June 2017

In this month’s Spotlight Greetings from MTNZ President Lesley Carthew ...... 2 Latest news from iTICKET ...... 4 Registrations are now open for the NextGen Boot Camp – 18 – 20 August ...... 5 Congratulations to our 2017 Merit Award Recipients...... 6 Zone One News and Reports with Emma Bishop ...... 16 Remembering John Antony QSM ...... 18 Zone Two News and Agenda for the Zone Two Meeting – 1 July with Tracy Holmes ...... 19 Zone Three News with Sharron Pardoe ...... 23 Les Misérables Director Announced for New Plymouth ...... 24 New Plymouth Operatic Show Rental Catalogue ...... 26 Zone Four News and Zone Meeting Agenda – Ashburton 1 July with Ross Benbow ...... 29 Zone Five News and Reports with Helen Horsnell ...... 32 ETNZ Conference and Trade Show Info ...... 37 QSC and Shure Sound Gear – ML Consultants ...... 38 International Junior Theatre Celebration Coming to NZ in October ...... 39 Want to audition for NASDA???? ...... 41 MTI now representing Lerner and Loewe ...... 42 Strictly Ballroom – Origin Theatrical ...... 44 Play Bureau and Devon Williamson ...... 46 Shrek the Musical now available for licencing in NZ ...... 47 Some great tips from the Knowledge Café session from the Zone Four Meeting in Timaru August 2016 ...... 48

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Greetings from President Lesley Carthew ..

Hi everyone, and welcome to this issue of Spotlight. Hard to believe that as I write this we are in the last week in May, and four years since I was travelling around Europe.

Some of you may not know that I have spent the last three weeks at home recovering from hip replacement surgery, and have to say I feel a new, but slightly frustrated woman! But in the time I have spent at home, it has made me realise why I love doing what I do. I love my job and the people I work with, so I’m not retiring just yet, and I love music and most importantly being President of Musical Theatre New Zealand. So whilst I have been unable to travel, I have had plenty of time to sit back and watch what others have been doing. The first thing I did was read all the feedback we received from our Conference 2017 in New Plymouth. I was heartened to see that in most cases people were happy and I was also very glad that in most cases people appreciated our efforts to deliver an Annual General Meeting and Training Weekend that ticked most of the boxes. Sure, your Executive is not perfect and when organising a very large conference of 250 – 300 people and trying to keep the costs right down for attendees which is why we need our corporates and sponsors otherwise the registration fee would be a few hundred dollars more than it is now, you will never please everyone, but we do try, and are always happy to look at your suggestions for future conferences.

What did disturb me though (hence my quote about “backbone”), is the criticism from a nameless person, who questioned why your Executive spent a lot of time in “secret” meetings over the course of the weekend. To my knowledge the only meeting the Executive had over the weekend, was our normal meeting – Thursday afternoon, and Friday until mid afternoon, which of course does not encroach on Conference at all, and if we did not have this meeting, the Conference would not run as smoothly as it does. So obviously we can’t please everyone, but I am very happy to talk personally to this person, if he/she would like to discuss.

The first weekend in May, I had to put off my trip to Levin to the first Zone meeting of the year – Zone Three. I was disappointed to be unable to go, but heartened to hear that there were some 40 odd attendees, who all had a great day. Thank you Sharron for organising, the workshop presenters and Levin for your hospitality, for what I understand was an excellent day. Thanks also to those who travelled to present, the Executive really appreciate your efforts.

Last weekend, I had to forego my trip to Balclutha to the Zone Five meeting. I believe the weather was pretty atrocious, and with many roads closed, a lot of people were unable to make the venue, but those who were able to travel, had an excellent day. Thank you Helen, and South Otago Theatrical for your hospitality, Kate for presenting workshops on Strategic Planning and Facebook, David Bosworth from the Light Site for facilitating a two hour techie talk and James, for your work at both Zone Five and Three meetings. Thanks also to Taieri Musical and Doug Kamo, in hosting the Executive to Mary Poppins, I was very disappointed not to have been able to attend. I know that for those of you in Zone Five who were unable to attend on the day, Kate has done a great job of putting all the presentations into Dropbox, so you haven’t missed out all together.

Emma in her new role has held her first Zone One meeting, and she had the added bonus of having Vice President Dan attend, I know you will have all had an excellent day. Zones Two & Four are having their meetings soon, and I’m thrilled to be able to travel to Morrinsville to Tracy’s first meeting as Zone Rep. I look forward to meeting all my Zone Two friends on that day, and particularly looking forward to going to see Hamilton’s Les Mis and of course “Next Gen Gwen”!

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Interest is building for Conference 2018, Nelson and the Monaco brings back fantastic memories, I can only encourage you to start planning now! Your Executive are having their first meeting there in a few weeks to finalise the conference programme and site visit the Founders and Monaco.

We have also opened the registrations for the NextGen Workshop Weekend to be held in Cambridge 18 – 20 August. This is a wonderful and fantastic opportunity (only $50 for the whole weekend and thank you to our amazing sponsors, Morrinsville Theatre and personal donors that have assisted us in keeping the costs right down) for all our NextGenners from around NZ and you will be working with some amazing tutors. Societies – I can only encourage you to please send your NextGenners (18 – 35) and look to the future and get these young people upskilled and networking with each other which is what the whole weekend is about.

Stay warm, enjoy this wonderful thing called the “disease” – Musical Theatre, and I look forward to seeing many of you soon. Fond Regards - Lesley

MTNZ Calendar 2017 Date Event 15/16 June Executive Meeting - Nelson 1 July Zone Four Meeting - Ashburton 1 July Zone Two Meeting – Morrinsville 4 – 5 July ETNZ Conference – Wellington 18 – 20 August NextGen Boot Camp – Zone Two – Epworth Retreat, Cambridge 28 October ZONYs – Whakatane 28 October Combined South Island Meeting – Oamaru 4 November Executive Meeting - Auckland 20 – 22 EVANZ Conference – Wellington November 16 – 18 March 58th National Conference, AGM and Volunteer Training Weekend Nelson

The MTNZ Facebook community page – you should be on it Do have a prop you are after, some random wardrobe piece, want some advice – this is the page ☺ This is our community page – it’s a closed group so no spammers can be annoying and this is YOUR page to network and find info etc. instead of emailing me – post your request here …. This is our member community page – it is closed so just ask to join – this is becoming quite popular for lots of info that is relevant to our members, and noticeboard items https://www.facebook.com/groups/mtnzcommunity/

New NextGen Community Page https://www.facebook.com/groups/1147356508627657/ This is a page for the NextGenners (16 - 29) in the Musical Theatre New Zealand Community. On here you can share photos, experiences, ideas and connect. If you're moving towns and want to be involved in the society in your new town, or are after singing lessons, or if you know of auditions happening for a show, or you have a show you want others to come along to, or anything along those lines, post on here and we can help each other out!! We should even have our own hashtag!! #mtnznextgen - have fun sharing your experiences with everyone!!

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MTNZ would like to thank the following, most sincerely, for their support of the NextGen Boot Camp 2: MTNZ Major Sponsors

Huge thanks for all assistance and support to: The Holmes Team – Tracy, Ngaire, Gary, Rochelle Morrinsville Theatre for hosting the Technical Workshop ETNZ for their support of the Technical Workshop Aaron Chesham – ACLX Limited Jennifer Ward-Lealand Dale Henderson Teesh Szabo David Adkins Epworth Retreat and Recreation Centre Ian Page, Whangarei and Leonard Irving, Onewhero

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Registrations are now open – contact [email protected] for a rego pack or go on line www.mtnz.co.nz

Registration Fee – this includes EVERYTHING apart from your bedding which you can either bring with you or hire onsite. $50 with a $5 extra linen hire if you want to hire on site  you must be aged between 18 – 35 as at 18 August

Musical Theatre New Zealand Strictly NextGen – The MTNZ Youth Boot Camp 2 – 18, 19, 20 August

Weekend Programme

Venue: Epworth Retreat and Recreation Centre, Cambridge https://www.epworth.co.nz/

Friday 18 August 3pm All attendees to be in camp 3.30pm Welcome, housekeeping, health and safety briefing, weekend programme, introductions 4.15pm Knowledge Café - – interactive around the table group forum on ideas, topics, etc. that NextGen would like to discuss 6.15pm Dinner 7.30pm How to best work with your team on a production & how to resolve conflict with David Adkins From onstage to backstage, this forum and discussion (we want your ideas too) will give you tips and ideas on how the roles of the management team (Director, Musical Director, Choreographer, Production Manager, Technical people etc.) and the committee/board can come together to produce a great experience for all involved 9.15pm Wrap up – supper and networking

Saturday 19 August 7.30am Breakfast available until 8.30am 8am Technical NextGenners (Group Four) depart for Morrinsville Theatre – transport provided 9am Session One commences Group One – Master Class - Flying Solo with Jennifer Ward-Lealand Group Two – “Manipulation of the Elements of Choreography Vs. Genre” Exploring the interpretation of musical styles and how it affects movement quality – advanced dancers with Teesh Szabo Group Three – directing with David Adkins 11am Session One continues 1pm Lunch 2pm Session Two commences Group One – “Nailing that dreaded Movement Audition” – for ensemble and movers level with Teesh Szabo Group Two – Master Class - Flying Solo with Jennifer Ward-Lealand Group Three – directing with David Adkins 3.30pm Afternoon tea 3.30pm Session Two continues 5.30pm Down time 6

