MU Students Break Boundaries, Validate Love

Total Page:16

File Type:pdf, Size:1020Kb

MU Students Break Boundaries, Validate Love The Oak Leaves Manchester University Issue XI - February 22, 2013 Documentary Photo Series Displayed in ACEN Mike Dixon and the boy almost certain- some shots that are simply woman named Doi. Rin's bodia. Matsui works a lot man rights and its mission Staff Writer ly has not long to live. It is beautiful. Professor Oke's floating eye, the face be- with sex trafficking and is to create compassionate a fine example of a picture favorite artistic photo is the hind her with eyes closed, currently covering an op- students improving the hu- A new gallery is on display that is absolutely horrible second photo on the right and Doi's sure hands ac- eration to catch pimps of man condition. in the Academic Center's but absolutely necessary. wall, depicting a woman cent the dark image with a underage prostitutes and Exhibiting art such first floor hallway, although Capturing this moment named Rin checking her tragic grace. rehabilitate their unfortu- as Matsui's serves a dual its composition is more purpose, according to Oke. documentary than imagi- Firstly, the story of Cambo- nation. The exhibit includes dian life is not particularly 18 pictures of sex traffick- well known and deserves ing, brutality, and hard- more awareness. Sec- ship existing in Cambodia. ondly, the level of human Professor Ejenobo Oke suffering in these commu- selected the exhibit from nities should make view- the work of Tim Matsui, a ers realize how good their professional photo-journal- lives really are. If students ist, who photographed the could imagine how vicious entire collection along with the communities there many other world stories are, how disadvantaged that can be seen on his its people are, then may- website. be they could feel com- Each picture tells pelled to improve their own a personal story as tragic community and its lives. as the next and includes “Sometimes that means a a caption but no title. The monetary donation,” Oke effect of browsing the col- said. “Sometimes it means lection is like wading into a helping at a soup kitchen... swift-moving river. A casual but people should not feel passerby tests the water by pressured to respond. Ev- observing a single picture, ery individual will respond steps in further by reading in a way unto themselves.” the caption, finds the story The exhibit will be shockingly compelling, and on display until Oct. 11, finally gets caught up in the 2013, while classes are in stream of photographed session. If students have narratives that is the col- time between classes, lection. visit the first floor of the Many shots are Academic Building for a strictly documentary. The graphic lesson on the hu- subject matter does not WORTH A THOUSAND WORDS On display in the first floor hallway of the Academic Center is one of the images that man condition. need to be beautiful, and is part of Tim Matsui’s photo series depicting the brutality, hardship and sex trafficking found in the lives of many Cam- is sometimes decidedly bodians. Professor Ejenobo Oke chose this series to bring light to the story of Cambodian life and to allow viewers to understand the lack of true hardships in their own lives. Photo by Vivien Carter not. The photo which Oke calls “hardest to look at” is the third picture on the right wall of a little boy and many may disturb the viewer, but make-up in a mirror be- Artists like Tim nate employees. Oke felt others living off a massive it also gives meaning to the fore another woman who Matsui use art as a means that the focus of these pho- landfill. Filth practically subject's life. is getting her make-up ap- to raise awareness of trou- tojournalists fit well with emanates from the portrait However, there are plied by a transgendered bled regions such as Cam- Manchester's focus on hu- MU Students Break Boundaries, Validate Love Charlaine Grosse nant ideology of the white also why Guyer asked us,” Becca Creath, forget that love can take the beginning of what in- Staff Writter heterosexual one,” Hidalgo Heath said. “It was a great Peace Studies coordina- many forms. So I think it’s dividuals in these photos said. “Especially here in idea, especially being on tor, noted that the event great to celebrate the di- hold,” Guyer said. “Take If you entered on the Union Indiana, where it was not Valentine’s Day. I think it was an appropriate way to versity that Manchester a look, and you can just last Feb 14th, you probably until the mid-seventies that had a really good message honor the diversity on cam- University has to offer.” feel beauty exuding from noticed that for some stu- interracial couples were al- and it was showing the ac- pus. “Having a display