Laughing Clowns Uk Mail.Eps
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1978-05-22 P MACHO MAN Village People RCA 7" Vinyl Single 103106 1978-05-22 P MORE LIKE in the MOVIES Dr
1978-05-22 P MACHO MAN Village People RCA 7" vinyl single 103106 1978-05-22 P MORE LIKE IN THE MOVIES Dr. Hook EMI 7" vinyl single CP 11706 1978-05-22 P COUNT ON ME Jefferson Starship RCA 7" vinyl single 103070 1978-05-22 P THE STRANGER Billy Joel CBS 7" vinyl single BA 222406 1978-05-22 P YANKEE DOODLE DANDY Paul Jabara AST 7" vinyl single NB 005 1978-05-22 P BABY HOLD ON Eddie Money CBS 7" vinyl single BA 222383 1978-05-22 P RIVERS OF BABYLON Boney M WEA 7" vinyl single 45-1872 1978-05-22 P WEREWOLVES OF LONDON Warren Zevon WEA 7" vinyl single E 45472 1978-05-22 P BAT OUT OF HELL Meat Loaf CBS 7" vinyl single ES 280 1978-05-22 P THIS TIME I'M IN IT FOR LOVE Player POL 7" vinyl single 6078 902 1978-05-22 P TWO DOORS DOWN Dolly Parton RCA 7" vinyl single 103100 1978-05-22 P MR. BLUE SKY Electric Light Orchestra (ELO) FES 7" vinyl single K 7039 1978-05-22 P HEY LORD, DON'T ASK ME QUESTIONS Graham Parker & the Rumour POL 7" vinyl single 6059 199 1978-05-22 P DUST IN THE WIND Kansas CBS 7" vinyl single ES 278 1978-05-22 P SORRY, I'M A LADY Baccara RCA 7" vinyl single 102991 1978-05-22 P WORDS ARE NOT ENOUGH Jon English POL 7" vinyl single 2079 121 1978-05-22 P I WAS ONLY JOKING Rod Stewart WEA 7" vinyl single WB 6865 1978-05-22 P MATCHSTALK MEN AND MATCHTALK CATS AND DOGS Brian and Michael AST 7" vinyl single AP 1961 1978-05-22 P IT'S SO EASY Linda Ronstadt WEA 7" vinyl single EF 90042 1978-05-22 P HERE AM I Bonnie Tyler RCA 7" vinyl single 1031126 1978-05-22 P IMAGINATION Marcia Hines POL 7" vinyl single MS 513 1978-05-29 P BBBBBBBBBBBBBOOGIE -
Laughing Clowns Mail.Eps
PO Box 39, Annandale, NSW 2038, AUSTRALIA Tel: +61 (0)2 9562 9222 • Fax: +61 (0)2 9562 9223 PRE-RELEASE MAIL ORDER SPECIAL [email protected] • www.didgerecords.com Hi Folks - Ken Brilliant here with a hot and long-awaited item - yes (!) Laughing Clowns' - Cruel, But Fair 3 CD Anthology is in production - at last - and we expect delivery any day!!! To Ed's dedicated followers we'd like to offer a special touch. The first 200 people who order Cruel, But Fair direct from Hot/Didgeridoo will receive a Numbered and Signed copy - hot-off-the-press, literally, at a special price of $60.00 including free postage and packaging. Ed and Jeffrey have just completed a phenomenal pit-stop tour and added bass player, Peter Oxey, for their Sydney and Melbourne shows and I've been told they have a few more suprises on the way for their next series of Live shows. Eternally Yours Ken Brilliant and the crew at Hot Records / Didgeridoo HOT RECORDS • CAT HOT1088 • BC 5035135108807 • $60.00 3 CD SET WITH EXTENSIVE LINER NOTES, SUPERB PACKAGING AND PHOTOS IN A 24 PAGE BOOKLET In 1973, while still at high-school, Ed Kuepper formed The Saints. After 3 seminal albums The Saints split whilst in the UK in 1978. While Chris Bailey carried on using The Saints’ banner as his own, Kuepper returned to Australia to form an even more progressive group, Laughing Clowns. It was the Clowns, alongside The Birthday Party and The Go-Betweens that helped throw off Australia’s cultural cringe in the ‘80s. -
Inner City Sound Free
FREE INNER CITY SOUND PDF Clinton Walker | 192 pages | 01 Dec 2005 | Puncture Publications | 9781891241185 | English | Portland, United States Inner City Sound (, CD) | Discogs Inner Inner City Sound Sound is a 2CD set stand-alone companion piece to the cult book of the same name. The Inner City Sound is a distinct movement towards an Australian rock of its own invention and identity. Bristling with urgency and originality, this is an instant classic twenty years in the making. Razar — Task Force Burke 2. Young Charlatans — Shivers Howard 3. Triffids — Family Name D. McComb 3. Tactics — Long Story Studdert 4. Whirlywirld — Red River Olsen 4. Systematics — Mmmm Gibson 1. Equal Local