A Hunter S. Thompson Bibliography
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What Is Gonzo? Hirst, UQ Eprint Edition 2004-01-19 Page: 1
What is gonzo? Hirst, UQ Eprint edition 2004-01-19 Page: 1 What is Gonzo? The etymology of an urban legend [word count: 6302] Dr Martin Hirst, School of Journalism & Communication, University of Queensland [email protected] Abstract: The delightfully enigmatic and poetic ‘gonzo’ has come a long way from its humble origins as a throw-away line in the introduction to an off-beat story about the classic American road trip of discovery. Fear and loathing in Las Vegas is definitely a classic of post-war literature and this small word has taken on a life of its own. A Google search on the Internet located over 597000 references to gonzo. Some had obvious links to Hunter S. Thompson’s particular brand of journalism, some were clearly derivative and others appear to bear no immediate connection. What, for example, is gonzo theology? Despite the widespread common usage of gonzo, there is no clear and definitive explanation of its linguistic origins. Dictionaries differ, though they do tend to favour Spanish or Italian roots without much evidence or explanation. On the other hand, biographical sources dealing with Thompson and new journalism also offer different and contradictory etymologies. This paper assesses the evidence for the various theories offered in the literature and comes close to forming a conclusion of its own. The paper then reviews the international spread of gonzo in a variety of areas of journalism, business, marketing and general weirdness by reviewing over 200 sites on the Internet and many other sources. Each of these manifestations is assessed against several gonzo criteria. -
Univerzita Pardubice Fakulta Filozofická Bakalářská
UNIVERZITA PARDUBICE FAKULTA FILOZOFICKÁ BAKALÁŘSKÁ PRÁCE 2012 František Formánek University of Pardubice Faculty of Arts and Philosophy Gonzo journalism in the work of Hunter S. Thompson František Formánek Bachelor Paper 2012 Prohlašuji: Tuto práci jsem vypracoval samostatně. Veškeré literární prameny a informace, které jsem v práci využil, jsou uvedeny v seznamu použité literatury. Byl jsem seznámen s tím, že se na moji práci vztahují práva a povinnosti vyplývající ze zákona č. 121/2000 Sb., autorský zákon, zejména se skutečností, že Univerzita Pardubice má právo na uzavření licenční smlouvy o užití této práce jako školního díla podle § 60 odst. 1 autorského zákona, a s tím, že pokud dojde k užití této práce mnou nebo bude poskytnuta licence o užití jinému subjektu, je Univerzita Pardubice oprávněna ode mne požadovat přiměřený příspěvek na úhradu nákladů, které na vytvoření díla vynaložila, a to podle okolností až do jejich skutečné výše. Souhlasím s prezenčním zpřístupněním své práce v Univerzitní knihovně. V Pardubicích dne 27. 11. 2012 František Formánek Acknowledgement I would like to thank my supervisor, Mgr. Šárka Bubíková, for her kind and valuable advice. Secondly, I express my gratitude to my family, for their constant support. Abstract This paper discusses Gonzo journalism and its characteristics in the work of Hunter S. Thompson. The genre’s main features are described in the theoretical part of this paper, and then exemplified in Thompson’s seminal novel Fear and Loathing in Las Vegas. The paper also concentrates on the novel’s underlying theme; the search for the American Dream. This term is briefly described in the theoretical part and then contrasted with Thompson’s opinion about such phenomenon. -
Hunter S. Thompson: a Ritual Reenactment of Deviant Behavior
Connecticut o BRtl92-138 State • - r University P.O. Box 2008, New Britain, Connecticut 06050 Central .• Eastern .•. Southern •. Western Phone: (203) 827-7700 Fax: (203) 827-7406 RESOLtJrION granting PERMISSION 'IO REPRINI' COPYRIGHTED ARTICLE PUBLISHED IN CONNECTlcur REVIEW December 4, 1992 RESOLVED, That the Board of Trustees of the Connecticut State University hereby grants pemission to Dr. Janes N. Stull to reprint the article by him, entitled "Hunter S. Thanpson: A Ritual ReenaC'tlrent of Deviant Behavior," published in Connecticut Review, Vol. XIII, • No.1, Spring 1991. A Certified True Copy: ~-, President • An Equal Opportunity Employer • Hunter S. Thompson: A Ritual Reenactment of Deviant Behavior JAMES N. STULL Hunter S. Thompson grew up in "the stifling small-town atmosphere of Louisville, KentuckY:' 1 His father was an insurance agent whose only amusement was going out to the track early in the morning to time the horses. As a teenager Thompson "rebelled;' according to Timothy Crouse, by "knocking off' liquor stores and gas stations.2 In one three-day period, Thompson and two friends robbed the same gas station three times. Thompson recalls standing by his apartment window - which overlooked the gas sta tion - and watching the police investigate the burglaries while he and his friends drank beer. Thompson was also an accomplished shoplifter; he would go empty-handed, he explained, into a jewelry store and leave with a half dozen watches. Though Thompson was never arrested, Louisville authorities "managed to put him in jail for thirty days on a phony rape charge:'3 He was eighteen at the time, and very frightened by his brief period of incarceration. -
