Dog's 10 Best Cds, 1999
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SCOTT HENDERSON TRIO (USA/F) Feat
SCOTT HENDERSON TRIO (USA/F) feat. Romain Labaye (bass) & Archibald Ligonnière (drums) - Jazz-Fusion Powertrio - live @ Mainz, Mitternacht 8 So. 28. Mai 2017, 20:00 Infos & Karten => www.jazz-mainz.de/Scotty.html Scott Henderson (guitar) Romain Labaye (bass) Archibald Ligonnière (drums) SCOTT HENDERSON (guitar) Born in 1954, Scott Henderson grew up in an era where blues-rock was at it's peak. His formative musical years took place in South Florida where he played the clubs with various bands, playing everything from Led Zeppelin to James Brown. As he was learning his instrument, Henderson was influenced by Jimmy Page, Jeff Beck, Jimi Hendrix, Ritchie Blackmore, and his favorite blues guitarist Albert King. Even though Henderson claims to be more of a blues-rock player, it was the influence of jazz that led him to the style of playing and composing that he is now famous for. Scott studied arranging and composition at Florida Atlantic University, then moved to Los Angeles in 1980. He toured and recorded with Chick Corea's Elektric Band, violinist Jean-Luc Ponty, and was pleased to get the opportunity to work for four years with one of his favorite musicians, Weather Report's Joe Zawinul. He recorded two albums with the Zawinul Syndicate, "The Immigrants" and "Black Water". Henderson formed the legendary band Tribal Tech in 1984 with bassist Gary Willis, and recorded ten critically acclaimed albums. The most recent recording is "Tribal Tech X" released in March 2012. In 1991, Scott was named by Guitar World as the #1 Jazz Guitarist, and in January 1992, he was named #1 Jazz Guitarist in Guitar Player's Annual Reader's Poll. -
Born in America, Jazz Can Be Seen As a Reflection of the Cultural Diversity and Individualism of This Country
1 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in “Styles in Jazz Music”. In Section 1 of this course you will cover these topics: Introduction What Is Jazz? Appreciating Jazz Improvisation The Origins Of Jazz Topic : Introduction Topic Objective: At the end of this topic student would be able to: Discuss the Birth of Jazz Discuss the concept of Louis Armstrong Discuss the Expansion of Jazz Understand the concepts of Bebop Discuss todays Jazz Definition/Overview: The topic discusses that the style of music known as jazz is largely based on improvisation. It has evolved while balancing traditional forces with the pursuit of new ideas and approaches. Today jazz continues to expand at an exciting rate while following a similar path. Here you will find resources that shed light on the basics of one of the greatest musical developments in modern history.WWW.BSSVE.IN Born in America, jazz can be seen as a reflection of the cultural diversity and individualism of this country. At its core are openness to all influences, and personal expression through improvisation. Throughout its history, jazz has straddled the worlds of popular music and art music, and it has expanded to a point where its styles are so varied that one may sound completely unrelated to another. First performed in bars, jazz can now be heard in clubs, concert halls, universities, and large festivals all over the world. www.bsscommunitycollege.in www.bssnewgeneration.in www.bsslifeskillscollege.in 2 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in Key Points: 1. The Birth of Jazz New Orleans, Louisiana around the turn of the 20th century was a melting pot of cultures. -
Jazzandmore-1993-2017.Qxp Layout 1