Inner City Sound 12 Ways to Go Jackson 3. Laughing Clowns — Ghost Beat Kuepper 3. Sardine — Stuck On You I. Rilen 4. End — My Confession Myers 2. Apartments — All You Wanted Walsh 3. Saints — Ghost Ships Bailey 3. Lighthouse Keepers — Springtime Appel Inner City Sound. David Chesworth — Making Waves Chesworth 1. The Sound of Semi-Young Australia. Add to Wishlist. Product added! Browse Wishlist. The product is already in the wishlist! Inner Inner City Sound Sound Various. Compiled and released by Inner City Sound Outlaw in Inner City Sound is a 2CD set stand-alone companion piece to the cult book of the same name. For people who were there, somewhere between andor those who have rediscovered this era of great music. Have you seen? Inner City Sound - music archive - swapping CD-R, not for sale. Goodreads helps you keep track of books you want to read. Want to Read saving…. -
Smoke Em Music Credits
Cast: Band vocalist: Quinsy Maclean Drummer: Clayton Jacboson Bass guitar: Adam Lerner Lead guitar: Lindsay Brundson Saxophonist: Wain Fimo, aka Wain Fimeri "Live" Band Music Mulaim Vela & Quinsy Maclean Additional Music Mulaim Vela Music Recording and Mixing Mark Woods at Trees Studio Vocals Quinsy Maclean Guitars Mulaim Vela Drums Phillip Calvert Bass Adam Learner Quinsy Maclean Lyrics: After the jokey end title about radiation sickness and the producers warning against physical activities for those wishing to prolong their lives after a nuclear blast, end credits begin, and with it a song, which isn't identified by name in the credits. Lyrics heard in the film: Well, I'm down Yeah, I'm down I was riding high But now I'm rock bottom I've since discovered that vacates the problem I'm down … but I'm not out. I'm cursed … I'm so cursed … There's a black cat that's strollin' across my way It looks like my troubles are here to stay Well, I'm down …but I'm not out … I'm in rags, hey, I'm dressed in rags And this one's off the rack at St Vincent's de Paul I ain't gunna go to the opera no more Well I'm down …ah, but I'm not out … Every day, every day, I lit the fuse I get the blues I think of things I think of things to say to you If I should see you down the street, yeah (instrumental solo) Every day … every day I get the blues I get the blues, I'll think of things I think of things to say to you … If I should see you down the street Well, I'm cursed, I'm so cursed … There's a black cat that's strollin' across my way It looks like my troubles are here to stay Well, I'm down …but I'm not out … I'm down, well I'm so sound Ah, I was running high, but now I'm rock bottom Well I've since discovered that fate hates a problem Well I'm down … but I'm not out … Well I feel down, yeah I'm real down But I'm not out … Well I'm so down, yeah I'm low down But I'm not out! (Raucous brass slides down and out, followed by a little laughter) In the special DVD release, the song is identified as "I'm Down", coming from the group's album Flame. -
Life in a Padded Cell: a Biography of Tony Cohen, Australian Sound Engineer by Dale Blair ©Copyright
Life in a Padded Cell: A Biography of Tony Cohen, Australian Sound Engineer by Dale Blair ©copyright ~ One ~ Satan has possessed your Soul! ‘Tony is very devout in “God’s Lesson”. I cannot speak highly enough of Tony’s manners and behaviour. They are beyond reproach’. It was the sort of report card every parent liked to see. It was 1964. The Beatles were big and Tony Cohen was a Grade One student at St. Francis de Sales primary school, East Ringwood. The following year he took his first communion. The Beatles were still big and there seemed little to fear for the parents of this conscientious and attentive eight-year-old boy. The sisters who taught him at that early age would doubtless have been shocked at the life he would come to lead – a life that could hardly be described as devout. Tony Cohen was born on 4 June 1957 in the maternity ward of the Jessie MacPherson hospital in Melbourne. Now a place specializing in the treatment of cancer patients it was a general hospital then. He was christened Anthony Lawrence Cohen. His parents Philip and Margaret Cohen had been living in James Street, Windsor, but had moved to the outer eastern suburb of East Ringwood prior to the birth of their son. Philip Cohen was the son of Jewish immigrants who had left Manchester, England, and settled in Prahran, one of Melbourne’s inner eastern suburbs. Philip’s father had served in the First World War, survived and then migrated to Australia with his wife and infant son (Tony’s Uncle David). -
