DOCSLIB.ORG

American Craft Week Rary Art

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
American Craft Week Rary Art skilled and visionary artists. This year’s juror is Mark Leach, the Executive Director of The Southeastern Center for Contempo- American Craft Week rary Art. continued from Page 18 32 Flavors Boutique, 9525 Birkdale Cross- rary in pottery, glass, jewelry, metal, wood County craft artists, who will give tours ing Drive, Suite 102, Huntersville, NC and other media. and demonstrations at their studios. Studios (http://www.32flavorsboutique.com/) include weaving, pottery, and metalwork In celebration of American Craft Week, 32 Gingko Tree Gallery, 128 Broadway to provide a broad range of understanding Flavors Boutique will be hosting “Craftapa- Street, Black Mountain, NC (http://www. and activity. For directions and information, looza!” Saturday, Oct. 13, from 11am-4pm. artistwithcamera.com/) contact (wingedgriffinstudios@hotmail. We will have 20 area artists on the green The Gingko Tree Gallery is a photo gallery com). in front of the shop exhibiting and selling Work by Ben Owen III and custom frame shop showing the works their artwork and we will be hosting various of Joye Ardyn Durham. We have been Hand in Hand Gallery, 2720 Greenville crafting demonstrations and classes on the Ben Owen Pottery, 2199 S Pottery Hwy. serving the Swannanoa Valley and Western Hwy., Flat Rock, NC (http://www.handin- green throughout the day. Live music, kids 705, Seagrove, NC (http://www.benowen- North Carolina for more than 18 years. Our handgallery.com/) craft activities & more! pottery.com/) participation in AWC is one of celebration Hand in Hand Gallery-our 16th year offer- Ben Owen III is a potter from Seagrove. His of the American Craft. ing Southeastern Regional fine crafts and Flow - Handmade Adornment Body + forefathers came to North Carolina from art. Craft demonstrations by gallery artists Home, 14 South Main Street, Marshall, NC England as early as the late 1700s to ply Visions of Creation, 100 Cherry Street, will be featured on one or both weekends. (http://www.flowmarshall.com/) their craft and furnish storage jars and other Black Mountain, NC (http://visionsofcre- Flow is a cooperative gallery owned, oper- utilitarian wares for the early settlers. Ben’s ation.com/) ated and curated by artists, offering for grandfather, master potter Ben Owen, Sr., Designer jewelry gallery showcasing sale the best of local and regional crafted admired early oriental pottery displayed the hand-crafted, sculptural and unusual objects and art, traditional and contempo- in museums and collections and translated designs of Roberto Vengoechea. Currently rary. For American Craft Week, Flow is those works into his own style of pottery. working on an “Artist Demonstration Day” hosting the exhibition, “20/20: Jewelry by in Black Mountain, NC Deb Karash,” featuring an unusual wall- Cady Clay Works, 3883 Busbee Road, mounted installation of handcrafted jewelry, Seagrove, NC (http://www.cadyclayworks. Seven Sisters Gallery, 117 Cherry St, Black with an opening reception on Oct. 12, from com/) Mtn, NC (http://www.sevensistersgallery. 6-9pm. Pottery studio of John Mellage and Beth com/) Gore. John’s elegant forms, thrown on the We are an American handcraft gallery, Work by Molly Lithgo Kalā Gallery, 100 W. Union Street, Morgan- potter’s wheel, and Beth’s unique handbuilt representing over 250 artists. Earthworks Gallery LLC, 500 South Elm ton, NC (http://www.kalagallery.com/) pieces are made from sturdy stoneware Street, Greensboro, NC (http://earthwork- The gallery car ries a great selec tion of hand- clays layered with colorful glazes or deco- Parkway Craft Center at Moses Cone spotterygallery.com/) crafted works by artists located through out rated by ash and flame during the annual Manor, Milepost 294 Blue Ridge Parkway, Earthworks Gallery represents 30 Potters our region and across the United States. wood-kiln firing. Blowing Rock, NC (http://www.craftguild. from around the state of NC. as well other Dis cover the magic of hand crafted dec- org/) artists in Jewelry, Hand made books, and o ra tive and func tional art for every day, Chris Luther Pottery, 4823 Busbee Road, Visitors enjoy a marriage of spectacular other gift items. We will showcasing one every home, every one. Hun dreds of unique Seagrove, NC (http://www.chrislutherpot- views, Georgian Revival architecture and of our potters as well as two invited fiber items made by hand by