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Camera Basics, Principles and Techniques –MCD 401 Organized By:-Rao Rajpoot Muhammad Bilal 0306-8994125, April 21, 2019 Topic No

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Camera Basics, Principles and Techniques –MCD 401 Organized By:-Rao Rajpoot Muhammad Bilal 0306-8994125, April 21, 2019 Topic No Camera Basics, Principles and Techniques –MCD 401 Organized by:-Rao Rajpoot Muhammad Bilal 0306-8994125, April 21, 2019 Topic no. 1 PHOTOGRAPHY PART I Whether you're hanging out with friends on the beach or reading about the history of the 1930s, photography will likely make an appearance. The oldest known photograph dates back to 1826, but the structure that would become the first camera was described by Aristotle. The process of taking pictures has become increasingly refined during the 19th century, transitioning from heavy glass plates to light, gelatin-coated flexible film. Today, once-innovative film cameras take a back seat to the convenience and ease of digital cameras. Photography is a fun form of art and many people are engaged in it. This is because of the wide form of artistry it can create with the uniqueness of every shot. People around the globe have appreciated the aftermaths of amazing photography. Do you know what makes these photos look amazingly stunning? It is because of the photography composition each one has. It would indeed be futile if you take shots without considering photography composition. You will not be able to give your images a perfect beauty without it. There are some photography composition techniques that one can do but it is the photographer’s touch and creativity that makes each output unique. 1. It creates more appealing photos 2. To deliver a more convincing story 3. It looks more professional. 4. It has balance 5. It makes unique pictures 6. It shows a personality7. It adds more life to images 8. It allows you to capture the essence of an image. 9. It allows you to capture the essence of an image 10. It awes the viewers. Topic no. 2 Macro photography is extreme close-up photography, usually of very small subjects, in which the size of the subject in the photograph is greater than life size. By some definitions, a macro photograph is one in which the size of the subject on the negative or image sensor is life size or greater. However in other uses it refers to a finished photograph of a subject at greater than life size. The ratio of the subject size on the film plane (or sensor plane) to the actual subject size is known as the reproduction ratio. Likewise, a macro lens is classically a lens capable of reproduction ratios greater than 1:1, although it often refers to any lens with a large reproduction ratio, despite rarely exceeding 1:1. Apart from technical photography and film-based processes, where the size of the image on the negative or image sensor is the subject of discussion, the finished print or on-screen image more commonly lends a photograph its macro status. Reproduction ratios much greater than 1:1 are considered to be photomicrography, often achieved with digital microscope ( photomicrography should not be confused with microphotography , the art of making very small photographs, such as for microforms). Due to advances in sensor technology, today’s small-sensor digital cameras can rival the macro capabilities of a DSLR with a “true” macro lens, despite having a lower reproduction ratio, making macro photography more widely accessible at a lower cost. In the digital age, a "true" macro photograph can be more practically defined as a photograph with a vertical subject height of 24 mm or less. Macro" lenses specifically designed for close-up work, with a long barrel for close focusing and optimized for high reproduction ratios, are one of the most common tools for macro photography. (Unlike most other lens makers, Nikon designates its macro lenses as "Micro" Camera Basics, Principles and Techniques –MCD 401 Organized by:-Rao Rajpoot Muhammad Bilal 0306-8994125, April 21, 2019 because of their original use in making microform.) Most modern macro lenses can focus continuously to infinity as well and can provide excellent optical quality for normal photography. Macro lenses of different focal lengths find different uses : Continuously-variable focal length – suitable for virtually all macro subjects 45–65 mm – product photography, small objects that can be approached closely without causing undesirable influence, and scenes requiring natural background perspective 90–105 mm – insects, flowers, and small objects from a comfortable distance 150–200 mm – insects and other small animals where additional working distance is required Difference between macro micro and close up photography Macro photography is that which is taken with a dedicated macro lens. A real macro lens has the capability of achieving in the least a 1:1 magnification. Just because a camera has the word macro written on it, doesn’t make it a true macro lens. Close up photography, is the act of photographing objects