Hmong Sudden Deaths
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The Significant Other: a Literary History of Elves
1616796596 The Significant Other: a Literary History of Elves By Jenni Bergman Thesis submitted for the degree of Doctor of Philosophy Cardiff School of English, Communication and Philosophy Cardiff University 2011 UMI Number: U516593 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U516593 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DECLARATION This work has not previously been accepted in substance for any degree and is not concurrently submitted on candidature for any degree. Signed .(candidate) Date. STATEMENT 1 This thesis is being submitted in partial fulfilment of the requirements for the degree of PhD. (candidate) Date. STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by explicit references. Signed. (candidate) Date. 3/A W/ STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed (candidate) Date. STATEMENT 4 - BAR ON ACCESS APPROVED I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan after expiry of a bar on accessapproved bv the Graduate Development Committee. -
Sleep Disorders Dirckx
Wake Me When It’s Over: Sleep and Its Disorders by John H. Dirckx, M.D. he phenomenon of sleep is hardly less complex and minutes, each stage being characterized by waves of lower fre- inscrutable than those of cognition, respiration, diges- quency and higher voltage than the preceding one. After about Ttion, and reproduction. Sleep is not just a temporary sus- 30 minutes in stage 4, the sleeper gradually passes back through pension of consciousness, but an intricate process, consisting of stage 3 to stage 2. A full night’s sleep typically includes five to cyclical changes in many aspects of body chemistry and func- seven such cycles, but only the first one or two of these may tion, that must occur periodically to restore and maintain neu- reach stage 4. rologic health. Numerous disorders of this process have been During stage 1 sleep, the EEG shows theta waves, which identified, from nightmares, jet lag, and insomnia, which we all have a frequency of 4-7 Hz (hertz, or cycles per second). sometimes experience, to less common but more serious ones In stage 2, so-called sleep spindles occur—brief intermittent such as obstructive sleep apnea, narcolepsy, and sudden infant bursts of faster (12-14 Hz) activity. The very slow (1-2 Hz) death syndrome. This article surveys the physiology of normal high-voltage waves of stages 3 and 4 are called delta waves. sleep and discusses the nature, diagnosis, and treatment of some The deeper the stage of sleep, the more difficult it is for the of its more important disorders. -
Encyclopedia of CELTIC MYTHOLOGY and FOLKLORE
the encyclopedia of CELTIC MYTHOLOGY AND FOLKLORE Patricia Monaghan The Encyclopedia of Celtic Mythology and Folklore Copyright © 2004 by Patricia Monaghan All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Monaghan, Patricia. The encyclopedia of Celtic mythology and folklore / Patricia Monaghan. p. cm. Includes bibliographical references and index. ISBN 0-8160-4524-0 (alk. paper) 1. Mythology, Celtic—Encyclopedias. 2. Celts—Folklore—Encyclopedias. 3. Legends—Europe—Encyclopedias. I. Title. BL900.M66 2003 299'.16—dc21 2003044944 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Text design by Erika K. Arroyo Cover design by Cathy Rincon Printed in the United States of America VB Hermitage 10 9 8 7 6 5 4 3 2 1 This book is printed on acid-free paper. CONTENTS 6 INTRODUCTION iv A TO Z ENTRIES 1 BIBLIOGRAPHY 479 INDEX 486 INTRODUCTION 6 Who Were the Celts? tribal names, used by other Europeans as a The terms Celt and Celtic seem familiar today— generic term for the whole people. -
Norse Mythology: Legends of Gods and Heroes
