Ideas from the Heywire Regional Youth Summit 2013
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Sasha Mackay Thesis
STORYTELLING AND NEW MEDIA TECHNOLOGIES: INVESTIGATING THE POTENTIAL OF THE ABC’S HEYWIRE FOR REGIONAL YOUTH Sasha Mackay Bachelor of Fine Arts (Hons), Creative Writing Production Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Creative Industries Faculty Queensland University of Technology 2015 Keywords Australian Broadcasting Corporation Heywire new media narrative identity public service media regional Australia storytelling voice youth Storytelling and new media technologies: investigating the potential of the ABC’s Heywire for regional youth i Abstract This thesis takes a case study approach to examine the complexity of audience participation within the Australian public service media institution, the Australian Broadcasting Corporation (ABC). New media technologies have both enabled and necessitated an increased focus on user created content and audience participation within the context of public service media (PSM) worldwide and such practices are now embedded within the remit of these institutions. Projects that engage audiences as content creators and as participants in the creation of their own stories are now prevalent within PSM; however, these projects represent spaces of struggle: a variety of institutional and personal agendas intersect in ways that can be fruitful though at other times produce profound challenges. This thesis contributes to the wider conversation on audience participation in the PSM context by examining the tensions that emerge at this intersection of agendas, and the challenges and potentials these produce for the institution as well as the individuals whose participation it invites. The case study for this research – Heywire – represents one of the first instances of content-related participation within the ABC. -
ANNUAL REPORT 2019 Revellers at New Year’S Eve 2018 – the Night Is Yours
AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2019 Revellers at New Year’s Eve 2018 – The Night is Yours. Image: Jared Leibowtiz Cover: Dianne Appleby, Yawuru Cultural Leader, and her grandson Zeke 11 September 2019 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House Canberra ACT 2600 Dear Minister The Board of the Australian Broadcasting Corporation is pleased to present its Annual Report for the year ended 30 June 2019. The report was prepared for section 46 of the Public Governance, Performance and Accountability Act 2013, in accordance with the requirements of that Act and the Australian Broadcasting Corporation Act 1983. It was approved by the Board on 11 September 2019 and provides a comprehensive review of the ABC’s performance and delivery in line with its Charter remit. The ABC continues to be the home and source of Australian stories, told across the nation and to the world. The Corporation’s commitment to innovation in both storytelling and broadcast delivery is stronger than ever, as the needs of its audiences rapidly evolve in line with technological change. Australians expect an independent, accessible public broadcasting service which produces quality drama, comedy and specialist content, entertaining and educational children’s programming, stories of local lives and issues, and news and current affairs coverage that holds power to account and contributes to a healthy democratic process. The ABC is proud to provide such a service. The ABC is truly Yours. Sincerely, Ita Buttrose AC OBE Chair Letter to the Minister iii ABC Radio Melbourne Drive presenter Raf Epstein. -
18 May 1999 Professor Richard Snape Commissioner Productivity
18 May 1999 Professor Richard Snape Commissioner Productivity Commission Locked Bag 2 Collins Street East Post Office MELBOURNE VIC 8003 Dear Professor Snape I attach the ABC’s submission to the Productivity Commission’s review of the Broadcasting Services Act. I look forward to discussing the issues raised at the public hearing called in Melbourne on 7 June, and in the meantime I would be happy to elaborate on any matter covered in our submission. The ABC is preparing a supporting submission focusing on the economic and market impacts of public broadcasting, and this will be made available to the Commission at the beginning of June. Yours sincerely, BRIAN JOHNS Managing Director AUSTRALIAN BROADCASTING CORPORATION SUBMISSION TO THE PRODUCTIVITY COMMISSION REVIEW OF THE BROADCASTING SERVICES ACT 1992 MAY 1999 CONTENTS Introduction 4 1. The ABC’s obligations under its own Act 6 1.1 The ABC’s Charter obligations 6 1.2 ABC’s range of services 7 1.3 Public perception of the ABC 7 2. The ABC and the broadcasting industry 9 2.1 ABC’s role in broadcasting: the difference 9 2.2 ABC as part of a diverse industry 14 2.3 ABC’s role in broadcasting: the connections 15 3. Regulation of competition in the broadcasting industry 16 3.1 Aim of competition policy/control rules 16 3.2 ABC and competition policy 17 3.3 ABC as program purchaser 17 3.4 ABC as program seller 17 3.5 BSA control rules and diversity 18 3.6 ACCC as regulator 19 4. Relationship with other regulators 20 4.1 Australian Broadcasting Authority 20 4.2 Australian Communications Authority (ACA) 21 5. -
ABN 53 001 228 799 Directors' Report and Financial Report
