Melissa Manchester REVIEW JUST YOU and I PR 090820
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• the VILLANOVAN • October 31, 1973
,r"-^'^.Tr'l'7'^.*^ 'yr^P^'. 1/ iwi P»g« 16 • THE VILLANOVAN • October 31, 1973 ''.''' - NovmbT 7, 1973 • THE VILLANOVAN • Pag# 3 Page 2 • THE VILLANOVAN • November 7, 1973 Claude Lewis NEWS ANALYSIS Ih-y, INTERFUTURE Villanova Joins 'Continued from page 3) Slated To McCdrthy Clarifies dings with his campus and com- Interfuture Group munity through such means as a Teach Course Sherman Situation, senior thesis, talks to community assisting a or • 535 groups, creating A new program in higher Headquartered at ' Fifth By T. DIMAIO local project, or leading an ac- education was announced today at Avenue, Suite 3103, New York " EKiring the spring semester of credited seminar for other un- news conferences at eleven college City 10017, the organization is 1974, the Sociology Department Retrenchment Plans dergraduates. and university campuses across guided by a board of trustees com- will be offering the "Black Urban - the country. posed of businessmen, scholars, By JOE TYRRELL Experience", a course taught by Seminars have been given by In- Called InterFuture, for "in- educators, and InterFuture In a recent interview, Fr. McCarthy clarified the situation of the Claude Lewis. Photo by Kevin Sear Board of Trustees. Fr. James Sherman, chairman of the trustees, terFuture Scholars on such issues tercultural studies of the future," alumni. resigned from the Board some weeks ago, but the move was not publicly as urban-rural population Claude Lewis, a columnist for Uri Gcller talks to VILLANOVAN reporter Pat McNamara after his the program enables select un- Over thirty students have par- announced. balance, environmental action the Evening and Sunday Bulletin, October 31 appearance at the Field House. -
American Jukebox® 287, June 8, 2019, "Some Rare
Order Time Writer(s) Title Artist Disc Label Year Position Comment File Number Intro Track Release Date Date Played Date Played Copy 01 2:43 Jackie DeShannon When You Walk In The Room Jackie DeShannon Hard to Find Jukebox Classics 1960-64:Stereo Hit Parade/Eric 1964 99 (Yes, #99. This is not a mistake.) RKV Hard to Find 0:14 28 2016 6/4/16 9/9/17 6/8/19 02 2:20 Bob Hamilton/Freddy Gorman (Just Like) Romeo & Juliet The Reflections Hard To Find 45s On CD: Vol. 6, More Sixties ERIC 1964 6 Filed with Time-Life YOUR HIT PARADE series Series Hard To Find 0:05 10 2001 5/15/10 1/30/16 6/8/19 Classics 03 2:43 Tom Springfield I'll Never Find Another You The Seekers Hard To Find Jukebox Classics 1963-64: 29 Hit Parade/ERIC 1965 4 Series Hard to Find 0:12 3 2019 6/8/19 Amazing Stereo Hits 04 3:18 John Lee Hooker Boom Boom The Animals The Best Of The Animals ABKCO/iTunes 1965 43 Eric Burdon born 5/11/1941 RKG Animals 0:17 7 1990 6/8/19 Download 05 2:46 Lori Burton/Pam Sawyer I Ain't Gonna Eat My Heart Out The Young Rascals The Very Best Of The Rascals Rhino/Atlantic 1966 52 peaked in 1966 RKG Rascals 0:04 1 1993 6/8/19 Eddie Brigati (vocals), Felix Cavaliere (keyboard, vocals), Gene Cornish 06 2:08 M Steiner/M Discant TAhneymeo rFerom A Summer Place The Lettermen Capitol Collector Series: The Lettermen Capitol 1965 16 CD GrHts [2 CD's inc Capitol Collector's Series] trio from LA: Tony Butala b.1940,Jim RKG Lettermen 0:07 9 7/16/16 6/8/19 Pike b 1938, Bob Engemann b. -
Farmers Markets in the Berkshire Grown Region