7pm Dinner 8pm Come together and practice group dance 9pm Supper and networking

Sunday 20 August 7.30am Breakfast available until 8.30am and pack out rooms 9.30am Technical NextGenners depart for Morrinsville Theatre 9.30am Q&A with tutors – Jennifer, Teesh and David with James facilitating 10.30am Showcase of group dance, a selection of the solo song performances and a selection of script from the directing students Midday Farewell and close training school for dancers, singers and directors; lunch and clean up camp 1pm Vacate camp

What to Bring (you can hire bedding from Epworth for $5) • Bottom sheet for mattress (the accommodation is shared single bunk beds) • Pillow case or your own pillow • A very warm sleeping bag, bedding and a hot water bottle • Towel and toiletries • Warm, comfortable and casual clothes - thermals, merino, hats, gloves, warm socks, slippers – there is heating but it is August, so come prepared • Good, solid shoes – no high heels please • Two copies of your song – in the correct key please. This is to be no longer than two verses/choruses so everyone can participate. • Note pad/book, pens, pencils

TRAINING WEEKEND WORKSHOP BRIEFS Groups One and Two MASTER CLASSES FLYING SOLO Telling the Story in Song with Jennifer Ward-Lealand In this workshop each participant is directed in a musical theatre song of their choice. There is a strong emphasis on identifying and developing the inner monologue, and how this focus serves the greater goal - that of engaging at a deeper level with the story of the song and, consequently, with the audience. Participants receive individual detailed direction and have the opportunity to observe their fellow classmates and engage fully in the process.

About Jennifer …. Since training at Auckland’s influential Theatre Corporate, Jennifer has worked extensively in theatre, film, television, musical and radio for over 30 years.

Jennifer was a founding board member of the Watershed Theatre and a co-founder of The Large Group and The Actors' Program. She is currently President of New Zealand Actors Equity, Patron of Q Theatre, and serves as a trust board member of Arts Regional Trust , Silo Theatre, Clarence St Theatre Trust, and Actors Benevolent Fund. In the 2007 New Years Honours List, she was named an Officer of the New Zealand Order of Merit for services to theatre and the community.

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In 1989/90, Jennifer toured NZ and internationally with THE FRONT LAWN and in the early 90s moved to Australia to appear in the comedy TV series FULL FRONTAL, and played Viola in the Adelaide International Festival’s production of TWELFTH NIGHT.

On stage her work includes THE GOAT, THAT FACE, BERLIN, BREL (Metro Magazine’s #1 Cultural Experience 2012), THE BOOK OF EVERYTHING (Best Ensemble & Excellence Awards, Auckland Theatre Awards 2015) for Silo Theatre, TWELFTH NIGHT, LE SUD, AUGUST: OSAGE COUNTY, THE HERETIC and LYSISTRATA for Auckland Theatre Company, RITA AND DOUGLAS for Armstrong Creative and BETWEEN THE SHEETS and LUNCHEON at the Basement.

Jennifer’s film work includes THE FOOTSTEP MAN, DESPERATE REMEDIES, THE UGLY, FRACTURE and LINDA’S BODY. Television and webseries include FULL FRONTAL, XENA: WARRIOR PRINCESS, HERCULES: THE LEGENDARY JOURNEYS, SHORTLAND STREET, DUGGAN, INTERROGATION, AUCKLAND DAZE, THE ALMIGHTY JOHNSONS,THE GOOD WORD, AWKWARD LOVE, HIGH RD AND DIRTY LAUNDRY. She is currently working on the new NZ feature film, VERMILLION.

Theatre directing credits include. JACQUES BREL IS ALIVE AND WELL AND LIVING IN PARIS and THE MYSTERY OF IRMA VEP for Silo Theatre, TIC TIC for Strata Creative, THE LAST FIVE YEARS and FALLOUT: THE SINKING OF THE RAINBOW WARRIOR for Last Tapes Theatre Company, THE CHOICE for The Blue Baths in Rotorua and most recently the Wellington season of HUDSON & HALLS for Silo (BEST PRODUCTION WELLINGTON THEATRE AWARDS 2016).

Jennifer devised and performed the cabarets FALLING IN LOVE AGAIN featuring the songs of Marlene Dietrich, and THE LOOK OF LOVE which she has toured extensively throughout New Zealand, and in Australia. She works regularly as a voice over artist and can be heard as the character of DORABLE DUCK on the children’s television series BUZZY BEE.

She is also a keen student in te reo Māori, beginning in 2008 at the Kura Pō at Pūkenga, Unitec. Since then she has studied at Te Wānanga o Aotearoa (Te Arataki Manu Kōrero 2012, Te Aupikitanga ki te Reo Kairangi 2013, Te Pīnakitanga ki te Reo Kairangi 2016) and at Te Wānanga Aronui o Tāmaki-makau-rau/ AUT (Te Pihinga 2014, Te Māhuri 2015) www.jenniferwardlealand.com

Choreography/Dance/Movement/Channelling Your Inner Sausage Roll with Teesh Szabo Group One - appropriate level for the “Just give me a bucket now or the sausage roll level (aimed at singers who need to move) “Nailing that dreaded Movement Audition” - discovering the inner dancer in you and be ready to wow that panel of creatives at your next audition

Group Two - appropriate level for the “Triple/Double turns and 90degree level and above performers) “Manipulation of the Elements of Choreography Vs. Genre” Exploring the interpretation of musical styles and how it affects movement quality

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About Teesh … A Palmerston North based Choreographer, Dance Educator, Director and Actor, Teesh’s journey and career has taken her around the world. Working on London’s West End Stage with shows such as Martin Guerre, Whistle down the Wind and Mamma Mia, highlights have included sharing the stage at the London Palladium with her biggest musical theatre idol Chita Rivera and theatre greats Tommy Tune, Cyd Charisse and Russ Tumblyn. She has also been fortunate to see the world performing on the high seas with Princess Cruise Lines and working as movement choreographer for many of our top ice skaters here in NZ. Equally passionate about dance education Teesh works with various dance and performing arts studios and is the Movement Specialist for Junior Theatre NZ dedicated to the development and promotion of junior musical theatre in New Zealand. She is currently developing a resource book titled “Destination DANZ” and is excited about sharing this with both students and teachers of Musical Theatre in the near future. Proud to be associated again with Musical Theatre NZ NextGen boot camp, Teesh jumped at the chance to return for the 2017 weekend and the opportunity to work with another group of talented energetic thespians. You will be challenged in ways you did not think you would. Just remember… “If you stumble, make it part of the dance”

Group Three - Directing 101 with David Adkins (this is an all-day workshop, so if you do directing, you can’t do choreography or Jennifer’s masterclass – this workshop includes practical directing and working with script) • The roles of the management team (Director, Musical Director, Choreographer, Production Manager etc) • What does a director actually do • The vision • Responsibilities • The need to educate • Preserving the illusion • Selecting a show • Time table formulas • People • The rehearsal schedule • Preparing and meetings • The crew • Auditions • Rehearsals • Dealing with beginners and prima dona’s • Common directing errors • What happens after opening • Plus a whole heap of other little bits and pieces and information • Practical exercise with participants “directing” each other using scripts provided by David before the weekend workshop.

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About David …. Born in London and raised in NZ, David has directed for a number of societies in the Auckland region. David’s theatrical experience includes directing, choreography, stage management, lighting design and operation, sound design and recording, props, crew, set design, production management and the very important role crucial to any production - tea person! David also worked professionally in the UK theatre scene in the late 80’s for two years as assistant stage manager and stage manager of a professional cabaret. Onstage David has undertaken leading roles such as Jesus (Godspell), Nathan Detroit (Guys and Dolls), Bill (Me and My Girl), Fagin (Oliver) and the MC (Cabaret). Leading roles in plays such as Run for your Wife, Caught in the Net, Boeing Boeing and Noises Off and Wilbur in Hairspray. Later this year, he will be directing Sister Act for Amici at the ASB Waterfront, and next year producing Mamma Mia and The Doris Day Special at the Bruce Mason Centre in Takapuna.

Out in the “real world” David has a long career in the corporate arena of retail, having held senior roles in major retailers operating throughout NZ and Australia. An Associate Fellow of the New Zealand Institute of Management, David has been a regular guest speaker at Auckland University and counts teaching as one of his most favourite things. David has a solid understanding of the challenges that societies face, both large and small, and the difficulties that committee’s face in producing shows – and dealing with all the personalities that form a show company. David has done several workshops for MTNZ and other arts and entertainment industry groups.

Group Four - The ETNZ NextGen Lighting Workshop with Dale Henderson and Aaron Chesham (ACLX) (this is an all day session and up until Sunday lunchtime, so if you do lighting, you can’t do any of the other workshops. This is not a lighting design course and will be held offsite at Morrinsville Theatre.)

Dale and Aaron will focus on understanding a range of lighting equipment, appropriate maintenance, how it links together, its safe rigging and operation.

Topics/Programme • Introductions • Health and Safety • Equipment – Types of Luminaires - Care - Use - Control. • Equipment – Dimmers, Lighting control • Equipment – Moving Lights and Special effects • The Production Process - Production Teams - Production Meetings. • Rigging – Focus – Plotting • Colour • Industry qualifications and training

About Dale .. Dale is a Director of Events Tauranga. With over 30 years experience as an Entertainment Technology technician, both professionally and in not for profit situations, Dale has a wide range of skills which he regularly shares with upcoming technicians. He is a past President of Tauranga Musical Theatre, past President of the Entertainment Venues Association of NZ, recipient of the MTNZ Merit Award, and is the current chairman of the Entertainment Technology NZ training subcommittee (responsible for developing the new Entertainment Technology qualifications). Dale has a special passion for Musical Theatre, Health and Safety, and training in the Entertainment Industry.

