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AA MS 01 Gerald E. Talbot Collection Finding Aid
University of Southern Maine USM Digital Commons Search the Manuscript Collection (Finding Aids) The African American Collection 2-2020 AA MS 01 Gerald E. Talbot Collection Finding Aid David Andreasen Kristin D. Morris Karin A. France Marieke Van Der Steenhoven Caroline Remley See next page for additional authors Follow this and additional works at: https://digitalcommons.usm.maine.edu/aafinding_aids Part of the African American Studies Commons, American Studies Commons, Cultural History Commons, Social History Commons, and the United States History Commons Recommended Citation Gerald E. Talbot Collection, African American Collection of Maine, Jean Byers Sampson Center for Diversity in Maine, University of Southern Maine Libraries. This Article is brought to you for free and open access by the The African American Collection at USM Digital Commons. It has been accepted for inclusion in Search the Manuscript Collection (Finding Aids) by an authorized administrator of USM Digital Commons. For more information, please contact [email protected]. Authors David Andreasen, Kristin D. Morris, Karin A. France, Marieke Van Der Steenhoven, Caroline Remley, Andrea Harkins, Kara Kralik, and Anya O'Meara This article is available at USM Digital Commons: https://digitalcommons.usm.maine.edu/aafinding_aids/1 UNIVERSITY OF SOUTHERN MAINE LIBRARIES SPECIAL COLLECTIONS JEAN BYERS SAMPSON CENTER FOR DIVERSITY IN MAINE AFRICAN AMERICAN COLLECTION OF MAINE GERALD E. TALBOT COLLECTION AA MS 1 Total Boxes: 133 Total Drawers: 36 Linear Feet: 207.75 By David Andreasen, Kristin D. Morris, Karin A. France, Marieke Van Der Steenhoven, Sarah Haugh, Caroline Remley, Liam P. Sigaud, Colin Donovan, Andrea Harkins, Anya O’Meara and Kara Kralik Portland, Maine July 2010, revised February 2020 Copyright 2010 by the University of Southern Maine 2 Administrative Information Provenance: The Gerald E. -
Kerlin Gallery
Kerlin Gallery Elizabeth Magill pink mineral, 2020 oil on canvas 12 x 15.9 in / 12.8 x 16.7 x 2 in framed AVAILABLE $12,500.00 In 2020 Elizabeth Magill spent five months of lockdown on the coast of Ireland, swapping her east London studio for one nestled in the rural landscape which has long featured in her work. The result is a series of paintings, collectively titled 'Her Nature' that explore our physical and psychological relationship to the land. Each painting has its own, very different mood, its own story or mystery such as 'pink mineral,' with its fantastical 'red sky at night,' its title a reference to Rose Quartz, one of many earthly treasures or 'smoulder,' the contained, potential energy of a sleeping volcano. Magill has said of these new works: 'These particular paintings came out of this unusual time. They were my response to nature but are also a kind of lament to the strange times we are living in... perhaps too they are my attempt to suggest a beauty; a beauty created by distance and maybe the passing of time and an acknowledgment to things we can’t fully fathom'. About the Artist: Elizabeth Magill b.1959, Canada. Lives and works in London and County Antrim, Northern Ireland Elizabeth Magill’s recent solo show ‘Headland’ toured to Limerick City Gallery of Art, Limerick, (2017); Ulster Museum, Belfast, (2018); Royal Hibernian Academy, Dublin (2018) and New Art Gallery, Walsall, UK, (2019). Other solo exhibitions include The Hugh Lane, Ireland, (2016); Towner Gallery & Museum, Eastbourne, UK, (2011); Ikon Gallery, Birmingham, travelling to Milton Keynes Gallery, Milton Keynes; BALTIC, Gateshead and Glynn Vivian Gallery, Swansea, (all 2005). -
Maine Legislative Council: Review of Staff Classification, Compensation and Job Specifications