ABN 53 001 228 799 Directors’ Report and Financial Report For the year ended 30 June 2014 TABLE OF CONTENTS Directors' report ................................................................................................................................ 1 - 9 Auditor's independence declaration ................................................................................................. 10 Financial report Statement of comprehensive income ..................................................................................... 11 Statement of financial position ............................................................................................... 12 Statement of changes in accumulated funds ......................................................................... 13 Statement of cash flows .......................................................................................................... 14 Notes to financial statements ................................................................................................. 15 - 25 Directors' declaration ........................................................................................................................ 26 Independent auditor's report ............................................................................................................ 27 - 28 Trust account statement ................................................................................................................... 29 Notes to trust account statement .................................................................................................... -
BLIND SPORTS AUSTRALIA A.B.N. 68 008 621 252 a Foundation Member of the Australian Paralympic Committee
BLIND SPORTS AUSTRALIA A.B.N. 68 008 621 252 A Foundation Member of the Australian Paralympic Committee Newsletter April 2015 been included as a sport. I was also good to From the CEO catch up with Cathy Lambert from the Australian Paralympic Committee, Kent Dredge from BSA SA, Rajini Vasan from the Over the last three months Blind Sports Blind Sporting Council and David Tiller from Australia has been working hard on all three Goalball South Australia. of our main objectives – participation, promotion and advocacy. We have signed a tri-party Memorandum of Understanding with Blind and Vision Impaired Tenpin Bowling and Tenpin Bowling Australia. The press release (which is below) resulted in a segment on ABC News Perth (TV). I was very pleased to be asked to talk to Sports and Recreation students at Holmesglen Institute and discuss both the opportunities and the challenges that blind sports in Australia face. The students at Holmesglen are travelling to Fiji in October to run sports The All Abilities Cricket Championship was programmes for blind and vision impaired held in Melbourne to coincide with the Cricket persons. Sports will include rugby, netball World Cup (which I won’t talk about further!). rugby league and soccer. South Australia was the worthy champions in the final against Queensland. It was good to I also talked to a group of students from get out to see some of the matches and if you Melbourne Grammar School about NGOs and listened carefully you would of heard my the issues they face. dulcet tones assisting Marco, Hamish and Peter commentate the South Australia v ACT match. -
SCA Access Terms and Conditions to Be an Eligible Client to Earn Qantas Points for Business for Purchase of Eligible Products
SOUTHERN CROSS AUSTEREO STANDARD ADVERTISING TERMS AND CONDITIONS 1. INTERPRETATION 1.1 Certain statutory definitions A term: (a) defined in the Corporations Act 2001 (Cth) but not in the Agreement has the meaning given to it in the Corporations Act 2001 (Cth); or (b) defined in the GST Law but not in the Agreement or the Corporations Act has the meaning given to it in the GST Law. 1.2 Other definitions The definitions set out below also apply in the Agreement. Advertising means communication of any Advertising Material during advertising airtime on any SCA radio station or television station (or an NBN television station, as applicable), publishing of any Advertising Material on any SCA website (or any websites, as applicable), or any sponsorship, promotion or other activity to promote the Client or its products. Advertising Material means any written, audio or audio visual material and all corresponding intellectual property rights created for the purpose of producing an advertisement for broadcast by SCA (or NBN, as applicable) under the Agreement. Accredited Advertising Agency means any advertising agency accredited by SCA that at all times has a minimum of five Clients and no individual Client at any time provides more than 50% of the billings of the Accredited Advertising Agency for the prior twelve (12) month. Agreement means this document together with any schedules or attachments, including any SCA Proposal, Sales Schedule, Broadcast Confirmation, Broadcast Agreement, Production Quote or similar document. BSA means the Broadcasting Services Act 1992 (Cth) and all relevant standards and codes of practice determined or registered under the BSA. -
The Decision by the the Australian Broadcasting Authority (ABA) To