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Feedback from the first NextGen Boot Camp held in Dunedin last year … • As a singer I loved Jennifer’s session, I came home gushing about how amazing it was! I really liked that when each person went up to sing, even though they were performing, we were all learning. Every time a new person got up to sing we were observing Jennifer to see how she got to the real message with the singer, and what techniques were used to get there. With each of us she was able to get us to connect with our song and I will use the techniques I’ve learnt when I perform. • I'm still in awe with Jennifer's ability to turn the most inexpressive of us into real actresses and actors. Her connection with people is something truly special and amazing to be a part of. The classes exceeded expectations greatly and will packed with tips that I'll use to the full and upmost in future theatre opportunities • Teesh was so friendly and welcoming. It was so beneficial and interesting- the class really opened up my way of thinking when it comes to dancing. Teesh turned a not so confident dancer it to a confident dancer, by simplifying and explaining thing without using dancing terms and jargon- was such a great experience and I learnt a lot! • I greatly enjoyed Teesh’s workshop and as someone who has only really learnt dancing in musical theatre shows, it was nice to see that if you have a good choreographer you won’t be able to tell the difference between trained and non-trained dancers. The format of that session worked well for me as we started small and simple and then worked up from there • 10/10 - I felt great atmosphere was created by being out of reception, accommodation was just as I like camps to be! Great workshops also, Jennifer and Teesh were so clear in their individual points to teach - definitely taught applicable skills & ideas. The crowd of people there were all bubbly theatre enthusiasts like myself which meant everybody got along together really well. • I really liked the format of the weekend, I thought it was good to get the MTNZ questions and feedback done on the first night and it was interesting to hear how other societies worked. Being in a camp setting with no cell phone coverage was brilliant, we were away from the hustle and bustle and it really gave us the chance to connect with one another and put all of our energies into our vocal and dance sessions. • Cheese featured in every meal and awesome, awesome people

Feedback from David’s directing courses he has presented for MTNZ • David’s presentation was exceptional. He had a good sense of humour and was easy to understand. He never made any questions directed at him seem silly or irrelevant and kept me glued to him the entire day as so much of what he said was making sense. I have been to many conferences and training seminars and often it is hard to stay awake and stay focused especially if there is only one presenter. This was not the case with David • David was very entertaining and relevant. Interacted extremely well with the group. Responded to all questions respectfully and answered succinctly. Excellent planning and structure

James Wright – NextGen Boot Camp Hi all, just a quick message from me in regards to this year’s NextGen boot camp. I wanted to strongly encourage those of our members, ages 18 – 35, to register and get involved. For those of you who don’t already know, it is a boot camp for those interested in gaining further knowledge and skills, within all areas of musical theatre, through working along-side some of NZ’s best.

After attending last year in Dunedin and loving it, I was very hopeful that we would be able to have it in the north this year for the very purpose that more north island members could come with less financial restriction. Having the Bootcamp in Cambridge this year has made this so accessible to this area of NZ and so in my opinion, if you’re free that weekend, or can make yourself free, then go!

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We have the return of Teesh (choreography) and Jennifer (Singing), who were both outstanding to work with in their own ways. Whether you’re an experienced singer/dancer or not – give it a go! Regardless of your experience or ability, you can never stop learning.

Due to feedback from last year’s camp, we decided to include Directing workshops which will be run by David Atkins and lighting workshops which will be run by Dale Henderson and Aaron Chesham. Hopefully these will encourage our more tech-minded NextGenners to make an appearance.

In the last month I have managed to attend zone meetings in zones three and five. The response in regards to boot camp was awesome. In Zone three we had a strong seven NextGenners from Levin and surrounding areas who were very enthusiastic about potentially joining us this year, so that was a positive outcome. In Balclutha down south at the zone 5 meeting, all societies were enthusiastic about finding a way to send members. Ideas raised could include fundraising, charities, trusts etc.

This was great to hear because although they are as far away as they could possibly be from Cambridge, they were still enthusiastic and optimistic about ways to get involved.

If any of these areas interest you then do register and if you have any more questions then please ask away! Registrations open very soon and are only $50 which covers the ENTIRE weekend including food and accommodation. You just have to get yourself there. That’s all from me for now ☺ James Wright

Congratulations to the Merit Award Recipients of 2017 for their outstanding service to community theatre

Cath Robinson – New Plymouth Operatic Society – 52 years • Current member of New Plymouth Operatic since 1965 and ongoing • Appeared onstage in 28 productions starting in 1965 with Annie Get Your Gun • Head of department for cast catering for ten NPOS major shows, most recently Sister Act • Member of the New Plymouth Operatic local conference organising committee for both 2002 and 2017 MTNZ conferences held in New Plymouth

Cedric Taylor, Te Awamutu Light Operatic – 40 years • Cedric Taylor has been an active offstage member for the last 40 years. He has been involved in lighting, set design and construction for shows such as South Pacific, Blood Brothers, Fiddler on the Roof, and various pantomimes just to name a few. • The fact that he is a qualified builder has held us in good stead over the years. Not only for set construction but for general maintenance of the theatre. • He has also filled roles as committee member (short term president), bar manager for a number of years and is our Honorary Theatre manager. • As a society we feel very lucky to have Cedric’s wealth of experience and feel that this award would help us acknowledge the appreciation we feel towards him

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Deborah May – Morrinsville Theatre, Rotorua Musical Theatre, Centrestage Taupo, Auckland Playhouse – 20 plus years • Current President • Director for many successful shows • Musical director countless times • Is someone that Morrinsville Theatre would be lost without

Deirdre Miller – Rotorua Musical Theatre, Tauranga Musical Theatre – 21 years • Deirdre has never had a bad word to say about anyone (sounds impossible but it’s true) • Works behind the scenes on every show and the majority of our functions. Was the Rotorua conference coordinator working with MTNZ – a 329 delegate event • Has been an amazing Vice President and committee member over the years • Has worked tirelessly in the background for our society for many years – we’ve noticed.

Glenda Matchett- Pilgrim Productions - 33 years • Secretary of Pilgrim for 22 years • Member of Pilgrim since 1983 and Life Member since 2003 • Properties manager for numerous productions • Actress and pianist for many plays and musicals.

Graeme Lawrey, North Canterbury Musical Society – 31 years • The acquisition of the society’s buildings which was an obsolete technical studies block from a secondary school/ • Securing funding and assistance with the relocation of this building which has been the society’s home since the late 1980s • Front of house leads for all productions (20+ years) being the welcoming face for our audience members. • Excellent work as Treasurer for the Society.

John Drummond – Musikmakers Hamilton, Hamilton Operatic, Cambridge Repertory – 56 years • John has been involved in musical theatre for 56 years, joining Musikmakers in 1990. • He has performed in over 50productions, directed over 60 shows, designed the lighting for over 45 and was set designer for more than 35 productions • John has been the key driver in setting up and organising the Zone Two Zony awards • John is an active member of Musikmakers committee, assisting with both governance and decision making, as well as making meaningful contributions to many other dramatic societies throughout Zone Two and New Zealand.

John Walker – Papakura Theatre Company – 33 years • John joined in Papakura Theatre Company in 1984 as a muso and continued to play keyboards with our show orchestras for many years. He took on the role of MD twice but only ever persuaded to appear on stage just the once!

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• In John's 30 plus years with PTC, besides making music, he has been many things; stage manager, set painter, stage crew, sign painter, photographer, sound effects designer, sound operator, bar person, keeper of the key register and keys, publicity person - the list goes on! • John is a computer whizz - he designed the programmes and posters for PTC shows for many, many years. He set up our first website, put in place our first members' database and designed the membership form (which we are still using). He co-edited our club newsletter for more than 20 years. • John served two lengthy terms on the PTC Executive and his huge contribution to our Society was recognised in 1998 when he was awarded Life Membership of PTC

Joy Murdoch, Dannevirke Theatre Company – 47 years • 47 years’ member of Dannevirke societies • Wardrobe mistress for over 30 productions • Nothing too much trouble with needle and thread. • Still a regular committee member

Judy Thomas – Thames Music And Drama – 24 years • Judy is prepared to carry out whatever job is needed (onstage, offstage or with the committee) • She just quietly gets on with whatever needs doing – often you find she has come down to the rooms by herself to tidy up or sort wardrobe • Judy is incredibly reliable – if she says she will do it, you can be sure it will be done, without any fuss or bother • She is caring and thoughtful – she is the one who organises the gifts from the committee and reminds us of the needs of others

Lorraine Simmons – Manukau Performing Arts – 35 years • Lorraine has performed in over 30 shows at MPA, Dunedin Operatic Society, United Players Orewa and Masterton Amateur Theatrical Society since 1973. • Lorraine has coordinated the ticket sales for every show at MPA for over 10 years. • She has been on the MPA committee for nearly ten years including as the secretary • Coordinated tickets and seating for the NAPTA Awards for two years.

Mardie Sims – Auckland Music Theatre & North Shore Music Theatre – 28 years • 28 years of membership • Involved at club level and Civic shows • Savvy with a budget • Passionate and loving to all members and ages.

