Power of Rama Nama - Part 2

Total Page：16

File Type：pdf, Size：1020Kb

Power of Rama Nama - Part 2 Date: 2019-04-15 Author: Narahari Krishna das Hare Krishna Prabhujis and Matajis, Please accept my humble obeisances. All glories to Srila Prabhupada and Gurudev. This is in conclusion of the series titled, "Power of Rama Nama" where we are meditating on the sloka spoken by Sampati to the monkeys who were bewildered about how to cross the ocean. Sampati told them that by chanting/remembering the name of Lord Rama, one can cross over the ocean of samsara which is immeasurable. But the ocean to Lanka is measurable and limited. Similarly, by chanting the holy name of Lord Rama, even the worst of sinners can cross the ocean of samsara and reach the other side of ocean (which is the spiritual world). The monkeys are not sinners but great devotees and servants of Lord Rama and trying to find Mother Sita as a service to Rama. So they need not feel despondent and they should take shelter of the name of Lord Rama to cross the ocean. Hanumanji took the clue from this statement of Sampati and when he was encouraged by Jambavan (who reminded Hanumanji of his strength and abilities), he meditated on the name of Lord Rama and prayed to all the devatas such as Indra and Vayu. He then expanded his form to very huge size and leaped into the sky and crossed the ocean. When he met mother Sita, she asked Hanumanji how he was able to cross over the ocean to reach Lanka. The answer given by Hanumanji is very interesting and this is stated in the Rama lila of Narasimha purana verses 51.38-39 as follows, katham atrāgato vīra tvam uttīrya mahodadhim ity ākarṇya vacas tasyāḥ punas tām āha vānaraḥ goṣpadavan mayottīrṇaḥ samudro 'yaṃ varānane japato rāma rāmeti sāgaro goṣpadāyate Mother Sita asked Hanumanji: How you were able to cross this great Ocean, O Monkey warrior? Hanumanji hearing this question replied, This ocean was crossed by me like hoof print of a cow, O beautiful lady. I was chanting the holy name Rama, Rama again and again and because of this the ocean appeared like a hoof print of a cow. Just like the ocean appeared as hoof print of a cow to Hanumanji since he took shelter of the name of Lord Rama, for devotees the ocean of material existence becomes very small like a hoof print of a cow so that they can easily cross over. The Bhagavata purana goes one step beyond states that for devotees who takes shelter of the Lord, the ocean of material world is like hoof print of a calf (not even cow). The below sloka from Srimad Bhagavatam 10.14.58 states this, samāśritā ye pada-pallava-plavaṁ mahat-padaṁ puṇya-yaśo murāreḥ bhavāmbudhir vatsa-padaṁ paraṁ padaṁ padaṁ padaṁ yad vipadāṁ na teṣām For those who have accepted the boat of the lotus feet of the Lord, who is the shelter of the cosmic manifestation and is famous as Murāri, the enemy of the Mura demon, the ocean of the material world is like the water contained in a calf’s hoof-print. Their goal is paraṁ padam, Vaikuṇṭha, the place where there are no material miseries, not the place where there is danger at every step. Let us all pray at the lotus feet of Sri Sita Rama and Lakshman Hanuman who has graciously appeared in the new Rajkot temple so that they give the mercy of the Lord’s holy name and take us beyond this material existence. Thank you very much. Yours in service of Srila Prabhupada and Gurudev, Narahari Krishna das Chennai..