Guide to 2020 Local Food arms FARMERS MARKETS • FARM STANDS F • FARMS • RESTAURANTS & 16 2 14 18 12 17 20 27 A 7 8 VERMONT Petersburg 2 9 23 19 22 D FARMS: see pg 6 -14 Williamstown B C 2 FARMERS MARKETS: see pg 4-5 26 25 North 7 Adams 21 8 3 8 Florida 8A 6 22 NORTH 7 13 4 Cherry Plain 5 11 28 2 Charlemont 15 Adams 43 New Ashford 8A 24 116 1 43 Savoy Cheshire 10 Stephentown 7 8A 53 30 E 63 66 37 56 70 Hancock 48 8 57 Plaineld 32 Lanesborough 686369 Windsor N E W Y O R K 8A 65 40 22 F 52 West 20 68 60 29 Cummington 54 Dalton 62 G H Cummington 20 58 New 46 CENTRAL Lebanon Hinsdale 44 Piseld 36 50 Peru 43 33 7 59 41 45 42 49 22 47 Canaan 51 BERKSHIRE Worthington 64 295 112 41 COUNTY 38 31 35 61 Richmond 55 67 43 Lenox 7 Washington I 39 7A 34 Middleeld 20 Becket y a West 94 w 108 k 104 91 r Stockbridge a 203 P O 88 e Spencertown t a 75 t Austerlitz Lee 8 S 90 ic n o c 22 20 a Chester 112 T Stockbridge 41 78 93 83 7 102 80 20 183 127 Housatonic Tyringham 128 90 Alford 119 M 106 8 115 92 71 85 86 Otis 121 Great L 73 Q 109 99 Barrington 23 S Blandford Hillsdale 23 Monterey 105 23 123 125 N Egremont 90 124 97 22 100 57 111 7 107 SOUTH 126 New Marlborough Sandiseld 82 U 8 74 71 Sheeld 110 98 122 57 89 81 102 72 Tolland 113 103 116 95 57 120 41 Ashley 7A 76 Falls 272 77 Canaan 183 79 114 J 41 CONNECTICUT P 117 84 T 112 7 K 44 96 R 118 101 44 Welcome to the 2020 Berkshire Grown Guide to Local Food & Farms! Now more than ever, connections to local food and farms hold our community together. -
B R I a N K I N G M U S I C I N D U S T R Y P R O F E S S I O N a L M U S I C I a N - C O M P O S E R - P R O D U C E R
B R I A N K I N G M U S I C I N D U S T R Y P R O F E S S I O N A L M U S I C I A N - C O M P O S E R - P R O D U C E R Brian’s profile encompasses a wide range of experience in music education and the entertainment industry; in music, BLUE WALL STUDIO - BKM | 1986 -PRESENT film, television, theater and radio. More than 300 live & recorded performances Diverse range of Artists & Musical Styles UNIVERSITY OF SOUTHERN CALIFORNIA Music for Media in NYC, Atlanta, L.A. & Paris For more information; www.bluewallstudio.com • As an administrator, professor and collaborator with USC working with many award-winning faculty and artists, PRODUCTION CREDITS - PARTIAL LIST including Michael Patterson, animation and digital arts, Medeski, Martin and Wood National Medal of Arts recipient, composer, Morton Johnny O’Neil Trio Lauridsen, celebrated filmmaker, founder of Lucasfilm and the subdudes (w/Bonnie Raitt) ILM, George Lucas, and his team at the Skywalker Ranch. The B- 52s Jerry Marotta Joseph Arthur • In music education, composition and sound, with a strong The Indigo Girls focus on establishing relations with industry professionals, R.E.M. including 13-time Oscar nominee, Thomas Newman, and 5- Alan Broadbent time nominee, Dennis Sands - relationships leading to PS Jonah internships in L.A. and fundraising projects with ASCAP, Caroline Aiken BMI, the RMALA and the Musician’s Union local 47. Kristen Hall Michelle Malone & Drag The River Melissa Manchester • In a leadership role, as program director, recruitment Jimmy Webb outcomes aligned with career success for graduates Col. -
Ic/Record Industry July 12, 1975 $1.50 Albums Jefferson Starship
DEDICATED TO THE NEEDS IC/RECORD INDUSTRY JULY 12, 1975 $1.50 SINGLES SLEEPERS ALBUMS ZZ TOP, "TUSH" (prod. by Bill Ham) (Hamstein, BEVERLY BREMERS, "WHAT I DID FOR LOVE" JEFFERSON STARSHIP, "RED OCTOPUS." BMI). That little of band from (prod. by Charlie Calello/Mickey Balin's back and all involved are at JEFFERSON Texas had a considerable top 40 Eichner( (Wren, BMI/American Com- their best; this album is remarkable, 40-1/10 STARSHIP showdown with "La Grange" from pass, ASCAP). First female treat- and will inevitably find itself in a their "Tres Hombres" album. The ment of the super ballad from the charttopping slot. Prepare to be en- long-awaited follow-up from the score of the most heralded musical veloped in the love theme: the Bolin - mammoth "Fandango" set comes in of the season, "A Chorus Line." authored "Miracles" is wrapped in a tight little hard rock package, lust Lady who scored with "Don't Say lyrical and melodic grace; "Play on waiting to be let loose to boogie, You Don't Remember" doin' every- Love" and "Tumblin" hit hard on all boogie, boogie! London 5N 220. thing right! Columbia 3 10180. levels. Grunt BFL1 0999 (RCA) (6.98). RED OCTOPUS TAVARES, "IT ONLY TAKES A MINUTE" (prod. CARL ORFF/INSTRUMENTAL ENSEMBLE, ERIC BURDON BAND, "STOP." That by Dennis Lambert & Brian Potter/ "STREET SONG" (prod. by Harmonia Burdon-branded electrified energy satu- OHaven Prod.) (ABC Dunhill/One of a Mundi) (no pub. info). Few classical rates the grooves with the intense Kind, BMI). Most consistent r&b hit - singles are released and fewer still headiness that has become his trade- makers at the Tower advance their prove themselves. -