Marion Hines – Pilgrim Productions – 53 years • Founder of Pilgrim Productions • Chair of Pilgrim Productions for many years and is a Life Member • Costumes for many productions • Actor in many productions and touring plays.

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Merryn Osborne – Abbey Musical Theatre – 40 years • Involved with Abbey Musical Theatre since birth • Has undertaken almost every job there is involved with putting on a show. • An active and eager attendee of MTNZ conferences and zone three meetings. • Committee and board member several times and currently on the board of management.

Neil Lobb – Pilgrim Productions – 39 Years • Treasurer of Pilgrim for 12 years • Member of Pilgrim since 1977, Life Member since 2013. • Stage manager for numerous productions • Set designer and builder for numerous productions

Steve Lloyd – special merit award Steve, well according to him, he’s simply an old GBD (General Dogs Body) apparently ☺ Steve started at age six in theatre as an orphan in Oliver for Hawera Rep Society. He was involved in many shows through school years and moved behind the scenes at high school and local community theatres developing a keen interest in the technology of theatre.

Steve started an apprenticeship with Shell BP Todd and then spent 10 years traveling the world working on oil rigs looking after Fire and Control / Ship to Shore communication systems. They tried to kill him a couple of times so he got out and back to NZ before they succeeded. He then got back into theatre at that stage with Wellington Musical Theatre and spent the next six years involved in all aspects of technical theatre around the community theatres of Wellington – including on stage roles. He then relocated his business to Auckland and continued with theatre involvement with North Shore and Auckland Music Theatre but sold the business in Auckland, moved to Australia and got involved in pro shows in Melbourne in a technical capacity. After a few years, Steve returned to Wellington, and is now back involved with local community theatre in both on and off stage roles. With the impending changes to the Health and Safety legislation and the massive amount of work and detail that was required, Steve volunteered to assist MTNZ and its members work through the changes. Steve has spent countless hours developing templates, presenting at zone meetings and conferences, handling the many random email enquiries that come through the MTNZ office all for the love of theatre. Steve’s documentation has been shared with like minded organsiations in both New Zealand and Australia. Steve has spent hours and hours working on H&S for our societies in a totally volunteer capacity which is the main reason is he being recognised today for his outstanding contribution to New Zealand community theatre and the wider arts and entertainment industry.

Steve has a passion for theatre and the people within it. “Nowhere in our communities do you have any member based society that has the diversity of age / ethnicity and skills that you do in theatre”, he says. “It would be true to say that theatre drove my technical interests into what I now do professionally. I thank theatre for the opportunities it has provided me in life and the lifelong friends I have made.”

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Zone One – Emma Bishop, Zone Rep Zone One as always is a busy place - in fact July sees eight shows for MTNZ members alone. We had our first meeting for the year on the 20th May - most societies were represented. We had a fab discussion and discovered most societies were dealing with the same issues. This has given us a great place to start with a plan for each society to have one rep to come to meetings - Issues include - membership numbers / sharing resources / more technicians / getting the audiences. Thanks to Daniel Pepperell for flying up to support me in my first meeting and to report back on MTNZ, also to AMT for hosting.

I have had the pleasure of seeing two youth productions since becoming the Zone One Rep - firstly Beauty and the Beast Junior at Papakura Theatre Company and secondly Little Shop of Horrors at Centrestage. It is very exciting to see so many up and coming performers in these shows - hopefully they stay on and grow through with their societies.

Zone One say goodbye to one of our Societies in June this year. Pilgrim Players will have their last celebratory Dinner on the 10th June with a final AGM on the 13th June Marion Hines - Chairperson stated in a letter tabled at our Zone One Meeting that "Pilgrim has very much enjoyed its association with Musical Theatre NZ, local groups in Auckland, and the challenge of entering the NAPTA awards." Thanks Pilgrim and all the best from MTNZ. I am looking forward to attending the Theatre Marketers Hui with Kate early June and then attending the Creative NZ Nui te Kōrero Talking about Diversity – representing MTNZ.

Company Theatre presents 'Ladies Day', a warm-hearted comedy by Amanda Whittington that will make you both laugh and cry. Four fish-filleting women from Hull abandon their factory posts for a day of fun and frivolity at the races in York, and reveal more of their dreams, passions, aspirations and disappointments. The production runs from 12-26 August at The Rose Centre, Belmont, Auckland North Shore. Wednesday - Saturday at 8pm, Sunday matinees at 2pm. Tickets $25 or concessions $20. To book or for more information, phone 094456447,

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Auckland Music Theatre presents NINE Book by Arthur Kopit, Music & Lyrics by Maury Yeston. Adaptation from the Italian by Mario Fratti Directed by Aaron Tindell Music Directed by Chris Moore Choreography by Emma Carr Made known by the 2009 Movie Musical version starring Daniel Day-Lewis, Kate Hudson, Nicole Kidman, Penelope Cruz, Judi Dench and more. Based on Italian director Federico Fellin's comic masterpiece of biographical filmmaking, 8 1/2, Maury Yeston's sultry and enchanting musical follows the life of world famous film director Guido Contini as he prepares his latest picture and balances the numerous women in his life. Contino is also, after recent box office failures, drifting towards a nervous breakdown, from which he is held back only by the support of his wife, Luisa. As his sanity disintegrates, he drifts into nostalgic reverie, eventually focusing on the formative sexual encounter of his life. Onstage at Westpoint Performing Arts Centre: July 15 - 29. Buy tickets from www.iticket.co.nz

Audition Notice Chitty Chitty Bang Bang - 1st and 2nd July 12-6pm - 3rd July recalls from 7pm To book an audition please call 09 4267282 or email [email protected]

Food, glorious food! Charles Dickens’ beloved novel Oliver!, which takes audiences on a wild adventure through Victorian England, is brought to you by the Kerikeri Theatre Company at the Turner Centre in July. It's a huge undertaking, with a large cast of wonderful local actors, an enthusiastic band of Fagin's gang of pickpocketing kids, and a full chorus lineup. This is the Lionel Bart musical production, directed here by Barbara Kirkman whose recent show 'Allo 'Allo was a runaway success. Join young, orphaned Oliver Twist as he navigates the London’s underworld of theft and violence, searching for a home, a family, and - most importantly - for love. When Oliver is picked up on the street by a boy named the Artful Dodger, he is welcomed into a gang of child pickpockets led by the conniving, but charismatic, Fagin. When Oliver is falsely accused of a theft he didn’t commit, he is rescued by a kind and wealthy gentleman, to the dismay of Fagin’s violent sidekick, Bill Sykes. Caught in the middle is the warm - hearted Nancy, who is trapped under Bill’s thumb, but desperate to help Oliver, with tragic results. With spirited, timeless songs like “As Long as He Needs Me,” “Food, Glorious Food,” and “Where is Love,” Oliver! is a musical classic. Tickets are on sale at the Turner Centre from April 20 - $25 adult, $15 student/child. Contact the Centre for details of show dates and times. Do not miss this one. It is shaping up to be a spectacular show! Caption: Extravagent musical classic: Junior members of the cast and chorus of Oliver are in rehearsals now. The show will play for five nights and two matinees at the Turner Centre in July. Don't delay. Book today! (photo supplied)

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MTNZ Life Member and Past President John Antony QSM is remembered ..

A lovely seat outside the Pumphouse Theatre. No doubt John will be sitting there keeping an eye on the place – we miss you JA

Auckland Music Theatre Inc hosted a very successful Auckland regional First Aid and CPR course with 20 attendees from other societies and professional arts organisations.

Zone Two with Zone Two Rep Tracy Holmes Hey everyone - Hope this all finds you well as we move into winter. What a wonderful first few months as Zone Rep. I have visited several societies and seen some amazing shows, thank you all for the hospitality you have shown.

We are now working on putting together our zone meeting for 1 July hosted by Morrinsville Theatre. The agenda is below and we are going to have a day meeting with lunch, thought this would work well for winter. Your invite will be coming out very soon. The Zony nominations will also be announced at the Zone meeting we have 25 shows entered this year so our judges have been extremely busy. I know Kate has been busy working on the NextGen Boot Camp that is going to be held in Cambridge in August. I look forward to seeing all you “young” ones there! You will find me in the kitchen. This will be an amazing weekend and so valuable with so much to be learnt, please look at getting as many of your NextGenners there as possible. Till next time – Tracy - Zone 2 Rep

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Musical Theatre New Zealand – Zone Two Meeting Hosted by Morrinsville Musical Theatre 19 Anderson St, Morrinsville

Saturday, July 1 at 11am

AGENDA

11.00am Welcome, Roll Call & Housekeeping

11.10am Society Reports (Please send a written report to Tracy no later than June 20th) You will be asked to provide three highlights of this report on the day

Corporate Guests – you will be given the opportunity to speak

11.30am MTNZ News Desk

11.45am MTNZ Information Sessions and brainstorming Grass Roots Communications – Daniel AGM Awards – Tracy

12.15pm LUNCH

1.15pm Strategic Plan Presentation – Kate APRA Song Rights – Rochelle NextGen Bootcamp – Kate

3.00pm General Business (If anyone has anything they wish discussed please have in writing to me at the beginning of the meeting)

3.15pm Afternoon tea

3.30pm Musical Highlights from Morrinsville Little Theatres Youth Production ‘Alice in Wonderland’

4.00pm 2016 – 2017 Zony Nominations

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A Shortcut To Happiness by Roger Hall Directed by Peter Till Performing Arts Taumarunui Inc

Roger Hall’s A Shortcut to Happiness has just finished a successful run at Taumarunui’s Little Theatre, poking affectionate fun at the middle aged Kiwi’s search for fulfilment.