Copy Link

Recommended publications

Editors Seek the Blessings of Mahasaraswathi
OM GAM GANAPATHAYE NAMAH I MAHASARASWATHYAI NAMAH Editors seek the blessings of MahaSaraswathi Kamala Shankar (Editor-in-Chief) Laxmikant Joshi Chitra Padmanabhan Madhu Ramesh Padma Chari Arjun I Shankar Srikali Varanasi Haranath Gnana Varsha Narasimhan II Thanks to the Authors Adarsh Ravikumar Omsri Bharat Akshay Ravikumar Prerana Gundu Ashwin Mohan Priyanka Saha Anand Kanakam Pranav Raja Arvind Chari Pratap Prasad Aravind Rajagopalan Pavan Kumar Jonnalagadda Ashneel K Reddy Rohit Ramachandran Chandrashekhar Suresh Rohan Jonnalagadda Divya Lambah Samika S Kikkeri Divya Santhanam Shreesha Suresha Dr. Dharwar Achar Srinivasan Venkatachari Girish Kowligi Srinivas Pyda Gokul Kowligi Sahana Kribakaran Gopi Krishna Sruti Bharat Guruganesh Kotta Sumedh Goutam Vedanthi Harsha Koneru Srinath Nandakumar Hamsa Ramesha Sanjana Srinivas HCCC Y&E Balajyothi class S Srinivasan Kapil Gururangan Saurabh Karmarkar Karthik Gururangan Sneha Koneru Komal Sharma Sadhika Malladi Katyayini Satya Srivishnu Goutam Vedanthi Kaushik Amancherla Saransh Gupta Medha Raman Varsha Narasimhan Mahadeva Iyer Vaishnavi Jonnalagadda M L Swamy Vyleen Maheshwari Reddy Mahith Amancherla Varun Mahadevan Nikky Cherukuthota Vaishnavi Kashyap Narasimham Garudadri III Contents Forword VI Preface VIII Chairman’s Message X President’s Message XI Significance of Maha Kumbhabhishekam XII Acharya Bharadwaja 1 Acharya Kapil 3 Adi Shankara 6 Aryabhatta 9 Bhadrachala Ramadas 11 Bhaskaracharya 13 Bheeshma 15 Brahmagupta Bhillamalacarya 17 Chanakya 19 Charaka 21 Dhruva 25 Draupadi 27 Gargi
[Show full text]
Prahlada Nataka
Prahlada Nataka A Window on a Syncretic Performative Tradition Sitakant Mahapatra In Orissa. largely due to historical reasons. there is a remarkable continuity between classical. folk and tribal art-forms. It was one of the last regions to come under British rule. This led to the late introduction of English education and other modernising influences and subsequently, in a large measure. to Orissa's economic and industrial backwardness when independence came in 1947. But this also had the beneficial effect of allowing the various rich forms of folk-art and folk-culture to survive in their original. and relatively pure, forms. Orissa is also an almost open ethnographic museum with a large variety of tribal communities at various stages of acculturation and primitiveness. These communities have been endowed with rich autonomous cultures which have acted and reacted on the classical and folk art-forms of the neighbouring non-tribal world. The result is a rare evidence of classical-folk-tribal continuum which is hardly seen in such profusion and intensity elsewhere in the country. This is true of Orissi as a classical dance. of the Chhau dance of Mayurbhanj, of the Pata painting originating from the Jagannath temple, of the Sahi Yatra of Puri and of a number other plastic, performing and literary traditions. Prah!ada Nataka, a play composed around 1860 in Oriya and attributed to Raja Ramakrishna Deva Chhotray of Jalantara, amply reveals this rich continuum in its literary and performative aspects. Jalantara is now a part of Andhra Pradesh. The former palace of the king of Jalantara lies in ruins but there are about thirty-five distinct amateur.
