Checklist for Pathé Cylinder Transfer Serial Numbers: STENTOR (Concert Size, 12 Cm Diameter)
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Paul Vidal (1863-1931)
1/22 Data Paul Vidal (1863-1931) Pays : France Sexe : Masculin Naissance : Toulouse, 16-06-1863 Mort : Paris, 09-04-1931 Note : Chef d'orchestre, professeur et compositeur. - Prénoms complets : Paul, Antonin ISNI : ISNI 0000 0000 8133 3229 (Informations sur l'ISNI) A dirigé : De 1914 à 1919 : Théâtre national de l'Opéra-comique. Orchestre. Paris Paul Vidal (1863-1931) : œuvres (498 ressources dans data.bnf.fr) Œuvres musicales (334) Salut aux Vosges Hymne à la beauté (1904) (1904) Ballet des nations Cantique (1903) (1900) Printemps nouveau Orchestrations. Le chant du départ. Méhul, Étienne- (1900) Nicolas (1900) Berceuses. Choeur à 3 voix La burgonde (1900) (1898) Retour d'Islande Solos de concert. Trombone, piano. No 2 (1897) (1897) Le chant des glaives Orchestrations. La marseillaise. Rouget de Lisle, Claude (1897) Joseph (1897) Les contrebandiers du Mont-Noir Guernica (1896) (1895) data.bnf.fr 2/22 Data Les Pyrénées Glory be to the Father (1895) (1894) Lou mètjoun La maladetta (1894) (1893) "Trois sonneries de la Rose+Croix. Piano" Chant de Noël (1892) (1892) de Erik Satie avec Paul Vidal (1863-1931) comme Destinataire de l'envoi Les feux follets Chanson de fées (1892) (1887) "Le carnaval des animaux. R 125" "Manon" (1886) (1884) de Camille Saint-Saëns de Jules Massenet avec Paul Vidal (1863-1931) comme Orchestrateur avec Paul Vidal (1863-1931) comme Auteur de la réduction musicale Invocation "Euryanthe. J 291" (1883) (1822) de Carl Maria von Weber avec Paul Vidal (1863-1931) comme Auteur de la réduction musicale "Euryanthe. J 291" "Ch'io mi scordi di te. KV 505" (1822) (1786) de Carl Maria von Weber de Wolfgang Amadeus Mozart avec Paul Vidal (1863-1931) comme Éditeur scientifique avec Paul Vidal (1863-1931) comme Auteur de la réduction musicale "Le nozze di Figaro. -
Opera & Ballet 2017
12mm spine THE MUSIC SALES GROUP A CATALOGUE OF WORKS FOR THE STAGE ALPHONSE LEDUC ASSOCIATED MUSIC PUBLISHERS BOSWORTH CHESTER MUSIC OPERA / MUSICSALES BALLET OPERA/BALLET EDITION WILHELM HANSEN NOVELLO & COMPANY G.SCHIRMER UNIÓN MUSICAL EDICIONES NEW CAT08195 PUBLISHED BY THE MUSIC SALES GROUP EDITION CAT08195 Opera/Ballet Cover.indd All Pages 13/04/2017 11:01 MUSICSALES CAT08195 Chester Opera-Ballet Brochure 2017.indd 1 1 12/04/2017 13:09 Hans Abrahamsen Mark Adamo John Adams John Luther Adams Louise Alenius Boserup George Antheil Craig Armstrong Malcolm Arnold Matthew Aucoin Samuel Barber Jeff Beal Iain Bell Richard Rodney Bennett Lennox Berkeley Arthur Bliss Ernest Bloch Anders Brødsgaard Peter Bruun Geoffrey Burgon Britta Byström Benet Casablancas Elliott Carter Daniel Catán Carlos Chávez Stewart Copeland John Corigliano Henry Cowell MUSICSALES Richard Danielpour Donnacha Dennehy Bryce Dessner Avner Dorman Søren Nils Eichberg Ludovico Einaudi Brian Elias Duke Ellington Manuel de Falla Gabriela Lena Frank Philip Glass Michael Gordon Henryk Mikolaj Górecki Morton Gould José Luis Greco Jorge Grundman Pelle Gudmundsen-Holmgreen Albert Guinovart Haflidi Hallgrímsson John Harbison Henrik Hellstenius Hans Werner Henze Juliana Hodkinson Bo Holten Arthur Honegger Karel Husa Jacques Ibert Angel Illarramendi Aaron Jay Kernis CAT08195 Chester Opera-Ballet Brochure 2017.indd 2 12/04/2017 13:09 2 Leon Kirchner Anders Koppel Ezra Laderman David Lang Rued Langgaard Peter Lieberson Bent Lorentzen Witold Lutosławski Missy Mazzoli Niels Marthinsen Peter Maxwell Davies John McCabe Gian Carlo Menotti Olivier Messiaen Darius Milhaud Nico Muhly Thea Musgrave Carl Nielsen Arne Nordheim Per Nørgård Michael Nyman Tarik O’Regan Andy Pape Ramon Paus Anthony Payne Jocelyn Pook Francis Poulenc OPERA/BALLET André Previn Karl Aage Rasmussen Sunleif Rasmussen Robin Rimbaud (Scanner) Robert X. -