JAZZ AND MORE Ein fotografischer Rückblick von Reinhard Dorn & Christian Pacher IMPRESSUM Diese Publikation erscheint zum 25-jährigen Jubiläum der Reihe „Jazz and More“ im Bürgerhaus/diagonal., Ingolstadt © 2017 Reinhard Dorn Satz und Gestaltung: Reinhard Dorn Fotografie: Christian Pacher: S. 6: (1,2,3,4) • S. 10: (2) • S. 12: (3,4) • S.13 S. 18 (2) • S. 21 (1) • S. 22 (2) • S. 24 (1,2) • S. 25 • S. 27 • S. 34 (1,2,3) S. 35 • S. 37 • S. 48 (2) • S. 50 (2) • S. 52 (3) • S. 53 • S. 54 (2) S. 56 (2) • S. 57 • S. 58 (1,2) • S. 62 (1,2,3) • S. 63 • S.64 (1) • S. 68 (1,2) Reinhard Dorn: alle anderen Aufnahmen Kontaktadressen: Bürgerhaus Ingolstadt Kreuzstraße 12, 85049 Ingolstadt Tel. 08 41/305 28 00, Fax 08 41/305 28 09 [email protected] www.buergerhaus-ingolstadt.de Jan Rottau/KaRo Music Rankestraße 9, 85049 Ingolstadt [email protected] Christian Pacher Münchener Str. 99, 85051 Ingolstadt Tel. 08 41/7 21 90 [email protected] Reinhard Dorn Gymnasiumstraße 6, 85049 Ingolstadt Tel. 08 41/3 70 76 37 [email protected] Veranstalter Kreuzstr. 12 • Ingolstadt • Tel. 08 41/3052800 Die Reihe wird gefördert von: Unterstützt durch: 2 1993 – 2017 JAZZ AND MORE Bürgerhaus|diagonal. Club Concerts Einleitung ............................................................ 4 1993 ................................................................ 6 1994 ................................................................ 10 John Scofield im Interview – März 1994 ................................ 14 Joe Zawinul im Interview – November 1994 ........................... -
Scott Henderson Spears Mp3, Flac, Wma
Scott Henderson Spears mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: Spears Country: Russia Released: 1998 Style: Jazz-Rock, Fusion MP3 version RAR size: 1143 mb FLAC version RAR size: 1138 mb WMA version RAR size: 1393 mb Rating: 4.1 Votes: 450 Other Formats: RA VQF XM MP4 VOX MOD ASF Tracklist Hide Credits 1 Carribean 8:12 2 Punkin Head 6:06 3 Ivy Towers 4:50 Tribal 4 1:55 Composed By, Arranged By – Gary Willis, Scott Henderson 5 Spears 7:10 6 Island City Shuttle 7:24 7 Big Fun 7:58 Companies, etc. Copyright (c) – Mango Prom Music Recorded At – Studio Sound Recorders Mastered At – Future Disc Made By – Interpress Manufactured By – Bellaphon, West Germany Marketed By – Bellaphon, West Germany Credits Artwork [Cover Art] – Lindah K. Lauderbaugh Bass – Gary Willis Drums – Steve Houghton Engineer – Alan R. Hirshberg* Executive-Producer, Percussion [Mallets] – Brad Dutz Keyboards – Pat Coil Mastered By – Steve Hall Producer, Guitar, Composed By, Arranged By – Scott Henderson Saxophone, Flute – Bob Sheppard Notes Recorded June, 1985 at Studio Sound, No. Hollywood, CA. Barcode and Other Identifiers Barcode: 4 003098 801029 Label Code: LC 8397 SPARS Code: ADD Other versions Category Artist Title (Format) Label Category Country Year Scott Henderson And Scott Henderson Passport PJ 88010 Tribal Tech - Spears PJ 88010 Germany 1985 And Tribal Tech Jazz (LP, Album) Scott Henderson And Scott Henderson Passport PJ 88010 Tribal Tech - Spears PJ 88010 Canada 1985 And Tribal Tech Jazz (LP, Album) Scott Henderson And Scott Henderson -
ORCHESTRAL WORKS VOL. 1" CD and My NEWLY RE-MASTERED FUSION CD "Freedom" Available for Purchase on Bandcamp
My "ORCHESTRAL WORKS VOL. 1" CD and my NEWLY RE-MASTERED FUSION CD "Freedom" available for purchase on Bandcamp: https://scottjonesmusic.bandcamp.com/ REVIEWS FROM ARTISTS, CLIENTS, COLLEAGUES, AND PEERS: Guthrie Govan, Jimmy Haslip, Bear McCreary, Scott Henderson, Joel Hoekstra, Jef Berlin, Arun Shenoy, Deane Ogden, Ray Riendeau, Jamie Glaser, Derryl Gabel, Steve Vai, Greg Koch, Brett Garsed, Wendell Holmes, Joe Chawki, Rusty Cooley ------------------------------------------ In response to someone asking Guthrie Govan about me after I spent a day jamming with him and Bumblefoot (Guns and Roses), back in 2005: "Of course I remember Scott! He's a nice guy as well as a fantastic guitar player!" (Guthrie Govan) ------------------------------------ "Hey Scott . Music sounds great and your playing is great . let's stay in touch . " - Jimmy Haslip, bassist: (Yellowjackets, Allan Holdsworth) --------------------------------------------------- In response to an email I sent to Bear McCreary: "Scott, Thanks for the kind words, man. I always appreciate compliments from musicians, especially such well-rounded ones as yourself. Keep up the playing, man. Your stuf sounds great. I've always been a huge fan of Vai, especially his Fire Garden and live albums... - Bear McCreary - composer (Battlestar Galactica, Walking Dead, Agents of S.H.I.E.L.D, Europa Report) ---------------------- Hi Scott, Your bonus CD's were REALLY cool and you're a very versatile player which I can very much relate to as I've always leaned that way myself. It's always good to hear guys like you who aren't so one dimensional. The Freedom CD is amazing! My tastes haven't been leaning towards intricate composition like that for a long time, ...now I'm lazy and would rather just improvise. -
