A LESSON from ALOES by Athol Fugard
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Horton Foote
38th Season • 373rd Production MAINSTAGE / MARCH 29 THROUGH MAY 5, 2002 David Emmes Martin Benson Producing Artistic Director Artistic Director presents the World Premiere of by HORTON FOOTE Scenic Design Costume Design Lighting Design Composer MICHAEL DEVINE MAGGIE MORGAN TOM RUZIKA DENNIS MCCARTHY Dramaturgs Production Manager Stage Manager JENNIFER KIGER/LINDA S. BAITY TOM ABERGER *RANDALL K. LUM Directed by MARTIN BENSON Honorary Producers JEAN AND TIM WEISS, AT&T: ONSTAGE ADMINISTERED BY THEATRE COMMUNICATIONS GROUP PERFORMING ARTS NETWORK / SOUTH COAST REPERTORY P - 1 CAST OF CHARACTERS (In order of appearance) Constance ................................................................................................... *Annie LaRussa Laverne .................................................................................................... *Jennifer Parsons Mae ............................................................................................................ *Barbara Roberts Frankie ...................................................................................................... *Juliana Donald Fred ............................................................................................................... *Joel Anderson Georgia Dale ............................................................................................ *Linda Gehringer S.P. ............................................................................................................... *Hal Landon Jr. Mrs. Willis ....................................................................................................... -
South Africa's Official Selection for the Foreign Film Oscars 2006
Production Notes The UK Film & TV Production Company plc The Industrial Development Corporation of South Africa The National Film & Video Foundation of South Africa in association with Moviworld present A UK/South African Co-production TSOTSI Starring Presley Chweneyagae, Terry Pheto, Kenneth Nkosi, Mothusi Magano, Zenzo Ngqobe and ZOLA Written and Directed by Gavin Hood Based on the novel by Athol Fugard Co-produced by Paul Raleigh Produced by Peter Fudakowski WINNER – EDINBURGH FILM FESTIVAL 2005 THE STANDARD LIFE AUDIENCE AWARD THE MICHAEL POWELL AWARD FOR BEST BRITISH FILM South Africa’s official selection for the Foreign Film Oscars 2006 For all press inquiries please contact: Donna Daniels Public Relations 1375 Broadway, Suite 403, New York, NY 10018 Ph: 212-869-7233 Email: [email protected] and [email protected] IN TORONTO: contact Melissa or Donna c/o The Sutton Place Hotel, Hospitality Suite 606, 955 Bay Street, Toronto, on M5S 2A2 main #: 416.924.9221 fax: 416.324.5617 FOR ALL PRESS MATERIALS/INFO : www.tsotsi.com A message from the playwright and author of the novel TSOTSI ATHOL FUGARD 2 CONTENTS: LETTER FROM AUTHOR OF 'TSOTSI' THE NOVEL 2 UK AND TRADE PRESS QUOTE BANK 4 SHORT SYNOPSIS 6 LONGER SYNOPSIS 6 MAKING “TSOTSI” - BACKGROUND NOTES and QUOTES 8 THE TERM “TSOTSI” - ORIGINS AND MEANINGS 13 KWAITO MUSIC - ORIGINS 15 BIOGRAPHIES: ATHOL FUGARD - AUTHOR OF THE NOVEL “TSOTSI” 17 GAVIN HOOD - SCREENWRITER / DIRECTOR 18 PETER FUDAKOWSKI - PRODUCER 19 PAUL RALEIGH - CO-PRODUCER 20 PRESLEY CHWENEYAGAE - TSOTSI 21 ZOLA – FELA 21 TERRY PHETO - MIRIAM 21 KENNETH NKOSI - AAP 21 MOTHUSI MAGANO - BOSTON 22 ZENZO NGQOBE - BUTCHER 22 CAST, CREW AND MUSIC CREDITS 23-31 CONTACT INFO 32 3 TSOTSI “Tsotsi” literally means “thug” or “gangster” in the street language of South Africa’s townships and ghettos. -
Lady Day at Emerson's Bar & Grill
