Of Gianbattista Nolli's Map of Rome
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Unfolding Rome: Giovanni Battista Piranesi╎s Le Antichit〠Romane
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 Unfolding Rome: Giovanni Battista Piranesi's Le Antichità Romane, Volume I (1756) Sarah E. Buck Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF VISUAL ARTS, THEATRE, AND DANCE UNFOLDING ROME: GIOVANNI BATTISTA PIRANESI’S LE ANTICHITÀ ROMANE, VOLUME I (1756) By Sarah E. Buck A Thesis submitted to the Department of Art History in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Summer Semester, 2008 The members of the Committee approve the thesis of Sarah Elizabeth Buck defended on April 30th, 2008. ____________________________________ Robert Neuman Professor Directing Thesis ____________________________________ Lauren Weingarden Committee Member ____________________________________ Stephanie Leitch Committee Member Approved: ____________________________________________ Richard Emmerson, Chair, Department of Art History ____________________________________________ Sally E. McRorie, Dean, College of Visual Arts, Theatre and Dance The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS This thesis grew out of a semester paper from Robert Neuman’s Eighteenth-Century Art class, one of my first classes in the FSU Department of Art History. Developing the paper into a larger project has been an extremely rewarding experience, and I wish to thank Dr. Neuman for his continual guidance, advice, and encouragement from the very beginning. I am additionally deeply grateful for and appreciative of the valuable input and patience of my thesis committee members, Lauren Weingarden and Stephanie Leitch. Thanks also go to the staff of the University of Florida-Gainesville’s Rare Book Collection, to Jack Freiberg, Rick Emmerson, Jean Hudson, Kathy Braun, and everyone else who has been part of my graduate school community in the Department of Art History. -
Architectural Temperance: Spain and Rome, 1700-1759
Architectural Temperance Spain and Rome, 1700–1759 Architectural Temperance examines relations between Bourbon Spain and papal Rome (1700–1759) through the lens of cultural politics. With a focus on key Spanish architects sent to study in Rome by the Bourbon Kings, the book also discusses the establishment of a program of architectural educa- tion at the newly-founded Real Academia de Bellas Artes de San Fernando in Madrid. Victor Deupi explores why a powerful nation like Spain would temper its own building traditions with the more cosmopolitan trends associated with Rome; often at the expense of its own national and regional traditions. Through the inclusion of previously unpublished documents and images that shed light on the theoretical debates which shaped eighteenth-century architecture in Rome and Madrid, Architectural Temperance provides an insight into readers with new insights into the cultural history of early modern Spain. Victor Deupi teaches the history of art and architecture at the School of Architecture and Design at the New York Institute of Technology and in the Department of Visual and Performing Arts at Fairfield University. His research focuses on cultural politics in the early modern Ibero-American world. Routledge Research in Architecture The Routledge Research in Architecture series provides the reader with the latest scholarship in the field of architecture. The series publishes research from across the globe and covers areas as diverse as architectural history and theory, technology, digital architecture, structures, materials, details, design, monographs of architects, interior design and much more. By mak- ing these studies available to the worldwide academic community, the series aims to promote quality architectural research. -
Rome and the Guidebook Tradition
Rome and the Guidebook Tradition Rome and the Guidebook Tradition From the Middle Ages to the 20th Century Edited by Anna Blennow and Stefano Fogelberg Rota ISBN 978-3-11-061044-4 e-ISBN (PDF) 978-3-11-061563-0 e-ISBN (EPUB) 978-3-11-061578-4 This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives4.0 License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number: 2018963421 Bibliografic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutschen Nationalbibliografie; detailed bibliografic data are available on the Internet at http://dnb.dnb.de. © 2019 Anna Blennow and Stefano Fogelberg Rota, published by Walter de Gruyter GmbH, Berlin/Boston Typesetting: Integra Software Services Pvt. Ltd. Printing and binding: CPI books GmbH, Leck Cover image: Giambattista Nolli, Nuova Pianta di Roma (1748). Public Domain, via Wikimedia Commons www.degruyter.com Acknowledgements The project “Topos and Topography: Rome as the Guidebook City” has been based at the Swedish Institute for Classical Studies in Rome between 2013 and 2016, and financed by the Swedish Foundation for Humanities and Social Sciences (Riksbankens Jubileumsfond). The seven members of the project – also known as “the seven hills of Rome”–are Anna Blennow, Anna Bortolozzi, Carina Burman, Stefano Fogelberg Rota, Sabrina Norlander Eliasson, Victor Plahte Tschudi, and Frederick Whitling. The chapters of the present publication contain the results of the subprojects of the participants, as well as a valuable addition in the form of a study of Ludwig Schudt’sinfluentialLe Guide di Roma, performed by four scholars at the Royal Netherlands Institute in Rome (estimated neighbour of the Swedish Institute in via Omero): Arnold Witte, Head of Art History at the Netherlands Institute, together with Eva van Kemenade, Niels Graaf, and Joëlle Terburg. -
University of Florida Thesis Or Dissertation Formatting
IMAGES OF THE TIBER ISLAND:ART AND ARCHAEOLOGY A CATALOG OF ARTISTS AND CARTOGRAPHERS FROM THE 14TH THROUGH THE 20TH CENTURY By CATHERINE ANN DUNAR A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2012 1 © 2012 CATHERINE ANN DUNAR 2 To Andy 3 ACKNOWLEDGMENTS Many people helped me in this long journey leading to my degree. First, to my University of Florida family, I want to thank Dr. Robert S. Wagman, my dissertation adviser, for his expertise and love of the Tiber Island, and my committee members, Dr. Karelisa Hartigan, Dr. Mary Ann Eaverly, and Dr. Barbara Barletta for their guidance. Dr.Jennifer Rea provided ongoing counsel to me as a distance student. Dr. Richard Gerberding, Dr. Lillian Joyce, Dr. James C. Anderson, and Dr. Hans Mueller gave me early and ongoing inspiration and encouragement. In Rome, I thank the American Academy for its support during my research, Dr. Allen Ceen, Mr. Bruno Leoni, and Mr. Roberto Piperno who spent time with me in Rome, and answered follow-up questions via email. To my Randolph School family, I thank Dr. Byron Hulsey and Mrs. Betty Grisham for backing me in this long haul. I thank my colleagues for their emotional support, especially Vally Perry for her wise words at the right moment. I want to especially thank Gene Leonard for his almost daily assistance with my many technical crises. Finally, to my family, I thank my children Jamie, Kimberly, and Michael for their love and for their capacity to listen to my Tiber Island “tidbits.” Most of all, I thank Andy, my high school sweetheart and husband of forty-three years, for his love and his belief in me, as well as for his never complaining role as proofreader-in-chief.