Floyd Dell : the Life and Times of an American Rebel
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Syndication's Sitcoms: Engaging Young Adults
Syndication’s Sitcoms: Engaging Young Adults An E-Score Analysis of Awareness and Affinity Among Adults 18-34 March 2007 BEHAVIORAL EMOTIONAL “Engagement happens inside the consumer” Joseph Plummer, Ph.D. Chief Research Officer The ARF Young Adults Have An Emotional Bond With The Stars Of Syndication’s Sitcoms • Personalities connect with their audience • Sitcoms evoke a wide range of emotions • Positive emotions make for positive associations 3 SNTA Partnered With E-Score To Measure Viewers’ Emotional Bonds • 3,000+ celebrity database • 1,100 respondents per celebrity • 46 personality attributes • Conducted weekly • Fielded in 2006 and 2007 • Key engagement attributes • Awareness • Affinity • This Report: A18-34 segment, stars of syndicated sitcoms 4 Syndication’s Off-Network Stars: Beloved Household Names Awareness Personality Index Jennifer A niston 390 Courtney Cox-Arquette 344 Sarah Jessica Parker 339 Lisa Kudrow 311 Ashton Kutcher 297 Debra Messing 294 Bernie Mac 287 Matt LeBlanc 266 Ray Romano 262 Damon Wayans 260 Matthew Perry 255 Dav id Schwimme r 239 Ke ls ey Gr amme r 229 Jim Belushi 223 Wilmer Valderrama 205 Kim Cattrall 197 Megan Mullally 183 Doris Roberts 178 Brad Garrett 175 Peter Boyle 174 Zach Braff 161 Source: E-Poll Market Research E-Score Analysis, 2006, 2007. Eric McCormack 160 Index of Average Female/Male Performer: Awareness, A18-34 Courtney Thorne-Smith 157 Mila Kunis 156 5 Patricia Heaton 153 Measures of Viewer Affinity • Identify with • Trustworthy • Stylish 6 Young Adult Viewers: Identify With Syndication’s Sitcom Stars Ident ify Personality Index Zach Braff 242 Danny Masterson 227 Topher Grace 205 Debra Messing 184 Bernie Mac 174 Matthew Perry 169 Courtney Cox-Arquette 163 Jane Kaczmarek 163 Jim Belushi 161 Peter Boyle 158 Matt LeBlanc 156 Tisha Campbell-Martin 150 Megan Mullally 149 Jennifer Aniston 145 Brad Garrett 140 Ray Romano 137 Laura Prepon 136 Patricia Heaton 131 Source: E-Poll Market Research E-Score Analysis, 2006, 2007. -
2012 Golden Globes Ballot
Golden Globes Ballot ........................................................... 2012 ........................................................... Best Motion Picture, Drama Best Actor, Comedy or Musical The Descendants Brendan Gleeson, The Guard Hooray, it’s Golden The Help Jean Dujardin, The Artist Globes time! Hugo Joseph Gordon-Levitt, 50/50 The Ides of March Owen Wilson, Midnight in Paris Fill out our annual ballot with Moneyball Ryan Gosling, Crazy, Stupid, Love your predictions on who will War Horse take home the statuettes. Best Actress, Comedy or Musical Best Motion Picture, Comedy Charlize Theron, Young Adult or Musical Jodie Foster, Carnage Throwing a Golden 50/50 Michelle Williams, My Week The Artist With Marilyn Globes bash? Bridesmaids Kate Winslet, Carnage Midnight in Paris Kristen Wiig, Bridesmaids Pass out the ballot to friends My Week With Marilyn and tune into PopSugar Best Supporting Actor Network on awards day to see Best Director Albert Brooks, Drive all the winners, Golden Globes Alexander Payne, The Descendants Christopher Plummer, Beginners fashion, and more. George Clooney, The Ides of March Jonah Hill, Moneyball Michel Hazanavicius, The Artist Kenneth Branagh, My Week Good Luck! Martin Scorsese, Hugo With Marilyn Woody Allen, Midnight in Paris Viggo Mortensen, A Dangerous Method Best Actor, Drama Brad Pitt, Moneyball Best Supporting Actress George Clooney, The Descendants Bérénice Bejo, The Artist Leonardo DiCaprio, J. Edgar Janet McTeer, Albert Nobbs Michael Fassbender, Shame Jessica Chastain, The Help Ryan -
An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions
Salve Regina University Digital Commons @ Salve Regina Pell Scholars and Senior Theses Salve's Dissertations and Theses 5-2010 Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions Stephanie Savage Salve Regina University, [email protected] Follow this and additional works at: https://digitalcommons.salve.edu/pell_theses Part of the Advertising and Promotion Management Commons, and the Marketing Commons Savage, Stephanie, "Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions" (2010). Pell Scholars and Senior Theses. 54. https://digitalcommons.salve.edu/pell_theses/54 This Article is brought to you for free and open access by the Salve's Dissertations and Theses at Digital Commons @ Salve Regina. It has been accepted for inclusion in Pell Scholars and Senior Theses by an authorized administrator of Digital Commons @ Salve Regina. For more information, please contact [email protected]. Savage 1 “Who’s gonna turn down a Junior Mint? It’s chocolate, it’s peppermint ─it’s delicious!” While this may sound like your typical television commercial, you can thank Jerry Seinfeld and his butter fingers for what is actually one of the most renowned lines in television history. As part of a 1993 episode of Seinfeld , subsequently known as “The Junior Mint,” these infamous words have certainly gained a bit more attention than the show’s writers had originally bargained for. In fact, those of you who were annoyed by last year’s focus on a McDonald’s McFlurry on NBC’s 30 Rock may want to take up your beef with Seinfeld’s producers for supposedly showing marketers the way to the future ("Brand Practice: Product Integration Is as Old as Hollywood Itself"). -
Which Seinfeld Character Are You?