News The decision by the The Australian wasn't surprised that the materials The Launch in Sydney this month of Broadcasting Authority (ABA) to had been relocated offshore and the new Commander® Vision phone impose licence conditions on Sydney acknowledged that they were aware system by PlesTel is a further mani Radio Station 2UE was welcomed by that relocation to an offshore host festation of the shift towards globali the CLC, who had played an active was an option for offending sites. sation in the telecommunications role during the 19-day inquiry in Several sites with sexually explicit industry. The Commander is a hybrid October to December last year. materials moved offshore prior to telephone system designed and January 1 in anticipation of the new manufactured by Irish technology CLC’s Julie Eisenburg said that the law, he said. company, Lake Communications and conditions imposed involved clear marketed in Australia by PlesTel - an and frequent disclosure of relevant Nugent expects the number of com alliance of the South African company, commercial interests, backed up by plaints to increase with the implemen Plessey (70%) and Telstra (30%). The a compliance program. In addition, tation of a hard copy and online ban market targeted by Plestel is small to the requirement that the Web site ner advertising campaign to inform medium-sized businesses in rural and and physical registers of interest the targeted areas of concern about outback Australia. to disclose the broad financial the ABA hotline. arrangements means listeners will Will the marketing power of the old get the full picture about which media companies succeed in captur Reporting the story of the first ABA commercial interests are behind ing the biggest slice of the local and take-down order, front-line American 2UE presenters and producers, international calls market? One.Tel - news service, WiredNews headlined she said. -
EDITORIAL REVIEW No.3 TOPIC: Story/Issue Choices
EDITORIAL REVIEW No.3 TOPIC: Story/issue choices on selected ABC Radio programs SCOPE: The Morning programs on a range of selected capital city and regional Local Radio stations and Radio National. The programs: 702 ABC Sydney – Linda Mottram 774 ABC Melbourne – Jon Faine 612 ABC Brisbane – Steve Austin 891 ABC Adelaide – Ian Henschke 720 ABC Perth – Geoff Hutchison 95.9 ABC Western Plains (Dubbo) – Dugald Saunders/Kelly Fuller 630 North Queensland (Townsville) – Paula Tapiolas 684 The South West (Bunbury) – Naomi Christensen Radio National – Natasha Mitchell TIMEFRAME: One day a week for a four week period (collected retrospectively, with no advance notice to program teams) Week 1: Monday’s program Week 2: Tuesday’s program Week 3: Wednesday’s program Week 4: Thursday’s program APPROACH: ABC Editorial Policy Information will collect the material in the form of program rundowns and audio files of the entire programs for the relevant timeframes. For each edition of each program, the top three subjects of discussion will be identified, based on the time spent discussing each topic/issue. In other words, the top three items will be those to which the program devoted the most amount of time. This may include a range of different items under one topic (for example, an interview with a Minister on a specific policy followed by a reaction from a stakeholder and then followed by talkback from listeners, all on the same subject, would together count as one item). The reviewer will also be provided with a summary of the top issues/topics that Australians consider most relevant and important to them. -
About the Association of Christian Broadcasters and Christian Community Broadcasting
Submission from Association of Christian Broadcasters Inquiry into Community Broadcasting 1. The scope and role of Australian community broadcasting across radio, television, the internet and other broadcasting technologies; About the Association of Christian Broadcasters and Christian Community Broadcasting Whoever controls the media, controls the mind. Jim Morrison The media is too concentrated, too few people own too much. There's really five companies that control 90 percent of what we read, see and hear. It's not healthy. Ted Turner For better or for worse, our company (The News Corporation Ltd.) is a reflection of my thinking, my character, my values. Rupert Murdoch History will have to record that the greatest tragedy of this period of social transition was not the strident clamour of the bad people, but the appalling silence of the good people. Martin Luther King, Jr. Christian Broadcasting is often one of the few voices that present alternative viewpoints to those expressed in the other media. Christianity has a proven track record for having a positive influence on western society (hospitals, education, basis of government and the law) and we believe that Community Christian Broadcasting is an important and dynamic sector. There are a number of sub-sectors of community broadcasting, who each have special needs and cultural sensitivities. These are RPH, Indigenous, and Ethnic. Each of these make up a very small portion, in both numbers Association of Christian Broadcasters submission March Page 1 of stations and audience of the total sector. However, due to the argued special needs of these sectors they now enjoy significant government funding which the Association of Christian Broadcasters supports and would like to see increased. -
Authentic Voice’: Challenges and Opportunities for Voice and Self-Representation in Two ABC Storytelling Projects