artists from North tery.com/) stunning handmade crafts at the Manor artists on Oct. 5. We hope to have additional Car olina and across the coun try. Offering House. Parkway Craft Center is one of five activities through out the week. the exhibit, “Fire-Metal-Vision,” featur- Hickory Hill Pottery, 4539 Busbee Road, shops of the Southern Highland Craft Guild ing works by Andrew Chapman, on view Seagrove, NC and features work from over 300 Southern Blue Pelican Gallery, 57762 NC Highway through Oct. 12. Appalachian craftspeople. Work on display 12, Hatteras, NC (http://bluepelicangallery. JLK Jewelry at Jugtown, 330 Jugtown includes clay, glass, leather, fiber, jewelry, com/). Carolina Creations, 317A Pollock Street, Road, Seagrove, NC (www.jlkjewelry.com) wood, natural materials, paper and metal. New Bern, NC Jennie Lorette Keatts takes clay to a Whether visitors are looking for a special Art on Main - Arts Council of Henderson (http://www.carolinacreationsnewbern.com/) different level! She hand makes pottery accent piece for the home or a unique gift County, Main Street, Hendersonville, NC We represent over 300 well known art- cabochons and sets them in sterling silver for a special occasion, they will find the Historic Downtown Hendersonville, Hen- ists and craftsmen from across the US and or 14K and 18K gold, copper, brass and perfect selection. dersonville, NC (http://www.acofhc.org/) Canada. Oct. 5 - 14 - “Celebrate American semi-precious stones. The Arts Council of Henderson County Craft Week!”. Demos by Brenda Behr and John C Campbell Folk School, 1 Folk produces the annual Art on Main fine art/ Dan Nelson. Jugtown Pottery, 330 Jugtown Road, Sea- School Rd, Brasstown, NC (https://www. fine craft festival on the first weekend of grove, NC (www.jugtownware.com) folkschool.org/) October (Oct. 6 & 7, 2012) every year. Now Turtle Island Pottery, 2782 Bat Cave Road, Jugtown Pottery, a working pottery and an John C. Campbell Folk School is the main in its 53rd year, Art on Main is a juried and Old Fort, NC (http://www.turtleislandpot- American Craft Shop, is located in a grove sponsor for American Craft Week 2012. The judged festival with artist vendors from tery.com/) of trees and bamboo eight miles south of school’s annual Fall Festival (Oct 6 & 7), across the southeast US and beyond. Donating 10% of sales at the showroom Seagrove, NC in the community of West- a weekend celebration of craft, music, and during ACW to CERF. Also, on Oct.13, a moore. Owner, Vernon Owens, recipient of dance, attracts over 14,000 visitors from The Center for Craft, Creativity & Design, free gift with any purchase at the showroom the NC Folk Heritage Award and the NEA all over the southeastern United States. 1181 Broyles Road, Hendersonville, NC in Old Fort. National Heritage Fellowship, wife Pam, Founded in 1925, the Folk School offers (http://www.craftcreativitydesign.org/) and son Travis are the main potters; while unique learning opportunities in traditional The Center for Craft, Creativity & Design Bobby Owens mixes clay and glazes the & contemporary craft, music, cooking, advances the understanding of craft by sup- pieces. gardening, writing, and photography. porting research, scholarship and profes- sional development. The Center houses a Mill Creek Forge and Blacksmith Shop, Maddi’s Gallery, 1530 East Boulevard, gallery that features national craft artists in 4512 Busbee Road, Seagrove, NC (http:// Charlotte, NC (http://www.maddisgallery. changing exhibitions and is surrounded by www.millcreekforge.com/) com/) 50 acres that includes a public art trail. Maddi’s Gallery is a fun, eclectic art gal- On view through Oct. 26, 2012, is “Bridge Moore Pots Pottery, 1652 Fork Creek Mill lery featuring fine American Craft, jewelry 11: Lia Cook” a solo exhibition by this in- Road, Seagrove, NC and Southern Folk Art. Opening in the ternationally recognized fiber artist. Cook is Dilworth section of Charlotte in October, a pioneer of the modern fiber-art movement North Carolina Pottery Center , 233 East 2002, Maddi’s garnered rave reviews for its and was one of the first to utilize a digital Work by Seth Gould Avenue, Seagrove, NC (www.ncpotterycen- outstanding collections- all bright, exciting Jacquard loom as an art tool. The exhibition Penland School of Crafts, 67 Doras Trail, ter.org) and really different. introduces several new works from her re- Penland, NC (http://www.penland.org/) The NC Pottery Center is partnering with cent art-neuroscience collaboration