MAINE STATE LEGISLATURE The following document is provided by the LAW AND LEGISLATIVE DIGITAL LIBRARY at the Maine State Law and Legislative Reference Library http://legislature.maine.gov/lawlib Reproduced from scanned originals with text recognition applied (searchable text may contain some errors and/or omissions) REP. SARA GIDEON SEN. GARRETT P. MASON CHAIR SEN. ANDRE E. CUSHING SEN. TROY D. JACKSON SEN. MICHAEL D. THIBODEAU SEN. NATHAN L. LIBBY VICE-CHAIR REP. ERIN D. HERBIG REP. JARED F. GOLDEN REP. KENNETH W. FREDETTE EXECUTIVE DIRECTOR 12STH MAINE STATE LEGISLATURE REP. ELEANOR M. ESPLING GRANT T. PENNOYER LEGISLATIVE COUNCIL 12Stb Legislature Legislative Council April 27, 2017 1:30PM REVISED AGENDA CALL TO ORDER ROLLCALL 1 SUMMARY OF THE MARCH 23, 2017 MEETING OF THE Decision LEGISLATIVE COUNCIL REPORTS FROM EXECUTIVE DIRECTOR AND STAFF OFFICE DIRECTORS 11 • Executive Director's Report (Mr. Pennoyer) Information 12 • Fiscal Report (Mr. Nolan) Information REPORTS FROM COUNCIL COMMITTEES • Personnel Committee • State House Facilities Committee OLD BUSINESS 16 Item #1: Council Actions Taken by Ballot (No Action Required) Information NEW BUSINESS .:. 18 Item # I: Consideration of After Deadline Bill Requests Roll Call Vote 11 5 STATE HOUSE STATION. AUGUSTA, MAINE 04333-0115 TELEPHONE 207-287-I 61 5 FAX 207-287-I 621 21 Item #2: NCSL Decision • Staff Classification, Compensation and Job Specifications Review • Funding of Dues Shortfall 27 Item #3: Proposed Amendments to Legislative Council Policies pending State Decision House Facilities Committee Review • Policy on Security Screening Protocols for the Maine State House • Repeal oftbe Food & Beverages in Committee Rooms Policy • Policy on the Use ofLegislative Committee Rooms & Other Meeting Space • Policy on the Use of the Legislative Conference Room • Policy on the Use of Capitol Park ANNOUNCEMENTS AND REMARKS ADJOURNMENT Page 2 REP. -
Born in Seoul, Korea, 1946 Lives and Work in Milano, Italy Education MFA
CHUNG EUN-MO Born in Seoul, Korea, 1946 Lives and work in Milano, Italy Education MFA Graduate School of Art and Architecture - Pratt Institute, New York Selected Solo Exhibitions 2020 Bonomo Gallery, Roma 2018 Villa Flor, S-Chanf, CH 2017 1+1+1 Bijoy Jain, George Sowden, Chung Eun Mo, ASSAB ONE, Milano 2016 Fuori Salone with Karimoku Furniture, Milano 2012 Paintings, 46/B, Milano 2011 20 Carpets-Chung Eun Mo/Nathalie Du Pasquier, Post Design, Milano 2010 Opere – Pittura, Murale, Tavoli e Piastre in Ceramica, Fabbrica delle Arti, Napoli 2007 Fenderesky Gallery, Belfast 2006 Space RED, Milano Galleria Miralli, Viterbo 2005 Palazzo di Primavera, Terni Model Arts and Niland Gallery, Sligo 2004 Galway Arts Centre, Galway Kerlin Gallery, Dublin 2003 Gallery IHN, Seoul Galleria Studio G7, Bologna 2002 Gallery IHN, Seoul Art Fair, Seoul Fenderesky Gallery, Belfast 2001 Gallery IHN, Seoul Kerlin Gallery, Dublin 2000 Primo Piano, Roma 1999 Kerlin Gallery, Dublin 1997 Kerlin Gallery, Dublin Galleria Studio G7, Bologna 1996 Primo Piano, Roma Fenderesky Gallery, Belfast 1994 Galleria Studio G7, Bologna Irish Museum of Modern Art, Dublin Wassermann Galerie, Munich Kerlin Gallery, Dublin 1992 Städtische Galerie im Lenbachhaus, Munich 1991 Fenderesky Gallery, Belfast 1990 Primo Piano, Roma Gangurinn / The Corridor, Reykjavik 1982 Pyramid Gallery, Rochester, New York 1981 Soho Center for Visual Arts, New York 1980 Pratt Institute, Brooklyn, New York Selected Group Exhibitions 2020 Monica De Cardenas, Zuoz AIRMAIL 2, Assab One, Milano Drawings, Fenderesky -
Marcel Vidal Stuck on Dawn
Kerlin Gallery Marcel Vidal Stuck on dawn Banana VI 2021 oil on linen 160 x 120 x 2.5 cm / 63 x 47.2 x 1 in MV04221 Price: € 8,500 ex vat (if applicable) Banana VII 2021 oil on linen 160 x 120 x 2.5 cm / 63 x 47.2 x 1 in MV04321 Price: € 8,500 ex vat (if applicable) Banana VIII 2021 oil on linen 160 x 120 x 2.5 cm / 63 x 47.2 x 1 in MV04421 Price: € 8,500 ex vat (if applicable) Banana IX 2021 oil on linen 160 x 120 x 2.5 cm / 63 x 47.2 x 1 in MV04521 Price: € 8,500 ex vat (if applicable) Walker I 2021 oil on linen 200 x 150 x 2.5 cm / 78.7 x 59.1 x 1 in MV04621 Price: € 10,500 ex vat (if applicable) Walker II 2021 oil on linen 200 x 150 x 2.5 cm / 78.7 x 59.1 x 1 in MV04721 Price: € 10,500 ex vat (if applicable) Walker III 2021 oil on linen 200 x 150 x 2.5 cm / 78.7 x 59.1 x 1 in MV04821 Price: € 10,500 ex vat (if applicable) Green 2020 oil on linen 140 x 105 cm / 55.1 x 41.3 in MV03820 Price: € 7,500 ex vat (if applicable) Grey, Yellow 2020 oil on linen 140 x 105 cm / 55.1 x 41.3 in MV03720 Price: € 7,500 ex vat (if applicable) Blue, Grey 2020 oil on linen 140 x 105 cm / 55.1 x 41.3 in MV03920 Price: € 7,500 ex vat (if applicable) MARCEL VIDAL Stuck on dawn 17 July - August Celebrated for his diverse practice and immersive sculptural installations, Stuck on dawn 'brings together three series of work in Marcel Vidal's first exhibition dedicated exclusively to painting. -