Youtube Nightstick
Iron Claw - Skullcrusher - 1970 - YouTube Damon -[1]- Song Of A Gypsy - YouTube Chromakey Dreamcoat - YouTube Nightstick - Dream of the Witches' Sabbath/Massacre of Innocence (Air Attack) - YouTube Nightstick - Four More Years - YouTube Orange Goblin - The Astral Project - YouTube Orange Goblin - Nuclear Guru - YouTube Skepticism - Sign of the Storm - YouTube Cavity - Chase - YouTube Supercollider - YouTube Satin Black - YouTube Today Is The Day - Willpower - 2 - My First Knife - YouTube Alex G - Gnaw - YouTube Stereo Total - Baby Revolution - YouTube Add N To (X) Metal Fingers In My Body - YouTube 'Samurai' by X priest X (Official) - YouTube Bachelorette - I Want to be Your Girlfriend (Bored to Death ending credits) - YouTube Bachelorette - Her Rotating Head (Official) - YouTube The Bug - 'Fuck a Bitch' ft. Death Grips - YouTube Stumble On Tapes - Girlpool - YouTube Joanna Gruesome - Talking To Yr Dick - YouTube Joanna Gruesome - Lemonade Grrl - YouTube BLACK DIRT OAK "Demon Directive" - YouTube Black Dirt Oak - From The Jaguar Priest - YouTube alternative tv how much longer - YouTube Earthless - Lost in the Cold Sun - YouTube Electric Moon - The Doomsday Machine (2011) [Full Album] - YouTube CWC Music Video Holding Out For a Hero - YouTube La Femme - Psycho Tropical Berlin (Full Album) - YouTube Reverend Alicia - YouTube The Phi Mu Washboard Band - Love Hurts - YouTube BJ SNOWDEN IN CANADA - YouTube j-walk - plastic face (prod. cat soup) - YouTube BABY KAELY "SNEAKERHEAD" AMAZING 9 YEAR OLD RAPPER - YouTube Bernard + Edith - Heartache -
3 1984-01-16 MUSIC WAS BORN in AFRICA/MOTHER AFRICA Babsy Mlangeni EMI EMI 1136 4 1984-01-16 DANCING in the DARK/BACK STREET
3 1984-01-16 MUSIC WAS BORN IN AFRICA/MOTHER AFRICA Babsy Mlangeni EMI EMI 1136 4 1984-01-16 DANCING IN THE DARK/BACK STREET DRIVER Kim Wilde EMI RAK 1143 5 1984-01-16 BREAK THE CHAINS/YOU’VE GOT TO WIN Private Lives EMI EMI 1155 6 1984-01-16 REMEMBER THE NIGHTS/KILLING TIME The Motels EMI CP 1163 7 1984-01-16 PIPES OF PEACE/SO BAD Paul McCartney EMI A 1167 8 1984-01-16 NOTHING TO DO WITH LOVE/(YOU ARE) THE ONE The Honeymoon EMI EMI 1176 9 1984-01-16 NEW MOON ON MONDAY/TIGER TIGER Duran Duran EMI EMI 1186 10 1984-01-16 POLITICS OF DANCING/CRUEL WORLD Re-Flex EMI EMI 1182 11 1984-01-16 RADIO GA GA/I GO CRAZY Queen EMI EMI 1184 12 1984-01-16 ON THE MOUNTAIN/EMMA John David EMI LS 1140 13 1984-01-16 LIVING IN AN ISLAND/FUNKY MONKEY MIA Bahloo EMI MIA 1168 14 1984-01-16 CAN’T TAKE LOVE FOR GRANTED/PASSIVE RESISTANCE Graham Parker EMI LS 1165 27 1984-01-16 THE SOUND OF GOODBYE/TAKE ME HOME Crystal Gayle WEA 729452 28 1984-01-16 IF I HAD YOU BACK/THE MAGIC’S BACK The Rubinoos WEA 729507 29 1984-01-16 ADDICTED TO THE NIGHT (2 versions)/CHOIR PRACTICE Lipps Inc. POL 812 900-1 30 1984-01-16 RELAX/FERRY CROSS THE MERSEY/RELAX Frankie Goes To Hollywood FES X 13139 31 1984-01-16 THE LIFEBOAT PARTY/GINA GINA/THERE’S SOMETHING WRONG IN Kid Creole & The Coconuts FES X 13136 PARADISE 32 1984-01-16 VICTIMS/COLOUR BY NUMBERS/ROMANCE REVISITED Culture Club CBS VS 64112 33 1984-01-16 THE LOVE CATS/SPEAK MY LANGUAGE/MR. -
[email protected] EDUCATION Doctor of Philosophy