that Guyer said it was them.” dents on campus, Feb. 14 lowed to get married.” tual scope of the campus is validating the diversity a gift to her to have the The pictures were was not viewed as Valen- originally supposed to be tine’s Day anymore, but as displayed on the campus Validation Day. TV screen, to reach a wider The Validating audience, but the Adminis- Love campaign was a tration did not approve the photography display that idea. Beth Sweitzer-Riley, featured images of all vice president for student types of love, specfically development justifies this kisses shared by hertero- decision by stating that it is sexual, homosexual, and important to have pictures interracial couples. This displayed with a context campaign was created by of the educational compo- Whitnee Hidalgo and Kay nent, as well as an oppor- Guyer, both seniors at tunity to provide dialogue Manchester University. on the issue. Their inspiration “The TV screen display of was Jackie Nagilla, the just photos would not al- former OMA Director, who low this interaction to hap- had assigned a passive pen and thus unintended program, where people consequences could occur do not have to interact which could possibly back- with each other to get the fire and generate hostility educational aspect of it. rather than understanding Indeed, when Nagilla was and widen gulfs rather than an undergraduate student, bridge them,” Sweitzer-Ri- she organized a kissing on ley said. Valentine’s Day, where a According to Hi- number of interracial and dalgo, if you are not shak- same sex couples literally ing up the basket, you are sat and stayed frozen, lips not doing it right, because to lips, for thirty minutes, all VALIDATION DAY On Feb. 14 the Validation Love campaign, created by MU seniors Whitnee Hidalgo and Kay Guyer, it is deviance that changes over campus, throughout featured images in the Union of couples in heterosexual, homosexual, or interracial relationships expressing and vali- the culture. the day. dating their love through their kisses. Photo courtesy of Kay Guyer Hidalgo and Guyer wanted their program to CONTINUED ON bring the same message Wes Heath and in term of relationships.” that we have on campus, opportunity to photograph PAGE 2 but not the same con- Zabrian Mills, both stu- Although some people did on Valentine’s Day, seems those couples, and she cept. “The message was dents at Manchester Uni- not seems to appreciate to be a wonderful way to hopes it has become a validating love, through versity, participated in this the images and were roll- witness and help create a gift of thoughtful conver- racial boundaries, through event together. “Zabrian ing their eyes, many others more supportive and po- sation to staff, faculty and gender boundaries, and and I are one of the few really enjoyed this exhibi- tentially aware campus,” students. "The courage to through different sexual out gay males couples on tion that was hosted in the Creath said. “I think that take a personal stand for orientations from the domi- campus, so I guess this is Union on Valentine’s Day. lots of people, sometimes, justice on campus is just Inside: Late Night Lounge ~ January Session ~ Wrestling Oak Leaves Manchester University Issue XI - February 22, 2013 Page 2 Around Campus RHA Hosts ‘Late Night Lounge’ at Oakwood Heather Elson Messer. Her inspiration people have told him that Staff Writer came from her January he sounds just like Randy. Session class to Austra- One could tell that Late Night Lounge, an open lia. “We were on a trolley, the crowd was really get- mic night, was hosted by and we were all messing ting into the performances RHA in Oakwood’s lounge around,” Jones said. “I was by hearing them shout, “Go Yeah we're going down King Street on Thursday, February 7, rapping about people and In!” “I felt the performers And you know we gotta meet 2013. This event allowed they were like, ‘Hey write a were really good and enter- Mr. Messer in the lobby students to showcase their rap about Professor Mess- taining,” said Jessica Bos- 'Cause you know he's got a hobby He likes to plant flowers talents such as singing, er.’ So I wrote a small por- tic, sophomore. “There was In the dawn of the hour rapping, playing instru- tion of it. [However,]Chel- a wide variety of different And he be out in the sun ments, dancing and read- sea D. Butler did help me talents.” Makin' money for his hun ing slam poetry to a room spice up the lyrics a little The success of the And his kids and his class 'Cause you know we're gonna ask filled with over 70 people. bit.” event has led to more plan- Yo Messer where's our money Late Night Lounge The MC for the ning for future Late Night 'Cause we gotta use the dunny… was created to allow stu- night was Corsey, who led Lounges.