and was Penland School of Crafts is a national center several shops for a special event on Oct. 13 in honor of American Craft Week. Turn in Cedar Creek Gallery, 1150 Fleming Road, organized by the Society for Contemporary for craft education offering workshops, a machine made ceramic item (mug, bowl, Creedmoor, NC (http://www.cedarcreekgal- Craft in Pittsburgh, Pennsylvania. artist residencies, and a gallery. On Friday, flower pot, etc.) at the pottery center from lery.com/) Oct. 5, from 7-8:30pm, the Penland Gallery 10am to 2pm and receive a coupon good for Offering the “45th Annual Fall Pottery & WICKWIRE fine art / folk art, 330 N. Main will host an opening reception for “The 25% off a replacement item in one of the Glass Festival” on Oct. 5, 6-10pm; Oct. St., Hendersonville, NC (http://wickwire- Core Show,” an exhibition of work by Pen- participating shops. Those shops include, 6 & 7, 10am-6pm; and Oct. 13 & 14, gallery.com/) land’s Core Fellows. but are not limited to Crystal King Pottery, 10am-6pm.
Load more

Recommended publications
  • An Artists' Resume
    DANTE MARIONI Selected Museum Collections The White House Collection of American Crafts, Washington, DC Tacoma Art Museum, Tacoma, WA Seattle Art Museum, Seattle, WA Corning Museum of Glass, Corning, NY Los Angeles County Museum of Art, Los Angeles, CA The Museum of Art and Design, New York, NY Smithsonian American Art Museum Renwick Gallery, Washington, DC Carnegie Museum of Art, Pittsburgh, PA Birmingham Museum of Art, Birmingham, AL Chrysler Museum of Art, Norfolk, VA Cincinnati Art Museum, Cincinnati, OH Columbia Museum of Art, Columbia, SC The Museum of Fine Arts, Houston, TX Hunter Museum of American Art, Chattanooga, TN Racine Art Museum, Racine, WI Vero Beach Museum of Art, Vero Beach, FL Huntsville Museum of Art, Huntsville, AL Mint Museum of Craft and Design, Charlotte, NC Mobile Museum of Art, Mobile, AL Suffolk Center for Cultural Arts, Suffolk VA New Orleans Museum of Art, New Orleans, LA Philadelphia Museum of Art, Philadelphia, PA Whatcom Museum, Bellingham, WA Washington State University’s Museum of Art, Pullman, WA University of Miami’s Lowe Art Museum, Miami, FL Western Washington University, Bellingham, WA University of Missouri’s Museum of Art and Archaeology, Columbia, MO Stanford University’s Iris & Gerald Cantor Center for Visual Arts, Stanford, CA Arizona State University’s Art Museum, Tempe, AZ Montreal Museum of Fine Arts, Quebec, Canada Victoria and Albert Museum, London, England Scottish National Gallery, Edinburgh, Scotland Ebeltoft Glass Museum, Ebeltoft, Denmark National Museum if Fine Arts, Stockholm, Sweden
    [Show full text]
  • CRAFT in Americamemory: Fragments
    CRAFT IN AMERICAmemory: fragments Preview A fragment is, by definition, a small piece of some larger whole. In this section of Educator Guide: Memory, teachers will help students develop an understanding of how selected craft artists work with the notion of fragments and then guide them through a variety of inquiry-based explorations. By working with the notion of fragments themselves, students will deepen their knowledge and understanding and gain greater insight into this important aspect of craft in America. Featured Artists Tom Joyce (blacksmithing/Memory) Jan Yager (jewelry/Landscape) Related Artists Mississippi Cultural Crossroads (quilting/Community) Kit Carson (jewelry and sculpture/Landscape) 1 contents fragments Introduction 5 Tom Joyce 6 Jan Yager 7 The Craft Connection 8 Craft in Action 9 Craft in the Classroom 10 Make 11 Worksheets 12 Additional Web Resources 36 Credits & Copyright 37 2 education guide information Craft in America, Inc. Craft In America Inc. is a non-profit organization dedicated to the exploration of craft in the United States and its impact on our nation’s cultural heritage. The centerpiece of the company’s efforts is the production of a nationally broadcast television documentary series celebrating American craft and the artists who bring it to life. The project currently includes a three-part television documentary series supported by CRAFT IN AMERICA: Expanding Traditions, a nationally touring exhibition of exceptional craft objects, as well as a companion book, and a comprehensive Web site. Carol Sauvion is the founder and director of Craft in America. Craft in America Mission Statement The mission of Craft in America is to document and advance original handcrafted work through programs in all media made accessible to all Americans.
