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HAWKES POCKET SCORES RUSSIAN MUSIC Alexander Borodin 45 Danses Polovtsiennes ... 9/- 673 Prince Igor—Overture 8/6 617 String Quartet No. 1 4/6 618 String Quartet No. 2 ... 4/6 641 Symphony No. 1 ... .. 12/- be an angel 642 Symphony No. 2 ... ... 12/- Alexander Glazounov to us r a ree 619 Cinq Novellettes ... ... 5/6 f° f back 620 Quatuor Slave 5/6 62 Violin Concerto ... 10/- Copy Of MUSIC AND MUSICIANS Aram Khatchaturian the illustrated monthly magazine 94 Piano Concerto ... 17/6 707 Sabre Dance 5/6 which is absolutely devoted to the 692 Violin Concerto ... 20/- music you like Serge Prokofieff 636 Alaet Lolly ... 12/6 Hansom Books 7 & 8 Hobart Place London S\V 1 661 Alexander Nevsky ... ... 17/6 663 Lieutenant Kije ... ... 15/- 52 Piano Concerto No. 3 ... 20/- 95 Symphony No. 5 ... ... 20/- 693 Symphony No. 7 ... ... 20/- 731 Violin Concerto No. 1 ... 17/6 732 Violin Concerto No. 2 ... 17/6 Bela Bartok Nicholas Rimsky-Korsakoff 643 Antar ... 12/6 36 Capriccio Espagnol 10/- MIKROKOSMOS 35 La Grande Paque Russe ... 11/6 34 Scheherazade ... 17/6 Dmitri Shostakovich Progressive Piano Pieces in six volumes 604 Symphony No. 1 ... ... 12/6 628 Symphony No. 5 ... ... 17/6 80 Symphony No. 6 ... ... 17/6 Volumes 1 & 2 7/- each 96 Symphony No. 9 ... ... 17/6 687 Symphony No. 10 ... ... 30/- Volumes 3-5 8/6 each 705 Symphony No. 11 ... ... 30/- Volume 6 9/6 694 Violin Concerto ... 15/- Since 1954 Boosey & Hawkes have been the sole Inspection copies will agents in this country for Mezhdunarodnaya Kniga, the Soviet State Music Publishing Organization. The be sent on application above are but a few of the Russian compositions published in pocket score form. Please ask for our catalogues of Russian music and for the complete list of Hawkes Pocket Scores Boosey & Hawkes BOOSEY & HAWKES Downloaded from https://www.cambridge.org/core. IP address: 170.106.33.42, on 29 Sep 2021 at 16:02:05, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0040298200055637 ! Frederick Delius FULL SCORES A Late Lark 10/- Air and Dance 6/- Cynara 15/- Intermezzo from Fennimore and Gerda 7/6 Irmelin—Concert Suite (Beecham) 30/- La Calinda/ro/rz Koanga 7/6 Piano Concerto (Beecham) 35/- Songs of Farewell 35/- The Walk to the Paradise Garden (Beecham) 15/- Two Aquarelles 7/6 POCKET SCORES A Song of Summer (HPS 53) 7/6 Appalachia (HPS 41) 17/6 Caprice and Elegy (HPS 54) 6/- Sea Drift (HPS 43) 15/- Three Orchestral Pieces (HPS 23) 7/6 1. Intermezzo from Hassan 2. Serenade from Hassan 3. The Walk to the Paradise Garden Three Orchestral Pieces (HPS 86) 9/- 1. La Calindafrom Koanga 2. Intermezzo from Fennimore and Gerda 3. Irmelin Prelude BOOSEY & HAWKES 295 REGENT STREET LONDON Wl Published by Boosey and Hawkes Ltd., and printed in England by Eaton Press Ltd., Liverpool Downloaded from https://www.cambridge.org/core. IP address: 170.106.33.42, on 29 Sep 2021 at 16:02:05, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0040298200055637.