Shortcut To Happiness centres on Natasha, newly arrived in New Zealand from Russia and trying to eak out a living while improving her English. She opens a dance class, and in doing so brings together a group of mismatched characters who hope that dance will lead to fun, companionship, exercise and maybe more besides!

The pleasing romp waltzed along with laughs in abundance, and poignant scenes too portraying the growing friendship between Natasha and the kindly but older Ned. This was the first time on stage for the play’s lead, Klara Spiers, who was delightful as the straightlaced Natasha. Klara’s natural elegance and dignity were perfect for this graceful but feisty dancer and she was utterly believable as she stamped, swore and shook her head in confusion at her baffling students. Klara drew on her own experiences as an immigrant from the Czech Republic to bring a wonderful realism to the role.

Alongside her was Little Theatre stalwart Jonathan Lane, sympathetic and kindly as the patient and lonely widower, Ned. Taumarunui audiences were treated to classic Jonathan in a role that was perfect for him. He did not disappoint as he dispensed tea, sympathy, advice and awkward dance moves. Art imitated life as accountant Jonathan and musician Klara played out the friendship of Ned and Natasha with warmth and humour.

Peter Till’s careful and detailed direction cultivated some great performances from the other actors in this entertaining piece. Glenda Street was brilliantly pompous as the supercilious Bev, hauling her lapdog husband Ray, the almost silent but hugely expressive Paul Kuriger, from recorder group to dance class to Probus Club. Katy Bolten and Toni Iles were the best friends Laura and Janet, joined at the hip and trying to jazz up their dull lives by taking up a new hobby. Their double act was hilarious and their timing excellent. We’ve seen Heather Long on stage a few times in recent years, but as tart with a heart Coral she was blousey and boisterous and quite unlike anything we have seen her do before! Yet it was Finlay Long, as the suave Sebastian, who really put the cat amongst the pigeons and set the pulses racing - and not just because of his debonair polka!

Four generations of Theatre Whakatane performers were together at our recent production of Seussical which ended with two full houses on the final two days. Sue Harris, MTNZ Merit award recipient, and the director of the show was there with her mother Oriole who was a regular performer and Director with Whakatane Operatic and has been a member of Theatre Whakatane since the society was formed. They were joined by Sue’s daughter Katt Chapman and grand-daughter Micaiah Kingi, who at five months old appeared on stage as the “Elephant Bird”. Definitely a special theatrical family event! Before the hugely successful show ended we’d also cast our next production, Little Shop of Horrors, being directed by Trace Tidd, and going on stage August 25th- Sept 9th. (Cast details and promotional poster attached). Rehearsals are set to begin at the start of June. 20

Te Awamutu Light Operatic Society closed their two week season of Blood Brothers on Saturday May 20th. From the first get together to read the script, it was clear that the twelve weeks of rehearsals would require commitment and focus to do justice to the Willie Russell’s complex script and score. The dedication by all involved in this production found from opening night through to closing the audiences were obviously moved. They were generous in showing their appreciation not only to the cast and orchestra, but to all involved. Reward indeed!

Rotorua Musical Theatre Avenue Q - June 16 - 1 July 2017 - Director Alasdair Hay Shrek Jr - September 1 - September 16 2017 - Director Natasha Benfell We also have Mary Poppins coming up in 2018 - March 9 to March 24 - Director Dean McKerras

We are less than two weeks out from performing our major show for 2017, and things are coming together amazingly well. As far as we know, this will be the first time a full “Disney musical” will have been put on in the Coromandel area, and we are confident that the audiences are in for a great experience. With our experienced vice-president Dianne Connors co-directing with Next-Genner Emily Bisset (who is also choreographing and providing vocal coaching), and our “Belle” being played wonderfully by Marama Sands-Gage (who started shows with us as a little elf in “Shoemaker And The Elves” in 2010 and who has wowed everyone as part of the Andrews Sisters trio over the last two years and at the 2016 ANZAC service), we are confident that we have something that will be talked about for a long time. There have been many challenges to putting this production on, and we must acknowledge the assistance of the societies and individuals within the musical theatre community who have been incredibly supportive of our efforts. Challenges (like the stage area being too small to allow rear projection, inability to find enough musicians, cost of ticketing providers, the “Transformation” scene) have called for novel solutions (using the floor of the auditorium as the stage and altering the configuration of the seating, enhancing the musicians with orchestral backing tracks, using our own website to provide online ticketing, but you will have to see the show for the solution to the “Transformation” challenge!). It has been wonderful to see the offers of help come from the local community, whether it be sponsorship of cast members, or businesses helping to cover production costs (without which we would not have been brave enough to have even contemplated this show). Who would have thought that the local high school photography teacher would have a background in fight choreography? Or that the new coffee bar owner could step into the role of “Beast” with such energy and ability? It is no exaggeration to state that Thames Music And Drama truly is “community theatre”!

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Zone Three – Sharron Pardoe – Zone Rep The Zone Three meeting on a sunny Saturday in May proved to be an insightful and fun day. Levin Performing Arts Society hosted the meeting in their theatre venue and provided a lovely lunch.

NextGen rep James Wright talked about the Nextgen Bootcamp and I think some of the younger people at the meeting were ready to sign up on the spot. Steve Lloyd, our health and safety man and recent Merit Award recipient, moved his sessions outside - talking to small groups around a table in the sunny courtyard. Sonya Aifai presented on promoting children's theatre to build a healthy society and these proved a real hit. Sonya is a great speaker and has a wealth of experience. Davina Roper took it upstairs to the dressing room where she talked about looking after and dressing wigs. The session speakers did a great job and it was a fantastic meeting. We have had some positive feedback. Thank you all for presenting.

Meanwhile we have formed a small investigative group to look at holding a Zone Three Awards night to celebrate our productions. Zone One has the NAPTAs, Zone Two the Zonys and Zone Five the OSTAs. These involve panels of judges reviewing shows entered in the awards and scoring them on a range of criteria. If we go ahead with this, it will be purely voluntary for the societies to enter - some are happy with their own in-house awards. It's a big undertaking and would involve sponsorship and a grand function at the end of the reviewing year. If you think this is a good idea, please let me know [email protected]

Kate and I have seen some great community theatre productions in the last few months from Be Bop Ba Lupa in the Hutt to Suessical in Porirua. We also attended a parliamentary breakfast with the Minister for the Community and Volunteer Sector and also represented MTNZ at the ETNZ rigsafe seminar.

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New Plymouth Operatic Society Les Miserables Director Announced

New Plymouth Operatic today announce that premiere Director Warren Bates has signed on to direct the societies 2018 production of Les Miserables.

"From the moment we heard a whisper that the Les Miserables rights might be becoming available, we hoped we would be able to secure Warren’s services” said New Plymouth Operatic President Kevin Landrigan. “Les Mis is a Warren show. He will create an outstanding production that we will all be very proud of”.

In 19th century France, Jean Valjean is released from 19 years of unjust imprisonment. He breaks his parole in hopes of starting a new life, initiating a life-long struggle for redemption as he is relentlessly pursued by police inspector Javert. Bates has previously helmed productions including Miss Saigon, The Phantom of the Opera and Sister Act for the society, that have achieved outstanding critical and box office success

Warren has been involved in the Performing Arts and Entertainment industry for over 25 years. His many credits include being Company Manager of The Australian Ballet for tours of Australia and throughout the world; Company Manager for the Australian and South East Asian tour of The New Rocky Horror Show starring Craig McLauglin and Gina Riley :Associate Producer for the Australian tour of A Tribute to the Blues Brothers starring Russell Crowe and General Manager for Paul Dainty Productions, the promoter responsible for bringing 'down under' international acts like Michael Jackson, David Bowie, Rolling Stones and Pink Floyd including the stage shows, 'Mamma Mia', 'Jersey Boys' and 'Hairspray'

His experiences within the Industry also include the position of a Sydney based casting director/agent, Stage Management for several professional Australian touring productions, Entertainment Director for P & O cruises, plus, musical director/director of several cabarets and musicals. He also founded and was Artistic Director of The Victorian Youth Theatre in Melbourne, which was formed for actors who were, or wanted to work in professional theatre. Warren returned 'home' to Taranaki in 2005 and has since founded Stage Centre, a performing arts school covering many aspects of theatre including improvisation and musical theatre, and in 2006 was appointed as NPOS Artistic Director.

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“I’m delighted to be given the opportunity to direct Les Miserables, one of my very favourite musicals” says Warren. The New Plymouth season will be the premiere of the NZ Musical Theatre Consortium’s 25th Anniversary tour of the production. “I will be looking to bring a fresh Les Mis to the audiences” commented Warren “I will be really looking to bring out the dark-side and true pathos in the show”. “I don’t want to just do a repeat of what people saw 25 years ago”. Auditions for Les Miserables are scheduled for November this year

Expressions of interest for other Heads of Department roles are now also open. Roles available include Orchestral Director, Vocal Director, Choreographer, Production Manager, Company Manager, Marketing Manager, Assistant Stage Manager, Props Supervisor, Make-up Supervisor and Hair Supervisor. Expressions of interest must be made in writing to New Plymouth Operatic, and sent to the NPOS office on [email protected] (Ensuring expressions of interest follow the advised process will be critical in the assessment of your expression!).