Recommended publications
  • Excesss Karaoke Master by Artist
    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
    [Show full text]
  • The Comet Newsletter January 2020
    1 The Comet Newsletter January 2020 A Family Divide It was Christmas Eve, and my extended family had just sat down for dinner. We began to eat, smiling and joking all around. You could almost say it was like the early 2000’s -- except, well, I hadn’t been born yet. There was one stark contrast, though. As I looked around, each of my relatives had a device less than one foot away from them, at hand’s reach. My little cousin had put his iPad next to his plate, grubby fingerprints smeared all over. My aunt’s Samsung was daintily resting on her water cup. Even my dad -- who claims to be a technology abstainer -- had slipped his phone into his jeans pocket, one tap away from seeing the weather forecast, or the latest New York Times article, or a photo from our last trip. At first, the technology that surrounded our dinner didn’t seem to be a distraction. But one by one, as the meal progressed, family members began to succumb to the urge to peek at their devices, perhaps discreetly swipe a few times under the tablecloth. My cousins, for one, went all out, hefting their tablets sturdily onto their half-full plates and going to town with games. Conversation across the table went on, but it became more absent-minded and preoccupied. Believe it or not, this is a real scenario across the US that happens in more than just our household. When each member of the family has a device, it’s easy to forget the simple pleasure of spending quality time with one another.
    [Show full text]
  • Monetizing a Meme: Youtube, Contentid, and the Harlem Shake
    Monetizing a Meme: YouTube, ContentID, and The Harlem Shake Abstract The 10th anniversary of YouTube’s first posted video was celebrated on April 23, 2015, a company who rose to power encouraging the development of a robust community of amateur vloggers and video makers which ascended to a massive transnational media corporation. Ten years later, YouTube may seem to function in a similar way, but its latest methods for monetization of User Generated Content (UGC) are potentially leaving content producers without basic rights to their labor. This paper analyzes YouTube’s methods for monetizing UGC with ContentID through and exploration of the colossal assemblage of creative labor that constitutes the “Harlem Shake” meme. At its peak, the Harlem Shake meme was immensely generative (generating nearly 4,000 YouTube videos uploads per day), and popular. As it spread the “Harlem Shake” rapidly surpassed the status of a “simple” Internet meme and found its way as a pop culture phenomenon, inspiring countless hours of creative endeavors participating in what became a kind of “internet dance craze.” During this “internet dance craze,” the rights owners of the song that formed the musical accompaniment of the meme quickly realized the profit potential of the phenomenon, and profited handsomely from this opportunity through the architecture of control provided by YouTube. Through an analysis of the history and an examination of the "digital sharecropping" which YouTube uses through its coercive agreements, we argue for a “Fair(er) Use” of copyrighted material in UGC, particularly in regards to memetic remixing, parody, and viral spread. This significance of this article is challenging the current distribution of Content ID payments solely to musical copyright holders and acknowledgment of meme- maker co-authorship as participants in cultural production.
    [Show full text]
  • 1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
    1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29.
    [Show full text]
  • City's Most Dangerous Spot
    NEWS 10 QUESTIONS SPORTS Where are they now LaToya Jones: The new Beth Kancilia, LGBTQ Student Specialist, on changing campus queer life, student activists, Colorado : Gabe MathiasPage 3 RLC. Springs’Page 5 unof�icial lesbian bar, and Gaypril. Guentzel,Page 9 D1 Hockey. FRIDAY Week 2, Block 6 catalystnewspaper.comMarch 1, 2013 THE CATALYST Volume 44 • No. 16 Life: FOOD Off-campus brunch secrets to satiate weekend hunger Page 13 WASABI FRISBEE Jesse Paul video that was shot in the Editor-in-Chief air during Flight 157 of an Students’ in-�light ‘Harlem Shake’ prompts federalAirbus A320 on Feb.investigation 15, an airline spokesperson and federal of�icials con- Something odd aboard �irmed this week. a Frontier Airlines �light The students, who across the Rocky Moun- were traveling from tain West caught the at- Colorado Springs to San tention of federal investi- Diego on the way to an gators last week. Perhaps ultimate frisbee tourna- it was the passengers ment, �ilmed a version banging on the ceiling, of the “Harlem Shake,” a walls and �loor of the cab- YouTube meme that has in, or maybe how most of gone viral in the past few the passengers were out months. While no charges of their seats, jumping up or sanctions have been and down. �iled against the airline The Federal Aviation or the students, the FAA Administration is inves- is continuing their inves- tigating a group of Colo- tigation into the �light and Continued: News page 6 rado College students and a Frontier �light crew for a The full controversial video can be Above: A YouTube screenshot of CC Ultimate’s “Harlem Shake” on a plane on Feb.