“The Right Kind of Eyes”: Fear and Loathing in Las Vegas As a Novel of Journalistic Development
19 “The Right Kind of Eyes”: Fear and Loathing in Las Vegas as a Novel of Journalistic Development Robert Alexander Brock University, Canada Fear and Loathing in Las Vegas describes a bildungs process in which its protagonist finds his place in relation to the dominant social order of mainstream journalism. “No, but we don’t have to join them.” —Bob Dylan ike the Horatio Alger novels it frequently invokes, Hunter S. Thompson’s LFear and Loathing in Las Vegas roughly describes a bildungs process—a process of development—in which its protagonist1 finds his place in relation to the dominant social order, albeit as someone who finds his place because he is ultimately confident of his authority to stand outside of that order. The “dominant social order” in this case is mainstream journalism, and the pro- cess through which the protagonist finds his place in relation to it involves the articulation of a vision critical of the ethos of journalistic professionalism and the alienating effects of what Robert A. Hackett and Yuezhi Zhao have called the “regime of objectivity”2 that sustains it. This critique, I’d like to argue, is developed at least in part, through the motif of “vision.” Literary Journalism Studies Vol. 4, No. 1, Spring 2012 20 Literary Journalism Studies From acid-induced hallucinations of screeching attack bats in the Cali- fornia desert and cannibal lizards in the lobby of the Mint Hotel, to the news- paper account of the young son of “a prominent Massachusetts Republican” who “pulled out his eyes while suffering the effects of a drug overdose in a jail cell,”3 and the inexplicably mutating array of sunglasses—Spanish,4 Brazil- ian,5 Danish,6 and Saigon-mirror7—worn by the book’s protagonists to shield their eyes from the brutal neon excess of Las Vegas but also the omnipresent scrutiny of the “eyes of the law,”8 the fear of which drives the narrative on its frenzied, paranoid course, one doesn’t have to look far to find references to vi- sion in Fear and Loathing in Las Vegas. -
€Fje Butte Chronicle Page Six Editorial
WANTED One set of social rules applying to all groups of undergraduates to solve current controversy. See €fje Butte Chronicle Page Six Editorial. Vol. 40—No. 22 Duke University, Durham, N. C. Friday, March 16, 1951 West Vote IFC Tries Will Decide To Clarify MSGA Fee ^Functions' Body Wants Aid Propose Change From General Fee In Redefinition West Campus students will Cliff Cooke, Lambda Chi Al vote on a referendum expressing pha president, set off a flurry of approval or disapproval of a pro discussion and debate Tuesday posed Administration allotment night in the Inter - fraternity of money out of the present gen Council meeting as he proposed eral fee to provide operating a constitutional amendment capital for Men's Student Gov which would clarify the much- ernment Association. questioned definition of a "fra The referendum will be held ternity function." during MSGA's annual spring The amendment is an attempt elections and will take place as to re-define the constitutional a result of a bill passed by the clause under which three fra student legislature in a meeting Windom Will ternities were placed on social Wednesday night. probation last week. Cooke's Also at the meeting, President [ proposal defines a function as a Jim Young said all men inter Direct YMCA party which was either approved ested in tryouts for cheerleader by a majority of the fraternity, for next year should immediate or for which the fraternity ?s ly send to him at Box 4002, Duke For Next Year assessed or charged, or at which Station, a post card including In the heaviest vote recorded a majority of the fraternity is the applicant's name, home ad in a YMCA election in four present. -
A Postmodern Picaresque: the Limits of the Sovereign Self in Fear and Loathing in Las Vegas
TITLE PAGE A Postmodern Picaresque: The Limits of the Sovereign Self in Fear and Loathing in Las Vegas Clayton Chiarelott A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Committee: Bill Albertini, Advisor Phil Dickinson ii ABSTRACT Bill Albertini, Advisor The novel Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream by Hunter S. Thompson is often celebrated by popular culture and either ignored or derided by literary critics, while this thesis reads it in relation to the picaresque literary tradition with a consideration for both the mass appeal and the disturbing qualities that make it a messy and difficult text. At times it comes across as transgressive in the way it creates sovereign space for alternative lifestyles, sometimes referred to as freaks by the narrator, Raoul Duke, but those moments are fleeting. More often, the narrator and his attorney, Dr. Gonzo, are reinscribing a dominant structure that abuses the less privileged and less mobile members of society, such as a hitchhiker, a maid, and a waitress. Moreover, the narrator even ends up working against himself and counteracting what he apparently values: mobility, individual sovereignty and liberty, and his version American Dream. Through a rapidly moving and episodic narrative structure reminiscent of the picaresque tradition but with a postmodern twist that amplifies and accelerates the format to such an extreme that it paradoxically paralyzes meaningful movement in a focused direction, the novel proves both appealing and unsettling. -