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Delius Monument Dedicatedat the 23Rd Annual Festival by Thomas Hilton Gunn
The Delius SocieQ JOUrnAtT7 Summer/Autumn1992, Number 109 The Delius Sociefy Full Membershipand Institutionsf 15per year USA and CanadaUS$31 per year Africa,Australasia and Far East€18 President Eric FenbyOBE, Hon D Mus.Hon D Litt. Hon RAM. FRCM,Hon FTCL VicePresidents FelixAprahamian Hon RCO Roland Gibson MSc, PhD (FounderMember) MeredithDavies CBE, MA. B Mus. FRCM, Hon RAM Norman Del Mar CBE. Hon D Mus VernonHandley MA, FRCM, D Univ (Surrey) Sir CharlesMackerras CBE Chairman R B Meadows 5 WestbourneHouse. Mount ParkRoad. Harrow. Middlesex HAI 3JT Ti,easurer [to whom membershipenquiries should be directed] DerekCox Mercers,6 Mount Pleasant,Blockley, Glos. GL56 9BU Tel:(0386) 700175 Secretary@cting) JonathanMaddox 6 Town Farm,Wheathampstead, Herts AL4 8QL Tel: (058-283)3668 Editor StephenLloyd 85aFarley Hill. Luton. BedfordshireLul 5EG Iel: Luton (0582)20075 CONTENTS 'The others are just harpers . .': an afternoon with Sidonie Goossens by StephenLloyd.... Frederick Delius: Air and Dance.An historical note by Robert Threlfall.. BeatriceHarrison and Delius'sCello Music by Julian Lloyd Webber.... l0 The Delius Monument dedicatedat the 23rd Annual Festival by Thomas Hilton Gunn........ t4 Fennimoreancl Gerda:the New York premidre............ l1 -Opera A Village Romeo anrl Juliet: BBC2 Season' by Henry Gi1es......... .............18 Record Reviews Paris eIc.(BSO. Hickox) ......................2l Sea Drift etc. (WNOO. Mackerras),.......... ...........2l Violin Concerto etc.(Little. WNOOO. Mackerras)................................22 Violin Concerto etc.(Pougnet. RPO. Beecham) ................23 Hassan,Sea Drift etc. (RPO. Beecham) . .-................25 THE HARRISON SISTERS Works by Delius and others..............26 A Mu.s:;r1/'Li.fe at the Brighton Festival ..............27 South-WestBranch Meetinss.. ........30 MicllanclsBranch Dinner..... ............3l Obittrary:Sir Charles Groves .........32 News Round-Up ...............33 Correspondence.......
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Disability and Music
th nd 19 November to 22 December UKDHM 2018 will focus on Disability and Music. We want to explore the links between the experience of disablement in a world where the barriers faced by people with impairments can be overwhelming. Yet the creative impulse, urge for self expression and the need to connect to our fellow human beings often ‘trumps’ the oppression we as disabled people have faced, do face and will face in the future. Each culture and sub-culture creates identity and defines itself by its music. ‘Music is the language of the soul. To express ourselves we have to be vibrating, radiating human beings!’ Alasdair Fraser. Born in Salford in 1952, polio survivor Alan Holdsworth goes by the stage name ‘Johnny Crescendo’. His music addresses civil rights, disability pride and social injustices, making him a crucial voice of the movement and one of the best-loved performers on the disability arts circuit. In 1990 and 1992, Alan co- organised Block Telethon, a high-profile media and community campaign which culminated in the demise of the televised fundraiser. His albums included Easy Money, Pride and Not Dead Yet, all of which celebrate disabled identity and critique disabling barriers and attitudes. He is best known for his song Choices and Rights, which became the anthem for the disabled people’s movement in Britain in the late 1980s and includes the powerful lyrics: Choices and Right That’s what we gotta fight for Choices and rights in our lives I don’t want your benefit I want dignity from where I sit I want choices and rights in our lives I don’t want you to speak for me I got my own autonomy I want choices and rights in our lives https://youtu.be/yU8344cQy5g?t=14 The polio virus attacked the nerves.