    [Show full text]
  • AEAH 4840 TOPICS, CRAFT 4840. Topics in the History of Crafts. 3
    Instructor: Professor Way Term: Spring 2017 Office: Art Building 212 Class time: Monday 5:00-7:50pm Office Hours: please schedule in advance through email Meeting Place: Art 226 Monday, 4:00-5:00, Tuesday 4:00-5:00, Thursday 4:00-5:00 Email: [email protected] – best way to reach me AEAH 4840 TOPICS, CRAFT 4840. Topics in the History of Crafts. 3 hours. Selected topics in the history of crafts. Prerequisite(s): ART 1200 or 1301, 2350 and 2360, or consent of instructor. TOPIC – CRITICAL HISTORIES OF CRAFT AND ART HISTORY This course explores how history of art survey texts represent and tell us about craft—what do they have to say about craft, and how do they say it? We are equally interested in where and how these art history survey texts neglect craft. What is missing when histories of art do not include craft? Additionally, we want to think about history of craft texts. Should they include the same agents and situations we find in histories of art, such as famous makers and collectors, the rich and the royal, politics at the highest level, and economics, power, and desire? Also, is it possible to trace influence in craft as we expect to find it discussed in histories of art? What would influence explain about craft? Should a history of craft include features we don’t expect to find in histories of art? Overall, what scholarship and methods make a history of craft? These types of questions ask us to notice standards and expectations shaping knowledge in academic fields, such as art history and the history of craft.
    [Show full text]
  • 2020 American Craft Exposition
    2020 American Craft Exposition The Auxiliary’s signature fundraiser in 2020, ACE will showcase the country’s finest handmade art objects, jewelry and wearables from world-renowned craftspeople. This juried Exposition and sale of fine craft includes one-of-a-kind pieces, luxury collections and uniquely creative artwork. Support Maternal Health Services at NorthShore University HealthSystem The American Craft Exposition (ACE) provides sponsors with the opportunity to partner with a leading healthcare organization and place their brand in front of more than 8,000 sophisticated patrons from across the Chicago area. Sponsorship of ACE is a crucial investment in maternal health services at NorthShore University HealthSystem (NorthShore). Join Us • 8,000 attendees during the three-day show weekend • More than 140 juried artists from across the nation • Held at the Chicago Botanic Garden • Thursday, October 1, 2020: Benefit Preview Party • Friday, October 2 - Sunday, October 4, 2020: Exposition Make an Impact Funding from ACE will support SAVE MOMS, a data-driven solution designed to predict and prevent problems before, during and after delivery. SAVE MOMS uses NorthShore’s electronic medical record to continuously track maternal health and alert the healthcare team “just in time” to avoid serious complications through timely intervention. The promise of SAVE MOMS is to protect and preserve maternal health. Benefit Preview Party Thursday, October 1, 2020 The Benefit Preview Party provides sponsors and patrons the opportunity to peruse and purchase unique works of art before the Exposition opens to the public. An elegant evening with hors d’oeuvres, cocktails and a festive atmosphere, the Preview Party also offers guests a more personal setting to talk with artists and learn about their work.