MARTIN PATRICK HARDIE CURRICULUM VITAE Email: [email protected] EDUCATION • Doctor of Philosophy, School of History Heritage and Society, Deakin University, Geelong, Australia (2008- ongoing). Area of Research: Professional Cycling and Doping – the Operacion Puerto case and beyond. • Graduate Certificate of Higher Education, Deakin University, Australia (2008-2010). • Master/Doctor of Laws, Faculty of Law, New South Wales University, Sydney, Australia (2003-2006 incomplete). Area of Research: Globalisation, forms of community, knowledge and law production. • Bachelor of Laws with Honours, Northern Territory University, Darwin, Australia. (1990- 1994). Honours Thesis: The Constitutional validity of Australia's Timor Gap Legislation. Academic Awards in Criminal Law (1991), Criminology (1992), Administrative Law (1992), International Law (1993). Main areas of study: Constitutional law, administrative law, international law, intellectual property, comparative law and government, environmental law and indigenous law. • Course on Open Source/Free Software: Political Science, University of Gotenburg, Sweden, April May 2005. • Bachelor of Science in Australian Environmental Studies, Griffith University, Brisbane, Australia (1979 incomplete). LANGUAGES • English: Mother tongue. • Spanish: Advanced. • Portuguese: Understand. • Basque: Beginner MEMBERSHIPS AND ASSOCIATIONS • Member, International Association for the Sociology of Law, Onati, Spain. • Senior Member, International Network of Humanistic Doping Research, University of Aarhus, -
Liminal Electronic Musics: Post-Punk Experimentation in Australia in the 1970S-1980S
QUT Digital Repository: http://eprints.qut.edu.au/ Knowles, Julian D. (2008) Liminal Electronic Musics: Post-Punk Experimentation in Australia in the 1970s-1980s . In Wilkie, Sonia and Hood, Anthony, Eds. Proceedings 'Sound : Space' Australasian Computer Music Conference, 2008, pages pp. 37-45, Sydney Conservatorium of Music, University of Sydney. © Copyright 2008 Julian D. Knowles ACMC08 Sound:Space - Proceedings of the Australasian Computer Music Conference 2008 Julian Knowles Liminal Electronic Queensland University of Technology Kelvin Grove, QLD, 4059 Musics: Post-Punk Australia [email protected] Experimentation in Australia in the 1970s- 1980s The rise and subsequent canonisation of serialism, Abstract musique concrète and elektronische musik through the 1950s and 60s fuelled the proliferation of electronic This paper presents a survey of some key experimental music studios in music institutions, radio stations electronic music scenes in Australia in the 1970s and and research institutes throughout Europe and the 1980s that were situated outside the frame of music USA. Such facilities became critical sites for musical institutions and the electro-acoustic music tradition. experimentation. Due to the somewhat conserv- Specifically it focuses on experimentalism in the popular ative institutional climate in Australia during this music field in this period, outlining the ‘little bands’ period, it took some time for comparable studios to scene in Melbourne and the scene around the Terse be established in institutions, a process which Tapes and M Squared labels in Sydney, It locates a set of commenced in the late 1960s. Whilst there is international reference points in No Wave, industrial evidence of some small private electronic music music and krautrock and discusses the work of some facilities outside music institutions, almost all were individuals who traversed the popular music and contained within institutions. -
Roadrunner 5(2) March 1982 Donald Robertson Editor