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Repertoire List
APPROVED REPERTOIRE FOR 2022 COMPETITION: Please choose your repertoire from the approved selections below. Repertoire substitution requests will be considered by the Charlotte Symphony on an individual case-by-case basis. The deadline for all repertoire approvals is September 15, 2021. Please email [email protected] with any questions. VIOLIN VIOLINCELLO J.S. BACH Violin Concerto No. 1 in A Minor BOCCHERINI All cello concerti Violin Concerto No. 2 in E Major DVORAK Cello Concerto in B Minor BEETHOVEN Romance No. 1 in G Major Romance No. 2 in F Major HAYDN Cello Concerto No. 1 in C Major Cello Concerto No. 2 in D Major BRUCH Violin Concerto No. 1 in G Minor LALO Cello Concerto in D Minor HAYDN Violin Concerto in C Major Violin Concerto in G Major SAINT-SAENS Cello Concerto No. 1 in A Minor Cello Concerto No. 2 in D Minor LALO Symphonie Espagnole for Violin SCHUMANN Cello Concerto in A Minor MENDELSSOHN Violin Concerto in E Minor DOUBLE BASS MONTI Czárdás BOTTESINI Double Bass Concerto No. 2in B Minor MOZART Violin Concerti Nos. 1 – 5 DITTERSDORF Double Bass Concerto in E Major PROKOFIEV Violin Concerto No. 2 in G Minor DRAGONETTI All double bass concerti SAINT-SAENS Introduction & Rondo Capriccioso KOUSSEVITSKY Double Bass Concerto in F# Minor Violin Concerto No. 3 in B Minor HARP SCHUBERT Rondo in A Major for Violin and Strings DEBUSSY Danses Sacrée et Profane (in entirety) SIBELIUS Violin Concerto in D Minor DITTERSDORF Harp Concerto in A Major VIVALDI The Four Seasons HANDEL Harp Concerto in Bb Major, Op.
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Clarinet Concerto No. 1 in F minor, Op. 73 Carl Maria von Weber I. Allegro (1786-1826) Taylor Heap, clarinet Lara Urrutia, piano Cello Concerto in B minor, Op. 104, B. 191 Antonin Dvorák SOLO CONCERTO COMPETITION I. Allegro (1841-1904) Finals Xue Chen, cello Monday, November 3, 2014 - 2 p.m. Stephanie Lovell, piano MEMORIAL CHAPEL The Bell Song Léo Delibes SET I (1836-1891) Flute Concerto (Symphonic Tale), Op. 43a Peter Benoit Caro Nome Guiseppe Verdi Movements I & II (excerpt) (1834-1901) Mayu Uchiyama, soprano Victoria Jones, flute Edward Yarnelle, piano Lara Urrutia, piano - BREAK - Di Provenza il mar, il suol Giuseppe Verdi from La Traviata (1813-1901) SET II Ein Madehen oder Weibchen Wolfgang Amadeus Mozart Piano Concerto No. 2 in F minor, Op. 21 Frédéric Chopin from Die Zauberflöte (1756-1791) I. Maestoso (1810-1849) Justin Brunette, baritone Michael Malakouti, piano Richard Bentley, piano Lara Urrutia, piano Piano Concerto in A minor, Op. 16 Edvard Grieg I. Allegro molto moderato (1843-1907) Amy Rooney, piano Stephanie Lovell, piano Que fais-tu, blanche tourterelle Charles Gounod ABOUT THE CONCERTO COMPETITION from Roméo et Juliette (1818-1893) Beginning in 1976, the Concerto Competition has become an annual event Cruda Sorte Gioacchino Rossini for the University of Redlands School of Music and its students. Music from L’Ataliana in Algeri (1792-1868) students compete for the coveted prize of performing as soloist with the Redlands Symphony Orchestra, the University Orchestra or the Wind Jordan Otis, soprano Ensemble. Twyla Meyer, piano This year the Preliminary Rounds of the Competition took place on Friday, October 31st and Saturday, November 1st.