Marvin Hamlisch
tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE MUSIC OF MARVIN HAMLISCH Monday, October 19, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The Ira and Leonore Gershwin Fund in the Library of Congress was established in 1992 by a bequest from Mrs. Gershwin to perpetuate the name and works of her husband, Ira, and his brother, George, and to provide support for worthy related music and literary projects. "LIKE" us at facebook.com/libraryofcongressperformingarts loc.gov/concerts Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Monday, October 19, 2015 — 8 pm tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE mUSIC OF MARVIN hAMLISCH WHITNEY BASHOR, VOCALIST | CAPATHIA JENKINS, VOCALIST LINDSAY MENDEZ, VOCALIST | BRYCE PINKHAM, VOCALIST -
100% Print Rights Administered by ALFRED 633 SQUADRON MARCH
100% Print Rights administered by ALFRED 633 SQUADRON MARCH (Excluding Europe) Words and Music by RON GOODWIN *A BRIDGE TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS A CHANGE IS GONNA COME (from “ Malcolm X”) Words and Music by SAM COOKE A CHI (HURT) (Excluding Europe) Words and Music by JIMMIE CRANE and AL JACOBS A CHICKEN AIN’T NOTHING BUT A BIRD Words and Music by EMMETT ‘BABE’ WALLACE A DARK KNIGHT (from “ The Dark Knight ”) Words and Music by HANS ZIMMER and JAMES HOWARD A HARD TEACHER (from “ The Last Samurai ”) Words and Music by HANS ZIMMER A JOURNEY IN THE DARK (from “ The Lord of the Rings: The Fellowship of the Ring”) Music by HOWARD SHORE Lyrics by PHILIPPA BOYENS A MOTHER’S PRAYER (from “ Quest for Camelot ”) Words and Music by CAROLE BAYER SAGER and DAVID FOSTER *A WINDOW TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS ACCORDION JOE Music by CORNELL SMELSER Lyrics by PETER DALE WIMBROW ACES HIGH MARCH (Excluding Europe) Words and Music by RON GOODWIN AIN'T GOT NO (Excluding Europe) Music by GALT MACDERMOT Lyrics by JAMES RADO and GEROME RAGNI AIN’T MISBEHAVIN’ (from “ Ain’t Misbehavin’ ) (100% in Scandinavia, including Finland) Music by THOMAS “FATS” WALLER and HARRY BROOKS Lyrics by ANDY RAZAF ALL I DO IS DREAM OF YOU (from “ Singin’ in the Rain ”) (Excluding Europe) Music by NACIO HERB BROWN Lyrics by ARTHUR FREED ALL TIME HIGH (from “ Octopussy ”) (Excluding Europe) Music by JOHN BARRY Lyrics by TIM RICE ALMIGHTY GOD (from “ Sacred Concert No. -
Everything Old Is New Again: Dickens to Digital
Loyola of Los Angeles Law Review Volume 38 Number 1 Symposium—Intellectual Property at a Crossroads: The Use of the Past in Intellectual Article 2 Property Jurisprudence 9-1-2004 Everything Old Is New Again: Dickens to Digital Joseph J. Beard Follow this and additional works at: https://digitalcommons.lmu.edu/llr Part of the Law Commons Recommended Citation Joseph J. Beard, Everything Old Is New Again: Dickens to Digital, 38 Loy. L.A. L. Rev. 19 (2004). Available at: https://digitalcommons.lmu.edu/llr/vol38/iss1/2 This Symposium is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. EVERYTHING OLD IS NEW AGAIN:' DICKENS TO DIGITAL Joseph J.Beard* I. INTRODUCTION A newspaper article dated January 29th predicted that a new technological discovery, "[i]f introduced into this or any other country [would bring] an end to copyrights."'2 Was this new discovery some super-descrambler, an untraceable peer-to-peer system? No, it was "a new and extraordinary discovery made in Prussia by which printed works of any kind [could] be copied with perfect accuracy, and copies multiplied with no further expense than the cost of paper and press-work.",3 The January 29th in question was that of-1842! This incident demonstrates that when one contemplates contemporary technology/copyright issues, indeed "everything old is new again", and that perhaps there are lessons to be learned from days long gone. -