Norse Mythology Legends of Gods and Heroes by Peter Andreas Munch In the revision of Magnus Olsen Translated from Norwegian by Sigurd Bernhard Hustvedt New York The American-Scandinavian Foundation 1926 vii CONTENTS PAGES Translator’s Preface xi Introduction xiii I. MYTHS OF THE GODS The Creation of the World — The Giants — The Æsir — Men and Women — Dwarfs — Vanir — Elves ……………………… 1 The Plains of Ida — Valhalla — Yggdrasil …………………….. 5 Odin ………………………………………………………………... 7 Thor ………………………………………………………………... 10 Balder ……………………………………………………………… 12 Njord ……………………………………………………………….. 13 Frey ………………………………………………………………... 15 Tyr ………………………………………………………………..... 16 Heimdal ………………………………………………………….... 17 Bragi ……………………………………………………………….. 18 Forseti ……………………………………………………………... 18 Hod — Vali — Vidar — Ull ………………………………………. 18 Hœnir — Lodur …………………………………………………… 19 Loki and His Children ……………………………………………. 21 Hermod — Skirnir ………………………………………………… 25 The Goddesses — Frigg — Jord — Freyja .…………………... 25 Saga — Eir — Gefjon — Var — Vor — Syn — Snotra ………. 28 Idun — Nanna — Sif ...…………………………………………... 29 The Norns …………………………………………………………. 30 Familiar Spirits — Attendant Spirits ……………………………. 31 The Valkyries ……………………………………………………... 32 Thorgerd Hœlgabrud and Irpa ………………………………….. 34 The Forces of Nature — Ægir …………………………………... 34 Night — Day ………………………………………………………. 37 viii Hel …………………………………………………………………. 37 The Giants ………………………………………………………… 39 The Dwarfs ………………………………………………………... 41 The Vettir ………………………………………………………….. 42 The Heroes and Life in Valhalla ………………………………… 48 Corruption -
Encyclopedia of Vampire Mythology This Page Intentionally Left Blank Encyclopedia of Vampire Mythology
Encyclopedia of Vampire Mythology This page intentionally left blank Encyclopedia of Vampire Mythology THERESA BANE McFarland & Company, Inc., Publishers Jefferson, North Carolina, and London LIBRARY OF CONGRESS CATALOGUING-IN-PUBLICATION DATA Bane, Theresa, ¡969– Encyclopedia of vampire mythology / Theresa Bane. p. cm. Includes bibliographical references and index. ISBN 978-0-7864-4452-6 illustrated case binding : 50# alkaline paper ¡. Vampires—Encyclopedias. I. Title. GR830.V3B34 2010 398.21'003—dc22 2010015576 British Library cataloguing data are available ©2010 Theresa Bane. All rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher. Cover illustration by Joseph Maclise, from his Surgical Anatomy, 1859 Manufactured in the United States of America McFarland & Company, Inc., Publishers Box 6¡¡, Je›erson, North Carolina 28640 www.mcfarlandpub.com To my father, Amedeo C. Falcone, Noli nothi permittere te terere. This page intentionally left blank Table of Contents Preface 1 Introduction 7 THE ENCYCLOPEDIA 13 Bibliography 155 Index 183 vii This page intentionally left blank Preface I am a vampirologist—a mythologist who specializes in cross- cultural vampire studies. There are many people who claim to be experts on vampire lore and legend who will say that they know all about Vlad Tepes and Count Dracula or that they can name several different types of vampiric species. I can do that, too, but that is not how I came to be a known vam- pirologist. Knowing the “who, what and where” is one thing, but knowing and more impor- tantly understanding the “why” is another. -
Germanic Mythology in Richard Wagnsr's 'Der Ring'
GERMANIC MYTHOLOGY IN RICHARD WAGNSR'S 'DER RING' Emile Berger Department of German Studies McGill University, Montreal March 2002 A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of MASTER OF ART~ © Emile Berger, 2002 National Library Bibliothèque nationale 1+1 of Canada du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395. rue Wellington Ottawa ON K1A ON4 Ottawa ON K1 A ON4 canada canada The author bas granted a non L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library ofCanada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies ofthis thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur fonnat électronique. The author retains ownership ofthe L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts frOID it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son pemnSSlOn. autorisation. 0-612-78989-6 Canada Il ABSTRACT Richard Wagner, in writing the text which would become the libretto of his fo~r operas comprising the Ring was influenced greatly by German Mythology as weil as old Norse writings. His main sources are the Voisungensaga, ttile Thidreksaga and the Nibelungenlied. Certain portions of the Ring follow closely the events described in some of the sagas, other portions have been chang~d and elaborated to achieve theatrical effect. -
