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Key title information Rhythm & Colour £35.00 Product Details Artist(s) Loïs Hutton, Margaret Morris, Rhythm & Colour examines, for the first time, the life, work and loves of Hélène Vanel the avant-garde dancers, Hélène Vanel (1898–1989), Loïs Hutton (1893–1972), and Margaret Morris (1891–1980), through newly Author(s) Richard Emerson discovered letters, photographs, journals, memoirs, and contemporary Publisher Golden Hare criticism. ISBN 9781527221703 Format hardback This beautiful and extensive book considers the place of dance in post- Pages 624 WWI Modernism from Morris’ involvement with Futurism and Vorticism Illustrations 261 colour to Vanel’s dances at the opening of the 1938 International Surrealist Exhibition in Paris which are now heralded as the beginning of Dimensions 245mm x 178mm Performance Art. Weight 1530 Hutton’s affair with American poet Edna St Vincent Millay, Morris’ Publication Date: Jul 2018 relationship with J.D. Fergusson, and the pursuit of Vanel by Scottish Colourist painter, Leslie Hunter raise issues of gender and sexuality. Their theatres in Chelsea, Paris and the French Riviera attracted, among many others Scott Fitzgerald, Charles Rennie Mackintosh, Ernest Hemingway, Pablo Picasso and James Joyce (whose daughter Lucia was among their pupils). The dancers worked with Jean Renoir, Marcel Duchamp and Salvador Dalí. The book’s author, Richard Emerson is an Art Historian. Formerly the Deputy Conway Librarian at The Courtauld Institute of Art in London, and Chief Inspector of Historic Buildings at Historic Scotland. Key Selling Points Golden Hare is a new Scottish publisher based in Edinburgh Est. in 2018 by Mark Jones, former Director of the V&A Museum, London (2001–2011) Distributed by Enquiries Website Cornerhouse Publications +44 (0)161 212 3466 / 3468 www.cornerhousepublications.org HOME [email protected] 2 Tony Wilson Place Twitter Manchester Orders @CornerhousePubs M15 4FN +44 (0) 1752 202301 England [email protected].

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By SJ Peploe ‘Red Cloth’ Is a Bold Still Life
© Guy Peploe. For more information please contact the Bridgeman Art Library on 020 7727 4065 and the Fine Art Society on 020 7629 5116 / Licensed via www.scran.ac.uk © Guy Peploe. For more information please contact the Bridgeman Art Library on 020 7727 4065 and the Fleming-Wyfold Art Foundation on 020 7282 4489 / Licensed via www.scran.ac.uk “TULIPS AND FRUIT” by Samuel John Peploe Peploe often painted tulips because of their clear shape and pure colour. In this painting “A VASE OF PINK ROSES” by Samuel John Peploe the tulips arch over and there are even some coming into the painting from the side. The painting does not look untidy because the tulips have such a precise shape. Peploe paints clear shapes. The cup looks as if it could be picked up. The objects in the foreground are pale set against the colourful fabrics behind. ILLUSTRATION COURTESY OF ILLUSTRATION COURTESY OF © Ruth Hunter. For more information please contact the Bridgeman Art Library on 020 7727 4065 and the Fine Art Society on 020 7629 5116 / Licensed via www.scran.ac.uk © Guy Peploe. For more information please contact the Bridgeman Art Library on 020 7727 4065 and the Fleming-Wyfold Art Foundation on 020 7282 4489 / Licensed via www.scran.ac.uk “RED CLOTH” by FCB Cadell “ROSES” by SJ Peploe ‘Red Cloth’ is a bold still life. The artist has carefully placed the dishes so that you see the At first glance the painter seems to have created a muddle of shapes. The flat, untextured apples and green grapes first, then the black grapes, then the pale rose.
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Resource Notes Get Inspired! Get Writing! Contents
inspired! get writing! resource notes Get Inspired! Get Writing! Contents Welcome to the new Inspired? Get writing! online resource. These notes were developed and written by the Inspired? Get writing! team to offer 1. LOOKING AT ART ................................................................. page 5 some inspiration, guidance and support to entrants to Inspired? Get Writing! How do we look at art? Whether you’re entering the competition for the first time, or are an experienced writer What influences how we see things? looking for fresh impetus; whether you’re a teacher looking for some creative lesson Ways of seeing: getting started ideas, or a young person looking for some tips on how to get started - these notes are for you. The more you look the more you see Whoever you are, you may be asking yourself, How do I get inspired? How am I supposed 2. A WARM-UP FOR WRITING: FREE WRITING .................................... page 10 to really ‘look at’ an artwork? Where do I start? What kind of poem or story could I write? We hope that our notes will answer some of these questions, that a great idea grabs 3. GETTING STARTED WITH POETRY ............................................. page 11 you, and you can’t wait to get started. Different kinds of poems Teachers may find this resource particularly useful in developing a creative cross- Warm-ups for poetry curricular programme to incorporate into their teaching syllabus; some of our ‘regular’ schools engage in our competition as an annual classroom project. We’ve tried to make A caution about rhyme - and the joy of free verse our notes suitable for direct use by teenagers and adults, and appropriate in content for all 7-14 year olds when selected and adapted for use by their teachers.
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(1864-1961) • Fergusson Was Born Outside Edinburgh in March 1874, from a Middle-Class Family • He
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The Scottish Colourist Series: Fcb Cadell the Scottish Colourist Series Fcb Cadell: Selected Works
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Christie's to Offer Finest Private Collection of Scottish Colourists Seen on the Market Since 1979
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Right Royal Visit Ext Year, 2017, the Club Will Be 150 Years Old and the Council Is Turning Its Attention to the Manner of Its Celebration
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But Mostly He Was Outside with His Sketchbook. Drawing for Fergusson Was Like Breathing in and Out: the Natural and Essential Practice of the Artist
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