IS an ATTACK on ALL /Nvocatlon Maceo HERNANDEZ & EAST T.A
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PIRATI DEI CARAIBI Ai Confini Del Mondo (Pirates of the Caribbean: at World’S End)
WALT DISNEY PICTURES Presenta In associazione con JERRY BRUCKHEIMER FILMS PIRATI DEI CARAIBI Ai Confini Del Mondo (Pirates Of The Caribbean: At World’s End) Regia GORE VERBINSKI JOHNNY DEPP ORLANDO BLOOM KEIRA KNIGHTLEY STELLAN SKARSGǺRD BILL NIGHY con CHOW YUN-FAT e GEOFFREY RUSH JACK DAVENPORT, KEVIN R. MCNALLY, NAOMIE HARRIS, TOM HOLLANDER e JONATHAN PRYCE LEE ARENBERG, MACKENZIE CROOK, DAVID BAILIE, MARTIN KLEBBA Distribuito da BUENA VISTA INTERNATIONAL Data di uscita: 23 maggio 2007 Durata: 2 ore e 49 minuti PIRATI DEI CARAIBI Ai Confini Del Mondo Regia GORE VERBINSKI Sceneggiatura TED ELLIOTT & TERRY ROSSIO Tratto Dai Personaggi Creati Da TED ELLIOTT & TERRY ROSSIO e STUART BEATTIE e JAY WOLPERT Tratto Da ”LA MALEDIZIONE DELLA PRIMA LUNA” della Walt Disney Prodotto Da JERRY BRUCKHEIMER Produttori Esecutivi MIKE STENSON CHAD OMAN BRUCE HENDRICKS ERIC MCLEOD Direttore Della Fotografia DARIUSZ WOLSKI, ASC Scenografie RICK HEINRICHS Montaggio CRAIG WOOD STEPHEN RIVKIN, A.C.E. Costumi PENNY ROSE Supervisione Effetti Visivi JOHN KNOLL CHARLES GIBSON Musiche HANS ZIMMER Supervisione Musiche BOB BADAMI Casting DENISE CHAMIAN, CSA Casting Uk PRISCILLA JOHN, CDG Unit Production Manager ERIC MCLEOD Unit Production Manager DOUGLAS C. MERRIFIELD First Assistant Director DAVID H. VENGHAUS, JR. Second Assistant Director AMY J. SCHMIDT Associate Producer PAT SANDSTON ILM Animation Supervisor HAL HICKEL ILM Visual Effects Producer JILL BROOKS Additional Editing by DAN HANLEY Score Co-Produced by MELISSA MUIK Special Appearance by KEITH RICHARDS CAST Jack Sparrow JOHNNY DEPP Barbossa GEOFFREY RUSH Will Turner ORLANDO BLOOM Elizabeth Swann KEIRA KNIGHTLEY Norrington JACK DAVENPORT Davy Jones BILL NIGHY Governor Weatherby Swann JONATHAN PRYCE Pintel LEE ARENBERG Ragetti MACKENZIE CROOK Gibbs KEVIN R. -
MAN of GOD Program.Indd
Welcome to East West Players (EWP) and the world premiere of Man of God by Anna Moench, directed by Jesca Prudencio. The best art shifts our perceptions and allows us to see the world through someone else’s eyes. The fi rst time I read Man of God, the play led me to consider what it is like to be constantly subjected to the male gaze. Over the last two years, we have Photo by Mike Palma. seen global movements like #MeToo and #TimesUp challenge institutionalized sexism and pave the way for engaging and meaningful conversations about the devastating impact of sexual violence, particularly towards women. These movements feel like a watershed moment, but there is still much work to be done. Man of God is wildly funny, shocking, and harrowing. Like the best works of art, it challenges us to do better. Thank you to the amazing cast and crew that have helped bring this production to life. It’s rare to have an entire cast making their EWP debuts, and it is my honor to introduce you to Katherine, Michele, Roy, SunHee, and Sandy. WELCOME Many thanks to director Jesca Prudencio; the talented design team of Justin, Rebecca, Howard, Alexis, and Allison; fi ght director Andy; and a special thanks to our stage management team of Brandon and Lydia. For fi ve decades, EWP has created opportunities for Asian American artists to tell their stories. We are the longest- running professional theater of color in the United States, and the largest creator of Asian American performance work. No other theater has featured more Asian Pacifi c Islander (API) talent center stage than EWP. -
2012 Velina Hasu Houston Cv 08-05-2012
VELINA HASU HOUSTON, Ph.D. Curriculum Vitae EDUCATION Doctor of Philosophy, Critical Studies in Cinema and Television (Minor: English), University of Southern California, School of Cinematic Arts, May 2000. Master of Fine Arts in Theatre Arts – Playwriting (Minor: Screenwriting), University of California at Los Angeles, School of Theater, Film and Television; June 1981. Bachelor of Arts in Journalism and Mass Communications (Minors: Philosophy, Theatre), A.Q. Miller School of Journalism, Kansas State University at Manhattan; June 1979. Phi Beta Kappa EXPERTISE Playwriting, screenwriting, dramaturgy, critical studies in theatre and cinema (Asian American drama, multiracial/mixed