WDAM Radio's History of Dionne Warwick
WDAM Radio's Hit Singles History Of Dionne Warwick # Artist Title Chart Position/Year Label Comments 001 Drifters “Mexican Divorce” –/1962 Atlantic Dionne Warwick’s back-up vocals on this recording are what caught the attention of Hal David & Burt Bacharach, who signed her to their production company. Recorded in 1961, but released as the B-side of When My Little Girl Is Smiling (#28-Rock-U.S. + #31- U.K./1962). Composers – Burt Bacharach & Bob Hilliard. 002 Burt & The Backbeats “Move It On The Backbeat” –/1961 Big Top Burt Bacharach, Dionne Warwick & Dee Dee Warwick. Composers – Hal David & Burt Bacharach. 003 Dionne Warwick “It’s Love That Really Counts” –/1962 Scepter Demo for song that was presented to the Shirelles. It also was a cut on Dionne’s debut LP – Presenting Dionne Warwick – released in 1963. Composers – Hal David & Burt Bacharach. 003A Shirelles “It’s Love That Really Counts” #102/1962 Scepter 004 Dionne Warwick “I Smiled Yesterday” –/1962 Scepter A-Side. Composers – Hal David & Burt Bacharach. 005 Dionne Warwick “Don’t Make Me Over” #21-Rock & #5-R&B- Scepter B-side. Song title inspired by Dionne’s angry U.S. + #38-Rock- statement to Hal David & Burt Bacharach Canada/1962 gave Make It Easy On Yourself to Jerry Butler first instead of her. Composers – Hal David & Burt Bacharach. 005A Swinging Blue Jeans “Don’t Make Me Over” #116-Rock-U.S. + #31- Imperial U.K./1966 005B Brenda & The “Don’t Make Me Over” #77-Rock & #15-R&B- Top And Bottom Co-producer – Van McCoy. Tabulations U.S./1970 005C Jennifer Warnes “Don’t Make Me Over” #67-Rock, #14-AC & Arista #84-C&W-U.S./1980 005D Sybil “Don’t Make Me Over” #20-Rock, #2-R&B & Next Plateau #4-Dance-U.S. -
Satisfaction Rolling Stones 1965 3 American Pie Don Mclean 1972 4
AS VOTED AT OLDIESBOARD.COM 10/30/17 THROUGH 12/4/17 CONGRATULATIONS TO “HEY JUDE”, THE #1 SELECTION FOR THE 19 TH TIME IN 20 YEARS! Ti tle Artist Year 1 Hey Jude Beatles 1968 2 (I Can’t Get No) Satisfaction Rolling Stones 1965 3 American Pie Don McLean 1972 4 Light My Fire Doors 1967 5 In The Still Of The Nite Five Satins 1956 6 I Want To Hold Your Hand Beatles 1964 7 MacArthur Park Richard Harris 1968 8 Rag Doll Four Seasons 1964 9 God Only Knows Beach Boys 1966 10 Ain't No Mount ain High Enough Diana Ross 1970 11 Bridge Over Troubled Water Simon and Garfunkel 1970 12 Because Dave Clark Five 1964 13 Good Vibrations Beach Boys 1966 14 Cherish Association 1966 15 She Loves You Beatles 1964 16 Hotel California Eagles 1977 17 St airway To Heaven Led Zeppelin 1971 18 Born To Run Bruce Springsteen 1975 19 My Girl Temptations 1965 20 Let It Be Beatles 1970 21 Be My Baby Ronettes 1963 22 Downtown Petula Clark 1965 23 Since I Don't Have You Skyliners 1959 24 To Sir With Love Lul u 1967 25 Brandy (You're A Fine Girl) Looking Glass 1972 26 Suspicious Minds Elvis Presley 1969 27 You've Lost That Lovin' Feelin' Righteous Brothers 1965 28 You Really Got Me Kinks 19 64 29 Wichita Lineman Glen Campbell 1968 30 The Rain The Park & Ot her Things Cowsills 1967 31 A Hard Day's Night Beatles 1964 32 A Day In The Life Beatles 1967 33 Rock Around The Clock Bill Haley & His Comets 1955 34 Imagine John Lennon 1971 35 I Only Have Eyes For You Flamingos 1959 36 Waterloo Sunset Kinks 1967 37 Bohemian Rhapsody Queen 76 -92 38 Sugar Sugar Archies 1969 39 What's -
1 Voicing Passion the Emotional Economy of Songwriting by Prof