Auditions for Doonesbury
Auditions for Doonesbury Auditions: Monday August 16 6:00-9:00pm Wednesday August 18 6:00-9:00pm Call-Backs: Sunday August 22 11:00am-5:00pm Producer: Standing Room Only Performing Arts Production: Doonesbury Book/Lyrics: Garry Trudeau Music: Elizabeth Swados Based on the Pulitzer Prize-winning comic strip, Doonesbury is a musical comedy set in 1983 on the momentous occasion of college graduation. While they try to survive commencement, the roommates at Walden commune must fend off Zonker's Uncle Duke, who wants to demolish their off-campus house and replace it with luxury condominiums. Meanwhile, Mike Doonesbury steadfastly pursues his feisty girlfriend J.J., while contending with her estrangement from her mother Joanie. Productions Dates: November 4 - 21 What to Prepare: Performers for this show must be able to perform to an accompaniment track. Please have your tracks with you for your audition. Please prepare a two-minute upbeat selection by any contemporary theatre composer of the period, for example: Marvin Hamlisch, Michael Gore, Alan Menkin, Stephen Schwartz, Andrew Lloyd Webber, etc. And remember, we’re casting smart, witty cartoon characters. Contact: Andrew at [email protected] or 631-338-8833 Character Breakdown: The script calls for some performers to also portray incidental characters (including President Ronald Reagan). Strong singers are needed. The entire cast joins in each song, singing harmony -- performers must be able to hold their own parts. Roland Burton Hedley III (male, 40-50, average build, baritone) Self-important, conservative, intrepid News Correspondent for ABC reporting on today’s college student; has a rich speaking voice. -
Kuraska 1 Matt Kuraska Doonesbury: Research Paper Hunter S
Kuraska 1 Matt Kuraska Doonesbury: Research Paper Hunter S. Thompson changed the field of journalism throughout his career in writing which included working for ‘Rolling Stone’ and publishing several books. He was known for his rock and roll lifestyle as well as his tendency towards including personal information about himself in his assignments. This became labeled as gonzo journalism which focused on the writer being heavily involved with the events he or she was covering. Although this made for exciting articles for readers, other audiences used this insider information to ridicule or satire Thompson as a writer and person. One of the most prominent examples of this was done by the ‘Washington Post’ newspaper through a comic strip called Doonesbury. Created by Garry Trudeau, this comic featured a character by the name of Uncle Duke with striking similarities to Hunter S. Thompson. In fact, it comes as no surprise that the character be named Duke after Thompson used Raoul Duke as an alias in his book titled “Fear and Loathing in Las Vegas” while he was recording his search for the American dream. Trudeau created Uncle Duke as an accurate representation of Thompson’s physical qualities as well. In the strips, he is shown as an older, balding man who spends the majority of his time smoking a cigarette in Thompson’s iconic holder (Trudeau). Doonesbury, however, is much more than just a comic strip in a newspaper. It is a community of artists, writers, and readers which has evolved over the 40 years of existence. Their online website includes resources for readers to openly critique their publishing under the “Blowback” section. -
Hey Rube: Blood Sport, the Bush Doctrine, and the Downward Spiral of Dumbness Pdf
FREE HEY RUBE: BLOOD SPORT, THE BUSH DOCTRINE, AND THE DOWNWARD SPIRAL OF DUMBNESS PDF Hunter S Thompson | 246 pages | 01 Aug 2005 | SIMON & SCHUSTER | 9780684873206 | English | United States Hey Rube (book) - Wikipedia It is no accident that this column is titled "Hey, Rube. Every stop the Bush Doctrine the circuit was just another chance to fleece a crowd of free- spending rubes, suckers, hicks, yokels, johns, fish, marks, bums, losers, day traders in Portland, fools who buy diamonds from gypsies, and anyone else over the age of none in this country who still believes in his heart that all cops are honest and would never lie in a courtroom. These people are everywhere. They are legion, soon to be a majority; and 10, more are being born every day. Barnum, the circus man, explained the real secret of his commercial success by repeating his the Bush Doctrine motto, "There's a sucker born every minute. Which he did -- with a zeal that has never been equaled in the history of American show business. Barnum knew exactly what people wanted: freaks, clowns and wild animals. Those dates were special; many schools were closed when the circus came to town, and not every student returned when the public frenzy was over. We all worry about the Bush Doctrine our fine and beautiful daughters to some filthy circus tramp who catches her in a weak moment; and sometimes, it actually happens. Anita woke me up at the Bush Doctrine with a whoop and a squeal that shocked me. I love it! Our favorite columns are all bound into a book! George Bush isn't going to like this one, is he? The President really enjoys your sense of the Bush Doctrine. -