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View List (.Pdf)
Symphony Society of New York Stadium Concert United States Premieres New York Philharmonic Commission as of November 30, 2020 NY PHIL Biennial Members of / musicians from the New York Philharmonic Click to jump to decade 1842-49 | 1850-59 | 1860-69 | 1870-79 | 1880-89 | 1890-99 | 1900-09 | 1910-19 | 1920-29 | 1930-39 1940-49 | 1950-59 | 1960-69 | 1970-79 | 1980-89 | 1990-99 | 2000-09 | 2010-19 | 2020 Composer Work Date Conductor 1842 – 1849 Beethoven Symphony No. 3, Sinfonia Eroica 18-Feb 1843 Hill Beethoven Symphony No. 7 18-Nov 1843 Hill Vieuxtemps Fantasia pour le Violon sur la quatrième corde 18-May 1844 Alpers Lindpaintner War Jubilee Overture 16-Nov 1844 Loder Mendelssohn The Hebrides Overture (Fingal's Cave) 16-Nov 1844 Loder Beethoven Symphony No. 8 16-Nov 1844 Loder Bennett Die Najaden (The Naiades) 1-Mar 1845 Wiegers Mendelssohn Symphony No. 3, Scottish 22-Nov 1845 Loder Mendelssohn Piano Concerto No. 1 17-Jan 1846 Hill Kalliwoda Symphony No. 1 7-Mar 1846 Boucher Furstenau Flute Concerto No. 5 7-Mar 1846 Boucher Donizetti "Tutto or Morte" from Faliero 20-May 1846 Hill Beethoven Symphony No. 9, Choral 20-May 1846 Loder Gade Grand Symphony 2-Dec 1848 Loder Mendelssohn Violin Concerto in E minor 24-Nov 1849 Eisfeld Beethoven Symphony No. 4 24-Nov 1849 Eisfeld 1850 – 1859 Schubert Symphony in C major, Great 11-Jan 1851 Eisfeld R. Schumann Introduction and Allegro appassionato for Piano and 25-Apr 1857 Eisfeld Orchestra Litolff Chant des belges 25-Apr 1857 Eisfeld R. Schumann Overture to the Incidental Music to Byron's Dramatic 21-Nov 1857 Eisfeld Poem, Manfred 1860 - 1869 Brahms Serenade No.
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‘The Art-Twins of Our Timestretch’: Percy Grainger, Frederick Delius and the 1914–1934 American ‘Delius Campaign’ Catherine Sarah Kirby Submitted in total fulfilment of the requirements of the degree of Master of Music (Musicology) April 2015 Melbourne Conservatorium of Music The University of Melbourne Produced on archival quality paper Abstract This thesis explores Percy Grainger’s promotion of the music of Frederick Delius in the United States of America between his arrival in New York in 1914 and Delius’s death in 1934. Grainger’s ‘Delius campaign’—the title he gave to his work on behalf of Delius— involved lectures, articles, interviews and performances as both a pianist and conductor. Through this, Grainger was responsible for a number of noteworthy American Delius premieres. He also helped to disseminate Delius’s music by his work as a teacher, and through contact with publishers, conductors and the press. In this thesis I will examine this campaign and the critical reception of its resulting performances, and question the extent to which Grainger’s tireless promotion affected the reception of Delius’s music in the USA. To give context to this campaign, Chapter One outlines the relationship, both personal and compositional, between Delius and Grainger. This is done through analysis of their correspondence, as well as much of Grainger’s broader and autobiographical writings. This chapter also considers the relationship between Grainger, Delius and others musicians within their circle, and explores the extent of their influence upon each other. Chapter Two examines in detail the many elements that made up the ‘Delius campaign’.
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DELIUS BOOKLET:Bob.Qxd 14/4/08 16:09 Page 1
DELIUS BOOKLET:bob.qxd 14/4/08 16:09 Page 1 second piece, Summer Night on the River, is equally evocative, this time suggested by the river Loing that lay at the the story of a voodoo prince sold into slavery, based on an episode in the novel The Grandissimes by the American bottom of Delius’s garden near Fontainebleau, the kind of scene that might have been painted by some of the French writer George Washington Cable. The wedding dance La Calinda was originally a dance of some violence, leading to painters that were his contemporaries. hysteria and therefore banned. In the Florida Suite and again in Koanga it lacks anything of its original character. The opera Irmelin, written between 1890 and 1892, and the first attempt by Delius at the form, had no staged Koanga, a lyric drama in a prologue and three acts, was first heard in an incomplete concert performance at St performance until 1953, when Beecham arranged its production in Oxford. The libretto, by Delius himself, deals with James’s Hall in 1899. It was first staged at Elberfeld in 1904. With a libretto by Delius and Charles F. Keary, the plot The Best of two elements, Princess Irmelin and her suitors, none of whom please her, and the swine-herd who eventually wins is set on an eighteenth century Louisiana plantation, where the slave-girl Palmyra is the object of the attentions of her heart. The Prelude, designed as an entr’acte for the later opera Koanga, makes use of four themes from Irmelin.