[Show full text]
Proceeding International Conference
PROCEEDING INTERNATIONAL CONFERENCE On Theology, Philosophy and Religion (ICTHEPRES) IHDN Denpasar 2018 Held By: Institut Hindu Dharma Negeri Denpasar On: 29th November 2018 IHDN Press 2018 PROCEEDING INTERNATIONAL CONFERENCE ON: Theology, Philosophy and Religion (ICTHEPRES) IHDN Denpasar 2018 i PROCEEDING INTERNATIONAL CONFERENCE ON: Theology, Philosophy and Religion (ICTHEPRES) IHDN Denpasar 2018 Held by: Institut Hindu Dharma Negeri Denpasar On: 29th November 2018 At: Ballroom, Bali Tropic Resort & SPA, Nusa Dua. Jl. Pratama, No.34A, South Kuta, Badung, Bali Writer: Team Published by: IHDN PRESS ISBN: 978-602-53968-0-9 Editor: Drs. I Ketut Donder, M.Ag., Ph.D Reviewer: Dr. I Gede Suwantana, M.Ag Dr. Drs. I Made Redana, M.Si Dr. I Dewa Ayu Hendrawathy Putri, S.Sos., M.Si Redaction: Jalan Ratna No. 51 Denpasar Post Code 80237 Telp/Fax: 0361 226656 Email: [email protected]/ [email protected] Web: ihdnpress.ihdn.ac.id / ihdnpress.or.id ii PROCEEDING INTERNATIONAL CONFERENCE ON: Theology, Philosophy and Religion (ICTHEPRES) IHDN Denpasar 2018 Committee Chairman : Dr. Drs. I Made Redana, M.Si Secretary : Dr. I Dewa Ayu Hendrawathy Putri, S.Sos., M.Si Member : 1. Prof. Dr. Drs. I Gusti Ngurah Sudiana, M.Si 2. Prof. Dr. Drs. I Made Surada, M.A 3. Dr. Drs. I Nengah Lestawi, M.Si 4. Dr. Drs. Ida Bagus Gede Candrawan, M.Ag 5. Prof. Dr. Dra. Relin D.E, M.Ag 6. Dr. Dra Ni Ketut Sri Kusuma Wardhani, M.Pd 7. Jero Ayu Ningrat, S.Ag., M.Ag 8. Dr. I Gede Suwantana, M.Ag 9. I Gusti Putu Widiana, S.Fil., M.A 10.
[Show full text]
Encyclopaedia of Academic Library System 297
Encyclopaedia of Academic Library System 297 Encyclopaedia of Academic Library System Madan Mohan Sinha Contents Preface (vii) 1. Introduction 1 2. General Introduction to the Library 21 3. Academic Libraries 53 4. Academic Library Materials Expenditures 83 5. Preparation of Books for Use 131 6. Classification of Library Books 153 7. Resource Sharing in Libraries and Networking 237 8. College Libraries 279 Bibliography 289 Index 294 Preface The basic function of the academic library is to aid the institution in carrying out its program. Each kind of academic library—junior college, college, and university—in addition to the characteristics which it shares with all academic libraries, serves certain purposes and has certain features and problems peculiarly its own, which grow out of the particular character and scope of its parent institution. In general the name “college” is given to an institution of higher learning which offers a four-year curriculum leading to a bachelor’s degree in arts and science; requires graduation from an accredited secondary school or its equivalent for admission; and is not divided into separate schools and faculties. This definition does not cover the wide variation among colleges as to control, purposes, programs, and size. There are liberal arts colleges, amnay of which emphasize specialization is given fields rather than liberal education; colleges for the preparation of teachers, and technical and agricultural colleges. Some colleges offer a fifth year leading to the master’s degree; some call themselves universities before they have developed a sufficient number of professional schools or faculties with the quality of advanced teaching and study to merit the title.
[Show full text]
Christ Vs Krishna.Pdf
CHRIST vs KRISHNA - RE-READING SAKES M. M. NINAN CHRIST vs KRISHNA RE-READING SAKES IN HISTORIC CONTEXT M. M. NINAN Way back in the year 2005 when we met in New York at the First International Conference on Early Christianity in India the scholarship that were present felt that we have discovered the secret of the history after a long period of research into the history of the Language of Sanskrit and the history of the religion today known as Hinduism. My study in this area appeared in the Souvenir of the Conference which I thought was a ground breaking work and was wondering how with all the historic realities and documentary and archeological evidences why no one else thought about this earlier. So when I stumbled on the Christ vs., Krishna by Sakes written over 120 years ago I was clean flabbergasted. How could such a clear understanding of realities remained hidden to the scholarship for such a long time? With a religion which claims no origin, with their scriptures handed down by the supreme being itself at the creation of the 1 CHRIST vs KRISHNA - RE-READING SAKES M. M. NINAN world but with no documents or history or archeology to support any claim, and even the names of Krishna and Siva never known before the Christian era we still missed the real history with manipulated interpretation and contrivance, it was there known to early students of Hinduism, Historical setting of this book The relation between India and the west started with the ancient spice trade. In an attempt to find cheaper transportation Vasco-da-Gama the Portuguese traveler arrived in India in 1498 via ‘Cape of Good Hope' discovering the new route.