PRESS RELEASE – FRIDAY 3 FEBRUARY 2017 RECORD SIX-TIME TONY AWARD-WINNER AUDRA McDONALD MAKES HER WEST END DEBUT IN LADY DAY AT EMERSON'S BAR & GRILL WYNDHAM’S THEATRE, LONDON From 17 June to 9 September 2017 PRODUCTION PHOTOGRAPHY AVAILABLE HERE Username: Lady Day | Password: Holiday TICKETS ON SALE HERE FROM MIDDAY ON FRIDAY 3 FEBRUARY After the joyous news of Audra McDonald’s unexpected pregnancy last year, producers of the postponed London run of Lady Day at Emerson’s Bar & Grill are delighted to announce that this summer, McDonald, the Tony, Grammy, and Emmy Award-winning singer and actress, will be making her long awaited West End debut portraying jazz legend Billie Holiday in a performance that won her a record-setting sixth Tony Award. This critically acclaimed production, which broke box office records at the Circle in the Square in New York, will run for a limited engagement at Wyndham’s Theatre from Saturday 17 June to Saturday 9 September, with opening night for press on Tuesday 27 June 2017. “Audra McDonald is a vocal genius! One of the greatest performances I ever hope to see.” New York Magazine Written by Lanie Robertson and directed by Lonny Price, Lady Day at Emerson’s Bar & Grill recounts Holiday's life story through the songs that made her famous, including “God Bless the Child,” “What a Little Moonlight Can Do,” “Strange Fruit” and “Taint Nobody’s Biz- ness.” “Mesmerizing! Pouring her heart into her voice, Audra McDonald breathes life into Billie Holiday’s greatest songs.” The New York Times Lady Day at Emerson’s Bar & Grill won two Tony Awards in 2014 including ‘Best Performance by a Leading Actress in a Play’ for Audra McDonald, making her Broadway’s most decorated performer, winner of six Tony Awards and the first and only person to receive awards in all four acting categories. -
“Master Harold”…And the Boys to Play in the CBT’S Carousel Theatre
Press Release UT Department of Theatre • 206 McClung Tower • Knoxville, TN 37996 For more information contact: Robin Conklin, Marketing & Communications Director [email protected] or 865-974-2497 For immediate release: Athol Fugard’s “Master Harold”…and the boys to Play in the CBT’s Carousel Theatre An ordinary rainy afternoon in 1950s South Africa turns into a profound and life-changing experience for young, white Harold and his beloved black servants. One of the most powerful coming-of-age plays ever written, Athol Fugard’s “Master Harold”…and the boys will play in the Clarence Brown Theatre’s Carousel Theatre February 5-22, 2015. An Open Captioned performance will take place on Sunday, February 8 at 2:00 pm. A talkback will take place following the February 15 matinee. Free and convenient parking is available in the McClung Tower Garage on Volunteer Boulevard. The production contains adult language and partial nudity. Sponsored by the Knox County Tourism Consortium, the Knoxville News Sentinel, WUOT and WUTK, this Tony Award winning masterpiece continues to be timely, compelling and very moving. Of all Fugard’s plays, none is more personal than “Master Harold”…and the boys because it relates to a boyhood incident which involved Fugard and haunted him for years until he tried to atone by writing the play. Rather than a simple retelling of an incident from his past, Fugard’s play presented a personal experience that extended to universal humanity. More than a play against apartheid, it is about human relationships that are put to the test by societal and personal forces. -
History of Intiman
INTIMAN THEATRE PRODUCTION HISTORY 1972-2012 PLAY AUTHOR DIRECTOR 1972-73 Rosmersholm Ibsen (trans. Michael Meyer) Margaret Booker The Creditors Strindberg (trans. Walter Johnson) Margaret Booker The Underpants Carl Sternheim (trans. Eric Bentley) Margaret Booker 1974 Brecht on Brecht George Tabori Andrew Witt Miss Julie Strindberg (trans. Margaret Booker) Margaret Booker Tango Slaw omir Mrozek Margaret Booker Candida George Bernard Shaw Margaret Booker 1975 Uncle Vanya Chekhov (trans. Christopher Hampton) Margaret Booker The Philanderer George Bernard Shaw Margaret Booker Hedda Gabler Ibsen (trans. Margaret Booker) Margaret Booker 1976 Arms and the Man George Bernard Shaw Stephen Rosenfield Elektra Sophocles (trans. David Grene) Margaret Booker Anatol Arthur Schnitzler Margaret Booker Bus Stop William Inge Pat Patton The Northw est Show Barry Pritchard Margaret Booker 1977 Toys in the Attic Lillian Hellman Margaret Booker The Importance of Being Earnest Oscar Wilde Clayton Corzatte Ghosts Ibsen (trans. Margaret Booker) Margaret Booker Playboy of the Western World John Millington Synge Pat Patton A Moon for the Misbegotten Eugene O' Neill Margaret Booker 1978 Henry IV Luigi Pirandello (adapt. John Reich) Margaret Booker The Way of the World William Congreve Anthony Cornish Three Sisters Chekhov Margaret Booker The Country Girl Clifford Odets Stephen Rosenfield The Dance of Death August Strindberg Margaret Booker 1979 The Loves of Cass McGuire Brian Friel Margaret Booker Tartuffe Molière (trans. Richard Wilbur) Stephen Rosenfield Medea Euripides (adapt. Robinson Jeffers) Margaret Booker Heartbreak House George Bernard Shaw Anthony Cornish Design for Living Noë l Cow ard Margaret Booker 1980 Othello William Shakespeare Margaret Booker The Lady's Not for Burning Christopher Fry William Glover Leonce and Lena Georg Bü chner Margaret Booker (trans. -