JULES MASSENET – His Life and Works by Nick Fuller I
JULES MASSENET – His Life and Works By Nick Fuller I. Introduction Jules Massenet’s operas made him one of the most popular composers of the late nineteenth century, his works performed throughout Europe, the Americas and North Africa. After World War I, he was seen as old- fashioned, and nearly all of his operas, apart from Werther and Manon , vanished from the mainstream repertoire. The opera-going public still know Massenet best for Manon , Werther , and the Méditation from Thaïs , but to believe, as The Grove Dictionary of Opera wrote in 1954, that ‘to have heard Manon is to have heard all of him’ is to do the composer a gross disservice. Massenet wrote twenty-seven operas, many of which are at least as good as Manon and Werther . Nearly all are theatrically effective, boast beautiful music and display insightful characterisation and an instinct for dramatic and psychological truth. In recent decades, Massenet’s work has regained popularity. Although he Figure 1 Jules Massenet, drawing by Ernesto Fontana (Source: is not the household name he once http://artlyriquefr.fr/personnages/Massenet%20Jules.html) was, and many of his operas remain little known, he has been winning new audiences. Conductors like Richard Bonynge, Julius Rudel and Patrick Fournillier have championed Massenet, while since 1990 a biennial Massenet festival has been held in his birthplace, Saint-Étienne, in the Auvergne-Rhône-Alpes, its mission to rediscover Massenet’s operas. His work has been performed in the world’s major opera houses under the baton of conductors Thomas Beecham, Colin Davis, Charles Mackerras, Michel Plasson, Riccardo Chailly and Antonio Pappano, and sung by Joan Sutherland, José van Dam, Frederica von Stade, Nicolai Gedda, Roberto Alagna, Renée Fleming, Thomas Hampson and Plácido Domingo. -
Checklist for Pathé Cylinder Transfer Serial Numbers: INTER (Salon Size, 9 Cm Diameter)
Checklist for Pathé Cylinder Transfer Serial Numbers: INTER (Salon size, 9 cm diameter) This is a checklist of all transfer-serial numbers for moulded INTER (Salon size) cylinders that have been identified so far for the Pathé Label Discography, and for which discographical details are known. Please report full details of all moulded Pathé cylinders (also related labels like AICC, Atlas, Bonne Presse, Dansk Fonograf, Dutreih, Paradiso and others) that are NOT already in the list below, or that are at odds with the details given in the present checklist. Typed or written lists are just as welcome as clearly legible scans or photos, or database excerpts in any unambiguous format. All correspondence should be addressed to: [email protected] , or snailmail to: Christian Zwarg, Raschdorffstr. 15, 13409 Berlin, Germany NOTE: This is NOT a catalogue of available recordings and NOT a sale or auction list. Most of the records listed here are not in my collection and available not in public archives. Transfer-Serial Nr. Master-Cylinder Nr. Title (abridged, for identification only) Diameter 8 2321 Boit-sans-soif et Bec-salé : Duo comique (Emile Duhem) C09 51 160 MARTHA (Friedrich von Flotow / Wilhelm Friedrich Friedrich Wilhelm Ri C09 98 395 LAKMÉ (Léo Delibes / Edmond Gondinet; Philippe Gille) @ • I.4. Air {Gér C09 106 429 LA MULE DE PEDRO (Victor Massé / Dumanoir Philippe-François Pinel C09 109 344 LES