Dorothy Cross Dorothy Cross B
Kerlin Gallery Dorothy Cross Dorothy Cross b. 1956, Cork, Ireland Like many of Dorothy Cross’ sculptures, Family (2005) and Right Ball and Left Ball (2007) sees the artist work with found objects, transforming them with characteristic wit and sophistication. Right Ball and Left Ball (2007) presents a pair of deflated footballs, no longer of use, their past buoyancy now anchored in bronze. Emerging from each is a cast of the artist’s hands, index finger extended upwards in a pointed gesture suggesting optimism or aspiration. In Family (2005) we see the artist’s undeniable craft and humour come together. Three spider crabs were found, dead for some time but still together. The intricacies of their form and the oddness of their sideways maneuvres forever cast in bronze. The ‘father’ adorned with an improbable appendage also pointing upwards and away. --- Working in sculpture, film and photography, Dorothy Cross examines the relationship between living beings and the natural world. Living in Connemara, a rural area on Ireland’s west coast, the artist sees the body and nature as sites of constant change, creation and destruction, new and old. This flux emerges as strange and unexpected encounters. Many of Cross’ works incorporate items found on the shore, including animals that die of natural causes. During the 1990s, the artist produced a series of works using cow udders, which drew on the animals' rich store of symbolic associations across cultures to investigate the construction of sexuality Dorothy Cross Right Ball and Left Ball 2007 cast bronze, unique 34 x 20 x 19 cm / 13.4 x 7.9 x 7.5 in 37 x 19 x 17 cm / 14.6 x 7.5 x 6.7 in DC20407A Dorothy Cross Family 2005 cast bronze edition of 2/4 dimensions variable element 1: 38 x 19 x 20 cm / 15 x 7.5 x 7.9 in element 2: 25 x 24 x 13 cm / 9.8 x 9.4 x 5.1 in element 3: 16 x 15 x 13 cm / 6.3 x 5.9 x 5.1 in DC17405-2/4 Dorothy Cross b. -
NEWS RELEASE for Immediate Release for Further Information New York : David O’Sullivan: Tel: (212) 867 6268 Dublin : Roddy Feely: Tel: (01) 667 4040
A Business Organization NEWS RELEASE For Immediate Release For Further Information New York : David O’Sullivan: Tel: (212) 867 6268 Dublin : Roddy Feely: Tel: (01) 667 4040 The Ireland-U.S. Council ’s 2019 Award For Outstanding Portraiture To Be Presented To Belfast Artist Gareth Reid Prudential Financial’s Sponsorship Supports This Important Arts Program May 20, 2019, New York, NY: Belfast artist Gareth Reid is the winner of this year’s Award for Outstanding Portraiture , sponsored by the Ireland-U.S. Council in conjunction with the Irish Arts Review and in association with the Royal Hibernian Academy (RHA) . The Award is presented in Ireland to an artist whose submission is judged to be of outstanding merit. The Award is an important part of the Council’s program to support the arts and arts education in Ireland. The winning painting is a portrait entitled “Girl in a Red Room” and was chosen from all exhibits at the Royal Hibernian Academy’s 189th Annual Exhibition, opening in Dublin today. At the prize-giving ceremony at the RHA yesterday, Mr. Reid was presented with the Ireland- U.S. Council ’s €5,000 award bursary. A formal presentation of the Awards Ceremony citation will be made by Council Ireland Chapter President Dr. Michael Somers at the Council’s Midsummer Gala Dinner on Friday, June 28, 2019 at a dinner in Dublin Castle. Born in Belfast, Gareth Reid studied at the University of Ulster , the Glasgow School of Art and the Florence Academy of Art in Italy. He now lives and works in Glasgow. -
West of Ireland Paintings at the National Gallery of Ireland from 1800 to 2000