Aurora Theatre Company Announces 2020/2021 Season
PRESS RELEASE MEDIA CONTACT FOR IMMEDIATE RELEASE Dayna Kalakau 510.843.4042 x311 [email protected] g AURORA THEATRE COMPANY ANNOUNCES 2020/2021 SEASON World Premiere of FATHER/DAUGHTER by Kait Kerrigan Edward Albee’s THREE TALL WOMEN Toni Morrison’s THE BLUEST EYE, adapted by Lydia R. Diamond THE ISLAND by Athol Fugard, John Kani, and Winston Ntshona CRY IT OUT by Molly Smith Metzler BERKELEY, CA (March 24, 2020) Berkeley’s acclaimed Aurora Theatre Company (Artistic Director Josh Costello) announced today the plays that will comprise the theatre’s 29th season, with the first slot to be announced at a later date. In the second slot, opening November 2020, will be Lydia R. Diamond’s remarkable adaptation of Toni Morisson’s debut novel THE BLUEST EYE. Aurora kicks off the new year with a remount of Just Theatre’s acclaimed production of CRY IT OUT by Molly Smith Metzler. The spring will feature THE ISLAND, the provocative drama from South African playwright Athol Fugard and co-writers John Kani and Winston Ntshona. Next is the World Premiere of Kait Kerrigan’s touching tale of romance and relationships in FATHER/DAUGHTER. The season closes with Edward Albee’s THREE TALL WOMEN, Albee’s semi-autobiographical masterpiece. “I'm so thrilled to present the plays that make up Aurora's 29th season,” Costello said. “I’ve been looking forward to announcing Aurora’s 29th Season for quite some time, and it’s the first I’ve had the privilege of putting together as Artistic Director. “From a pair of love stories to the realities of motherhood, to a Greek tragedy in a South African prison, from Toni Morrison's first novel to Edward Albee's masterpiece, these brilliant plays each speak powerfully to our world in different ways, but each features characters facing up to a challenging new reality—and deciding what they’re going to do about it.” Costello assumed the role of Artistic Director in August 2019. -
List of Plays Performed at UW Oshkosh 1980-1989
List of Plays Performed at UW Oshkosh 1980-1989 The Robber Bridegroom You’re a Good Man Charlie Brown Book and Lyrics: Alfred Uhry Book, Music, and Lyrics: Clark Gesner Director: Don Burdick Director: Kathleen Wieting Performance dates: February 19-24, Performance dates: NoVember 20-23, 1980 1980 Look Back in Anger The Threepenny Opera Playwright: John Osborne Book and Lyrics: Bertolt Brecht Director: Randy Haal Director: Don Burdick Performance dates: March 18-22, Performance dates: February 12-14 & 1980 19-21, 1981 Medea Experiments in Puppetry Playwright: Euripides Director: Dorlis Grubidge Director: Dorlis Grubidge Performance dates: February 28 – Performance dates: April 19 – May 4, March 1, 1981 1980 Blithe Spirit Puppets, Possible & Impossible Playwright: Noel Coward Director: Dorlis Grubidge Director: Randy Haasl Performance dates: May 22-25, 1980 Performance dates: March 19-21 & 26-28, 1981 California Suite Playwright: Neil Simon The Fantasticks Director: Don Burdick Book and Lyrics: Tome Jones Performance dates: June 24-28, 1980 Director: Jeannie Muson Schweiss Performance dates: April 7-11, 1981 How the Other Half Loves Playwright: Alan Ayckbourn The Claude Kipnis Mime Company Director: Dorlis Grubidge Performance: April 12, 1981 Performance dates: October 9-11 & 16-18, 1980 Let Us Entertain You A puppet production The Madwoman of Chaillot Director: Dorlis Grubidege Playwright: Jean Giraudoux Performance: May 27-29, 1981 Director: Gloria Link Performance dates: October 30 – Side by Side by Sondheim NoVember 1 & NoVember 6-8, -
The Train Driver and Other Plays by Athol Fugard