race/multicultural/US-Japan studies). ACADEMIC HISTORY* University of Southern California 1990-Present. Associate Dean of Faculty, University of Southern California, School of Theatre, Los Angeles, 2007- Present. Professor of Theatre, Director of Dramatic Writing, Resident Playwright, University of Southern California, School of Theatre, Los Angeles, 2003-Present. Tenured 1996. Associate Professor, Resident Playwright, Director of Playwriting, University of Southern California, School of Theatre, Los Angeles, 1996-2003. Assistant Professor Tenure Track, Resident Playwright, Director of Playwriting, University of Southern California, School of Theatre, Los Angeles, 1991-1996. Visiting Assistant Professor, University of Southern California, School of Theatre, Los Angeles, 1990- 1991. Affiliated Faculty, Gender Studies, University of Southern California, School of Theatre, Los Angeles, 1990-Present. Affiliated Faculty, East Asian Studies, University of Southern California, School of Theatre, Los Angeles, 1990-Present. Affiliated Faculty, Asian American Studies Program, University of Southern California, School of Theatre, Los Angeles, 1990-Present. Affiliated Faculty, American Studies and Ethnicity, University of Southern California, School of Theatre, Los Angeles, 1990-Present. -
Newsletter 01/12 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 01/12 DIGITAL EDITION Nr. 305 - Januar 2012 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 01/12 (Nr. 305) Januar 2012 editorial Hallo Laserdisc- und sten Mustervorführungen geschlossen. Um Ihnen DVD-Fans, waren bereits vielverspre- schon einen kleinen Vorge- liebe Filmfreunde! chend. Seien Sie also ge- schmack zu geben, haben spannt. Wir werden Sie na- wir auf dieser Seite schon Mit 86 prall gefüllten Seiten türlich rechtzeitig informie- mal das Teaser-Poster ab- heissen wir Sie ganz herzlich ren, sobald unser Projekt gebildet. willkommen zu unserem er- fertiggestellt ist. Denn dann sten Newsletter in unserem werden Sie den “Director’s In diesem Sinne – freuen Jubiläumsjahr 2012. Gerne Cut” auf unserer Website Sie sich mit uns zusammen hätten wir Ausgabe 305 (www.laserhotline.de) an- auf ein adrenalintreibendes schon wesentlich früher ins schauen können. Eine an- Jahr! Feld geschickt, doch wie es schließende Kinoauswertung halt immer so ist: Termine, ist übrigens auch nicht aus- Ihr Laser Hotline Team Termine, Termine. Dafür aber sieht die aktuelle Aus- gabe vom Umfang eher aus wie eine Doppelnummer – und das obwohl wir auf Grafik praktisch fast voll- kommen verzichtet haben. Aber Sie kennen ja unsere Einstellung: Information geht vor! Auch wenn Sie lange nichts mehr von uns gehört haben, so waren wir doch extrem fleissig. Denn um un- ser 20jähriges Jubiläum ge- bührend feiern zu können, haben wir mit der Produkti- on unseres ersten eigenen Films begonnen. -
L'arte Di Vincere Pressbook.Pdf
Columbia Pictures presenta una produzione di Scott Rudin / Michael De Luca / Rachael Horovitz. (Moneyball) BRAD PITT JONAH HILL PHILIP SEYMOUR HOFFMAN Prodotto da: Michael De Luca, Rachael Horovitz, e Brad Pitt Sceneggiatura: Steven Zaillian e Aaron Sorkin Soggetto: Stan Chervin Basato su un libro scritto da: Michael Lewis Produttori esecutivi: Scott Rudin, Andrew Karsch, Sidney Kimmel e Mark Bakshi Direttore della fotografia: Wally Pfister Scenografie: Jess Gonchor Montaggio: Christopher Tellefsen Costumi: Kasia Walicka Maimone Musiche: Mychael Danna Diretto da: Bennett Miller Data d’uscita: 29 gennaio 2012 Durata: 133 minuti Distribuzione: Warner Bros. Pictures Italia Note di produzione Introduzione “Se una squadra qualsiasi vince un campionato world series, è un cosa bella per la squadra. Si beve champagne, si ricevono gli anelli dei campioni (N.d.T. i world series ring sono anelli particolari che vengono donati ai giocatori che vincono). Se, invece, vinciamo noi, con il nostro budget, con questa squadra…cambieremo per sempre le regole del gioco. Ed è questo quello che voglio. Voglio dare un vero significato a quello che sto facendo”. L’Arte di Vincere della Columbia Pictures è basato sulla storia vera di Billy Beane (Brad Pitt) . All’inizio della carriera, la sua aspirazione era quella di diventare un eroe del baseball ma, dopo numerose delusioni e fallimenti sul campo, Beane decide di rivolgere la sua forte natura competitiva al management. Durante la stagione 2002, Billy si trova ad affrontare una difficilissima situazione: la sua squadra, la Oakland A’s ha perso (nuovamente) i giocatori migliori che passano a club più importanti dietro offerta di salari enormi: Billy è costretto, quindi, a ricostruire la sua squadra avendo a disposizione un terzo della busta paga per i suoi giocatori. -