5 Jazz Fusion Guitar Legends
One of my favorite things about great fusion guitarists is their ability to blend a mixture of rock & blues with a deep knowledge of jazz language and beyond. “Fusion” literally means just that...a fusing of a few, or often many, genres, eventually morphing into its own umbrella that includes everything from Weather Report to Tribal Tech or Airto Moreira and Herbie Hancock. One obvious tenet of Jazz Fusion was the inclusion of electric instruments, which opened up a whole world of improvising through sounds, tones, effects and textures. The guitar established itself quickly as being a core part of this new sound, with players like Larry Coryell, John McClaughin and Al Di Meola paving the way for generations of axe-wielding folk. I wanted to highlight some specific great moments throughout the range of Jazz Fusion guitar history, using 5 different players. Between my analysis and the video, you should have a pretty good understanding of what makes these brief moments so memorable, and integral to the language of this music. Remember that transcribing is not just learning notes and rhythms...try to unpack their tone, articulation, phrasing, and feel (do they lay back in certain moments?). The way Scofield plays his 8th notes lines is wildly different than Kurt Rosenwinkel for instance. Larry Carlton on Steely Dan’s “Kid Charlemagne” (2:42 - 2:47) No need to introduce Larry Carlton...he’s played with everyone and then some. His work with Steely Dan speaks for himself, and his solo on this track really captures his ability to combine tasteful idiomatic language with some effective navigating of the changes. -
Il Grande Chitarrista Americano Scott Henderson Venerdì 14 Luglio in Piazza Verdi Per Triestelovesjazz
Il grande chitarrista americano Scott Henderson venerdì 14 luglio in piazza Verdi per TriesteLovesJazz Trieste, 13 luglio 2017. – È un vero “big” del festival, l’ospite di venerdì 14 luglio a TriesteLovesJazz: Scott Henderson, con il suo Trio, approda in Piazza Verdi (ore 21, ingresso libero) e già fa presagire il tutto esaurito delle grandi occasioni. Già membro della Chick Corea’s Elektric Band, e al fianco di artisti come Jean Luc Ponty, Jeff Berlin e Joe Zawinul, Scott Henderson nel 1984 forma i Tribal Tech e dai primi anni 2000 è considerato uno dei chitarristi più autorevoli al mondo. È stato nominato miglior chitarrista nel 1991 da Guitar World e sempre primo chitarrista, in ambito jazz, nel 1992 per il Guitar Player’s Annual Reader’s Poll. A Trieste con lui sono Archibald Ligonniere alla batteria e Romain Labaye al basso. Florida, classe 1954, Henderson sin da piccolo si ispira a miti della chitarra come Jimi Hendrix, Jimmy Page, Ritchie Blackmore, Alfred e B.B. King. Il jazz entra nelle sue corde quando frequenta il Guitar Institute of Technology di Los Angeles: da allora la sua carriera decolla, a cominciare dalla collaborazione con l’Elektric Band di Chick Corea e il Joe Zawinul Syndicate (più di quattro anni con il mitico fondatore dei Wheater Report, assieme ad un altro grande, Wayne Shorter). Il consacramento ufficiale di “stella del firmamento fusion” arriverà con la creazione dei Tribal Tech, nel 1984: al basso c’è Gary Willis, alla batteria e alla voce Kirk Covington e alle tastiere Scott Kinsey. Una band che lascia ampio spazio all’improvvisazione e mette in mostra un sound originale e ricco di riferimenti fusion-elettro-jazz-blues. -
Epk Ggg 2019