Round 10.Pdf
Cavalier Classic XII Round 10 Page 2 of 10 Tossups I. In addition to his more famous vocation, he was actually a noted chemist, and was one of the discoverers of the aldol reaction. As a composer, he left a 3"d symphony unfinished, and his music was the inspiration for the musical Kimset. One of the turning points in his compositional work was his meeting Mily Balakirev and joining his circle of nationalistic composers. Among his more well- known compositions are Polovtsian Dances and In the Steppes of Central Asia. FTP, who was this member of the Mighty Five most famous for his opera Prince Igor? Answer: Alexander Borodin 2. In this work, James, the neighbor of the main character and the father of a murdered fighter for racial equality, eventually decides to take up that cause. Gertrude, a prostitute, agrees to return home to her family, but flees the night before she is to embark. Absalom is to be executed the day after the novel's end for the murder of James' son, Arthur Jarvis. FTP, what is this novel set in South Africa about Stephen Kumalo's search for his son, the most famous work of Alan Paton? Answer: Cry, the Beloved Country 3. It was first proposed in an 1842 monograph entitled On the Colored light of the binary refracted stars and other celestial bodies, and can be used to estimate the temperature of a gas that is emitting a spectral line. It can also be used to provide accurate measurements of blood flow direction and velocity, and one of its more well known applications results in red and blue shifts. -
Screwjack by Hunter S
Screwjack by Hunter S. Thompson eVersion 1.0 / See Notes at EOF Book Jacket: Hunter S. Thompson's legions of fans have waited a decade for this book. They will not be disappointed. His notorious Screwjack is as salacious, unsettling, and brutally lyrical as it has been rumored to be since the private printing in 1991 of three hundred fine collector's copies and twenty-six leather-bound presentation copies. Only the first of the three pieces included here -- Mescalito , published in Dr. Thompson's 1990 collection Songs of the Doomed -- has been available to the public, making the trade edition of Screwjack a major publishing event. We live in a jungle of pending disasters, Thompson warns in Mescalito , a chronicle of his first mescaline experience and what it sparked in him while he was alone in an L.A. hotel room in February 1969 -- including a bout of paranoia that would have made most people just scream no, once and for all. But for Thompson, along with the downside came a burst of creativity too powerful to ignore. The result is a poetic, perceptive, and wildly funny stream-of-consciousness take on 1969 America as only Hunter S. Thompson could see it. Screwjack just gets weirder with it's second offereing, Death of a Poet . As Thompson describes this trailer-park confrontation with the dark side of a deservingly doomed friend: Whoops, I thought. Welcome to the night train. The heart of the collection lies in its final, title piece, an unnaturally poignant love story. What makes the romantic tale Screwjack so touching, for all its queerness, is the aching meloncholy in its depiction of modern man's burden: that we are doomed. -
Literary Journalism Studies Journalism Literary Return Address: Literary Journalism Studies Literary Journalism Studies Vol
Literary Studies Journalism Return address: Literary Journalism Studies Literary Journalism Studies Vol. 4, No. 1, Spring 2012 State University of New York at Cortland Department of Communication Studies L P.O. Box 2000 J Cortland, New York 13045-0900 S U.S.A. Fear and Vol. 4, No. 1, Spring 2012 2012 Spring 1, No. 4, Vol. Loathing in Las Vegas + 40: Hunter S. a special issue Thompson Published at the Medill School of Journalism, Northwestern University 1845 Sheridan Road, Evanston, IL 60208, U.S.A. The Journal of the International Association for Literary Journalism Studies S11 LJS cover Final.indd 1 4/3/2012 10:52:56 AM Reprinted with permission of the Hunter S. Thompson Estate. Our cover photo for this issue is a self-portrait taken by Hunter S. Thompson in 1965. It is eerily self-revealing about how he saw himself when he was younger, especially given his inscription on the back side. Contributed by Margaret Har- rell, Thompson’s copy editor at Random House for his volume Hell’s Angels. S11 LJS cover Final.indd 2 4/3/2012 10:52:57 AM Literary Journalism Studies The Journal of the International Association for Literary Journalism Studies Vol. 4, No. 1, Spring 2012 ––––––––––––––––– Information for Contributors 4 Note from the Editor 5 ––––––––––––––––– Fear and Loathing in Las Vegas Forty Years Later: A Special Issue 6 The Two Sides of Hunter S. Thompson by William McKeen 7 “The Right Kind of Eyes”: Fear and Loathing in Las Vegas as a Novel of Journalistic Development by Robert Alexander 19 “A Savage Place!” Hunter S.