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  • Howl": the [Naked] Bodies of Madness
    promoting access to White Rose research papers Universities of Leeds, Sheffield and York http://eprints.whiterose.ac.uk/ White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/10352/ Published chapter Rodosthenous, George (2005) The dramatic imagery of "Howl": the [naked] bodies of madness. In: Howl for Now. Route Publishing , Pontefract, UK, pp. 53- 72. ISBN 1 901927 25 3 White Rose Research Online [email protected] The dramatic imagery of “Howl”: the [naked] bodies of madness George Rodosthenous …the suffering of America‘s naked mind for love into an eli eli lamma lamma sabacthani saxophone cry that shivered the cities (―Howl‖, 1956) Unlike Arthur Rimbaud who wrote his ―A Season in Hell‖ (1873) when he was only 19 years old, Allen Ginsberg was 29 when he completed his epic poem ―Howl‖ (1956). Both works encapsulate an intense world created by the imagery of words and have inspired and outraged their readers alike. What makes ―Howl‖ relevant to today, 50 years after its first reading, is its honest and personal perspective on life, and its nearly journalistic, but still poetic, approach to depicting a world of madness, deprivation, insanity and jazz. And in that respect, it would be sensible to point out the similarities of Rimbaud‘s concerns with those of Ginsberg‘s. They both managed to create art that changed the status quo of their times and confessed their nightmares in a way that inspired future generations. Yet there is a stark contrast here: for Rimbaud, ―A Season in Hell‖ was his swan song; fortunately, in the case of Ginsberg, he continued to write for decades longer, until his demise in 1997.
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  • R0693-05.Pdf
    I' i\ FILE NO .._O;:..=5:....:::1..;::..62;;;;..4:..- _ RESOLUTION NO. ----------------~ 1 [Howl Week.] 2 3 Resolution declaring the week of October 2-9 Howl Week in the City and County of San 4 Francisco to commemorate the 50th anniversary of the first reading of Allen Ginsberg's 5 classic American poem about the Beat Generation. 6 7 WHEREAS, Allen Ginsberg wrote Howl in San Francisco, 50 years ago in 1955; and 8 ! WHEREAS, Mr. Ginsberg read Howl for the first time at the Six Gallery on Fillmore 9 I Street in San Francisco on October 7, 1955; and 10 WHEREAS, The Six Gallery reading marked the birth of the Beat Generation and the 11 I start not only of Mr. Ginsberg's career, but also of the poetry careers of Michael McClure, 12 Gary Snyder, Jack Kerouac, Philip Whalen; and 13 14 WHEREAS, Howl was published by Lawrence Ferlinghetti at City Lights and has sold 15 nearly one million copies in the Pocket Poets Series; and 16 WHEREAS, Howl rejuvenated American poetry and marked the start of an American 17 Cultural Revolution; and 18 WHEREAS, The City and County of San Francisco is proud to call Allen Ginsberg one 19 of its most beloved poets and Howl one of its signature poems; and, 20 WHEREAS, October 7,2005 will mark the 50th anniversary of the first reading of 21 HOWL; and 22 WHEREAS, Supervisor Michela Alioto-Pier will dedicate a plaque on October 7,2005 23 at the site of Six Gallery; now, therefore, be it 24 25 SUPERVISOR PESKIN BOARD OF SUPERVISORS Page 1 9/20/2005 \\bdusupu01.svr\data\graups\pElskin\iagislatiarlire.soll.ltrons\2005\!lo\l'lf week 9.20,05.6(J-(; 1 RESOLVED, That the San Francisco Board of Supervisors declares the week of 2 October 2-9 Howl Week to commemorate the 50th anniversary of this classic of 20th century 3 American literature.
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  • “Howl”—Allen Ginsberg (1959) Added to the National Registry: 2006 Essay by David Wills (Guest Post)*
    “Howl”—Allen Ginsberg (1959) Added to the National Registry: 2006 Essay by David Wills (guest post)* Allen Ginsberg, c. 1959 The Poem That Changed America It is hard nowadays to imagine a poem having the sort of impact that Allen Ginsberg’s “Howl” had after its publication in 1956. It was a seismic event on the landscape of Western culture, shaping the counterculture and influencing artists for generations to come. Even now, more than 60 years later, its opening line is perhaps the most recognizable in American literature: “I saw the best minds of my generation destroyed by madness…” Certainly, in the 20h century, only T.S. Eliot’s “The Waste Land” can rival Ginsberg’s masterpiece in terms of literary significance, and even then, it is less frequently imitated. If imitation is the highest form of flattery, then Allen Ginsberg must be the most revered writer since Hemingway. He was certainly the most recognizable poet on the planet until his death in 1997. His bushy black beard and shining bald head were frequently seen at protests, on posters, in newspapers, and on television, as he told anyone who would listen his views on poetry and politics. Alongside Jack Kerouac’s 1957 novel, “On the Road,” “Howl” helped launch the Beat Generation into the public consciousness. It was the first major post-WWII cultural movement in the United States and it later spawned the hippies of the 1960s, and influenced everyone from Bob Dylan to John Lennon. Later, Ginsberg and his Beat friends remained an influence on the punk and grunge movements, along with most other musical genres.