Gerald Gradwohl Group Thomas Kugi I Harry Tanschek I Gerald Gradwohl I Jojo Lackner When looking for terms and names to describe the band, the attempt will leave you with a wide spectrum between jazz and fusion music focussing on grooving funk with a strong „Rock’N’ Roll Attitude“ mixed with Jazz harmony to fierce discharging jazz rock storms. There is no arbitrariness in this wide array of musical styles and influences, as the band – selected team players from the international jazz/fusion scene – renders the stringent compositions in a committed and playfully individual manner, putting its high-quality inventive signature to the music and derives its uniqueness and independence from a sure, pro-active and listening interaction of experienced musician personalities. Gradwohl can jump into and out off the stylistic changes like a true chameleon. He has ventured further into exploratory fusion on this effort than on any of his previous efforts. Having the support and backing of the great rhythm section has really made this venture for Gradwohl into tribal funk fusion a viable effort of world class caliber. GG pulls all the stops of his musical skills. “As much composition as necessary and as much improvisation as possible” seems to be the dogma and the point of view of fusion-music of today for this worldwide known and acknowledged composer and performer, living in Wr. Neustadt, Austria. Out of the tiniest motives, Gradwohl manages to develop breathtaking solos based on steaming grooves or balladesque sound collages. Some kind of somnambulistic playing with the guys in the band let creative things happen. -
Academic Programs . . . 46 Performance Bass
Academic Calendar . 4 About LACM . 6 CONTENTS LACM Educational Programs . 9 Administration . 10 Admissions . 11 Tuition & Fees . 13 Financial Aid . 16 Registrar . 20 International Student Services . 26 Academic Policies & Procedures . 27 Student Life . 30 Career Services . 32 Campus Facilities – Security . 33 Rules of Conduct & Expectations . 35 Health Policies . 36 Grievance Policy & Procedures . 39 Change of Student Status Policies & Procedures . 41 Collegiate Articulation & Transfer Agreements . 44 Academic Programs . 46 Performance Bass . 46 Brass & Woodwind . 52 Drums . 58 Guitar . 64 Vocal . 70 Music Composition Songwriting . 76 Music Production Composing for Visual Media . 82 Music Producing & Recording . 86 Music Industry Music Business . 92 Course Descriptions . 98 Department Chairs & Faculty Biographies . 138 SPRING 2015 (APRIL 6 – JUNE 19) SUMMER 2015 (JULY 6 – SEPTEMBER 18) January 26-30: Registration Period for April 27-May 1: Registration Period for Upcoming Quarter Upcoming Quarter April 6: Quarter Begins May 26: Tuition Deadline for Continuing Students February 23: Tuition Deadline for Continuing Students July 3: Independence Day (Observed), Campus Closed May 25: Memorial Day, Campus Closed July 6: Quarter Begins June 15–19: Exams Week September 7: Labor Day, Campus Closed June 19: Quarter ends September 14-18: Exams Week September 18: Quarter Ends September 19: Graduation ACADEMIC CALENDAR FALL 2015 (OCTOBER 5 – DECEMBER 18) WINTER 2016 (JANUARY 4 – MARCH 18) July 27-31: Registration Period for October 26-30: Registration Period for Upcoming Quarter Upcoming Quarter August 24: Tuition Deadline for Continuing November 23: Tuition Deadline for Continuing Students Students October 5: Quarter Begins January 4: Quarter Begins Nov. 11: Veterans, Campus Closed January 18: MLK Jr. -
Jazz Rock Fusion Surviving Four Decades and Counting…
1 of 38 Jazz Rock Fusion Surviving Four Decades and Counting… By, Rick Calic www.jazzrockworld.com March 2006 Writing an article about Jazz Rock Fusion these days might seem as pointless as debating the benefits of Hi-Fi equipment with vacuum tubes vs. transistors to someone that uses an iPod. The only people that would care are older folks who even remember tubes and dedicated enthusiasts. On the other hand, while Jazz Rock Fusion might be older or seem equally pointless to many reading this article, there remains a large but scattered segment of the world’s population that sees the genre as a vibrant and legitimate art form. Sadly though, the musical perspective regarding Jazz Rock Fusion was narrow from the beginning and will probably always be that way. Jazz Rock Fusion, in terms of the entire world of