    [Show full text]
  • WHITE PAPER How Stuff Spreads #1: Gangnam Style Vs Harlem
    WHITE PAPER! How Stuff Spreads #1: ! Gangnam Style vs Harlem Shake Anatomy of Two Memes! Our How Stuff Spreads series looks at how digital content (videos, articles, websites, and images) travels the social web. This, the first instalment, looks at how two memes spread on Twitter: Gangnam Style vs Harlem Shake.! ! Gangnam Style and Harlem Shake were viral phenomena, generating thousands of spin-off versions and billions of views. By using Pulsar TRAC’s Content Tracking technology, we are able to track any social media conversation containing a specific URL and analyse who is talking about it, gateways and hubs, topics of discussion, geography of the discussion and key channels.! ! Info about image! Pulsar’s VP Product Francesco D’Orazio Shareability! (@abc3d) and Research Manager Jess Total Twitter shares per each million of Owens (@hautepop) wanted to understand YouTube views! how Gangnam and Harlem became global ! memes. So they set out to compare how the Globality! top 5 versions of each video were shared on How international was the meme?! Twitter, looking at 8 dimensions of each ! meme:! Amplification! ! How influential were the people who shared Shape! the meme! Number of shares per video, over lifetime of ! the meme! Variation! ! How much did attention to the meme vary Lifespan! day-by-day?! Number of consecutive days where people ! shared the meme 500+ times! Diffusion Network! ! Hubs and nationalities who drove the spread Popularity! of the meme ! Number of unique users sharing the meme ! over its lifetime! Here’s what they found out.! ! break a world Info about image! Memes have different shapes! The shape of the Infotwo memesabout image! ! 1)" Memes have different shapes! formation which Charles Duhigg describes in Gangnam Style showed a top down or his book “The Power of Habits”:! ‘vertical’ pattern, with the original video ! generating 10x as many YouTube views and “A movement starts because of the social shares as any of its variations.
    [Show full text]
  • 88Rising’ and Their Youtube Approach to Combine Asian Culture with the West
    A Study of ‘88rising’ and their YouTube Approach to Combine Asian Culture with the West Haoran Zhang A research Paper submitted to the University of Dublin, in partial fulfilment of the requirements for the degree of Master of Science Interactive Digital Media 2018 Declaration I have read, and I understand the plagiarism provisions in the General Regulations of the University Calendar for the current year, found at http://www.tcd.ie/calendar. I have also completed the Online Tutorial on avoiding plagiarism ‘Ready, Steady, Write’, located at http://tcdie.libguides.com/plagiarism/ready- steady-write. I declare that the work described in this Research Paper is, except where otherwise stated, entirely my own work and has not been submitted as an exercise for a degree at this or any other university. Signed: ___________________ Haoran Zhang 08/05/2018 Permission to lend and/or copy I agree that Trinity College Library may lend or copy this research Paper upon request. Signed: ___________________ Haoran Zhang 08/05/2018 Acknowledgements I wish to thank my family and friends, especially my girlfriend Shuyu Zhang for providing me with unfailing support and continuous encouragement throughout my years of study and through the process of researching. I would also like to thank my supervisor Jack Cawley for his patience and guidance during the researching process. Abstract 88rising, as a fledgling new media company based in the USA, has been trying to connect Asian youth culture with the west through its musical and cultural content published on the YouTube channel for the last three years. It is a record label for Asian artists and also a hybrid management company which not only covers music, art, fashion and culture but also creates a hybrid culture of their own.