Power of Words on WWII Euphemisms. Williams Helps Japan Relief Efforts
Power of Words on WWII euphemisms. Williams helps Japan relief efforts. Spoken word and Asian Americans. 2 JULY 1-14, 2011 LETTERS/COM MENTARY PACIFIC ~ CITIZEN PACIHC 5: CmZEN HOW TO REACH US LETTERS TO THE EDITOR E-mail. pc@padficdtizenag Olline www.padficdtizenag Te (213)620- 1767 Thanks for Reader Enjoys Fax (213) 620-1768 An Open Letter to JACL Mail 250 E. First Street, Suite 301 Honoring Wat Los Angees, CAOO012 The recent departure of PSW Regional Director Craig Ishii and Newspaper STAFF announced departure by National Director Aoyd Mori makes one My late husband was active Executive Edta Card ine Y Aoyag-Stcm wonder why this has comepriorto the national lACLconvention set for in the San 1futeo County JACL this July. Is there something wrong with our organization that dynamic and always enjoyed reading the AsSstant Ed tor visionaries and talented pros are deserting us? Is JACL floundering due Pacific Citizen newspaper. I too Lynda Un to lack of leadership at the top? If declining membership is the issue, enjoy the print. Thank you for Repxt8f then it is time the national board turns things around. your sef'llce. NaleaJ. Ko last year, national JACL proposed a budget that eliminated the PSW Business Manag8f administrative staff position. And once again thePSW regional director Thank you so much for including Ruby Inouye Staci Hisayasu position remains open. Since southern California has the largest JA Wat among the Extr.lOrdinary Redwood City, CA Orculatim population and potential youth membership pool, is it really wise to APAs (Pacific Citizen, 1-hy 6-19, Eva Lau-Ting allow a leadership vacuum to persist? If national has funds to pay for 2011 issue) That's such an honor! Send signed letters with your any regional staff, why isn't there staff located in PSW? If insufficient The 1fuy issue was inspiring. -
V-DAY's 2005 PRESS KIT Thank You for Taking the First Step in Helping To
WELCOME TO V-DAY’S 2005 PRESS KIT Thank you for taking the first step in helping to stop violence against women and girls. V-Day relies on the media to help get the word out about the global reach and long-lasting effects of violence. With your assistance, we hope your audience is compelled to take action to stop the violence, rape, domestic battery, incest, female genital mutilation, sexual slavery—that many women and girls face every day around the world. Our goal is to provide media with everything you need to present the most interesting and meaningful story possible. If you require additional information or interviews, please contact Susan Celia Swan at [email protected]. In addition, you can find all of our press releases (including the most recent) posted at our site in the Press Release section. Thank you again for joining V-Day in our fight to end violence against women and girls. Susan Celia Swan Jerri Lynn Fields Media & Communications Executive Director 212-253-1823 914-835-6740 CONTENTS OF THIS KIT Page 1: Welcome To V-Day’s 2005 Press Kit Page 2: V-Day 2005 Overview Press Release Page 5: About V-Day and Mission Statement Page 6: Star Support: The Vulva Choir Page 9: Quote Sheet Page 10: Biography of V-Day Founder and Artistic Director/Playwright Eve Ensler Page 11: Take Action to Stop Violence Page 12: V-Day College and Worldwide Campaigns Page 13: Selected Media Coverage Page 48: Selected Press Releases FOR IMMEDIATE RELEASE Contact: Susan Celia Swan (212) 253-1823 [email protected] V-DAY 2005: VAGINA WARRIORS LEAD THE WAY FIRST BOOK - VAGINA WARRIORS - FEATURING CELEBRITIES AND ACTIVISTS TO BE RELEASED BY BULFINCH PRESS FEBRUARY 2005 V-DAY’S EMMY AWARD WINNING DOCUMENTARY UNTIL THE VIOLENCE STOPS TO BE RELEASED FOR RENTAL BY NETFLIX AND FOR PURCHASE BY DOCURAMA IN EARLY 2005 V-DAY 2005 SPOTLIGHT ON WOMEN OF IRAQ: UNDER SIEGE MORE COLLEGE V-DAY BENEFITS THAN EVER! Thousands of community-based V-Day benefit events of The Vagina Monologues to take place February - March 2005 in the U.S. -