music, constitutes just a tiny fraction of interest. Yet, if we accept this as fact, which most fans, musicians and certainly “big business” does, the generation of any interest at all is meritorious. In order to discuss the music with integrity, a ground rule needs to be established. This ground rule is required due to the unsolved, long lasting, and ongoing mysteries of the music and its unique identity. Mysteries such as: What is Jazz Rock Fusion? Who started Jazz Rock Fusion? What should it be called? And finally, with no major media support why is there still a market? So, what are the answers you ask? Quite simply these mysteries will remain mysteries. Answering the questions definitively will end up as trivial as the facts regarding the creation and development of the gut bucket. -
November 1996
"Hey, man, did you hear that Lars' second bass drum got ripped off on the way to the studio, so he just decided to bag the whole blazin' thing?" "Yeah, and the new album, Load, is like this massive groove thing!" "Awesome! But what's up with the hair?" by Matt Peiken 38 Tribal Tech was already the hottest con- Amazingly,Rage Against The Machine's long-await- temporary fusion band on the scene, but a ed second album, Evil Empire, is even heavier than new jamming-based aesthetic is taking the band's self-titled barnstormer. Despite the heavy- these sonic explorers into even farther ness, though, Brad Wilk says he's managed to infuse galaxies. And you thought Kirk Covington more delicacy into the thunder. was throwing some stuff at you before! by Ken Micallef by Bill Milkowski 76 58 photo by Jay Blakesberg Volume 2O, Number 11 Cover photo by Mark Leialoha / Terri Berg Photographic education equipment 88 IN THE STUDIO 24 NEW AND NOTABLE The Reinvention Of Neil Peart by William F. Miller 28 PRODUCT CLOSE-UP Bison Snare Drum 100 HEAD TALK by Rick Mattingly Head Games: A "Good Time" Had By All 29 Vic Firth Accessories by Luther Rix by Rick Mattingly 112 ROCK 'N' JAZZ CLINIC 33 Engineered Percussion A New Look At An Old Idea Axis X Bass Drum And Hi-Hat Pedals by David Garibaldi by Chap Ostrander 114 ROCK PERSPECTIVES Stewart Copeland: news Style & Analysis, Part 1 12 UPDATE by John Xepoleas Jason Cooper of the Cure, Goldfinger's Darrin Pfeiffer, Bernie Dresel 116 STRICTLY TECHNIQUE of the Brian Setzer Orchestra, and Al Webster, plus News Groupings, -
Clara Rodriguez Joey Heredia
CLARA RODRIGUEZ Dancer and Singer Oakland, California Clara Rodriguez is the artistic director of AguaClara Flamenco and dancer, choreographer and musician based in Oakland, CA. Born into a family of musicians in her native Santa Barbara, CA, she discovered flamenco as a young girl. She studied flamenco and classical Spanish dance as she simultaneously trained as a classical pianist, later earning a B.A. in Ethnomusicology from UCLA before returning her focus to flamenco dance. She has performed at esteemed venues such as Jaipur Palace of India, Tablao Albayzin of Granada Spain, The Palace of Fine Arts, War Memorial Opera House, Yerba Buena Center, Paramount Theater, the Greek Theater of Los Angeles amongst many others. Founded in 2011, her company presented full-length works Somos Tierra in 2012 and Diálogos in 2015, produced by the Azahar Dance Foundation at the Cowell Theater in San Francisco. AguaClara Flamenco presented works in the 2016 San Francisco International Arts Festival and the San Francisco Ethnic Dance Festival. Rodriguez has been a soloist with the leading flamenco companies of California including Caminos Flamencos, La Tania Baile Flamenco and Theatre Flamenco San Francisco. JOEY HEREDIA Percussionist Los Angeles, California Joey Heredia, studio drummer and flamenco percussionist, has shared the stage with many artists and below are just a few. Tower of Power, Diego Amador, Sheila E, Stevie Wonder, Freddie Hubbard, Poncho Sanchez, Sergio Mendes, Tania Maria, Dianne Reeves, Scott Henderson, Gary Willis, Tribal Tech, Frank Gambale, Steve Lukather, Carole King, Manhattan Transfer, Joe Sample, Herb Alpert, Peggy Lee, Willie Bobo, James Ingram, Robben Ford, L.