EPISODE 181: THE BUSINESS DEVELOPMENT MEETING WHICHWHICH SEINFELDSEINFELD CHARACTERCHARACTER AREARE YOU?YOU? In our business dealings, we are often guilty of just not listening. We come to the table with an agenda—a new product, a new service—and wait while a prospect or existing client tells us what’s going on with his or her business. At some point, that person will pause—and we pounce with our spiel. This approach rarely works - successful business development requires some level of rapport and relationship building. As in all aspects of life, this can mean dealing with those who may not share your views or approach. In order to adapt quickly and improvise in these instances, it’s helpful to understand people’s communication and personality styles. There are a number of tests that can help us understand the personality and communication styles of others, including the popular DISC model. This model has four quadrants: dominance, influence, steadiness, and conscientiousness. Influence and steadiness are on the right side of the brain, and dominance and conscientiousness are on the left side. Understanding someone’s dominant quadrant can help you find a way to work more effectively with them. UNDERSTANDING WHAT SEINFELD YOUR SITCOM CAST Now that you understand where you fall QUADRANT ARE YOU? within the quadrants, you can begin to think about how to work and respond to any cast of characters you may come I’ll let you in on an interesting tidbit, successful sitcoms often across. Friction will naturally arise include a character from each of the following quadrants, because these are people with opposite because the resulting friction tends to be funny. -
MELBOURNE PROGRAM GUIDE Sunday 10Th January 2016
MELBOURNE PROGRAM GUIDE Sunday 10th January 2016 06:00 am Toasted TV G Want the lowdown on what's hot in the playground? Join the team for the latest in pranks, pop culture, movies, music, sport, games and other seriously fun stuff! Featuring a variety of your favourite cartoons. 06:05 am Matt Hatter Chronicles G The Chaos Coin Matt has moved to live above his Grandpa's movie theatre, but this theatre is more than just a cool old building; it is a gateway to another reality known as "The Multiverse". 06:30 am Invizimals (Rpt) G The Alliance Part 1 Keni is a young, supergifted scientific researcher that discovers the Invizimals during a routine experiment. Keni begins to collaborate with the Invizimals to develope completely new and pioneering technology. 07:00 am Toasted TV G Want the lowdown on what's hot in the playground? Join the team for the latest in pranks, pop culture, movies, music, sport, games and other seriously fun stuff! Featuring a variety of your favourite cartoons. 07:05 am Beyblade: Shogun Steel (Rpt) G The Ultimate Emperor Of Destruction: Bahamoote Seven years have passed since the god of Destruction, Nemesis met his end at the hands of a Legendary Blader. A new era of Beyblade has begun, bringing with it new Blades. 07:30 am Toasted TV G Want the lowdown on what's hot in the playground? Join the team for the latest in pranks, pop culture, movies, music, sport, games and other seriously fun stuff! Featuring a variety of your favourite cartoons. -
DORI ROSENTHAL AEA SAG AFTRA 5’8” 140 Lbs
DORI ROSENTHAL AEA SAG AFTRA 5’8” 140 lbs. Hair: Brown Eyes: Green Film and Television-over 20 including: CLUBHOUSE Guest Star CBS (Dir: Steve Gomer ) HOMELAND SECURITY (w/ Scott Glenn) Co-Star NBC /MOW (Dir: Dan Sackheim) THE DISTRICT (w/ Craig T. Nelson) Co-Star CBS (Dir: Chris Taylor ) FRASIER Guest Star NBC (Dir Kelsey Grammer) PRANKS Co-Star ABC (Pilot) LAW AND ORDER Co-Star NBC (Dir: Michael Fresco) ALL MY CHILDREN Featured ABC (Dir: various) THE BOX (w/James Russo) Featured Independent (Prod: Rick Peppin) IT’S ALWAYS SOMETHING Also Starring Independent (Dir: Jack Davis) THE SWEETEST WINE Also Starring Independent (Dir: Julia Loctev ) BOSTON WEEKEND Also Starring Independent (Dir: Joel Zwick) THE CONFESSION (w/Alec Baldwin) Featured Paramount (Dir: David Jones) RANDOM HEARTS (w/Harrison Ford) Featured Paramount (Dir: Sidney Pollack) EVERYDAY HEROES Co-Star Mandalay Television (Pilot) STYLE/ Suits Featured E! Network (Dir: various) Theater/ “selected credits”-over 30 in the US & Europe including: JOHNNY JOHNSON Liberty The Actors Studio, NYC (Dir: Estelle Parsons) THE TIME MACHINE Lead The Actors Studio, NYC (Dir: Alba Olms) AN AMERICAN TRAGEDY Lead The Actors Studio, NYC PSYCHO BEACH PARTY Marvel Ann/ Lead Chelsea Playhouse, NYC (By Charles Busch) AIN’T BROADWAY GRAND Featured Lunt Fontanne, NYC (Dir: Scott Harris) CHILDREN OF WAR Magdelena/ Lead Actors Theater of Louisville (Dir: Jon Jory) MAIDS OF HONOR Pat/ Lead 2100 Square Foot Theater, LA. THE BIG RANDOM Nurse/ Lead William Inge Thtr. KS (Dir: Peter Ellenstein) CITY OF ANGELS Gabby-Bobby/Lead Westchester B’way Thtr. (Dir: Scott Harris) ME AND MY GIRL Lady Jaquie/Lead La Comedia Thtr. -
Save Sea Turtles on Earth Day Earth Day Event Dedicated to Saving the Ancient Animals
NEWSLETTERS | SEND PICS | TIPS 61° Search HOME NEWS WEATHER INVESTIGATIONSINVESTIGATIONS UNITUNIT ENTERTAINMENT SPORTS TRAFFIC CONTESTS CONTACT US THE-SCENE > EVENTS Save Sea Turtles on Earth Day Earth Day event dedicated to saving the ancient animals. By Marika Krause View Comments (0) | Email | Print Tweet 28 Recommend 0 Send 0 TRENDING STORIES Security Breach at San Jose Airport; Suspect in Custody VIDEO Woman Running From NY to Calif. to Support Navy Seals Two Injured in Collision on Hwy 85 in South San Jose Rare Deep Sea Anglerfish Caught on Video Save sea turtles this Earth Day. Image courtesy of Capt. Mike Sack, SanctuaryCruises.com/SeaTurtles.org. VIDEO Window Washer Survives 11- Story Fall From SF Building Friday, Apr 20, 2012 • Updated at 5:31 PM PST The Pacifica Beach Coalition is getting Earth Day Started early. The group is NEWSLETTERS encouraging people to participate in a variety of beach and habitat clean up events Receive the latest events updates in your inbox Saturday from 9 a.m. to 11:30 a.m. SIGN UP This year, they’re dedicating their event to the sea turtle. All but seven sea turtle Privacy Policy | More Newsletters species are endangered or threatened. Ocean pollution and debris are some of the top threats to the sea turtle habitat. “In areas like Pacifica, which borders the new leather back sea turtle critical habitat, cleanups such as these are particularly important,” says Dr. Chris Pincetich with the Sea Turtle Restoration Network. The National Marine Fisheries Service has designated more than 16,000 miles off California’s coast as habitat for the endangered Leather back Sea Turtle. -
Myths of Offshore Drilling
SPRING 2010 oceana.org Oceana TRAGEDY IN THE GULF Inside the biggest oil disaster in U.S. history - and how to help WIND ON THE RISE The U.S. makes a run at reclaiming its position as a world leader in wind energy PLUS Chile adopts farmed salmon reform, and more OCEANA.ORG | 1 6 The Deepwater Horizon oil rig exploded: Oceana campaigns to protect and restore the world’s oceans. Now what? Our team of marine scientists, economists, lawyers and advocates win specific and concrete policy changes to reduce pollution and to prevent the irreversible collapse of fish populations, marine mammals and other sea life. Global in scope and dedicated to conservation, Oceana has campaigners based in North America, Europe and South and Central America. More than 300,000 members and e-activists in over 150 countries have already joined Oceana. For more information, please visit www.oceana.org. BOARD OF DIRECTORS OCEAN COUNCIL Keith Addis, Chair Susan Cohn Rockefeller, Chair Dr. Kristian Parker, Lea Haratani, Vice Chair Vice Chair Anne Alexander Rowley James Sandler, Treasurer Dr. Andrew Bevacqua Simon Sidamon-Eristoff, Pierce Brosnan Secretary Deborah Buck Herbert M. Bedolfe III Dan and Beth Cort Ted Danson Andrew and Sydney Davis César Gaviria Michael Dershewitz María