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by BCU Open Access Voicing Passion The Emotional Economy of Songwriting By Prof. Paul Long and Dr. Simon Barber Abstract This article examines articulations of the role of passion in accounts of the life and work of the songwriter. It draws upon a range of interviews with successful artists captured in the Sodajerker On Songwriting podcast. It is suggested that these interviews capture the ‘voicing’ (Toynbee, 2003) of the conventions of creativity in popular music, exploring a context in which passionate motivation, expression and understanding of the (potentially) affective responses to songs are paramount to the labour of the songwriter. The article explores how the core of this labour deals in emotion, attempting to articulate feelings in recognizable, tradable form. This is a process that is both instrumentally rationalized but often felt to be a deeply authentic process, understood (and believed) to spring from the individual’s emotional experience, so conferring identity in a generic field. In light of current debates about the nature of creative work and emotional labour, the accounts drawn upon here can be seen to epitomise many of the qualities of what constitutes ‘good work’ through a mode of self-actualisation. Keywords: songwriting; songwriter; music industries; passion; creativity; voicing; affect; emotional labour. 1 Introduction A normative and perhaps dominant characteristic of how music is framed is in terms of its emotional qualities and the affective responses it elicits (Hunter and Schellenberg, 2010; Juslin and Sloboda, 2011). Emotion is understood to be a quality of the sound and shape of music itself, while passionate responses and attachments determine the conditions of its consumption in terms of meaning, assessment and taste as well as the acquisition of artefacts in the form of recordings and associated ephemera. -
Feature Documentary David Foster: Off the Record Set for World Premiere at Tiff
July 30, 2019 .MEDIA RELEASE_ FEATURE DOCUMENTARY DAVID FOSTER: OFF THE RECORD SET FOR WORLD PREMIERE AT TIFF TORONTO — Joana Vicente and Cameron Bailey, Co-Heads of TIFF, today announced the new documentary David Foster: Off the Record will have its World Premiere at TIFF. The film’s premiere will be followed with a special tribute to David Foster at the TIFF Tribute Gala. With his latest film, award-winning Canadian director Barry Avrich (The Last Mogul, Prosecuting Evil: The Extraordinary World of Ben Ferencz) mixes rare archival footage, interviews, and unprecedented access to the Victoria, BC–born musician, producer, songwriter, and composer, charting Foster’s career to date and sharing what is next. Foster has helped sell more than a half-billion records. He has collaborated with such artists as Chicago, Barbra Streisand, and Andrea Bocelli and been credited with discovering and working with Celine Dion, Michael Bublé, and Josh Groban. “A global musical genius, David Foster has left his mark on some of the most timeless songs of today while discovering and launching the careers of the industry’s most talented artists, defining what it means to be a multi-hyphenate musician,” said Vicente, Executive Director and Co-Head, TIFF. “We are proud to celebrate his creations and collaborations with the World Premiere of David Foster: Off the Record at TIFF, honouring Foster in his native country.” “I can’t think of a better way to celebrate and honour David than by premiering David Foster: Off the Record at TIFF,” said Randy Lennox, President, Bell Media. “Through Bell Media Studios’ partnership with Melbar Entertainment, we are thrilled to bring this inspiring documentary of the legendary music icon to life and showcase David’s remarkable story on the world stage before bringing the film to CTV and Crave.” In addition to Streisand, Bublé, Dion, and Groban, the film features Lionel Richie, Quincy Jones, Clive Davis, Kristin Chenoweth, Peter Cetera, Diane Warren, Carole Bayer Sager, wife Katharine McPhee, and daughters Erin and Sara Foster.