DRAGONS DE VILLARS (Louis Aimé Maillart / Lockroy Joseph-Phil C09 121 52 FAUST (Charles Gounod / Jules Barbier; Michel Carré) @ • I.1. Scène et C09 131, early edge 342 LES DRAGONS DE VILLARS (Louis Aimé Maillart / Lockroy Joseph-Phil C09 158 2874 TANNHÄUSER UND DER SÄNGERKRIEG AUF WARTBURG (Richard W C09 159 2874 TANNHÄUSER UND DER SÄNGERKRIEG AUF WARTBURG (Richard W C09 161 2987 Amour d'automne • Mélodie (Cécile Chaminade, W.276 / Armand Silvestr C09 162 2986 Plaisir d'amour • Mélodie (Johann Paul Aegidius Martini / Jean-Pierre Clari C09 181 3541 FAUST (Charles Gounod / Jules Barbier; Michel Carré) @ • IV.15. -
Massenet and Wagner: Bridling the Influence Author(S): Steven Huebner Source: Cambridge Opera Journal, Vol
Massenet and Wagner: Bridling the Influence Author(s): Steven Huebner Source: Cambridge Opera Journal, Vol. 5, No. 3 (Nov., 1993), pp. 223-238 Published by: Cambridge University Press Stable URL: http://www.jstor.org/stable/823807 Accessed: 22-06-2017 20:04 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Cambridge University Press is collaborating with JSTOR to digitize, preserve and extend access to Cambridge Opera Journal This content downloaded from 198.199.32.254 on Thu, 22 Jun 2017 20:04:21 UTC All use subject to http://about.jstor.org/terms Cambridge Opera Journal, 5, 3, 223-238 Massenet and Wagner: Bridling the influence STEVEN HUEBNER By a stroke of coincidence the critic Theodore de Wyzewa found himself sitting next to Jules Massenet during a performance of Parsifal at Bayreuth in August 1886. Massenet's behaviour made a deep enough impression on Wyzewa for him to share it with readers of Le Figaro several years later. 'He quivered feverishly, became short-breathed, and his large, sombre eyes sparkled in the dark. And when the opera was over, I heard him say to someone in the corridors of the theatre "Ah! I am anxious to return to Paris to burn my Werther!"'' Wyzewa published his piece on the day of Werther's Paris premiere. -
The Making of Exoticism in French Operas of the 1890S a Dissertation Submitted to the Graduate Division of the University Of
ASS) THE MAKING OF EXOTICISM IN FRENCH OPERAS OF THE 1890S A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN MUSIC DECEMBER 2004 By Valeria Wenderoth Dissertation Committee: Lesley A. Wright, Chairperson E. Douglas Bomberger Karen Kennedy Donald R. Womack Marie-Jose Fassiotto To my husband Ray, who supported me throughout this journey with no hesitation, always helping and motivating me to achieve one ofmy greatest ambitions. To my daughter Elena, who has been patient when I was so busy. To my mother Jacqueline, who has always been a source ofinspiration in my life and whose assistance made my research possible. 111 TABLE OF CONTENTS Abstract. .iv List ofTables viii Introduction 1 Part One: THE MAKING OF THE EXOTIC 23 Chapter One The Idea ofthe Exotic in France .23 A. Aesthetics ofExoticism 23 B. French Exoticism: A Cultural Promotion ofthe Colonies 1. Historical Survey ofFrench Colonies 27 2. Les Expositions Universelles 32 3. French Expeditions 38 C. Exoticism in Nineteenth-Century French Literature .46 1. The Intangible Exotic: Bovarysm, Escapism, and Mysticism 49 2. The Existing Exotic: the Roman Colonial 54 3. Recurrent Themes ofFrench Exotic and Colonial Literature '" ..64 a. Love, Sexuality, and Miscegenation 65 b. Religious and Mystical Issues 71 c. Familiar Home and Formidable Landscapes 73 Chapter Two The Making ofExoticism in French Opera 84 A. Displaying the Exotic: Sets and Costumes 86 B. Telling and Speaking the Exotic: the Libretto 90 C. Echoing the Exotic: the Music 98 1.