NPOS IS PROUD TO BE STAGING THE PREMIERE OF THE NZ MUSICAL THEATRE CONSORTIUM 25TH ANNIVERSARY TOUR

Upper Hutt Musical Theatre A huge congratulations to the production team, cast, crew and pianist of “The Musical of Musicals - The Musical”. What a season and the audience feedback truly reflected the hard work by put in by everyone, to bring together an amazing show. So now it’s time to have a rest, although we are very keen to carry out a working bee or two before then, our auditorium, bathrooms and kitchen are in desperate need of a repaint and the wardrobe continues to need tidying and be catalogued. We now move onto to our next shows with “All Shook Up” directed by Andrew Watson in November 2017, auditions on 23rd July 2017. This will be followed by “Blood Brothers” directed by Jenny Quin in May 2018, auditions on 27th January 2018. As we leave autumn and head into winter we hope you all stay safe and warm

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Beauty and the Beast Stunningly Good

Hawera Repertory’s latest production, Beauty and the Beast is truly remarkable - with something to suit all tastes - high energy dancing, memorable songs, comedy and drama, spectacular sets and costumes. This review was of their dress rehearsal and with the season due to start on May 25 at the Hawera Memorial Theatre, everything is already ‘on the button’. The season runs until June 3 and this show is an absolute ‘must see’ for everyone whatever their age. The production of Disney’s Beauty and the Beast has music by Alan Menken and lyrics by Tim Rice - well known for his collaboration with Andrew Lloyd- Webber in Jesus Christ Superstar, Evita and many others.

The show is superbly directed by Samantha Turner, who adds to her string of accomplished directive accolades, although this is her first musical. She has excellent support by skilful musical direction by Shaun Campbell and inspired choreographing by Kirsty Bourke, as well as great direction behind the scenes by Donnella Weir (Production Manager), Sandra Richards (Stage Manager) and many others in the backstage team.

The story revolves around an assertive beauty Belle (played by Krystal Leuthard) and the misunderstood grumpy Beast (played by Bergen Raikes). These actors played their parts with great finesse and passion, complemented by tuneful singing.

The cast have been carefully chosen and all play their parts with excellent comic timing. It would be hard to pick out any for special praise, although Bergen Raikes Beast will long stay in my memory - it was hard to believe that the handsome prince was the loathsome Beast. A huge talent here.

The sets and costumes are simply remarkable - I don’t think I have ever seen better. The LED screen backdrop, which changed as the show progresses, was breathtaking in its colourful character. I loved the olde world scenes of stonework, mills, ancient cottages and village wells.

All people (form all sides of the stage and beyond) who have worked hard to make this show as good as it definitely is - and it would be hard to imagine better - must be complimented. Last word - don’t delay, go and buy your ticket before they sell out.

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Zone Four with Zone Rep Ross Benbow A busy time in Zone Four with a number of AGM’s and changes to committees and also a lot of shows. Blenheim Musical Theatre did both with a revamped committee and a successful production of Annie in their own premises.

Nelson Theatrix, using a set that toured Dannevirke, Putaruru and Palmerston North a few years ago, played Fiddler on the Roof in both Nelson and Motueka to very good audiences followed by a second unplugged concert night for members to show their talents at Nelson Musical Theatre at Founders. These nights give singers a chance to shine amongst their peers and there are two more coming up during the year.

Nelson Musical Theatre had a great turn out for Mamma Mia auditions and are now in full rehearsal for a September 3rd opening. They have also spent time re-doing job descriptions and contracts for production teams and a new Code of Conduct for members involved in shows. This includes crew, front of house personal, marketing, in fact anyone involved with the production. Waimate Theatre Company have just finished The Wizard of Oz, not without drama though. The scarecrow broke his leg and was replaced in the next performance by the drummer who in turn was replaced by a new drummer in the band. Who said small towns don’t have a depth of talent.

Variety Theatre Ashburton have just finished a season of a very enjoyable The Addams Family and are now planning Mamma Mia as their 10th anniversary production of the Ashburton Events Centre. After staging the $1million Priscilla Queen of the Desert, Showbiz Christchurch in association with NASDA mounted their first ever concert An Evening With Rodgers and Hammerstein Classics. With a 30 piece orchestra and 120 singers this was a fabulous evening. Now they are in rehearsal for Sister Act. Halswell Dramatic are in rehearsal for The Wedding Singer opening in 10 weeks. They are also now actively involved with the Halswell Theatre Management Trust with four members on the Trust committee. This augers well for both the Trust and Dramatic company. Greymouth Operatic are on a roll with a successful show under their belt, a new full committee and a plan for the future so watch this space. Onwards and upwards.

Nelson Musical Theatre are also busy working on the MTNZ AGM and Training weekend 2018 which coincides with the 60th Anniversary of their current society. For a great week end set your sights on Nelson, March 2018. Zone Four meeting is 1st July in Ashburton so let’s make it a big successful week end and anyone from other zones who is in the vicinity at the time are most welcome to attend. Agenda is below. Ross Benbow 29

Hosted by Nelson Musical Theatre. Accommodation to suit all budgets - Monaco; Honest Lawyer; Saxton Motor Inn. Friday night - Wild West theme and Saturday night is a Midsummer Night's Dream - come as your fave Shakespearean character and Nelson, fingers crossed, will provide the summer night :-) More details to come .....

Patrice Hammond During the month of March I was lucky to become a recipient of the MTI Nola Speir NextGen Encouragement Award after being nominated by my society, Variety Theatre Ashburton. Because of this I am very excited to be attending this year’s NextGen Boot Camp and look forward to meeting other NextGenners from society’s around New Zealand. Only two years prior to winning my award, I had attended my first ever MTNZ National Conference in Christchurch at the Isaac Theatre Royal after being a committee member of my society for about 6 months. On the Friday night, I watched the awards presentation and thought to myself that one day I would love to be a recipient of one of the fantastic awards that were on offer. I left conference that weekend with a lot of inspiration to bring as much passion as I could to our theatre company – and did just that. I have now been a committee member for nearly 3 years, have participated on both the production team and/or performed in each of our annual shows, worked towards compliance for H&S in our society and am now chairperson for another local society along with having worked backstage for Showbiz CHCH just this year. Thanks to MTNZ and the NextGen initiative – people such as myself are being recognised and given more responsibility in their said societies, and can meet likeminded NextGenners in forums such as conference and the boot camp. So, if you fall in the NextGen bracket and would like to be a part of this encouraging movement – come along to this year’s Boot Camp. Big thanks go to MTI, MTNZ and Variety Theatre Ashburton for the award and opportunities. 30

MUSICAL THEATRE NEW ZEALAND – ZONE FOUR MEETING

Hosted by Variety Theatre Ashburton at the Ashburton Trust Event Centre, Bradford Room, 211 Wills Street (opposite VTA Rooms)

Saturday 1 July 2017 – 10.30 am - Coffee from 9.30 am

10.30am Welcome and apologies 10.30am Housekeeping 10.35am Roll Call 10.45am Society Reports - Please send Dianne three or four highlights from your year’s activities no later the June 24 even if you are not attending. Please also send Dianne the main contact person who should be receiving correspondence – ([email protected] ) Corporate guests – you will be given the opportunity to speak 11.15am Survey participation – Glenn Vallender. There will be a Q and A session after Glenn has completed his presentation. Health and Safety – Carl Sheehan Consortiums for smaller venues Strategic Planning – Carl How to keep Zone meetings fresh What else do you want to see at Conference? Privacy Information, Code of Conduct How much do you know about MTNZ Awards, and do you have members who could be eligible for any of these, or for individual society Life Memberships? 12.30pm Lunch break 1.30pm Job Descriptions – Carl Membership, and how to keep it growing 2018 Conference in Nelson – Ross The process and protocols for obtaining song rights for home written shows Strictly NextGen – the MTNZ Youth Boot Camp 2017 2.30pm General Business MTNZ Services – Capital Assistance Fund, Advice, Spotlight, Website, Insurance

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For those arriving on Friday, Dianne will arrange a meal venue and let those coming know where this will be, but probably Speights Ale House. Anyone wishing to stay on for a meal after the meeting, the same applies, but I thought The Stables Restaurant in Tinwald (over the bridge, heading south) would be a suitable place. There are several motels available along with Hotel Ashburton (which has changed hands, so I have not heard any reports of the standard their now). I would suggest Ashburton Motor Lodge – on the way into Ashburton from north, or Bella Vista Motel, a block closer to town. Please have numbers into Dianne by 24 June for meeting and meals. Zone Five with Zone Rep Helen Horsnell - Report from the Deep South A busy start to the year and winter has crept in a little early. We had our zone five meeting in Balclutha on 20th May and mother nature decided to make her presence felt by cooking up a snow storm and interrupted the travel plans of a number who were going to attend. So we had quality and not quantity but a good meeting for the 20 who attended. Our thanks to Kate Ghent and David Bosworth for running workshops and to the people who drove through the snow to attend. Huge thanks to South Otago for hosting and providing a fabulous lunch. It was great to also have James Wright the new next gen rep, attend and ease his way into life with MTNZ. A number of people were able to see Taieri Musicals production of ‘Mary Poppins’ in the evening in Dunedin. Our thanks to Taieri for a great night out and a very polished show.