such as flowers or insects in close range so the subject you are photographing fills the frame. In other words, it’s the act of photographing subjects close up. This is easily achievable with any lens, even a 300mm telephoto lens. Macro photography is in essence close up photography as well. However, close up photography is not always considered as true macro photography. For example, if you have a lens that is NOT considered a real macro lens, yet offers a macro setting (as many do nowadays), this is usually referred to as being close up photography, and not true macro. Topic no 03 Principles of Photography Pinhole Cameras and Photography The pinhole camera (also known as a camera obscura) was first envisioned around the 5th century BCE. The camera obscura was a box with a small hole in it, through which light (and the image carried by it) would travel and reflect against a mirror. The camera obscura was originally used to observe solar events and to aid in drawing architecture, though it became something entirely new in 1800. A young man named Thomas Wedgwood attempted to capture the image portrayed in a camera obscura with silver nitrate, which is light-sensitive. Unfortunately, the images didn't hold, and it wasn't until the French inventor Joseph Niepce attempted the same feat with bitumen (a kind of tar) that the first photograph was produced. The Birth of the Negative: Wet Plate Negatives, Dry Plate Negatives In 1848, sculptor Frederick Scott Archer became frustrated with the stark definition offered by photographs at the time. He set out to create a process that would allow him to capture the more subtle variations in shade, since all photographs were, at this point, restricted to black and white. For his wet plate process, he applied a gelatin mixture of iodide or chloride to a glass plate. The plate would be dipped into a solution of silver nitrate and used to take a photograph while the gelatin was still wet. The photograph had to be developed almost immediately afterward, but the negative that formed on the glass was capable of capturing immaculate levels of detail. The one downside to this process was the time required to prep the glass plate, usually on-site, which made it extremely impractical for news photographs and field reporting. A few years later, in 1864, W.B. Bolton and B.J. Sayce created a one-step emulsion fluid with silver iodide. This process, which became known as the dry plate process, wasn't faster than the wet plate process, but it did produce photographs of better overall consistency. Flexible Film and Photographic Films Camera Basics, Principles and Techniques –MCD 401 Organized by:-Rao Rajpoot Muhammad Bilal 0306-8994125, April 21, 2019 For the next 20 years, daguerreotype photography remained the most popular form of taking pictures. However, as young George Eastman discovered when he took a trip to Santo Domingo, taking pictures was an expensive and heavy process? He set to work, building off the chemical finesse of the dry plate process, and gradually developed a flexible gelatin-paper film. In 1885, he created and patented a device to hold a roll of his new film, and in 1888, he introduced his first Kodak camera to the market. Camera Advancements : Daguerreotype Cameras, Box Camera, Flashbulbs, 35mm Cameras and Polaroid’s Color photography became possible with the Auto chrome plate in 1907, although it didn't take off until the release of Kodachrome film in 1936. Flashes of light, produced by burning magnesium, had long been used by photographers to enhance the light of a scene, but in 1930, The General Electric Company began producing flashbulbs specifically for use with cameras. The 35mm camera was created in 1913 by Oskar Barnack, who used existing 35mm movie film to capture still images. The first 35mm camera released was known as the Leica I , and once it hit shelves in 1925, the new compact camera became the standard for spur-of-the-moment snapshot s. In 1943, Edwin Land introduced the Polaroid camera after being asked by his 3 year-old daughter why she couldn't instantly see the picture he'd taken of her. Digital Cameras In 1975, the field of photography morphed yet again with the introduction of a digital camera. Pictures were stored on a cassette tape , and capturing a photo could take up to 23 seconds. The first filmless camera was created by Sony in 1981. Their creation, the Mavica, could store pictures on floppy disks which would then be viewed on a television monitor. Smartphone Cameras and Technologies In 2013, the Internet company Twitter introduced a service called Vine , allowing users Camera Basics, to use their camera phones to record and share 6 seconds of color- and audio-enabled video with their online followers. TOPIC NO 4 History of Photography Niépce's associate Louis Daguerre went on to develop the daguerreotype process , the first publicly announced photographic process, which required only minutes of exposure in the camera and produced clear, finely detailed results.
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