Japanese Relocation Centers During World War II, Nearly 120,000 Japanese Americans Were Under Lock and Key by Ricco Villanueva Siasoco and Shmuel Ross
Japanese Relocation Centers During World War II, nearly 120,000 Japanese Americans were under lock and key by Ricco Villanueva Siasoco and Shmuel Ross On February 19, 1942, soon after the beginning of World War II, Franklin D. Roosevelt signed Executive Order 9066. The evacuation order commenced the round-up of 120,000 Americans of Japanese-American Internment Camp: Tule Japanese heritage to one of 10 Lake, California internment camps—officially called "...I remember my mother wrapping "relocation centers"—in California, A blanket around me Idaho, Utah, Arizona, Wyoming, and my Colorado, and Arkansas. Pretending to fall asleep Why Were the Camps so she would be happy Though I was so Established? excited I couldn't sleep. Roosevelt's executive order was fueled (I hear there were by anti-Japanese sentiment among people herded Into the Hastings Park farmers who competed against like cattle Japanese labor, politicians who sided Families were made to with anti-Japanese constituencies, and move in two hours the general public, whose frenzy was Abandoned everything, leaving pets heightened by the Japanese attack of And possessions at Pearl Harbor. More than 2/3 of the gun point..." Japanese who were interned in the —Joy Kogawa, from spring of 1942 were citizens of the "What I Do I Remember of the United States. Evacuation" (1973), published in The Similar Orders in Canada Chicago Review, Vol. In Canada, similar evacuation orders 42, Nos. 3 & 4 "Two weeks after his were established. Nearly 23,000 Nikkei, twenty-fifth birthday, or Canadians of Japanese descent, Ichiro got off a bus at were sent to camps in British Columbia. -
An Attack on One Is an Attack On
AN ATTACK ON ONE CIVIL ATTACK ALL RIGHTS ON ALL IS AN ATTACK ON ALL 2017 WELCOME ようこそ NORMAN MINETA has a public service record that spans 30 years which include a 21- year career with the U.S. House of Representatives. During World War II, Mineta and his PROGRAM SCHEDULE family were incarcerated at Heart Mountain. Mr. Mineta first served as a member of San Jose’s Human Relations Commission, city council, vice mayor, and mayor. He was the first Japanese American to be elected mayor of a major U.S. city. President Clinton appointed プログラム him to his Cabinet as Secretary of Commerce, making him the first Asian American Cabinet member. He was appointed by President George Bush as Secretary of Transportation at the Invocation MACEO HERNANDEZ & EAST L.A. TAIKO Welcome. start of the President’s term and was reappointed to serve a second term. A highlight of Gathering KAY OCHI and KURT IKEDA, Emcees his political career was the passage of the Civil Liberties Act of 1988, which redressed the Thank you for joining us today at the Japanese American Welcome NORMAN MINETA, former U.S. Congressman / injustices endured by Americans of Japanese ancestry during World War II. National Museum. U.S. Secretary of Transportation On February 19, 1942, Franklin Roosevelt signed Executive Order 9066, authorizing the removal and Keynote MIKE HONDA, former U.S. Congressman incarceration of 120,000 people of Japanese ancestry Resolution AL MURATSUCHI, Assemblyman, 66th District living on the west coast. The Commission on Wartime Performance DAN KWONG (from “IT’S GREAT 2B AMERICAN”) KEYNOTE SPEAKER 主演者 Relocation and Internment of Civilians, concluded this Performance JULLY LEE (excerpt from “Tales of Clamor”) action to be based on wartime hysteria, racial prejudice and a failure of political leadership. -
Pacmc Citizen