The OSTA’s continue to prosper and this year has seen a changing of the guard with a new president, secretary and committee taking over. A big thankyou to Doug Kamo and Chris Hinch for all their contribution to setting this up and overseeing the first three years. Blake Luff and Marie Maker take over the reins and will be pivotal to their continuation. Next year in February we are taking the awards evening to the country, as West Otago in Tapanui will be hosting. Looking forward to another fabulous night of celebrating theatre in our region.

Lots of great shows to look forward to in the region coming up, with ‘Sister Act’ in Invercargill in July and both Gore and Queenstown producing ‘Mama Mia’ this year. ‘Grease’ in Alexandra, The Vicar of Dibley in Tapanui, ‘Allo Allo’ in Dunedin, ‘Cheshire Cats’ Te Anau, Four weddings and a Divorce in Oamaru. Earlier in the year, Wakatipu High School had a great season of Fame – the musical, South Otago produced flagons and Foxtrots, Clyde performed ‘Cinderella Meets the mother-in-law’ and East Otago has a sold out season of ‘Anything Goes’.

South Otago are in their Jubilee year and will be having a celebration weekend August 11 – 13 and are busy rehearsing for their show called ‘50 Curtain Calls’. So the hunt is on for as many passed members to attend the celebrations. Alexandra musical also is having their 60th jubilee year and plan to celebrate with a compilation show at Blossom festival, which has always been the traditional spot on their calendar to produce their main show. If you are a past member and plan to attend Blossom festival check out their Facebook page – Alexandra musical Society 60th Jubilee. All in all, musical theatre is alive and well in the south. 32

REPORT FROM EAST OTAGO MUSICAL THEATRE We started 2017 with rehearsals for ‘ANYTHING GOES’ by Cole Porter in early February. The show was performed at the East Otago Events Centre on 24th, 26th – 29th April, and each session was a sell- out! What a great show! It was EOMT’s ninth annual theatre restaurant, and its fourth show directed by Helen Horsnell, who commented that the show was definitely a great community effort. There were even five members of one talented local family in the show! The amazing set and costumes, choreography by Emma Holloway, live band led by Sam van Betuw, and talented cast combined to bring the spectacle to life. It was not without its challenges but everyone rose to the occasion and the show was extremely well received by its patrons.

For our tenth anniversary next year, director Helen Horsnell will compile a show called ‘Celebrat10n!’ which will showcase hits from our previous nine productions. Everyone is really looking forward to working on this innovative musical. So Musical Theatre is well and truly alive and thriving in East Otago

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Playing Around in South Otago

While a travelling production is not something new for the South Otago Thearical Society, it was something they hadn’t done for some years. Thus, in early 2017, a small group of SOTS members started Playing Around. “The last touring production was Ages And Stages, back in 2005, so it was time that we re-visited the concept” said Playing Around’s Production Manager Ngaire Taylor. For this production, she said, 8 one act plays were been chosen, all of which were prizewinning plays from the UK based Pint-sized Plays competition. “Each one was chosen solely for its audience appeal, but we also felt that Pint-sized Plays fitted our travelling plan ideally, as their concept arose from a desire to take theatre out to the people, and to maybe reach folk who might not otherwise come to a theatre.”

A touring production like Playing Around had different challenges to one being staged in a single theatre, Taylor said. Set had to be minimal, moveable, and of a size that fitted any situation. Lighting and sound had to be operable from a small lighting board and computer, with stage lights mounted only on tall stands at the sides of the stage. “With this minimalistic approach, the emphasis becomes focused on the characters being presented to the audiences, and the stories that they are telling – because at the end of the day we have to be able to deconstruct everything – from lipstick, powder and clothes, right up to cables, spotlights, props and set, tea, coffee and biscuits - and pack it away in our covered trailer for the journey to the next hall.” “The two weeks touring were rather frantic, but a lot of fun”, she added. Nine actors were involved, busily learning lines and staging for the eight plays, and coping with the challenges involved in playing one character for 5 or 10 minutes, then having to return to stage in an entirely new persona for the next play.

In Playing Around, the audiences were invited to take their imaginations into places as varied as Margaret and Brian’s car with it’s rather un-orthodox hitchhiker, Lucky (the dog) and Miss Kitty’s living room, an isolated railway station on a dark night, and finally into a plane with Tim, Jane and Rex on their parachuting trip. Having a selection of plays like this meant there was something for everyone in this travelling production – and laughter was guaranteed! A number of small community halls throughout the district were visited on the tour, with audiences giving positive feedback and invitations to return. The South Otago Theatrical Society were spotted Playing Around in Clinton, Waitahuna, Waihola, Owaka, and Kaitangata, and finally at their own theatre in Balclutha. The troupe enjoyed their tour every bit as much as the audiences did, and rumour has it that they could well be seen Playing Around Again before too long!

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October 28th - South Island Meeting – Oamaru this year – put it in your diaries now We will have a session on the new reporting standards and changes to the incorporated society act. Sue Barker from Wellington will repeat her forum and seminar from New Plymouth conference and she will take a workshop on this to help those who are not sure what is required.

The new Incorporated Societies Act and your constitution – what your Society needs to know Presenter: Sue Barker – Sue Barker Charities Law Sue will discuss the new Incorporated Societies Act and how this will impact the non-profit sector going forward. Bring your current constitutions and work through them with Sue and your questions as well. This is a follow up session from Craig’s seminar on the new reporting to Charities and we encourage all Society members to send at least one person to this seminar with Sue. Like the Health and Safety Act and the new reporting standards, all non-profit organisations need to know the changes and the implications – so be in the “know”.

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ETNZ CONFERENCE AND TRADESHOW

ETNZ 2017 Conference and Tradeshow. 4-5th July at Te Whaea: National Dance and Drama Centre, 11 Hutchison Rd, Newtown, Wellington. You can download a brochure from the ETNZ website www.etnz.org

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National Volunteer Week 2017 National Volunteer Week (NVW) 2017 will be held from 18 to 24 June. This year’s theme is “Live, laugh, share -- Volunteer” or “Kia ringa hora: Me mahi tūao.”

This positive message is about celebrating what volunteers bring to their communities. It is important to recognise volunteering and the place it has in keeping our communities strong and healthy. View the Resource Guide PDF.

>> For more information and the campaign toolkit and

images, visit: www.nationalvolunteerweek.nz

The International Junior Theatre Celebration comes to New Zealand!

Saturday 21st October, 2017 – Aotea Centre, Auckland

AMICI Trust, in collaboration with international partner iTheatrics and sponsor Music Theatre International, Australasia, will premiere the Junior Theatre Celebration in Auckland, New Zealand on Saturday 21st October, 2017.

The Junior Theatre Celebration hosts national and international musical theatre celebrities and provides an opportunity for young people ages eight to eighteen years in New Zealand to celebrate their love of musicals and experience the transformative power of theatre.

The Junior Theatre Celebration is inspired by the renowned American Junior Theater Festival (JTF), produced annually by iTheatrics’ Junior Theater Group, in partnership with iTheatrics, the leading international authority on musical theatre for young people, headquartered in New York City, USA. iTheatrics’ flagship Junior Theater Festival is held in Atlanta, GA USA in January each year with over 6,000 participants in attendance.

Modelled on this popular Junior Theatre Festival event, the inaugural New Zealand Junior Theatre Celebration day will be held in Auckland in October 2017 hosting 200plys young people and a number of practicing performing arts teachers from all over the country.

We are thrilled to announce that this event will include special guests including: Timothy Allen McDonald (musical theatre author and founding chairman of iTheatrics, New York), Steven G. Kennedy (iTheatrics Resident Choreographer, New York), Marty Johnson (iTheatrics Director of Education and Resident Director, New York), Cindy Ripley (iTheatrics Lead Educational Consultant, New York), and Stuart Hendricks (MTI Australasia).

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What is the Junior Theatre Celebration? It’s a one-day event that brings teachers, students and theatre professionals together to celebrate outstanding junior musical theatre productions.

The day includes adjudications by local and international industry professionals, workshops for students, theatre celebrities, a New Works Showcase of titles soon to be available, awards ceremonies and the largest collection of musical theatre professional development under one roof.

Throughout the day, participating groups present a 10-minute excerpt from their recent Broadway Junior ™ musical in front of their peers and an adjudication panel of distinguished theatre professionals. Following each performance, students receive valuable and constructive feedback from the adjudicators. This work is done in front of other participating groups and is designed to enlighten and educate both teachers and students on and offstage. The day then flows into skill-building workshops for students and offers professional development opportunities for teachers.

This closing ceremony presents awards to participating groups, and also features an All-Star performance given by students handpicked throughout the day, talk-backs with industry professionals, special guest performances and a Showcase of New Works soon to be released. Most of all the Junior Theatre Celebration offers a perfect day for teachers and students to share and network with like-minded theatre enthusiasts.

If you've not experienced the musical theatre madness and mayhem that is a Junior Theatre Festival or Celebration, all we can say is, what are you waiting for?

You don't want to miss this!

There are two types of registration:

GROUP REGISTRATION for groups that have performed/are performing a Broadway Junior™ show

PROFESSIONAL DEVELOPMENT REGISTRATION for individual teachers who wish to come along, learn, share and be inspired.

For more information and to learn how you can be involved!

NEW ZEALAND Partnered by AMICI Trust, iTheatrics,

Sponsored by iTicket & Auckland Live Saturday 21st October, 2017 – Aotea Centre, Auckland www.nztheatrics.org.nz

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Loverly!