FOR IMMEDIATE RELEASE CONTACT: Dafina McMillan September 13, 2012 [email protected] 212-609-5955 New from TCG Books: The Train Driver and Other Plays by Athol Fugard NEW YORK, NY – Theatre Communications Group (TCG) is pleased to announce the publication of The Train Driver and Other Plays, a new collection by Athol Fugard, “the greatest living playwright in the English-speaking world” (Time magazine). The Train Driver is currently receiving its U.S. premiere at Signature Theatre Company is New York City under the direction of the playwright. “A dramatic, moving theatre experience written for South Africa… It will save us from hopelessness. See it.” ― Sunday Independent The Train Driver is classic Fugard, and one of his most important plays. The playwright, known throughout the world as a chronicler of his native South Africa’s apartheid past, has stated, “For me, The Train Driver is the biggest of them all. Everything I have written before has been a journey to this.” This seminal work, which received its world premiere directed by the playwright at the newly opened Fugard Theatre in one of Cape Town’s most politically contentious areas, was inspired by the true story of a mother who with her three children committed suicide on the train tracks in Cape Town. The two-person drama unfolds between the train’s engineer and the grave digger who buries “the ones without names.” Also included in this collection: Coming Home, Fugard’s first work addressing AIDS in South Africa; Have You Seen Us?, his first play set in America, about a South African transplanted to San Diego, where the playwright currently resides; a selection from his Notebooks on his artistic process and an Afterword by Marianne McDonald. -
Complete Production History 2018-2019 SEASON
THEATER EMORY A Complete Production History 2018-2019 SEASON Three Productions in Rotating Repertory The Elaborate Entrance of Chad Deity October 23-24, November 3-4, 8-9 • Written by Kristoffer Diaz • Directed by Lydia Fort A satirical smack-down of culture, stereotypes, and geopolitics set in the world of wrestling entertainment. Mary Gray Munroe Theater We Are Proud to Present a Presentation About the Herero of Namibia, Formerly Known as Southwest Africa, From the German Südwestafrika, Between the Years 1884-1915 October 25-26, 30-31, November 10-11 • Written by Jackie Sibblies Drury • Directed by Eric J. Little The story of the first genocide of the twentieth century—but whose story is actually being told? Mary Gray Munroe Theater The Moors October 27-28, November 1-2, 6-7 • Written by Jen Silverman • Directed by Matt Huff In this dark comedy, two sisters and a dog dream of love and power on the bleak English moors. Mary Gray Munroe Theater Sara Juli’s Tense Vagina: an actual diagnosis November 29-30 • Written, directed, and performed by Sara Juli Visiting artist Sara Juli presents her solo performance about motherhood. Theater Lab, Schwartz Center for the Performing Arts The Tatischeff Café April 4-14 • Written by John Ammerman • Directed by John Ammerman and Clinton Wade Thorton A comic pantomime tribute to great filmmaker and mime Jacques Tati Mary Gray Munroe Theater 2 2017-2018 SEASON Midnight Pillow September 21 - October 1, 2017 • Inspired by Mary Shelley • Directed by Park Krausen 13 Playwrights, 6 Actors, and a bedroom. What dreams haunt your midnight pillow? Theater Lab, Schwartz Center for the Performing Arts The Anointing of Dracula: A Grand Guignol October 26 - November 5, 2017 • Written and directed by Brent Glenn • Inspired by the works of Bram Stoker and others. -
The Road to Mecca Press Release
December 12, 2012 Contact: Matthew Jones 503.242.0080 or [email protected] For Immediate Release Profile Theatre presents The Road to Mecca by Athol Fugard January 9 – February 3, 2013 (Portland, Oregon – November 30, 2012) Profile Theatre’s 2012-13 Season, dedicated to the works of South African playwright Athol Fugard, continues with The Road to Mecca. This will be the Portland directing debut of Profile’s new Artistic Director Adriana Baer. Miss Helen, an eccentric widow and sculptor, lives alone in a small village in the Karoo desert. When Reverend Marius argues for moving her into an old age home for her own safety, Miss Helen questions whether to give up, give in, or go on. She summons the only person she trusts: Elsa, a young