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Journal83-1.Pdf
The Delius Society Journal July 1984',Number 83 The DeliusSociety Full Membershipf,8.00 per year Studentsf,5.00 Subscriptionto Libraries(Journal only) f,6.00 per year USA and CanadaUS $ 17.00 per year President Eric Fenby OBE, Hon D Mus, Hon D Litt, Hon RAM Vice Presidents The Rt Hon Lord Boothby KBE, LLD Felix AprahamianHon RCO Roland GibsonM Sc,Ph D (FounderMember) Sir CharlesGroves CBE Stanford RobinsonOBE, ARCM (Hon), Hon CSM MeredithDavies CBE, MA, B Mus, FRCM, Hon RAM Norman Del Mar CBE, Hon D Mus Vernon Handley MA, FRCM, D Univ (Surrey) Chairman R B Meadows 5 WestbourneHouse, Mount Park Road,Harrow, Middlesex Treasurer Peter Lyons 160 WishingTree Road, St. Leonards-on-Sea,East Sussex Secretary Miss Diane Eastwood 28 Emscote Street South, Bell Hall, Halifax, Yorkshire Tel: (0422) 50537 Editor StephenLloyd 85aFarley Hill, Luton,Bedfordshire LUI 5EG Tel: Luton (0582)20075 Contents Editoria! 'Delius as they saw him' by Robert Threlfall Kenneth Spenceby Lionel Hill t9 Margot La Rouge at Camden Festival 2l RPS Sir John Barbirolli concert 23 Midlands Branch meetins: Arnold Bax 24 Cynara in the Midlands 24 Midlands Branch meeting: an eveningof film 25 Forthcoming Events 26 Acknowledgements The cover illustration is an early sketchof Delius by Edvard Munch (no. 1 in Robert Threlfall's Iconography,see page 7), reproducedby kind per- missionof the Curator of the Munch Museum, Oslo. The photographicplates in this issuehave been financed by a legacyto the Delius Societyfrom the late Robert Aickman. The photographson pp. 8, 9 and 17 are reproduced by kind permission of Andrew Boyle with acknowledgementto Lionel Carley, the owner of the two heads.The two photographson page 13were taken by the Editor with the permissionof Denis Blood.
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28Apr2004p2.Pdf
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A Study of Tyzen Hsiao's Piano Concerto, Op. 53
A Study of Tyzen Hsiao’s Piano Concerto, Op. 53: A Comparison with Rachmaninoff’s Piano Concerto No. 2 D.M.A Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Lin-Min Chang, M.M. Graduate Program in Music The Ohio State University 2018 D.M.A. Document Committee: Professor Steven Glaser, Advisor Dr. Anna Gowboy Dr. Kia-Hui Tan Copyright by Lin-Min Chang 2018 2 ABSTRACT One of the most prominent Taiwanese composers, Tyzen Hsiao, is known as the “Sergei Rachmaninoff of Taiwan.” The primary purpose of this document is to compare and discuss his Piano Concerto Op. 53, from a performer’s perspective, with the Second Piano Concerto of Sergei Rachmaninoff. Hsiao’s preferences of musical materials such as harmony, texture, and rhythmic patterns are influenced by Romantic, Impressionist, and 20th century musicians incorporating these elements together with Taiwanese folk song into a unique musical style. This document consists of four chapters. The first chapter introduces Hsiao’s biography and his musical style; the second chapter focuses on analyzing Hsiao’s Piano Concerto Op. 53 in C minor from a performer’s perspective; the third chapter is a comparison of Hsiao and Rachmaninoff’s Piano Concertos regarding the similarities of orchestration and structure, rhythm and technique, phrasing and articulation, harmony and texture. The chapter also covers the differences in the function of the cadenza, and the interaction between solo piano and orchestra; and the final chapter provides some performance suggestions to the practical issues in regard to phrasing, voicing, technique, color, pedaling, and articulation of Hsiao’s Piano Concerto from the perspective of a pianist.