Asian AmerlcaMiE in business I h ■ —page: 4 Pacmc^kIttor«^IPubl^M1l<»1o(1heJapanaaeAIT>eIkMnQtlzan•Loagu^'''Citizen— (79c PwlpaU us.) N«MiiarK3 2SC Teen gets 49 years for murder of Issei woman Staff rapona urged the court to issue a stricter Jeremy Brinkley, 19, who con- sentence. feeaed to the July 26,1990, mur ITw lifter aentenM, according der end rape of 87-year-old to Kamimo^ was p^ of a plea Chiyciko Kono of Sehna, Calif., barnin whicn came in exchange was aentanead Mar. 12 in naari^ for Briaklay’soon&aiioh. How Fresno Superior Court to more ever, the aenteoea was heavier vj than 49 years in phaoD. than it would have bean if the 19- ^aadfically. Brinkley was ean- yaar-old Brinkley was triad as a Worklni ether tanead to 24 yaars, 8 months for mi TMT said Kamimoto. Kanuns ex and better relations among ethnic minorities has b thed in the the crime of rape and 2S yaara for- plained that Brinkl^ must in the leadership Develmerd Ri Interethnic Relations pragram, the the crime ofinurder. thefuDperiodafhiefirstaen . creation of the / . American Legal Center, the Miutin Uither Ki^ Dispute Resolution Center. At the hearing, Sandra Oaaki, and at least cma-third offw^E hife^* and the West San C Valey Chapter o( the League of UnKed Latin American Citizens, met Marbh 6 ^lene Nobusa(fo-Flynnk-Flynn andwd Dr. ondsentencebeforebecominge.^nningi^ to anmunce the r^ Hh training program that wi train 25 athnfcaSy diverse individuals to be more ' Gary Kono, three of CHuyokt C^le for a parole hearing. -
USJC Earthquake Relief Fund Report
1 Descriptions of Recipient Organizations, Projects & Activities 2-20 The Next Steps to Recovery: TOMODACHI 21 Disbursement Guide 22 Earthquake Relief Fund Parnters 23 Donor Recognition 24-35 In immediate response to the Great Eastern Japan Earthquake on March 11, 2011, the U.S.-Japan Council created the U.S.-Japan Council Earthquake Relief Fund. The Fund received $350,000 within 24 hours of its establishment and raised $2,623,034.00 as of July 31, 2012. The USJC Earthquake Relief Fund was created for both immediate disaster relief and the long-term rehabilitation of businesses and infrastructure in the Tohoku region. Working with partners in the non-profit sector to disburse these donations, our supporters have helped make a lasting, meaningful impact on the people of Tohoku. The U.S.-Japan Council decided to disburse funds primarily to Japanese Non-Profit Organizations and Non-Governmental Organizations to show support for the growing civil society sector in Japan. This report provides a glance at the tremendous work and accomplishments that these organizations have made in the devastated region. The U.S.-Japan Council is committed to maintaining the strong relationships forged during the relief and rebuilding process. 2 The USJC Earthquake Relief Fund Proudly Supported: WWW.ARCHIAID.ORG ArchiAid came together in the weeks immediately following the Great East Japan Earthquake, forming an international network of architects dedicated to promoting recovery efforts through a wide range of activities. The network has become a platform for professionals, educators and students to collaborate on innovative solutions to the challenges of reconstruction. ArchiAid operates with three principal goals: First, to create a foundation that assists in reconstruction and promotes the regeneration of disaster areas through a multi-faceted network. -
JACL-LEC Praises Efforts, Looks to Next Redress Hurdle
aci ic citizen National Publication of the Japanese American Citizens League S. 1009 Redress Win '/reflect Unfavorably'Says JACL-LEC Praises Efforts, S.L Hayakawa Looks to Next Redress Hurdle By Grayce Uyehara Reviews of the nationwide media By George Johnston WASHINGTON - After a decade of response to the passage of H.R. 442 Fonner U.S. Sen. S.l Hayakawa focusing on the redress issue, the (S. 1009) on April 20 in the United (R-Calif.) believes that S. 1009, which impossible dream to petition our States Senate shows there is much passed 69-'l:7 April 20 in the Senate, government may now be possible. more support than opposition. should be vetoed by President The JACL Legislative Education There is a feeling that this bill is Reagan because if it were to pass, Committee (LEC) lauds the out long overdue and that justice will it would reflect unfavorably upon standing floor management role of be well served when the bill is Japanese Americans. Hayakawa, Sen. Spark M. Matsunaga (D signed by the president There are one the most vocal and prominent Hawaii), who introduced S. 1009 on also more letters from individuals figures against the monetary portion April 19, then worked through the who support this legislation. of Japanese American redress, be long session of April 20 to advocate The JAClrLEC Office received a lieves that since Japanese Amer his position on the merits of this bill copy of the Arpil 29 noon White icans are doing well as a whole, the Pacific Citizen Photo By George Johnston and its passage.