Eugenia Girón Barbara Ettinger and Sven Huseby © USCG Stephen P. McAllister Christina Falco and Michael Frumkin Michael Northrop Kelsey Grammer Dr. Daniel Pauly Benjamin Goldsmith Sally-Christine Rodgers Hardy Jones SPRING 2010 | coNteNtS Sam Waterston J. Stephen and Angela Kilcullen Valarie Whiting Eve Kornyei COVER STORY Larry Kopald OCEANA Willa and Ted Lutz 6 Catastrophe In The Gulf Chief Executive Officer Carolyn Marks Blackwood Andrew Sharpless Aaron Peirsol Twenty years after Exxon Valdez, the Executive Vice President Nicole Polizois Deepwater Drilling Disaster shows & General Counsel Linus Roache James Simon Lois Robbins just how dangerous offshore drilling is Senior Vice President, Ruthie Russ today. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
8 TV Power Games: Friends and Law & Order
8 TV Power Games: Friends and Law & Order There is no such thing as a one-man show | at least not in television: one feature that all TV shows have in common is the combination of a large number of diverse contributors: producers, scriptwriters, actors, and so on. This is illustrated in Exhibit 8.1, which depicts the links between key contributors to the making and selling of a TV show. Solid lines repre- sent some form of contractual relationship, whereas dashed lines represent non-contractual relationships of relevance for value creation and value distribution. As is the case with movies, pharmaceutical drugs, and other products, the distribution of TV show values is very skewed: many TV shows are worth relatively little, whereas a few shows generate a very high value: For example, at its peak Emmy Award-winning drama ER fetched $13 million per episode.1 How does the value created by successful shows get divided among its various contrib- utors, in particular actors, producers and networks? Who gets the biggest slice of the big pie? In this chapter, I address this question by looking at two opposite extreme cases in terms of relative negotiation power: Law & Order and Friends. Law & Order | and profits The legal drama series Law & Order was first broadcast on NBC on September 13, 1990. (The pilot episode, produced in 1988, was intended for CBS, but the network rejected it, just as Fox did later, in both cases because the show did not feature any \breakout" characters.) By the time the last show aired on May 24, 2010, it was the longest-running crime drama on American prime time TV. -
The Madison Square Garden Company Announces Six Additional Jerry Seinfeld Shows in 2019 at the Historic Beacon Theatre
The Madison Square Garden Company Announces Six Additional Jerry Seinfeld Shows in 2019 at the Historic Beacon Theatre March 20, 2019 New Shows Added on September 20, October 25, and October 26, 2019 NEW YORK, March 20, 2019 (GLOBE NEWSWIRE) -- The Madison Square Garden Company (NYSE: MSG) announced that legendary New Yorker and comedian Jerry Seinfeld has added six more 2019 performances at the Beacon Theatre. The newly announced 2019 dates are as follows: September 20, October 25, and October 26, with performances at 7:00pm and 9:30pm on all three nights. The October events will be part of a Netflix special live taping. Tickets will go on-sale for the three new dates on Friday, March 22, 2019 at 10:00am (EST). Limited tickets remain for the previously announced performances. The 2019 shows are as follows: January 11 – 7p & 9:30p SOLD OUT! May 4 – 7p & 9:30p February 8 – 7p & 9:30p SOLD OUT! June 6 – 7p & 9:30p March 14 – 7p & 9:30p SOLD OUT! June 7 – 7p & 9:30p March 15 – 7p & 9:30p SOLD OUT! September 20 – 7p & 9:30p April 4 – 7p & 9:30p October 25 – 7p & 9:30p April 5 – 7p & 9:30p October 26 – 7p & 9:30p May 3 – 7p & 9:30p Ticket prices for Jerry Seinfeld at The Beacon are $195.00, $99.50 and $87.50. Tickets for the newly added 2019 shows go on-sale on Friday, March 22, 2019 at 10:00am (EST) and will be available online at beacontheatre.com and ticketmaster.com and Ticketmaster Charge By Phone at 866-858-0008.