Music Theatre International Acquires Licensing Rights to Lerner & Loewe's My Fair Lady, Brigadoon, Camelot, Paint Your Wagon, and The Day Before Spring.

New York, NY - May 18, 2017 - Drew Cohen, President of Music Theatre International (MTI), announced today that MTI will represent the secondary stage performance rights to five musicals by the legendary writing team of Lerner & Loewe, including their masterpiece My Fair Lady, the beloved classics Camelot, Brigadoon and Paint Your Wagon, and their newly-restored early work, The Day Before Spring. MTI, from June 1, will begin representing My Fair Lady in the US, the UK, and all English-language territories, and will represent the four other titles on a worldwide basis. (Some restrictions may apply).

The collaboration of librettist-lyricist Alan Jay Lerner (1918-86) and composer Frederick Loewe (1901-88) defined wit and glamour in the golden era of the Broadway and Hollywood musical. Winners of multiple Oscars, Tonys, Golden Globe and Olivier Awards, their timeless and romantic musicals include such songbook standards as: "Almost Like Being in Love" and "The Heather on the Hill" (Brigadoon, 1947); "They Call the Wind Maria," "Wand'rin' Star" (Paint Your Wagon, 1951); "Wouldn't It Be Loverly?," "With a Little Bit of Luck," "I Could Have Danced All Night," "On the Street Where You Live" (My Fair Lady, 1956); and "Camelot," "If I Ever I Would Leave You," “How to Handle a Woman,” and "I Loved You Once in Silence" (Camelot, 1960).

The newest addition to the canon is also one of the oldest: The Day Before Spring (1945) had a short Broadway run, and was never recorded or fully revived, but has enjoyed select concert re-appearances at New York's Bandwagon (1990), the York Theatre, New York (2007), Lost Musicals, London (2010), and the University of Sheffield, England (2017). Its representation by MTI will mark the musical's first release in the secondary market.

"We are honored to have been selected by the representatives of Lerner and Loewe to represent their musicals," said Drew Cohen. "These are among the greatest musicals ever written for Broadway and the West End, and we look forward to sharing them with our customers around the world, from high school auditoriums to regional theatres to opera houses." Cohen added, "Not all musicals stand the test of time but these were so exceptional to begin with, and have only become more appreciated over the years.”

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MTI Chairman and CEO Freddie Gershon offered, "A toast to our new family members, Messrs. Lerner and Loewe: We're so glad you sought to fly…/And we know the reason why…/You're part of MTI/Now we're all on the street where you live/(What a great way to celebrate Eliza Doolittle Day!)"

Sir Cameron Mackintosh, co-owner of MTI with Gershon, and himself the producer of two highly acclaimed UK revivals of My Fair Lady (in 1979 and 2001, respectively), said: “I was lucky enough to see the original production of My Fair Lady at London’s Theatre Royal Drury Lane several times, including the Last Night on my 16th birthday in 1963, when I gate-crashed the party and danced all night. Two years later I started my career there as a stage hand on Camelot, and shortly after that, thanks to a little bit of luck, I met the legendary lyricist Alan Jay Lerner. We became firm friends and Alan directed my first London production of My Fair Lady in 1979. Like Professor Higgins, he taught me so much about the musical theatre that he and Fritz Loewe created so brilliantly. Personally I am thrilled at the absobloomin’ loverly news that their legendary body of work has found a new home with MTI. Bravo Eliza!”

In a joint statement, Loren Plotkin, trustee of the Alan Jay Lerner Testamentary Trust and Emily Altman, President of the Frederick Loewe Foundation said, “We are delighted that five Lerner & Loewe musicals will now be represented by Music Theatre International. MTI’s success in bringing musicals to new audiences worldwide, its commitment to arts education, and its ground-breaking achievements in schools across the globe, reflect values that we share. The partnership of Alan Jay Lerner and Frederick Loewe is recognized as one of the most successful in musical theatre history; on their behalf, we now look forward to a long and fruitful partnership with MTI.”

About Lerner & Loewe: Alan Jay Lerner (book writer and lyricist) and Frederick Loewe (composer) wrote some of the American theater's most enduring musicals, including My Fair Lady, Camelot, Brigadoon, Paint Your Wagon and Gigi. Among their most famous songs are ''Almost Like Being in Love,'' ''I Could Have Danced All Night’' and ''Thank Heaven for Little Girls.'' Lerner was born in New York City in 1918 and attended Choate and Harvard. Loewe was born in Berlin in 1901 to Viennese parents, made his piano debut with the Berlin Symphony Orchestra at the age of 13 and came to the United States in 1924. The two met in 1942 at the Lambs Club in New York City when Loewe approached Lerner about collaborating on a show. In 1947, they had their first Broadway hit, Brigadoon, followed in 1951 by a second success with Paint Your Wagon which included such songs as "I Talk to the Trees" and "Wand’rin' Star." In 1956, My Fair Lady, with Rex Harrison and Julie Andrews, opened on Broadway. Often called the "perfect musical," the show ran for 2,717 performances and the cast album sold more than five million copies. Their 1958 film musical, Gigi, won nine Academy awards and, in 1960, came the last great success of their partnership, Camelot, starring Richard Burton and Julie Andrews. In 1974, Lerner lured Loewe out of retirement to work on their last venture together: a film version of Antoine de Saint-Exupéry’s The Little Prince. Lerner went on to collaborate with other composers including Burton Lane, Leonard Bernstein and André Previn. He died in 1986 at the age of 67. Loewe died two years later at the age of 86. As testament to their musicals’ enduring popularity, upcoming milestones include: From Camelot to California: The Worlds of Lerner and Loewe, as part of the New York 92nd Street Y’s “Lyrics & Lyricists” series (June ‘17); Brigadoon, directed and choreographed by Christopher Wheeldon, starring Kelli O’Hara, Stephen Pasquale and Robert Fairchild, presented by Encores! as the New York City Center Gala (November ’17); and My Fair Lady, returning to Broadway for the first time in a quarter century, with performances beginning at Lincoln Center Theater in April, 2018. 43

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NEWFLASH

http://www.mtishows.com.au/news/shrek-the-musical-is-now-available-for-licensing-in-australia- new-zealand

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Knowledge Café Feedback – MTNZ Zone Four Meeting Timaru, August 2016

Video/Music/Click Track Rights • Lots of uncertainty about rights, what is allowed, what isn’t? • Music/Click rights from Apra. Use of music in ads??? Use the radio station Apra license. • Read the contract from the rights holder. • Take advice from rights holders in advance. • Video of show for ‘In house Training’- Is this Ok? • Video of show for Archival use- Is this OK? • Video for a cast showing. Is this OK? • Video of show by public- Who is responsible for this? If Soc has made announcement, trained ushers to stop recording, can action still be taken against soc? • Social media makes anything we do very visible. Do the rights holders take action? Yes, warnings, threat of legal action.

Tips on Applying for Funding • Make sure you emphasis you are a Community Service in your application • You can apply to Ministry of Social Development to transport elderly residents to a show • Make sure you use the money for what you applied for • Don’t tell any lies in your application • Make sure the amount you apply for and the quotes match • Identify someone on your committee who can write the word to meet the criteria • Read the criteria fully • Approach businesses to sponsor a street banner • Ensure the information requested is supplied in the format requested • Make it easy to be read • Apply regularly • If there is a benefit to the organisation you are applying to, then point this out • How can you as an organisation help achieve what the funder wants • Plan for what you want money for and search the funders to look for those who fund that criteria – look through the grant to match your wish list • Put acknowledgements in your programme and newsletter – send them a copy of your programme along with the thankyou letter

Suggestions of places to approach: Rotary, Power Companies, Westpac, Pub Charities, Rata Foundation, Mainland Foundation, Community Organisation Grants Scheme, State Insurance, Fonterra Grass Roots Fund, Harcourts, Four Winds Charity, Creative Communities

All the groups were very willing to participate in this and discussion was lively.

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Social Media for a Show Company • Keep a closed page. • No phones at rehearsal taking footage to share on social media without permission. Rehearsal footage is a no no unless it is recorded for specific purpose by the choreo or director or production/stage manager for in-house use only. • Pocket quilt idea on the wall from Invercargill – each person has a pocket with their name in it and the phone goes there for the duration of the rehearsal.

Advertising on a Shoe String Budget • Use freebies • Social media – FB is free • Get on the right side of the local newspaper – find the one person you can go to • Local support/business to sponsor a performer • Use your cast • Posters on car windows • Comps for company selling tickets • Small towns – word of mouth works • Home made advertising material • Push the volunteer/not for profit angle • Identifying your target market • Hairdressers, beauticians, cafes, waiting rooms, real estate agents for advertising • Engaging with your local schools • Dress rehearsal performance to get word of mouth going • Flash mob • Inviting off Facebook • Ask people to advertise through Facebook networks for a comp • Cast and crew tshirts • Roadside signs • Community noticeboard – newspaper, radio • Reviewer • School advertising in newsletters • Car karaoke but check with the rights holder first • Email out to previous ticket buyers • Get your workmates to support you • Have a show that has LOTS of kids in it • Carry bags • Pull up banners – • Corporates for work and social parties • Push back on ticket agents, get them to sell the show • Have a marketing plan and do your research • Giggle TV? • Have a good show and a good named show • Short performances for local clubs • Can your show be involved with bigger events? • Rural mail drivers • Roll out banners at local airports 49