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Drafthouse in Richardson are teaming up in September to present a FRENCH NEW WAVE SHOWCASE. A different classic French film will be screened every Saturday afternoon at 4 pm at Alamo. In-person Interviews with Bart Weiss and Dr Frank Dufour (French New Wave expert): Thursday, September 3: Media roundtable from 7:15- 8 pm (This will be the 2nd of 2 Roundtables on Sept 3 - info on the first one follows shortly.) Interviews will take place at La Madeleine near SMU 3072 Mockingbird Ln Dallas, TX 75205-2323 - 214- 696-0800 (We will have the room, which sits behind the order line.) Snacks and drinks will be available, of course. French New Wave Showcase Video Association of Dallas and Alamo Drafthouse Cinema - DFW co-present the French New Wave Showcase Saturday afternoons in September French New Wave, or in French “Nouvelle Vague,” is the style of highly individualistic French film directors of the late 1950s—early ‘60s. Films by New Wave directors were often characterized by fresh techniques using the city streets as character in the films. The New Wave films stimulate discussion about their place in the history of cinema and film. So whether a cinephile or a casual filmgoer, learn more about this distinctly French film movement. French New Wave Showcase, http://videofest.org/french-new-wave- showcase/, presented by the Video Association of Dallas and the Alamo Drafthouse Cinema - DFW, screens every Saturday at 4 pm at Alamo, 100 S Central Expressway, Richardson http://drafthouse.com/calendar/dfw. “The French New Wave was a reaction to the bigness of Hollywood. Serious film scholars, writers and lovers started the movement to counteract the regimented Studio System. Their poetic way of taking filmmaking to the streets was immediately inspiring to a new generation of American filmmakers, showing them that creating original meaningful cinema was in reach. Their movement inspired many other cinematic moments that continue to propel cinema today,” said Bart Weiss, founder of Video Association of Dallas and founder of Dallas VideoFest, which starts its 28th year Oct. 13. French New Wave Expert from UTD Frank Dufour, a sound and audio-visual artist, is also an Associate Professor and Director of the Graduate Studies Program for Arts & Technology at the University of Texas at Dallas. Dufour holds a Ph.D. in Hypermedia from the University of Paris VIII and is a member of the Laboratory, “Musique Informatique de Marseille,” as well as of the “Center for the Translation Studies” at UT Dallas. Dr. Dufour will lead discussions associated with each film every week. “The French New Wave at the Alamo is a great occasion to re-visit its themes that find today a renewed accuracy and pertinence: Cinema is looking at cinema, the future is looking at the past from the ever paradoxical present of films. Cinema critically engages artistic expression and technology,” said Dr. Dufour. Alamo Drafthouse hosts Alamo Drafthouse – Richardson was eager to host the French New Wave Showcase. "We are—how do the French say?—excité to partner with our friends at Video Association of Dallas for this French New Wave series in September! The French New Wave movement is one of cinema's most revolutionary periods, so we're proud to be able to feature these cinematic treasures on the big screen for cinephiles and classic film lovers alike," said James Wallace, creative director and programmer, Alamo Drafthouse – DFW. Saturday Sept 5 4 pm LE MÉPRIS (CONTEMPT, 1963) Jean-Luc Godard Screenwriter Paul Javal's marriage to his wife, Camille, disintegrates during movie production as she spends time with the producer. Layered conflicts between art and business ensue. LE MÉPRIS, Directed by Jean-Luc Godard (1963). Based on the Italian novel "Il Disprezzo" (1954) by Alberto Moravia. Stars Brigitte Bardot, Michel Piccoli, Jack Palance, and Fritz Lang. https://www.youtube.com/watch?v=2wjDWnKTROI Saturday Sept 12 4 pm JULES ET JIM (JULES AND JIM, 1962) Francois Truffaut Hailed as one of the finest films ever made, JULES ET JIM charts the 25-year relationship between two friends and the object of their mutual obsession. The legendary Francois Truffaut directs, and Jeanne Moreau stars as the alluring and willful Catherine, whose enigmatic smile and passionate nature lure Jules (Oskar Werner) and Jim (Henri Serre) into one of cinema’s most captivating romantic triangles. An exuberant and poignant meditation on freedom, loyalty, and the fortitude of love, JULES ET JIM was a worldwide smash in 1962 and remains every bit as audacious and entrancing today. https://www.youtube.com/watch?v=CRdMuLXP2Do Saturday Sept 19 4 pm L’ANNÉE DERNIERE À MARIENBAD (LAST YEAR AT MARIENBAD, 1961) Alain Resnais Not just a defining work of the French New Wave but one of the great, lasting mysteries of modern art, Alain Resnais’ epochal L’ANNÉE DERNIERE À MARIENBAD (LAST YEAR AT MARIENBAD) has been puzzling appreciative viewers for decades. Written by radical master of the New Novel Alain Robbe-Grillet, this surreal fever dream, or nightmare, gorgeously fuses the past with the present in telling its ambiguous tale of a man and a woman (Giorgio Albertazzi and Delphine Seyrig) who may or may not have met a year ago, perhaps at the very same cathedral-like, mirror-filled château they now find themselves wandering. Unforgettable in both its confounding details (gilded ceilings, diabolical parlor games, a loaded gun) and haunting scope, Resnais’ investigation into the nature of memory is disturbing, romantic, and maybe even a ghost story. https://www.youtube.com/watch?v=Y9sBL_f2M5k Saturday Sept 26 4 pm—Double Feature CLÉO DE 5 À 7 (CLEO FROM 5 TO 7, 1962 ) Agnes Varda followed by LA JETÉE (1962) By Chris Marker CLÉO DE 5 À 7 (CLEO FROM 5 TO 7) Selfish pop singer Cléo (Corinne Marchand) has two hours to wait