By Wolfgang Baur, Dan Dillon, Richard Green, James Haeck, Chris
by Wolfgang Baur, Dan Dillon, Richard Green, James Haeck, Chris Harris, James Introcaso, Chris Lockey, Shawn Merwin, and Jon Sawatsky Developed and Edited by SampleMeagan Maricle file CREATURE CODEX CREDITS Designers: Wolfgang Baur, Dan Dillon, Richard Green, Chris Art Director: Marc Radle Harris, Jeremy Hochhalter, Chris Lockey, James Haeck, James : Craig J. Spearing Introcaso, Shawn Merwin, Jon Sawatsky, and Brian Suskind Cover Artist Additional Design: David Zaine Aarons, Kirby Atwood, Interior Artists: Gabriel Cassata, Michele Giorgi, Leesha Jonathan Breese, Charlie Brooks, Matt Burriss, Joseph Hannigan, Frank Hessefort, Michael Jaecks, Robert Jenkins, Cirino, Daniel Colby, Matt Cochran, Nathan Crouch, Paul Rob Jenx, Russell Jones, Marcel Mercado, Julia Metzger, A. Catalano, Jr., C.N. Constantin, Nicolas Courtemanche, Georgi Minkov, Allen Morris, William O’Brien, Beatrice Benjamin L. Eastman, Summer Fenwick, Andrew Harshman, Pelagatti, Roberto Pitturru, Claudio H Pozas, Florian Stitz, Jim Heston, Tyrel Hoopman, Zachary Host, Kei Imamura, Bryan Syme, Takashi Tan, Egil Thompson, Simon Tjong, and Andrew Johannes, Dylan Lloyd, Alex Kanous, Adam Eva Widermann Letherbarrow, Eugene Katz, Robert Morehead, Magneto Layout and Graphic Design: Marc Radle Morgan & Kasey Brockelsby, Kenneth Nero & Winifred Chiang, Ross Paton, Luke Pickles, Eric Robbins, Corry Logo: Doug Wohlfeil Rogerson, Sebastian Rombach, Joel Russ, Graham Ruston, Limited Edition Graphics: Addison Rankin George Sager, Artem Serebrennikov, Andrew Shockney, Joshua Simpson & Bailey -
Charms Against the Nightmare and the Mythology of Dreams
https://doi.org/10.7592/Incantatio2017_6_Milne THE TERRORS OF THE NIGHT: CHARMS AGAINST THE NIGHTMARE AND THE MYTHOLOGY OF DREAMS Louise S. Milne School of Art, University of Edinburgh School of Arts and Creative Industries, Edinburgh Napier Universit [email protected], [email protected] This article takes a semiotic and structuralist approach to understanding the characteristic nightmare package of imagery, or image-constellation, which ap- pears also in charms, curses and lullabies to do with disturbed sleep. Elements of the nightmare package – its mythos – is related to a spectrum of charms and related belief-narratives. Charms against the nightmare are investigated, as are sleep charms as representative of the nightmare narrative of threat coming close to fruition. Detail is provided on spiritual beings believed to attack the sleeper, as well as on charms as methods to ward off such attacks. Psychological explanations are considered, such as the nightmare antagonist being a disguised avatar of the self. Keywords: body, dreams, dream imagery, lullabies, mara, metaphor, nightmare, sleep, spells INTRODUCTION: THE NIGHTMARE AND CHARMS “Let’s use a charm ... Quiet sleep, or thou shalt see / The horrid hags of Tartary ... And Cerberus shall bark at thee ... And all the Furies ... lash thee ... And therefore sleep thou peacefully” Thomas Randolph, The Jealous Lovers, III. v (1632) “No one hears the words spoken in dreams” Dogon saying (Calame-Griaule 1965: 146) 78 www.folklore.ee/incantatio Charms Against The Nightmare and the Mythology of Dreams The experience of nightmare has for centuries been mediated through and ex- pressed by a characteristic package of imagery, which appears also in charms, curses and lullabies to do with disturbed sleep.