    [Show full text]
  • Beth Lipman N6366 State Road 32 Sheboygan Falls, WI 53085 [email protected] 609-774-2553
    Beth Lipman N6366 State Road 32 Sheboygan Falls, WI 53085 www.bethlipman.com [email protected] 609-774-2553 Education 1994 BFA, Tyler School of Art, Temple University, Philadelphia, PA Grants/ Awards/ Residencies 2019 Residency, Arts/Industry Program, Kohler Arts Center, Sheboygan, WI 2018 Inducted into American Craft Council College of Fellows Artist in Residence, Alturas Foundation, San Antonio, TX 2017 Artist in Residence, Museum of Glass, Tacoma, WA Artist in Residence, Pilchuck Glass School, Stanwood, WA Artist in Residence, UrbanGlass, Brooklyn, NY 2016 Artist in Residence, Museum of Glass, Tacoma, WA 2015 Residency, Arts/Industry Program, Kohler Arts Center, Sheboygan, WI 2014 First Place Grant Recipient, Virginia Groot Foundation Full Fellowship, Chulitna Lodge Artist in Residence, Lake Clark, AK 2013 Smithsonian Artist Research Fellowship, Smithsonian Institution, Washington DC Resident Artist in Response, Chrysler Museum of Art, Norfolk, VA 2012 United States Artists Berman Bloch Fellow Pollock-Krasner Foundation Grant 2011 Messages Episode, Cra in America for PBS 2008 Wisconsin Arts Board Fellowship 2006 Artist in Residence, Museum of Glass, Tacoma, WA 2005 Louis Comfort Tiffany Foundation Grant 2003 Residency, Arts/Industry Program, Kohler Arts Center, Sheboygan, WI American/Swedish Exchange, Travel Grant, American Scandinavian Foundation 2002 Grant, Ruth Chenven Foundation 2001 Fellowship, Creative Glass Center of America, Wheaton Village, Millville, NJ 2000 Grant, Peter S. Reed Foundation 1999 Community Arts Re-Grant for
    [Show full text]
  • America Crafts: the Contemporary Pursuit of a Handmade Material Life
    AMERICA CRAFTS: THE CONTEMPORARY PURSUIT OF A HANDMADE MATERIAL LIFE by Gina Guzzon A Thesis Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Master of Arts History of Decorative Arts Committee: Director . ~ Program Director Department Chairperson Dean, College of Humanities and Social Sciences Spring Semester 2014 George Mason University Fairfax, VA America Crafts: The Contemporary Pursuit of A Handmade Material Life A Thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts at George Mason University by Gina Guzzon Bachelor of Arts Lehigh University, 2009 Director: Jennifer Van Horn, Professor Department of History of Decorative Art Spring Semester 2014 George Mason University Fairfax, VA This work is licensed under a creative commons attribution-noderivs 3.0 unported license. ii DEDICATION This is dedicated to my family, especially my female relatives. You are an inspiration in more ways than one, keep inspiring. iii ACKNOWLEDGEMENTS Without the personal interest, dedication, and expertise of both my thesis advisors, this endeavor would never have been possible. Jennifer, your nudges both big and small have helped me become a better student, thinker, and writer. Jeff, this would not have been written without your original intrigue over a class paper or without your continued enthusiasm over the past two years. I would also like to thank the many individuals who gave me a few minutes of their time over the course of this research—the crafters, DIY-ers, and craft fair participants. Thank you for speaking with me, for sharing your objects and ideas, and of course, for crafting.
    [Show full text]
  • Preserving Forest Grove Newsletter of the Historic Landmarks Board
    Fall 2004 Preserving Forest Grove Newsletter of the Historic Landmarks Board Origins of the Craftsman Bungalow By Elizabeth Muncher The story of the Craftsman Bungalow is actually the late 1840s Ruskin led a drive to a simpler, two stories. The Craftsman Movement and the more natural life. The architecture and furnishings bungalow style house combined to provide a of Morris and Webb’s Red House exemplified the popular and uniquely American architectural style philosophies of Ruskin and Pugin and provided built between 1905 and 1930. It became the most other architects and artisans a foundation for what frequently built suburban became known as the house from 1909 to 1913. Arts and Crafts The historical origins of Movement. the Craftsman bungalow start with the history of The Arts and Crafts the Craftsman Move- movement quickly ment. spread through Europe. It’s principle of sim- The Craftsman Move- plicity and a return to ment is the term used to traditional craftsmanship refer to the American led to a variety of styles version of the Arts and as each country drew Crafts Movement that upon its own craft started in England in 1859. The official start of heritage. For example, in France and Belgium the the Arts and Crafts movement is associated with style was called Art Noveau, in Germany it was the building of the Red House in England. The known as Jungendstil, and in Austria it was architects, William Morris and Philip Webb, were Succession. inspired by the philosophy of John Ruskin (1819- 1900) and Augustus Pugin (1812-1852) that Interestingly, it was the lack of an American craft reacted to the effects of the Industrial Revolution heritage that led to the first widely popular on society.