until the results of her biopsy come back. After an ominous tarot card reading, she visits her friends, all of whom fail to give her the emotional support she needs. Wandering around Paris, she finally finds comfort talking with a soldier in a park. On leave from the Algerian War, his troubles put hers in perspective. As they talk and walk, Cléo comes to terms with her selfishness, finding peace before the results come. back.https://youtu.be/VYeZsW267P8 LA JETÉE Chris Marker, filmmaker, poet, novelist, photographer, editor, and now videographer and digital multimedia artist, has been challenging moviegoers, philosophers, and himself for years with his complex queries about time, memory, and the rapid advancement of life on this planet. Marker’s LA JETÉE is one of the most influential, radical science- fiction films ever made, a tale of time travel told in still images. Tickets available at http://drafthouse.com/dfw/richardson About Dr. Frank Dufour Dr. Frank Dufour teaches sound design in the school of Arts, Technology, and Emerging Communications at the University of Texas at Dallas. An active conceptual artist Frank co-founded Agence 5970, an independent laboratory dedicated to conceptual art, using predominately sound to explore concepts emerging at the conjunction of perception and representation and of Time as a structural support of expression. THE FRENCH NEW WAVE SHOWCASE is made possible in part by The City of Richardson through the Richardson Arts Commission. About Alamo Drafthouse Cinemas The Alamo Drafthouse is a lifestyle entertainment brand with an acclaimed cinema-eatery, the largest genre film festival in the United Sates and an online collectible art store. Named “the best theater in America” by Entertainment Weekly, the Alamo Drafthouse Cinema has built a reputation as a movie lover’s oasis not only by combining food and drink service with the movie-going experience but also introducing unique programming and high profile, star studded special events. ### **BONUS FREE SCREENING IN SEPTEMBER AT LATINO CULTURAL CENTER** CHILDREN OF GIANT Tuesday, September 15 at 6:00 pm Latino Cultural Center, 2600 Live Oak St, Dallas, Texas 75204 CHILDREN OF GIANT is a documentary that unearths deeply wrought emotions in the small west Texas town of Marfa, before, during and after the month- long production of George Stevens’ 1956 feature film, GIANT. Based on the controversial Edna Ferber novel of the same name, the film, GIANT did not shy from strong social-issue themes experienced throughout post-WWII America. Award-winning documentary filmmaker, Hector Galan (in attendance at screening) weaves clips from the feature film with the voices of the Mexican American and Anglo townspeople, cast and crew who experienced this unique conjunction of art and life in the summer of 1955. https://www.facebook.com/events/38535131832690 5/ This program was made possible in part with a grant from Humanities Texas, the state affiliate of the National Endowment for the Humanities. ### ABOUT VIDEO ASSOCIATION OF DALLAS The mission of the Video Association is to promote an understanding of video as a creative medium and cultural force in our society, and to support and advance the work of Texas artists working in video and the electronic arts. The Video Association of Dallas (VAD) is a 501(c)(3) organization incorporated on April 25, 1989. It began in 1986 as a weekend event, “Video As A Creative Medium”, presented at the Dallas Museum of Art by independent curators Barton Weiss and John Held. That first event, which included two nights of video by selected local and national video artists, was a great popular success, which led to the founding of the Dallas VideoFest (DVF) in 1987. Video Association of Dallas also presents the 24-Hour Video Race, the Texas Show Tour, North Texas College Film Festival, Texas Fllmmakers Production Fund workshops, Three Star Cinema, and other programs throughout the year.
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    Chris Marker 16 April – 22 June 2014, Galleries 1, 8 & Victor Petitgas Gallery (Gallery 9) Admission Free The Whitechapel Gallery presents the first UK retrospective of visionary French filmmaker, photographer, writer and multimedia artist Chris Marker (1921 – 2012). Marker is widely acknowledged as the finest exponent of the ‘essay film’ and is best known as the director of over 60 films including Sans soleil (Sunless , 1983) and A Grin Without a Cat (Le Fond de l’air est roug e, 1977). His most celebrated work La Jetée (The Pier , 1962) imagines a Paris devastated by nuclear catastrophe and is composed almost entirely of black-and-white still photographs, which informed the narrative of Terry Gilliam’s 12 Monkeys (1995) and influenced James Cameron’s Terminator (1984). The Whitechapel Gallery will be filled with Chris Marker’s extraordinary films and photographs. Highlights include all five of Marker’s multi-media installations shown together for the first time, rarely seen photographs, and a newly re-mastered edition of Le Joli Mai (The Merry Month of May , 1963), which romantically describes Paris via interviews with people in the street, interspersed with a commentary ranging from the number of hours of sunshine in May to the amount of meat and potatoes eaten by the city’s population each month. The exhibition follows key themes in Marker’s work: the Museum, Travel, Image & Text, and War & Revolution. The first space will be saturated with colour and dominated by two huge screens, cinema spaces and photographs. Visitors entering the Gallery will see a large projection of Ouvroir: the Movie (2010), Marker’s guided tour of the virtual museum he created on the website Second Life via his online avatar, a cat called Guillame-en-Eqypte, along with films and multi-media installations.
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