schoolteacher who loses her footing while taking aim at society’s treatment of those who do not conform. Birth, death, and what comes next are brought under examination as the artist courageously asks: What is true faith? “This beautiful play is about women who resist ‘the norm’ in order to honor their own beliefs,” says director Adriana Baer. “But that is not as simple as it seems. They must ask: how do I justify my love for this land, this country, when I am trapped by a culture that insists certain behaviors are ‘right’ and ‘good’ and others are not?” Adriana Baer directs David Bodin, Eileen DeSandre and Amanda Soden Design and Production: Kaye Blankenship, Jessica Bobillot, Kristeen Crosser, Sara Ludeman, Sharath Patel, Alan Schwanke, Brent Sullivan and D Westerholm Performance Schedule Wednesday, -
The Shadow of the Hummingbird by Athol Fugard
FOR IMMEDIATE RELEASE CONTACT: Dafina McMillan April 8, 2014 [email protected] 212-609-5955 New from TCG Books: The Shadow of the Hummingbird by Athol Fugard NEW YORK, NY – Theatre Communications Group (TCG) is pleased to announce the publication of The Shadow of the Hummingbird, a new work by Athol Fugard, “the greatest living playwright in the English-speaking world” (Time magazine). The play is currently in the midst of its world premiere at Long Wharf Theatre in New Haven, CT, and will run through April 27, 2014. “If there is a more urgent and indispensable playwright in world theatre than South Africa’s Athol Fugard, I don’t know who it could be.” ― Newsweek Legendary theatre artist Athol Fugard returns to the stage for the first time in fifteen years in this, his latest work. The Shadow of the Hummingbird tells the story of an ailing man in his eighties and the afternoon spent with his ten-year-old grandson. In a charming meditation on the beauty and transience of the world around us, Fugard continues to mine the depths of the human spirit with profound empathy and heart. The text of the play includes an introductory Prelude by Paula Fourie with extracts from Fugard’s unpublished notebooks. “Athol Fugard can say more with a single line than most playwrights convey in an entire script.”― Variety Athol Fugard has been working in the theatre as a playwright, director and actor for more than 50 years. His plays include Blood Knot, Boesman and Lena, Statements After an Arrest Under the Immorality Act, Sizwe Banzi Is Dead, ‘Master Harold’…and the Boys, The Road to Mecca, My Children! My Africa!, The Blue Iris and, most recently, The Train Driver. -
Annette Combrink “A MAN's SCENERY IS OTHER MEN ...” ATHOL FUGARD's LATEST PLAYS ABSTRACT in This Article an Attempt Is M
Annette Combrink “A MAN’S SCENERY IS OTHER MEN ...” ATHOL FUGARD’S LATEST PLAYS ABSTRACT In this article an attempt is made to indicate that a subtle yet significant shift has occurred in Fugard’s work, a shift that manifests itself in the four latest plays. The plays represent, in the opinion of some critics, a movement away from the overt ly political plays of the foregoing period, a movement inter preted on the one hand as a weakness and on the other hand as an intensification, a move towards a more symbolic mode. The plays are examined against this background and it is con cluded that there is indeed a movement towards a more sym bolic preoccupation, but a movement which at the same time involves a more markedly didactic intention, a preoccupation with "lessons". Fugard’s oeuvre has been divided into fairly distinct if overlapping phases. Stephen Gray (1982:17 - 27) distinguishes the following phases: Apprenticeship (up to 1957); social realism (1958 -1961); chamber theatre (1961 -1970); improvised theatre (1966 -1973, the period which contains the most overtly “ political" plays) and finally the period of “ poetic sym bolism" (from 1975 onwards). At one level one could make the pcint that Fugard’s work has become less overtly political ever since the 1976 po litical riots. Gray subscribes to this view and ascribes this in part to the following: "Fugard seems for the first time removed from social events, ... works (from this period) all show a general stocktaking in Fugard, a man approaching the age of fifty and surveying his past, paring it down anew to the barest essentials” (p.