[Show full text]
View Entire Book
ODISHA REVIEW VOL. LXXI NO. 12 JULY - 2015 MADHUSUDAN PADHI, I.A.S. Commissioner-cum-Secretary SUSHIL KUMAR DAS, O.A.S, ( SAG) Director DR. LENIN MOHANTY Editor Editorial Assistance Production Assistance Bibhu Chandra Mishra Debasis Pattnaik Bikram Maharana Sadhana Mishra Cover Design & Illustration D.T.P. & Design Manas Ranjan Nayak Hemanta Kumar Sahoo Photo Kishor Kumar Sinha Raju Singh Manoranjan Mohanty The Odisha Review aims at disseminating knowledge and information concerning Odishaŏs socio-economic development, art and culture. Views, records, statistics and information published in the Odisha Review are not necessarily those of the Government of Odisha. Published by Information & Public Relations Department, Government of Odisha, Bhubaneswar - 751001 and Printed at Odisha Government Press, Cuttack - 753010. For subscription and trade inquiry, please contact : Manager, Publications, Information & Public Relations Department, Loksampark Bhawan, Bhubaneswar - 751001. Rs.5/- Five Rupees / Copy E-mail : [email protected] Visit : http://odisha.gov.in Contact : 9937057528(M) CONTENTS Editorial Nabakalebara of Chaturddha Murttis Dr. Gourishankar Tripathy ...1 Good Governance ... 19 Retrospective Highlights of Navakalevara Balabhadra Ghadai ... 21 Navakalebar : Ritual and History Dr. Hemanta Mohapatra ... 25 Mahaprasad Durga Madhab Dash ... 34 Evolution and Growth of Nabakalebara : A Historical Analysis Dr. Binodini Das ... 40 Navakalevara and Ratha Yatra in the Purushottama Kshetra Kailash Chandra Dash ... 51 Jagannath in Literature : Sri Purushottam Chandrika Revisited Dr. Somarani Chand ... 60 Sri Jagannath and Nabakalebar Er. Nirakar Mahalik ... 69 1977 Navakalevara ± An Administrative Profile Sarat Chandra Mahapatra ... 74 Lord Jagannath Dr. Amulya R. Mohapatra ... 81 Jagannath Dharma Dr. Atul Chandra Pradhan ... 82 The Unique Vedantic Synthesis in Jagannath as Lokayata Brahma and Vaisnavism ± A Philosophical Approach Prof.
[Show full text]
Narasimha-Purana-English Text.Pdf
NARASIMHA-PURANAM SANSKRIT TEXT, ENGLISH TRANSLATION AND INDEX OF VERSES INTRODUCTION The Puranic age or era in ancient India next to Vedas has its most significance. During mediaeval period, Puranic rites assumed position even higher than the rituals recommended in Vedas among the people. The rites performed through the procedure mentioned in Puranas got wide acceptance among public in the form of more benevolence and spirituality as it was the essence of Puranas. Illustrious as seen in Padma Purana and Naradlya Purana are clear, evidence to the affirmation of this averment. Thorough discussion and description in Puranas have been made on its mutual nexus with Vedas and Smrtis. Smrti is equivalent to Vedas specially for the households in course of their behavioural or worldly life. Supremacy of Puranas more than this, one can see in Devi Bhagavata. The seat for Vedas and Smrti is eye but Purana is seated in the heart of spiritual man. Thus, it can be stated categorically that behavioural aspect of worldly life in full is embedded in Puranas. Puranas are ascribed to establish the gems of humanity like devotion, knowledge, detachment and etiquette firmly among all Indians. Importance of Puranas is prima-facie from its meaning and antediluvian. Meaning of the Term Purana Literal meaning of the term Purana is old or antediluvian. According to renowned etymologist Yaska- "An innovative thing irrespective of being its old is called Purana.’” A beautiful derivative to this term in Puranas too is seen. According to Vayu Purana, it is mentioned as pura asti 2viz. "A thing alone even since most ancient period.” As per Padma Purana " Purana is, what desires for past (by-gone) period.” As per Brahmanda Purana Purana, a derivative - "this happened during ancient period” is seen.