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A Village Romeo and Juliet the Song of the High Hills Irmelin Prelude
110982-83bk Delius 14/6/04 11:00 am Page 8 Also available on Naxos Great Conductors • Beecham ADD 8.110982-83 DELIUS A Village Romeo and Juliet The Song of the High Hills Irmelin Prelude Dowling • Sharp • Ritchie Soames • Bond • Dyer Royal Philharmonic Orchestra Sir Thomas Beecham Naxos Radio (Recorded 1946–1952) Over 50 Channels of Classical Music • Jazz, Folk/World, Nostalgia Accessible Anywhere, Anytime • Near-CD Quality www.naxosradio.com 2 CDs 8.110982-83 8 110982-83bk Delius 14/6/04 11:00 am Page 2 Frederick Delius (1862-1934) 5 Koanga: Final Scene 9:07 Royal Philharmonic Orchestra • Sir Thomas Beecham (1879-1961) (Royal Philharmonic Orchestra and Chorus) Recorded on 26th January, 1951 Delians and Beecham enthusiasts will probably annotation, frequently content with just the notes. A Matrix Nos. CAX 11022-3, 11023-2B continue for ever to debate the relative merits of the score of a work by Delius marked by Beecham, First issued on Columbia LX 1502 earlier recordings made by the conductor in the 1930s, however, tells a different story, instantly revealing a mostly with the London Philharmonic Orchestra, in most sympathetically engaged music editor at work. comparison with those of the 1940s and 1950s Pulse, dynamics, phrasing, expressive nuance and All recordings made in Studio 1, Abbey Road, London recorded with handpicked players of the Royal articulation, together with an acute sensitivity to Transfers & Production: David Lennick Philharmonic Orchestra. Following these two major constantly changing orchestral balance, are annotated Digital Noise Reduction: K&A Productions Ltd. periods of activity, the famous EMI stereo remakes with painstaking practical detail to compliment what Original recordings from the collections of David Lennick, Douglas Lloyd and Claude G.
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The Delius Society Journal Spring 2013, Number 153
The Delius Society Journal Spring 2013, Number 153 The Delius Society (Registered Charity No. 298662) President Lionel Carley BA PhD Vice Presidents Roger Buckley Sir Andrew Davis CBE Sir Mark Elder CBE Bo Holten RaD Lyndon Jenkins RaD Richard Kitching Piers Lane BMus Hon FRAM ARCM LMusA David Lloyd-Jones BA Hon DMus FGSM Julian Lloyd Webber FRCM John McCabe CBE, Hon DMus Anthony Payne Robert Threlfall Website: http://www.delius.org.uk ISSN-0306-0373 1 DSJ 153 Spring 2013.indd 1 08/04/2013 09:45 Chairman Martin Lee-Browne CBE Chester House, Fairford Gloucestershire GL7 4AD Email: Chairman@The DeliusSociety.org.uk Treasurer and Membership Secretary Peter Watts c/o Bourner Bullock – Chartered Accountants Sovereign House 212-224 Shaftesbury Avenue London WC2 8HQ Email: [email protected] Secretary Lesley Buckley c/o Crosland Communications Ltd The Railway Station Newmarket CB8 9WT Tel: 07941 188617 Email: [email protected] Journal Editor Paul Chennell 19 Moriatry Close Holloway, London N7 0EF Tel: 020 7700 0646 Email: [email protected] Front cover: Paul Guinery unravelling Delius’s harmony, at the British Library on 22nd September 2012 Photo: Roger Buckley Back cover: 23rd September 2012 Andrew J. Boyle at the summit of Liahovda, where Delius had his last glimpse of Norway’s mountain majesty Photo: Andrew Boyle The Editor has tried in good faith to contact the holders of the copyright in all material used in this Journal (other than holders of it for material which has been specifically provided by agreement with the Editor), and to obtain their permission to reproduce it.
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