West of Ireland Paintings at the National Gallery of Ireland from 1800 to 2000 I The West of Ireland National Gallery of Ireland / Gailearaí Náisiúnta na hÉireann West of Ireland Paintings at the National Gallery of Ireland from 1800 to 2000 Marie Bourke With contributions by Donal Maguire And Sarah Edmondson II Contents 5 Foreword, Sean Rainbird, Director, National Gallery of Ireland 23 The West as a Significant Place for Irish Artists Contributions by Donal Maguire (DM), Administrator, Centre for the Study of Irish Art 6 Depicting the West of Ireland in the Nineteenth and Twentieth Centuries, Dr Marie Bourke, Keeper, Head of Education 24 James Arthur O’Connor (1792–1841), The Mill, Ballinrobe, c.1818 25 George Petrie (1790–1866), Pilgrims at Saint Brigid’s Well, Liscannor, Co. Clare, c.1829–30 6 Introduction: The Lure of the West 26 Frederic William Burton (1816–1900), In Joyce Country (Connemara, Co. Galway), c.1840 6 George Petrie (1790–1866), Dún Aonghasa, Inishmore, Aran Islands, c.1827 27 Frederic William Burton (1816–1900), The Aran Fisherman’s Drowned Child, 1841 8 Timeline: Key Dates in Irish History and Culture, 1800–1999 28 Augustus Burke (c.1838–1891), A Connemara Girl 10 Curiosity about Ireland: Guide books, Travel Memoirs 29 Bartholomew Colles Watkins (1833–1891), A View of the Killaries, from Leenane 10 James Arthur O’Connor (1792–1841), A View of Lough Mask 30 Aloysius O’Kelly (1853–1936), Mass in a Connemara Cabin, c.1883 11 Frederic William Burton (1816–1900), Paddy Conneely (d.1850), a Galway Piper 31 Walter Frederick Osborne (1859–1903), A Galway Cottage, c.1893 32 Jack B. -
Maine Alumni Magazine, Volume 89, Number 1, Winter 2008
The University of Maine DigitalCommons@UMaine University of Maine Alumni Magazines - All University of Maine Alumni Magazines Winter 2008 Maine Alumni Magazine, Volume 89, Number 1, Winter 2008 University of Maine Alumni Association Follow this and additional works at: https://digitalcommons.library.umaine.edu/alumni_magazines Part of the Higher Education Commons, and the History Commons This publication is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in University of Maine Alumni Magazines - All by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. Winter 2008 MAINE Alumni Magazine Investing for Explaining America to Itself Doug Kneeland '53 basketball coach “Kids are our best resource and we need to keep that brainpower in Maine. One way to do that is to encourage bright young people to stay in Maine by providing them with financial assistance through scholarships. ” —Edward “Tim” McManus ’54 hen Tim ’54 and Barbara McManus moved back to Maine 15 years ago, Tim reconnected with his alma mater. In fact, he served as president of his class and spearheaded both the 45th and 50th class reunions. Tim and Barbara became concerned about the number of young people that were opting to leave the state of Maine, particularly in light of the loss of manufacturing and technology jobs over the past several years. Aware of the shortage of qualified teachers in the state, Tim and Barbara created the Edward “Tim” McManus ’54 and Barbara Fitzgerald McManus Scholarship Fund in 2004 in honor of Tim’s 50th class reunion. -
Self-Guided Tour of the State House
MAINE STATE HOUSE HALL OF FLAGS Next is a portrait of Margaret Chase United States Senate from 1980 to SELF-GUIDED TOUR From the Welcome Center, turn right Smith, who has the distinction of being 1995, and served as Senate Majority and continue on to the main corridor the first woman to have been elected to Leader from 1990 to 1995. of the building, then turn either right both houses of Congress. She was also or left to take the stairs or elevator to the first woman to have her name From 1996 to 2000, Senator Mitchell the second floor and the Hall of Flags. placed in nomination for President by served as chairman of the peace The flags displayed here are replicas one of the two major political parties. negotiations in Northern Ireland. of the original flags which are now This happened at the 1964 Republican Under his leadership the governments stored at the Maine State Museum, Convention in San Francisco. of Northern Ireland and the United WELCOME CENTER adjacent to the State House. Kingdom were able to arrive at the After entering the State House from the On the other side of the double doors is historic Good Friday Agreement that public west entrance, visit the These flags were used by military a portrait of Edmund S. Muskie, brought peace to Northern Ireland after Welcome Center to the right of the regiments from Maine that fought in Governor of Maine from 1955 to 1959, many decades of strife referred to there security kiosk. On the wall to the left the Civil War, the Spanish-American U.S. -