    [Show full text]
  • CRAFT in Americacommunity: Show Me
    CRAFT IN AMERICAcommunity: show me Preview Craft forms known to us to today would not exist if it were not for the artists. For thousands of years they have carried on tradi- tions; some remain true to long established practice while others add their own twist. In this section of Educator Guide: Com- munity, students will learn that artists such as Mary Jackson and instructors at craft schools like Penland School of Craft have an innate desire to share what they have learned. Artists and schools like these function with the understanding that in order for craft traditions to exist in the future, they must share what they know. They must teach others. Featured Artists Penland School of Craft (fiber/Community) Mary Jackson (basket maker/Memory) Related Artists Mira Nakashima (wood/Landscape) Denise Wallace (jewelry/Community) 1 contents show me Introduction 5 Penland School of Craft 6 Mary Jackson 7 The Craft Connection 8 Craft in Action 9 Craft in the Classroom 10 Make 11 Worksheets 12 Additional Web Resources 36 Credits & Copyright 37 2 education guide information Craft in America, Inc. Craft In America Inc. is a non-profit organization dedicated to the exploration of craft in the United States and its impact on our nation’s cultural heritage. The centerpiece of the company’s efforts is the production of a nationally broadcast television documentary series celebrating American craft and the artists who bring it to life. The project currently includes a three-part television documentary series supported by CRAFT IN AMERICA: Expanding Traditions, a nationally touring exhibition of exceptional craft objects, as well as a companion book, and a comprehensive Web site.
    [Show full text]
  • Contemporary Crafts
    CONTEMPORARY CRAFTS Create objects with CAREERS EMPLOYERS a purpose. Arts administrator California State University Long Beach Art critic Ceramics Monthly In our new Contemporary Crafts program, Ceramicist Corning Museum of Glass you’ll work in clay, glass, fiber, metal, and Entrepreneur Diamond Cellar nontraditional materials to create highly Exhibition designer Dichotomie crafted pieces that will inspire ideas for Festival artist Lexington Glassworks exhibition and/or mass production. You’ll Gallery director Martha Sullivan Jewelry dive into digital practices and learn about Gallery owner Megs LeVesseur Pottery a variety of production techniques to make Glassblower North Coast Post objects that impact society, economy, and Jewelry designer Stockton University culture. People will purchase, wear, use, Museum curator Stony Brook University exhibit, and write about what you do. You will graduate with studio, conceptual, and business experience, ready to enter the field of contemporary crafts as a thoughtful, skilled, and engaged maker. Our graduates go on to work as jewelry designers, ceramicists, glassblowers, entrepreneurs, festival artists, arts FACILITIES You'll have access to: administrators, art critics, museum » Fully equipped ceramics studio, including mixers, extruders, slip tanks, slab rollers, and curators, exhibition designers, gallery kilns that include gas, electric, salt, and raku directors, and owners. » Glass studio that’s equipped for hot and cold work and includes color and clear tanks, casting equipment, large annealers, lapidary wheels, and a diamond bandsaw » Jewelry studio with individual benches for student use, each with a flex shaft, and a lab that includes forming and raising tools, casting equipment, rolling mills, sandblasters, and soldering stations » Tool room with common hand tools for fabrication, stone setting, and mold making 60 Cleveland Ave.
    [Show full text]
  • Designing Women: Friday, March 23, 2007 Presenters 5:30 – 10:00 P.M
    Designing Women: Friday, March 23, 2007 Presenters 5:30 – 10:00 p.m. The New York Silver Society’s (NYSS) Lisa Koenigsberg, conference director and president and Alice Cooney Frelinghuysen, Anthony W. and Lulu C. Wang founder, Initiatives in Art and Culture; formerly, she served as Curator of American Decorative Arts, The Metropolitan Museum Fifteenth Annual Dinner,* begins at 5:30 p.m. advisor to the dean for arts initiatives, and director, programs in of Art; she has published widely on the subject of American American Women in the with a lecture by David Barquist, curator of the arts and adjunct professor of arts, NYU School of ceramics and glass with a special focus on the work of Louis American decorative arts, Philadelphia Continuing and Professional Studies. She founded a series of Comfort Tiffany, including most recently, the exhibition and conferences on the Arts and Crafts movement, metalwork (with book, Louis Comfort Tiffany and Laurelton Hall — An Artist’s Decorative Arts, 1875 – 1915 Museum of Art. an emphasis on silver), and Japonisme, now entering its second Country Estate (The Metropolitan Museum of Art, November 21, * Separate registration is required. Individuals who are not NYSS affiliates are welcome to attend; decade. Former positions include: assistant director for project 2006 – May 20, 2007). She also contributed an essay on Louis for further information, please telephone Audrey Goffin at (212) 684-1686 or email her at funding, Museum of the City of New York; executive assistant, Comfort Tiffany’s jewelry in Bejewelled by Tiffany, 1837 – 1987 A Symposium in New York on the Occasion of [email protected], or telephone Patricia Jay Reiner at (212) 877-6850 or email her at Office of the President, American Museum of Natural History; (London, 2006); on Tiffany and New York City in Art Nouveau [email protected], or fax her at (212) 877-5070.