Volume 40, 2013 Sasha Mackay and Elizabeth Heck Capturing the ‘Authentic Voice’: Challenges and Opportunities for Voice and Self-representation in Two ABC Storytelling Projects Abstract: This paper discusses the opportunities and challenges that arise within storytelling projects that are facilitated by public service broadcasters and that aim to amplify the voices of ‘ordinary people’. In particular, it focuses on two of the Australian Broadcasting Corporation’s current life storytelling projects: ABC Open and Heywire. In recent years there has been a noticeable move by various public institutions, such as public service broadcasters, cultural institutions including art galleries and libraries, and community media and arts organisations to capture and disseminate the voices and viewpoints of ‘ordinary people’ through inviting them to share stories about their lives. One of the foremost objectives of many such projects is to provide under-represented individuals and groups with an opportunity to express and represent themselves, and thus change or challenge representations that have been created by others; as such, the capture and broadcast of ‘authentic voices’ is a central value. This paper begins by discussing the challenges and opportunities that arise within storytelling projects that are facilitated by public service broadcasting institutions (PSBs) and that aim to amplify the voices of ‘ordinary people’ (Thumim, “Everyone Has a Story to Tell”). It discusses how ‘voice’ and ‘authenticity’ are defined and examines ways in which self-representations are facilitated, curated, and broadcast within such projects in order to demonstrate ways in which institutional objectives and editorial policies shape and often limit project participants’ capacity for a voice that is authentic for them. -
ADJ Consultancy Services© Your Answer, When Government Won’T! © ABN: 62 275 253 029 REGISTERED TRADE MARK No: 1592249 ADJ Consultancy Services
ADJ Consultancy Services© Your answer, when Government won’t! © ABN: 62 275 253 029 REGISTERED TRADE MARK No: 1592249 ADJ Consultancy Services To: The Hon. Bronwyn Bishop MP, Chair, House Standing Committee on Communication and the Arts PO Box 6021 Parliament House CANBERRA ACT 2600 From: Adam Johnston, Proprietor, ADJ Consultancy Services Date: February 15, 2016 Re: Inquiry into broadcasting, online content and live production to rural and regional Australia Terms of Reference The Committee, under its power to inquire into the annual reports of government agencies, will inquire into the importance of public and commercial broadcasting, online content and live production to rural and regional Australia, including the arts, news and other services. The inquiry was initiated from the following reports: Australian Broadcasting Corporation Annual Report 2015 Special Broadcasting Service Corporation Annual Report 2015 Australia Council for the Arts Annual Report 2014-15 Australian Communications and Media Authority Annual Report 2014- 15 Dear Mrs. Bishop You might be surprised that a Sydney suburban one man consultancy is writing to this Committee about broadcasting in regional and rural Australia. However, while asserting that suburbia is a region of Australia, my more substantive point is that you don’t have to live in rural Australia to have trouble accessing on-line content. ADJ Consultancy Services© CONTACT ME BY PHONE: POST: ABN: 62 275 253 029 NSW LOBBYIST NO.: 62 275 253 029 (ABN) COMMONWEALTH LOBBYIST NO.: LR2013000559 – REGISTERED TRADE MARK NO: 15292249 Your answer, when Government won’t! © ADJ Consultancy Services© Your answer, when Government won’t! © ABN: 62 275 253 029 REGISTERED TRADE MARK No: 1592249 This can be frustrating on a number of levels. -
SYN Guide to DIY Radio
Do It Yourself Radio Written by Tamzin Byrne So you want to make radio. Cool. It’s way easier than you think. This factsheet will talk you through what sort of equipment you’ll need, how to structure your content and decide what to talk about. At the end, we’ve got a few tips on how to broadcast your work, whether that’s through a traditional land-based radio station, an online internet-only radio station, or just as a standalone podcast. To make DIY radio, you need three things: Some recording gear Something to talk about Somewhere to broadcast/podcast Get some recording gear When I was a kid (in the glorious mid-90s), all we needed to record ourselves was a second-hand Walkman and a blank tape. It‟s a little trickier now. You almost certainly will need a computer and a relatively new one that is capable of running some basic audio editing software. Even if you use a portable recording device (more on that later), you‟re still going to need to transfer that audio to your computer to edit and publish your work. Microphones So, assuming that you have a computer, all you really need is a cheap microphone. You might find that your computer already has one – many new machines, especially laptops, will have a built-in mic. For your purposes, that‟s probably almost good enough. The next step up might be a cheap headset. You‟ll find that it‟s adequate for radio, and also useful in other ways, for example, using VoIP or Skype to call your friends, or chatting with other players in online games.