[Show full text]
Narasimha Chintana Collection of Articles About Narasimha Conforming to Tattvavada
V 1.0 Narasimha Chintana Collection of articles about Narasimha conforming to Tattvavada तदि्ाकरः । जयत्यसमत ज्ञान ुिशक्ततपयोननध ः ॥ﴂहोखिलाज्ञानमतध्ाﴂ नरस Srikanth Shenoy Narasimha Jayanthi, Manmatha Samvatsara 5/2/2015 TABLE OF CONTENTS 1. The need to know about Narasimha ............................................................................................................................. 4 Narasimha as destroyer of sins and obstacles ............................................................................................................... 4 Narasimha as destroyer of fear .................................................................................................................................... 5 Narasimha as giver of knowledge ................................................................................................................................. 5 Many Narasimhas in many places................................................................................................................................. 6 2. Narasimha Praadurbhava ............................................................................................................................................ 7 Narasimha appears from pillar ..................................................................................................................................... 7 Hiranyakashipu attacks Narasimha ............................................................................................................................... 8 Narasimha
[Show full text]
View and Download Culture of Gujarat
www.gujarat.webs.com free classified ads portal for gujarat. www.infosis.webs.com get your website.grow with us. www.ejobs.webs.com best site for work at home opportunity in gujarat. Culture of Gujarat Contents 1 Gujarati engagement ceremony 2 Gujarati Wedding Ceremony 3 Gujarati Dances 4 Gujarati Cinema 5 Languages 6 Literature 7 Religions 7.1 Hinduism 7.1.1 Bhakti movement 7.2 Zoroastrianism 7.3 Gujarati Muslims 8 Fairs and festivals 8.1 Fairs 8.2 Festivals 9 Gujarat Cuisine 10 Paan Chewing in Gujarat 11 References [edit]Gujarati engagement ceremony In many Gujarati communities, the engagement ceremony is known as Gol Dhana (in Gujarati script, ???-????), or Gor Dhana,[1] which literally means "Jaggery and Coriander seeds" and refers to the practice of distributing a small amount of jaggery mixed with coriander seeds. [edit]Gujarati Wedding Ceremony HINDU WEDDING Marriage is a highly auspicious occasion in the Indian culture. According to the Vedas, the Hindu scriptures, marriage is a sacred life long commitment between a man and a woman. It is considered to be the strongest of all social bonds and is the initiation into a lifetime of togetherness. The Vedic wedding ceremony consists of prayers, invocations, and vows recited in Sanskrit, the most ancient surviving language. The Vedic wedding ceremony dates back to over five thousand years. The ceremony is performed under a decorated canopy, the Mandap. The four pillars that surround the madap represent the four parents. This signifies the important part they have played in raising their children to become the responsible adults they are today.
