Mutations and Mutants in Europe after World War II: "Germany, Year Zero" by Roberto Rossellini Author(s): Francesca Cadel Source: Italica, Vol. 93, No. 2 (SUMMER 2016), pp. 274-285 Published by: American Association of Teachers of Italian Stable URL: https://www.jstor.org/stable/44504564 Accessed: 26-03-2019 08:36 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms American Association of Teachers of Italian is collaborating with JSTOR to digitize, preserve and extend access to Italica This content downloaded from 95.183.184.51 on Tue, 26 Mar 2019 08:36:01 UTC All use subject to https://about.jstor.org/terms Mutations and Mutants in Europe after World War II: Germany, Year Zero by Roberto Rossellini Francesca Cadel University of Calgary Abstract: This essay analyzes the perfectioning of neo-realism Rossellini was able to realize beginning with Germany, Year Zero in 1947 - towards a new wave of cinema and a new age in representing European identities and cultural landscapes. I will be focusing specifically on the very strong analytical structure of Germany, Year Zero. Through the radicality of Edmund's experience, a perfectioning of neo-realism is indeed at stake.