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  • Lawrence Ferlinghetti, Poet Who Nurtured the Beats, Dies At
    Lawrence Ferlinghetti, Poet Who Nurtured the Beats, Dies at 101 An unapologetic proponent of “poetry as insurgent art,” he was also a publisher and the owner of the celebrated San Francisco bookstore City Lights. By Jesse McKinley Feb. 23, 2021 Lawrence Ferlinghetti, a poet, publisher and political iconoclast who inspired and nurtured generations of San Francisco artists and writers from City Lights, his famed bookstore, died on Monday at his home in San Francisco. He was 101. The cause was interstitial lung disease, his daughter, Julie Sasser, said. The spiritual godfather of the Beat movement, Mr. Ferlinghetti made his home base in the modest independent book haven now formally known as City Lights Booksellers & Publishers. A self-described “literary meeting place” founded in 1953 and located on the border of the city’s sometimes swank, sometimes seedy North Beach neighborhood, City Lights, on Columbus Avenue, soon became as much a part of the San Francisco scene as the Golden Gate Bridge or Fisherman’s Wharf. (The city’s board of supervisors designated it a historic landmark in 2001.) While older and not a practitioner of their freewheeling personal style, Mr. Ferlinghetti befriended, published and championed many of the major Beat poets, among them Allen Ginsberg, Gregory Corso and Michael McClure, who died in May. His connection to their work was exemplified — and cemented — in 1956 with his publication of Ginsberg’s most famous poem, the ribald and revolutionary “Howl,” an act that led to Mr. Ferlinghetti’s arrest on charges of “willfully and lewdly” printing “indecent writings.” In a significant First Amendment decision, he was acquitted, and “Howl” became one of the 20th century’s best-known poems.
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  • The 1957 Howl Obscenity Trial and Sexual Liberation
    Portland State University PDXScholar Young Historians Conference Young Historians Conference 2015 Apr 28th, 1:00 PM - 2:15 PM A Howl of Free Expression: the 1957 Howl Obscenity Trial and Sexual Liberation Jamie L. Rehlaender Lakeridge High School Follow this and additional works at: https://pdxscholar.library.pdx.edu/younghistorians Part of the Cultural History Commons, Legal Commons, and the United States History Commons Let us know how access to this document benefits ou.y Rehlaender, Jamie L., "A Howl of Free Expression: the 1957 Howl Obscenity Trial and Sexual Liberation" (2015). Young Historians Conference. 1. https://pdxscholar.library.pdx.edu/younghistorians/2015/oralpres/1 This Event is brought to you for free and open access. It has been accepted for inclusion in Young Historians Conference by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. A HOWL OF FREE EXPRESSION: THE 1957 HOWL OBSCENITY TRIAL AND SEXUAL LIBERATION Jamie L. Rehlaender Dr. Karen Hoppes HST 201: History of the US Portland State University March 19, 2015 2 A HOWL OF FREE EXPRESSION: THE 1957 HOWL OBSCENITY TRIAL AND SEXUAL LIBERATION Allen Ginsberg’s first recitation of his poem Howl , on October 13, 1955, at the Six Gallery in San Francisco, ended in tears, both from himself and from members of the audience. “The people gasped and laughed and swayed,” One Six Gallery gatherer explained, “they were psychologically had, it was an orgiastic occasion.”1 Ironically, Ginsberg, upon initially writing Howl , had not intended for it to be a publicly shared piece, due in part to its sexual explicitness and personal references.
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  • The Impact of Allen Ginsberg's Howl on American Counterculture
    CORE Metadata, citation and similar papers at core.ac.uk Provided by Croatian Digital Thesis Repository UNIVERSITY OF RIJEKA FACULTY OF HUMANITIES AND SOCIAL SCIENCES DEPARTMENT OF ENGLISH Vlatka Makovec The Impact of Allen Ginsberg’s Howl on American Counterculture Representatives: Bob Dylan and Patti Smith Submitted in partial fulfillment of the requirement for the M.A.in English Language and Literature and Italian language and literature at the University of Rijeka Supervisor: Sintija Čuljat, PhD Co-supervisor: Carlo Martinez, PhD Rijeka, July 2017 ABSTRACT This thesis sets out to explore the influence exerted by Allen Ginsberg’s poem Howl on the poetics of Bob Dylan and Patti Smith. In particular, it will elaborate how some elements of Howl, be it the form or the theme, can be found in lyrics of Bob Dylan’s and Patti Smith’s songs. Along with Jack Kerouac’s On the Road and William Seward Burroughs’ Naked Lunch, Ginsberg’s poem is considered as one of the seminal texts of the Beat generation. Their works exemplify the same traits, such as the rejection of the standard narrative values and materialism, explicit descriptions of the human condition, the pursuit of happiness and peace through the use of drugs, sexual liberation and the study of Eastern religions. All the aforementioned works were clearly ahead of their time which got them labeled as inappropriate. Moreover, after their publications, Naked Lunch and Howl had to stand trials because they were deemed obscene. Like most of the works written by the beat writers, with its descriptions Howl was pushing the boundaries of freedom of expression and paved the path to its successors who continued to explore the themes elaborated in Howl.