University of Wollongong Research Online Roadrunner Historical & Cultural Collections 3-1-1982 Roadrunner 5(2) March 1982 Donald Robertson Editor Follow this and additional works at: http://ro.uow.edu.au/roadrunner Recommended Citation Robertson, Donald, (1982), Roadrunner 5(2) March 1982, Kent Town, South Australia, 32pp. http://ro.uow.edu.au/roadrunner/44 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Roadrunner 5(2) March 1982 Description Contents: 3. The Drum. 4. Bang/ Julian Cope. 5. Richard Clapton/ Rose Tattoo/ Young Home Buyers. 6. Paramours/ London. 9. Kim Wilde. 11. Devo. 12. Laughing Clowns. 13. Theatre of Hate. 14. New York, New York. 16. Cold Chisel. 19. M Squared Records. 20. The lC ash. 22. Live REviews - Machinations/ Tangerine Dream/ Ultravox. 23. Single Reviews. 25. Album Reviews. 29. Tape Reviews. Publisher Kent Town, South Australia, 32pp This serial is available at Research Online: http://ro.uow.edu.au/roadrunner/44 \v !. 5. N o. 2. ^ o n C i r c u s A n i i o a l ; )h VC) I '()llCC ! jurdrop Explodes Laughing Clowns G o ' G o ’ s Joan Armatrading Richard Clapton Kose lattoo Clasi- - !sw!iiK;;!s®ss:5?«:ssi»^!!Ssi;85ii!j®5i^i:^^ 4 THE CONCERT IN CENTRAL PARK SIMON & GARFUNKEL Simon & Garfunkel reunited in New York City's Central Park for the first time in 11 years to stage a one concert performance. GEFFEN They delivered their classics to a crowd estimated at 500,000 RECORDS -possibly the largest to assemble anywhere for a single act. -
Ed Kuepper the High Priest of All Security… a Career Retrospective with Strings
MEDIA RELEASE Level 5, 10 Hickson Road The Rocks Sydney NSW 2000 Australia Phone 61 2 8248 6500 Fax 61 2 8248 6599 sydneyfestival.org.au Ed Kuepper The high priest of all security… A career retrospective with strings AUSTRALIAN PREMIERE Australia Legendary guitarist and songwriter combines electronic and acoustic strings for an absorbing career retrospective “The most legendary and influential Ed Kuepper.” ABC “Alternating guitar work between two beautiful instruments, Kuepper’s playing affirmed him as a master musician.” Rhythms Magazine Photo: Ed Keupper © Judi Deansfield In an exclusive performance, Australian rock pioneer Ed Kuepper is joined for the first time by members of the Sydney Chamber Orchestra, in a special retrospective revisiting and reinventing selections from his illustrious and storied repertoire. A founding member of seminal punk band The Saints, frontman of the jazz-inflected, post-punk outfit Laughing Clowns and a prolific solo artist in his own right, Kuepper’s influential 40-year career has seen his rise from a ground-breaking young punk to a revered musical legend. Performing live with a string section for the very first time, Kuepper completely rearranges a diverse array of songs, ranging his entire catalogue, from The Saints and Laughing Clowns, to his recent solo work. The interplay between the strings and unexpected electronic elements blur the line between the acoustic and the electric, and breathes new life into familiar classics. “On my last solo tour I started to consciously move away from the idea of any set arrangements on my songs, meaning they are played differently every time I play them. -
The Necks – an Acoustic Experiment
THE NECKS – AN ACOUSTIC EXPERIMENT RESEARCH DISSERTATION – Doctor of Creative Arts University of Technology, Sydney Jane Galbraith 2012 1 CERTIFICATE OF AUTHORSHIP/ORIGINALITY I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. Signature of Student _____________________________ ACKNOWLEDGEMENTS I acknowledge the supervision and editorial assistance provided by Dr Tony Mitchell and Ms Gillian Leahy from the Faculty of Arts and Social Sciences at the University of Technology, Sydney. I thank The Necks for their influences and creativity, in particular the cooperation of Chris Abrahams. TABLE OF CONTENTS CONTENTS i ABSTRACT ii INTRODUCTION iv CHAPTER 1 BACKGROUND 1 CHAPTER 2 GLOBAL AND LOCAL – NEW COMMUNITIES IN 11 SOUND WORLD FUSION JAZZ AND FREE JAZZ CHAPTER 3 METHODOLOGY, FRAMEWORK AND LITERATURE 52 REVIEW CHAPTER 4 AN ACOUSTIC EXPERIMENT 71 CHAPTER 5 THE BOYS – FILM MUSIC 128 CHAPTER 6 LANDSCAPE PLACE LOCATION – TOWNSVILLE 137 CHAPTER 7 LISTENING 150 CHAPTER 8 NOTES ON THE CREATIVE PROJECT PLACES CD 171 CONCLUSION 197 BIBLIOGRAPHY 200 DISCOGRAPHY 206 MISCELLANEOUS 207 APPENDIX A REVIEWS 209 APPENDIX B TRANSCRIPTIONS 218 APPENDIX C COPIES OF THE SCORES – CD PLACES 240 APPENDIX D GLOSSARY 265 i ABSTRACT This submission for the Doctor of Creative Arts is in two parts.