Ken Deavers, The American Hand Gallery L972 Delaware Museum of Art - permanent Collection 1973 Alberta Potters Association, Calgary, Canada L975 Mrs. Anita Rosenblum, Chicago IL 19 75 Jean Mannheim, Des Moines IA L976 Utah Museum of Art, Salt Lake City UT L97 6 Mr. -
CRAFT in Americamemory: Fragments
CRAFT IN AMERICAmemory: fragments Preview A fragment is, by definition, a small piece of some larger whole. In this section of Educator Guide: Memory, teachers will help students develop an understanding of how selected craft artists work with the notion of fragments and then guide them through a variety of inquiry-based explorations. By working with the notion of fragments themselves, students will deepen their knowledge and understanding and gain greater insight into this important aspect of craft in America. Featured Artists Tom Joyce (blacksmithing/Memory) Jan Yager (jewelry/Landscape) Related Artists Mississippi Cultural Crossroads (quilting/Community) Kit Carson (jewelry and sculpture/Landscape) 1 contents fragments Introduction 5 Tom Joyce 6 Jan Yager 7 The Craft Connection 8 Craft in Action 9 Craft in the Classroom 10 Make 11 Worksheets 12 Additional Web Resources 36 Credits & Copyright 37 2 education guide information Craft in America, Inc. Craft In America Inc. is a non-profit organization dedicated to the exploration of craft in the United States and its impact on our nation’s cultural heritage. The centerpiece of the company’s efforts is the production of a nationally broadcast television documentary series celebrating American craft and the artists who bring it to life. The project currently includes a three-part television documentary series supported by CRAFT IN AMERICA: Expanding Traditions, a nationally touring exhibition of exceptional craft objects, as well as a companion book, and a comprehensive Web site. Carol Sauvion is the founder and director of Craft in America. Craft in America Mission Statement The mission of Craft in America is to document and advance original handcrafted work through programs in all media made accessible to all Americans. -
Ceramics Monthly Oct02 Cei10
Ceramics Monthly October 2002 1 editor Ruth C. Butler associate editor Kim Nagorski assistant editor Renee Fairchild assistant editor Sherman Hall proofreader Connie Belcher design Paula John production manager John Wilson production specialist David Houghton advertising manager Steve Hecker advertising assistant Debbie Plummer circulation manager Cleo Eddie circulation administrator Mary E. May publisher Mark Mecklenborg editorial, advertising and circulation offices 735 Ceramic Place Westerville, Ohio 43081 USA telephone editorial: (614) 895-4213 advertising: (614) 794-5809 classifieds: (614) 895-4220 circulation: (614) 794-5890 fax (614) 891-8960 e-mail [email protected] [email protected] [email protected] [email protected] website www.ceramicsmonthly.org Ceramics Monthly (ISSN 0009-0328) is published monthly, except July and August, by The American Ceramic Society, 735 Ceramic Place, Westerville, Ohio 43081; www.ceramics.org. Periodicals postage paid at Westerville, Ohio, and additional mailing offices. Opinions expressed are those of the contributors and do not necessarily represent those of the editors or The American Ceramic Society. subscription rates: One year $30, two years $57, three years $81. Add $ 18 per year for subscriptions outside North America; for faster delivery, add $12 per year for airmail ($30 total). In Canada, add GST (registration num ber R123994618). change of address: Please give us four weeks advance notice. Send the magazine address label as well as your new address to: Ceramics Monthly, Circulation Department, PO Box 6136, Westerville, OH 43086-6136. contributors: Writing and photographic guidelines are available on request. Send manuscripts and visual support (slides, transparencies, photographs, drawings, etc.) to Ceramics Monthly, 735 Ceramic PI., Westerville, OH 43081. -
Ceramics Monthly Nov83 Cei11
William C. Hunt ........................................ Editor Barbara Tipton ...................... Associate Editor Robert L. Creager ........................ Art Director Ruth C. Butler.............................. Copy Editor Valentina Rojo....................... Editorial Assistant Mary Rushley.............. Circulation Manager Connie Belcher ... Advertising Manager Spencer L. Davis.................................. Publisher Editorial, Advertising and Circulation Offices 1609 Northwest Boulevard, Box 12448, Columbus, Ohio 43212 (614) 488-8236 Ceramics Monthly (ISSN 0009-0329) is published monthly except July and August by Professional Publications, Inc.—S. L. Davis, Pres.; P. S. Emery, Sec.: 1609 North west Blvd., Columbus, Ohio 43212. Second class postage paid at Columbus, Ohio. Subscription Rates:One year SI 6, two years $30, three years $40. Add $5 per year for subscriptions outside the U.S.A. Change of Address:Please give us four weeks advance notice. Send both the magazine wrapper label and your new address to Ceramics Monthly, Circulation Office, Box 12448, Columbus, Ohio 43212. Contributors: Manuscripts, photographs, color separations, color transparencies (in cluding 35mm slides), graphic illustrations, texts and news releases dealing with ceramic art are welcome and will be considered for publication. A booklet describing procedures for the preparation and submission of a man uscript is available upon request. Send man uscripts and correspondence about them to The Editor, Ceramics Monthly, Box 12448, Columbus, Ohio 43212. Indexing:Articles in each issue of Ceramics Monthly are indexed in the Art Index. A 20-year subject index (1953-1972) covering Ceramics Monthly feature articles, Sugges tions and Questions columns is available for $1.50, postpaid from the Ceramics Monthly Book Department, Box 12448, Columbus, Ohio 43212. Additionally, each year’s arti cles are indexed in the December issue.