    [Show full text]
  • The Nabby Weekly • July 11, 2014
    THE NABBY WEEKLY • JULY 11, 2014 WEEK 2...FUN, GAMES & ADVENTURE FOR ALL! COMING EVENTS - WEEK OF JULY 14TH: Monday thru Friday SPIRIT WEEK!!! Tuesday, July 15 Jr. Camp SUPER Fun Day Wednesday, July 16 Hollyrock Games Wednesday, July 16 Hollyrock Games - PARENTS EDITION!!! 6:30PM PARENTS... Please note that there are three events on the Nabby calendar for YOU!!! At Parents Visiting Day each year, we overhear so many Moms and Dads (and Grandparents!) wishing you could come to camp and have as much fun as your children...so, we thought “why not?” These events range from Hollyrock Night (pitting Dads vs Moms in trivia questions, Simon Says, and various hilarious “athletic” events), Daddy Dodgeball (oh yeah...complete with T-shirts and an EMT on duty!) and Family Zumba Night for all ages and skill levels! All these events are great fun and last year were enjoyed by all who attended. We look forward to seeing you there! Camp Nabby celebrated the Fourth of July last week with our Red, White and Blue Day. Some of our campers, as well as Rikki, our Special Events Head, went all out! NABBY NEWS I Volume 44 • No 2 PAGE 1 OF 4 COLOR WAR! WACKY SNACKY WEDNESDAYS Week Two of Senior Camp Color War was decided with a Your kitchen crew (Gemma, Sue and Maria) is introducing mega Capture the Flag event. The teams were very close Wacky Snacky Wednesday! Each day, they provide at the start - the lead went back and forth between the Red campers with healthy snacks...but, every Wednesday, their and White teams.
    [Show full text]
  • Youtube Music Videos and Digital Media
    Introduction ▪Web 3.0 ▪Memes ▪Music videos ▪YouTube and videos ▪Television online/liveness ▪Learning outcome 2. Gain a basic understanding of the three core areas (representation/consumption/production) ▪Semiotic analysis of YouTube Video, meme, etc.? 1 Web 3.0 ▪Web 1.0 first generation ▪Web 2.0 participation/social networking ▪Web 3.0 intelligent web ▪Automatically delivering content to you that is relevant ▪Making inferences and connections ▪Semantic web 2 3 Meme ▪ Idea, behaviour or style which spreads from person to person ▪ Modified, refined, combined ▪ Internet meme – spreads from person to person via the internet ▪ Harlem Shake (0.36 mins)– grassroots ▪ Norwegian army Harlem Shake (0.33 mins) ▪ Viral videos – Gangnam (3.57 mins)– corporate top down videos – Somebody I used to know 4 YouTube ▪ Video-sharing website ▪ Created 2005 ▪ Bought by Google 2006 ($1.65 Billion) ▪ Used by corporations and individuals ▪ 1.2 Billion videos streamed a day ▪ YouTube competes for audiences with on-demand subscriptions, partners and original channels ▪ Examples ▪ Mashups (Cassette Boy) (1.15 mins) TV clips, music videos, video blogging, educational videos etc. 5 Videos on YouTube ▪ Me at the Zoo co-founder Karim at San Diego Zoo (0.18 mins) ▪ July 2006 >65,000 videos uploaded everyday ▪ 2008 agreements with MGM, LionsGate Entertainment, CBS ▪ Charging for certain channels 2013 ▪ 2013 contract with Universal Music Group ▪ Subscription based service ▪ 2015 YouTube Kids ▪ Celebrities on YouTube - Influencers 6 Homecasting ▪ Homecasting – users upload audiovisual messages caters to specific audiences or wide audiences. ▪ Television broadcasts – open up a window on the world. ▪ Homecasting – stares back into the living room.
    [Show full text]
  • Harlem Shake – Artifacts Journal - University of Missouri
    “They’re Making Us Look Bad”: The Problem with the “New” Harlem Shake – Artifacts Journal - University of Missouri University of Missouri A Journal of Undergraduate Writing “They’re Making Us Look Bad”: The Problem with the “New” Harlem Shake Kathryn Bailey (Third Winner) Over the course of the past few months, yet another viral trend has taken over YouTube. This time, though, the name rang familiar for many people, who were soon disappointed to find out that the Harlem Shake they were hearing so much about had very little semblance to the move popularized by the likes of Sean “Diddy” Combs (formerly Puff Daddy). Rather, these short videos are full of nonsensical costumes, pelvic grinding, and a general sense of confusion for viewers not in the loop. And, for some reason, up to 4,000 of them are uploaded a day. The Harlem Shake video trend began at the beginning of 2013 when YouTube user Filthy Frank uploaded a short video of himself and some friends gyrating to a dance track on January 30. The video is http://artifactsjournal.missouri.edu/2014/03/theyre-making-us-look-bad-the-problem-with-the-new-harlem-shake/[9/15/2014 1:27:20 PM] “They’re Making Us Look Bad”: The Problem with the “New” Harlem Shake – Artifacts Journal - University of Missouri simple: four boys in strange costumes, pelvic thrusting to a song, but for some reason it inspired others. The trend was truly considered “viral” within the first few days of February, and by February 14 the trend was receiving mainstream media coverage.