    [Show full text]
  • Judith Schaechter
    Claire Oliver Gallery Judith Schaechter Public Collections: Museum of Fine Arts, Boston MA Metropolitan Museum of Art, New York, NY Philadelphia Museum of Art, Philadelphia, PA Victoria and Albert Museum, London, U.K. de Young Museum San Francisco, CA The State Hermitage Museum, Saint Petersburg, Russia The Smithsonian American Art Museum, Washington, D.C. Museum of Arts and Design, New York, NY Minneapolis Institute of Art, MN (promised gift) Murdered Animal Hunter Museum of American Art, Chattanooga, TN The Chrysler Museum of Art, Norfolk, VA Stained Glass Lightbox Memorial Art Gallery, Rochester, NY 28 x 28 x 3 in | 71.1 x 71.1 x 7.6 cm New Britain Museum of American Art, New Britain, CT Des Moines Art Center, Des Moines IA Museum of Glass, Tacoma, WA Lowe Museum, University of Miami, Miami FL Montreal Museum of Fine Arts, Quebec, Canada Mint Museum, Charlotte, NC New York Public Library, New York, NY Free Library of Philadelphia, PA The Corning Museum of Glass, Corning, NY Speed Museum, Louisville, KY Carnegie Museum of Art, Pittsburgh, PA Frauenau Museum of Glass, Frauenau, Germany Smith Museum of Contemporary Glass, Chicago, IL Toledo Museum of Art, Toledo, OH Awards: Presidents Award for Outstanding Vision, Joint Award by The American Glass Guild & The Stained Glass Association of America · 2019 College of Fellows, American Craft Council · 2013 Virginia Groot Foundation Award, Second Place · 2012 USA Artists, Rockefeller Fellowship in Crafts · 2008 John Simon Guggenheim Fellowship · 2005 Hauberg Fellowship. The Pilchuck Glass School. · 2003 Innovation in a Technique, UrbanGlass. · 2000 Leeway Foundation Award, crafts. · 1999 Joan Mitchell Foundation Award.
    [Show full text]
  • Janel Jacobson Resume-Statement
    Janel Jacobson 41421 Ferry Road (Sunrise) Harris, MN 55032 [email protected] (651) 674-4555 Statement Pottery making was my first, and enduring love. My return to making pots full time in 2016 after a twenty-year deep affair with carving small wood sculptures has been a remarkably interesting period of growth for me. Studio ceramics has changed and blossomed a great deal since I began making pottery in 1970 and carving porcelain from the mid 1980’s to 1995. There is so much more now to learn about and to try! I currently enjoy using porcelain clay while making useful pots, and continue to pursue developing forms that may be gently reshaped, carved and textured to be enhanced with celadon glazes; or to serve as a canvas for active, responsive carbon trapping glazes. Education B.A. Degree in Art from Luther College, Decorah, Iowa 1972 Ceramics Department Assistant, Luther College, Decorah, Iowa 1970-1972 Marguerite Wildenhain – Three sessions at Pond Farm, Guerneville, CA 1972, 1974, 1977 Self directed growth: pottery making, porcelain carving, small sculptural wood 1972-present Employment Self-employed: Ceramics and Wood 1972-present Fellowships & Grants Creative Support for Individuals: Minnesota State Arts Board and State Legislature 2021 Enduring Vision Award – Bush Foundation (A major, five-year fellowship) 2008 The Minnesota State Arts Board Artist Initiative Grant 2004 Individual Artist Grant: East Central Arts Council 2000 The Minnesota State Arts Board Fellowship Grant 1998 Individual Artist Grant: East Central Arts Council
    [Show full text]