WILLIAM SCOTT (B.1913 Greenock, Scotland)
WILLIAM SCOTT (b.1913 Greenock, Scotland) EDUCATION Belfast College of Art Royal Academy Schools (1935) SELECT SOLO EXHIBITIONS 2019 Paintings and Drawings: Fifties Through Eighties, Anita Rogers Gallery, New York, NY 2016 Verey Gallery, Eton College, Form – Colour – Space, Windsor, UK 2016 Fermanagh County Museum, William Scott: The Early Years, Enniskillen, Northern Ireland 2015 Fermanagh District Council Town Hall, William Scott Paintings at Enniskillen’s Town Hall, Enniskillen, Northern Ireland 2014 Pallant House gallery, Three pears and a Pan, 1955, Chichester, UK 2013 The Gordon Gallery, the Altnagelvin Mural, Derry, Northern Ireland 2013 The Ulster Museum, William Scott: Centenary Exhibition, Belfast, Northern Ireland 2013 The Hepworth Wakefield, William Scott, Wakefield, UK 2013 McCaffrey Fine Art, William Scott: Domestic Forms, New York, NY 2013 Victoria Art Gallery, William Scott: Simplicity and Subject, Bath, UK 2013 Denenberg Fine Arts, William Scott Works on Paper 1953-1986, Los Angeles, CA 2013 Karsten Schubert, William Scott 1950s Nude Drawings, London, UK 2013 Jerwood Gallery, William Scott: Divided Figure, Hastings, UK 2013 Enniskillen Castle Museum, Full-Circle: William Scott Centenary Exhibition, Enniskillen, Northern Ireland 2013 Tate St Ives, William Scott, and touring: Hepworth Wakefield; Ulster Museum, Belfast, Northern Ireland 2012 McCaffrey Fine Art at Frieze Masters, William Scott, London, UK 2010 McCaffrey Fine Art, William Scott, New York, NY 2009 F.E. McWilliam Gallery and Studio, William Scott in Ireland. Paintings, Drawings Gouaches and Lithographs 1938–1979, Banbridge, Northern Ireland 2006 Fermanagh County Museum, Celebrating William Scott: Paintings from Fermanagh County Museum, Enniskillen, Northern Ireland 2005 Denise Bibro Fine Art, William Scott Works on Paper, New York, NY 2005 Lorenzelli Arte, William Scott La voce dei colori, Milan, Italy 2005 Archeus Fine Art, William Scott. -
Environmental Scorecardscorecard 1997-1998 for Members of the 118Th Maine Legislature
Maine League of Conservation Voters ENVIRONMENTALENVIRONMENTAL SCORECARDSCORECARD 1997-1998 FOR MEMBERS OF THE 118TH MAINE LEGISLATURE Environmental Votes Matter in Maine he natural environment is one of Maine’s most precious assets. For the health of our economy Tand quality of life, protecting our air, water, forests, and wildlife is extremely important. During Environmental Honor Roll each session of the Maine Legislature, our elected representatives determine the fate of bills that can (1997-1998 Maine LCV Score of 90% or better) have major implications — positive or negative — on the long-term quality of our environment. For Score these reasons, it is important for Maine people to know how their elected representatives have voted Senate (6) on the most important environmental protection issues that have come before the Legislature. Beverly C. Daggett (Kennebec) 90% That is why the Maine League of Conservation Voters (Maine LCV) has issued a scorecard at Lloyd P. LaFountain, III (York) 90% the end of each two-year legislative cycle since 1986 with the environmental voting record for Susan W. Longley (Waldo) 90% every member of the Maine State House of Representatives and Senate. Chellie M. Pingree (Knox) 100% As this year’s Environmental Scorecard reveals, the majority of Maine’s elected officials do not Anne M. Rand (Cumberland) 100% have strong environmental voting records. Maine’s legislators — on average — cast pro-environ- Sharon Anglin Treat (Kennebec) 100% ment votes only 42% of the time on a broad range of important environmental roll call votes that House (15) came before the House and Senate during 1997 and 1998.