    [Show full text]
  • WHITE PAPER How Stuff Spreads #1: Gangnam
    WHITE PAPER How Stuff Spreads #1: Gangnam Style vs Harlem Shake Anatomy of Two Memes Our How Stuff Spreads series looks at how digital content (videos, articles, websites, and images) travels the social web. This, the first instalment, looks at how two memes spread on Twitter: Gangnam Style vs Harlem Shake. Gangnam Style and Harlem Shake were viral phenomena, generating thousands of spin-off versions and billions of views. By using Pulsar TRAC’s Content Tracking technology, we are able to track any social media conversation containing a specific URL and analyse who is talking about it, gateways and hubs, topics of discussion, geography of the discussion and key channels. Info about image Pulsar’s VP Product Francesco D’Orazio Shareability (@abc3d) and Research Manager Jess Total Twitter shares per each million of Owens (@hautepop) wanted to understand YouTube views how Gangnam and Harlem became global memes. So they set out to compare how the Globality top 5 versions of each video were shared on How international was the meme? Twitter, looking at 8 dimensions of each meme: Amplification How influential were the people who shared Shape the meme Number of shares per video, over lifetime of the meme Variation How much did attention to the meme vary Lifespan day-by-day? Number of consecutive days where people shared the meme 500+ times Diffusion Network Hubs and nationalities who drove the spread Popularity of the meme Number of unique users sharing the meme over its lifetime Here’s what they found out. break a world Info about image Memes have different shapes The shape of the Infotwo mabouteme simage 1) Memes have different shapes formation which Charles Duhigg describes in Gangnam Style showed a top down or his book “The Power of Habits”: ‘vertical’ pattern, with the original video generating 1 0x as many YouTube views and “A movement starts because of the social shares as any of its variations.
    [Show full text]
  • Wwaaagggooonnn Wwhhheeeeeell
    WWAAGGOONN WWHHEEEELL RREECCOORRDDSS Music for Education & Recreation Rhythms • Folk • Movement YYoouurr CChhiillddrreenn’’ss aanndd TTeeaacchheerr’’ss SSppeecciiaalliisstt ffoorr MusicMusic andand DanceDance VS 067 Brenda Colgate WWAAGGOONN WWHHEEEELL RREECCOORRDDSS 16812 Pembrook Lane • Huntington Beach, CA 92649 Phone or Fax: 714-846-8169 • www.wagonwheelrecords.net TTaabbllee ooff CCoonntteennttss Music for Little People . .3 Holiday Music . .20 Quiet Time . .3 Kid’s Fun Music . .21-22 Expression . .3 Kid’s Dance/Party Music . .23 Fun For Little People . .4-5 Dance/Party Music . .24-26 Manipulatives & Games . .6-8 Sports . .26 Jump-Rope Skills . .6 Island Music . .26 Streamers/Scarves/Balls . .6 Dance Videos & Music - Christy Lane . .27-29 Games & Skills . .7 Country Dancing Bean Bag . .7 . .30 Parachute Activities . .8 Square Dancing . .31-33 Seated Exercises . .8 Christy Lane’s . .31 Aerobic/Fitness/Movement . .9 Everyone’s Square Dances . .32 Square Dancing for All Ages . .32 Fitness/Movement Activities . .10-11 Fundamentals of Square Dancing Instructional Series . .33 Lee Campbell-Towell . .10 Square Dance Party For The New Dancer Series . .33 Physical Education . .12-13 Folk Dancing . .34-37 Dynamic Program . .12 Rhythmically Moving Series . .34 Spark Program . .13 Beginning Folk Dances . .35 Music & Movement . .14-15 We Dance Series . .35 Rhythm & Movement . .16-18 Young People’s Folk Dances . .36 Rhythm Sticks . .16 Christy Lane . .37 Tinikling . .16 Multicultural Songs & Greg and Steve . .18 Dances . .38-39 Rhythm, Movement
    [Show full text]