[Show full text]
Power of Rama Nama - Part 1
Power of Rama Nama - Part 1 Date: 2019-04-14 Author: Narahari Krishna das Hare Krishna Prabhujis and Matajis, Please accept my humble obeisances. All glories to Srila Prabhupada and Srila Gurudev. Today is the auspicious day of Sri Rama Navami, the appearance day of Lord Rama. Our beloved Gurudev had a special attachment for Lord Rama and that attachment has resulted in Lord Rama manifesting today in the Radha Neelamadhav Dham at Rajkot in the new temple - The Glory of Saurashtra. The pastime of Lord Rama have many great lessons for humanity as an ideal human being, ideal king, ideal friend, ideal brother, ideal son etc., From the spiritual point of view, the pastime of Lord Rama explains the power of the holy name of the Lord i.e. Rama nama. The power of Rama nama and Rama katha has been brought very well in the Valmiki Ramayana and other scriptures. There are many instances where this point is brought and we will see a few instances among them. After Mother Sita was kidnapped by Ravana, Lord Rama sought the help of Sugriva and a portion of his army of monkeys headed by Hanuman were sent to the southern side to search for Mother Sita. While searching on the southern side, they finally reached the sea and beyond that they did not know what to do, since they need to cross the ocean to continue the search further. They were very disappointed and decided to give up their life as they were clueless what to do next. At that time, Sampati, brother of Jatayu saw them fasting to death.
[Show full text]
Makr{Fey Kwa Legend of Markandeya
makR {fey kwa Legend of Markandeya Long, long ago, there lived a sage called Mrikandu, son of the wise rishi Mrigshringa of the Bhrigu clan. Mrikandu had been married to Marudvati, a virtuous and pious woman, for several years but the couple had remained childless. Being devout worshippers of Lord Shiva, they decided to perform great austerities, rituals and offer prayers to Him in the hope that Marudvati would be blessed with the boon of a child. On completion of the rituals, prayers and sacrifices, Lord Shiva was highly pleased and appeared before the couple. He asked them whether they wanted a wise and exceptionally intelligent son who would only live for sixteen years, or an ordinary child with average intelligence who would have a long life. Both Mrikandu and Marudvati asked the Lord to grant them the boon of an intelligent son, even if he was destined to live a short while on earth. The Birth of Markandeya Soon, Marudvati gave birth to a healthy, lively baby boy and he was named Markandeya. As prophesied, the child grew up to be a highly gifted boy who became well-versed in the Vedas, Shastras and other holy scriptures at an early age. He was the apple of his mother’s eye and the pride of his 2 3 father who rejoiced in him every day. The days rolled by Confrontation with Death into months and the months into years. Before their loving Yama, without a thought, swung his long noose that fell eyes, Markandeya had grown into a healthy, strapping young around Markandeya’s neck, as well as the Shivalinga.
[Show full text]
The Vedic Prophecies: a New Look Into the Future 4
Dedicated to all of you who are entering the spirit of the new millennium: You are not afraid to investigate the possibilities of what may be in the future, yet remain steadfast in the courage to help bring in light, love, and spiritual improvement for one and all. You are the people forming the new species of humanity. Copyright © October, 1997, and March, 2011 by Stephen Knapp Updated with additional information in March, 2011 ISBN-13: 978-1461002246 ISBN-10: 1461002249 E-Book ISBN: 978-1-4392-7897-0 All rights reserved. No part of this book may be reproduced in any form without permission from the publisher, except for brief quotations. Cover photo: An image of Lord Shiva as Nataraja or Rudra doing the cosmic Tandiva Nitrya dance of destruction that brings the huge universal, multicolored clouds that play a part in causing the annihilation of the universe. Photo taken by Stephen Knapp. Other books by the author: 1. The Secret Teachings of the Vedas: The Eastern Answers to the Mysteries of Life 2. The Universal Path to Enlightenment 3. The Vedic Prophecies: A New Look into the Future 4. How the Universe was Created and Our Purpose In It 5. Toward World Peace: Seeing the Unity Between Us All 6. Facing Death: Welcoming the Afterlife 7. The Key to Real Happiness 8. Proof of Vedic Culture’s Global Existence 9. The Heart of Hinduism: The Eastern Path to Freedom, Enlightenment and Illumination 10. The Power of the Dharma: An Introduction to Hinduism and Vedic Culture 11. Vedic Culture: The Difference it can Make in Your Life 12.
[Show full text]