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  • Obscene Odes on the Windows of the Skull": Deconstructing the Memory of the Howl Trial of 1957
    W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 12-2013 "Obscene Odes on the Windows of the Skull": Deconstructing the Memory of the Howl Trial of 1957 Kayla D. Meyers College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the American Studies Commons Recommended Citation Meyers, Kayla D., ""Obscene Odes on the Windows of the Skull": Deconstructing the Memory of the Howl Trial of 1957" (2013). Undergraduate Honors Theses. Paper 767. https://scholarworks.wm.edu/honorstheses/767 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. “Obscene Odes on the Windows of the Skull”: Deconstructing The Memory of the Howl Trial of 1957 A thesis submitted in partial fulfillment of the requirement for the degree of Bachelor of Arts in American Studies from The College of William and Mary by Kayla Danielle Meyers Accepted for ___________________________________ (Honors, High Honors, Highest Honors) ________________________________________ Charles McGovern, Director ________________________________________ Arthur Knight ________________________________________ Marc Raphael Williamsburg, VA December 3, 2013 Table of Contents Introduction: The Poet is Holy.........................................................................................................2
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  • Beat Generation and Postmodernism: Deconstructing the Narratives of America
    2015 Beat Generation and Postmodernism: Deconstructing the Narratives of America Nicolas Deskos 10623272 MA Literary Studies: English Literature and Culture Supervisor: Dr Roger Eaton University of Amsterdam Contents Introduction 3 The American Dream 3 The Beat Generation 5 Postmodernism 8 Outline 9 Chapter 1: On the Road to a Postmodern Identity 11 Promise of the Road and Its Reality 12 What it Means to Be American 15 Searching for a Transcendent Identity 17 Chapter 2: Deconstructing Burroughs’ ‘Meaningless Mosaic’ 22 Language as a System of Control 23 Metafiction in Naked Lunch 27 Chapter 3: Ginsberg’s Mythical Heroes 32 Fragmentation of the Self 34 Heroes of the Past 39 Conclusion 43 Works Cited 47 2 Introduction This research aims to reinterpret and recontextualise the principal Beat writers – Jack Kerouac, Allen Ginsberg, and William S. Burroughs – from the theoretical perspective of postmodernism. I aim to go beyond the traditional interpretation of the Beat Generation as a countercultural, counterhegemonic movement and challenge the “binary opposition between the establishment culture and a dissenting counterculture” (Martinez 7). Through the interpretative paradigm of postmodernism, I want to show that the Beat writers were concerned with the tension between the myths of America and its reality, appropriating one’s identity in the face of a dominant culture, and questions surrounding being, existence and reality. In doing so, I will locate their texts within the discourses of the mainstream as opposed to at its margins. Thus, I will argue that Burroughs, Kerouac and Ginsberg deconstruct, in their own ways, the official and mythical narratives of America, particularly the narrative on which the country is built: the American Dream.
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  • Message from the Pups
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  • The Importance of Neal Cassady in the Work of Jack Kerouac
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  • “Howl”--Allen Ginsberg (1959) Added to the National Registry: 2006 Essay by Cary O’Dell
    “Howl”--Allen Ginsberg (1959) Added to the National Registry: 2006 Essay by Cary O’Dell Original album Original label Allen Ginsberg “I thought I wouldn’t write a poem, but just write what I wanted to without fear, let my imagination go, open secrecy, and scribble magic lines from my real mind—sum up my life—something I wouldn’t be able to show anybody, write for my own soul’s ear and a few other golden ears.” --Allen Ginsberg, 1959 Poet Allen Ginsberg’s stunning, controversial, epic and once-considered “obscene” three-part poem “Howl” was composed in the summer of 1955. It was first published in 1956. The poem’s radical language and incendiary images has since transcended poetry circles and academia. And its sentiments—perhaps put forth most directly in its famous opening line, “I saw the best minds of my generation destroyed by madness, starving hysterical naked,…”-- have come to summarize a decade and to speak for a generation. The 1959 recitation of “Howl” named to the National Registry in 2006 was not the work’s first oral presentation, nor even its first recorded one. The piece was first read aloud by its author in a San Francisco gallery in October of 1955. And its first, though aborted, recording was made in March of 1956 at Reed College in Portland, Oregon; at that time, Ginsberg performed only part one of the poem however before pleading fatigue and stopping. This ‘59 version--arguably the definitive rendition by its writer—came to be staged and recorded in Chicago at a benefit for the recently-launched literally magazine “Big Table.” “Big Table” was founded by defectors from the well-establish and well-respected “Chicago Review” magazine over what many saw as undue influence and censorship of the periodical by its parent, the University of Chicago.
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