Placemaking the Metropolitan Experience

Total Page：16

File Type：pdf, Size：1020Kb

PLACEMAKING THE METROPOLITAN EXPERIENCE EuroDesign, “Measuring Design Value” Term of Council Priorities Consultation + Collaboration 3 Integrated Documents 3 Integrated Documents How These Work Together How These Work Together – Mobility Hub Cycle Track, Copenhagen The Pool by Jen Lewin, Singapore New Road, Brighton How These Work Together – Mobility Hub How These Work Together – Black Creek Urban life The spaces between buildings are equally important as the buildings themselves. Purpose of the Plan Elements of the Plan urban rural Landscape Concept v Landscape Concept + Landscape Concept Landscape Framework + Green © PUBLIC WORK Blue Xintiandi shopping street, Shanghai, China Mews + + green blue mews Landscape Framework Resiliency + Innovation The UDG build on the Secondary Plan and integrate with the SOS plan to deliver fine-grained, complete, walkable communities Character Areas Design Priorities Fine-Grained Urbanism Fine-Grained Urbanism Principle Based Flexible Demonstration Plans Design Guidelines Public art and culture resonate with people at a deeper level, and help to form powerful attachments to PLACE. Reflect on Here by Broken City Lab, Windsor, ON Placemaking The VMC will be a destination of choice, reflecting the City’s diversity, growth and emergence as an urban centre. Public art and cultural development will work to create extraordinary experiences in the VMC and enhance the sense of place. Together, the cultural framework and public art policy will be key drivers in the creative economy and will advance economic development in Vaughan’s new downtown. Nuit Blanche, Montreal Vision 1 Leverage 6 Integrate 2 Cultivate 7 Accessible 3 Engage 8 Flexible 4 Promote 9 Diverse 5 Innovate 10 Sustainable Principles Value Uplift Strategic Direction 1 Design and Build Great Public and Private Spaces Strategic Direction 2 Attract Creative People and Jobs Strategic Direction 3 Create Memorable Experiences Strategic Direction 4 Build a Recognizable VMC Identity Strategic Directions KeyKey Message Message 1 1 Vaughan is committed to develop new approaches, policies and practices to support the vibrancy of its cultural sector and environment. Key Message 2 Vaughan’s cultural sector’s long term structural needs are a critical dimension of cultural sustainability. Key Message 3 Vaughan is committed to finding innovative approaches to finance cultural opportunities across the community. Key Message 4 Vaughan requires collaboration between private, public and non-profit organizations to market messages that will advance cultural development. Achieving the Vision 1 Transit Square / TTC Plaza 5 Jane Street Green Spine 9 Community Centre Public Art Entertainment District 2 Subway Arrival Plaza 6 Gateways 10 Cultural Facility 3 Edgeley Pond / Black Creek 7 Central Park 11 Private Development 4 Avenue 7 Boulevard 8 Millway Avenue Promenade 12 Temporary Installations Solar Reserve by John Gerrard, New York City Running in Circles by Patrick Dougherty in Langeland, Denmark Aeolus by Luke Jerram, Canary Wharf, London UK Priority Locations for Public Art Vaughan’s Philippine Heritage Band in Toronto parade White Aspens by Nika Bellianina , Construction Hoarding, Toronto ON Beautiful Light by D. A. Therrien, Scottsdale AZ Dream Big - construction hoarding mural art led by community youth, Alexandra Park, Toronto ON Quick Wins Mitosis Courtyard by Pierre Poussin, Toronto ON Rendering of integrated public art at Vaughan TTC Station, by Paul Raff, Jack Pine Remembered by Panya Clark Espinal, ParkPlace,Toronto Invigorating Public Realm PLACEMAKING THE METROPOLITAN EXPERIENCE .

Copy Link

Recommended publications

主題演講（一）Keynote Plenary (1)
主題演講（一）Keynote Plenary (1) ENESS《搖搖光》 The Light Seesaw by ENESS ENESS 創辦人兼創作總監寧錄 ‧ 韋斯及他的 Nimrod WEIS, Founder and Creative Director of ENESS and his team are 團隊，一直積極打造激發正能量的作品，期望 at the forefront of actively creating artworks that also stimulate powerful, 為人們帶來快樂和幸福感。特別在當前動盪的 positive emotions like joy, delight, happiness and well-being — needed all 環境中，這些藝術品顯得尤其重要。 the more during these times of worldwide upheaval. ENESS 的互動作品遍布全球商務空間、公共 Weis will speak about the importance of public engagement in ENESS’s 領域、藝術及文化機構、保健及遊樂場所。 interactive artworks, commissioned internationally for commercial spaces, 藉著分享一系列得獎作品——如《搖搖光》、 public realm, art and cultural institutions, healthcare and playgrounds. 《Jem》、《Sky Castle》和《Airship Or- Let us learn more about the process and challenges behind the creation chestra》和《LUMES》等，韋斯探討如何透 of award-winning artworks such as The Light Seesaw, Jem, Sky Castle, 過激發人們對於城市建築及公共藝術的大膽想 Airship Orchestra and LUMES; projects that are radically redefining the 像，刺激跨世代之間既深且廣的連繫，從而重 spaces and places in which they exist by stimulating deep, intergenerational 新定義我們所身處的空間。 connections and altering the ways that people expect to interact with built form and public art in their cities. 講者 Speaker 寧錄 ‧ 韋斯 | 澳洲 Nimrod WEIS | Australia ENESS 創辦人兼創作總監 Founder & Creative Director of ENESS 韋斯為雕塑家、科技創夢者、藝術家、設計 Part sculptor, part technologist dreamer, artist and designer, 師、ENESS（設計工作室）創辦人之一兼 Weis is one of the co-founders and Creative Director of 創作總監；專注於多媒體創作及設計，探討 ENESS, a multidisciplinary design studio dedicated to 虛擬與現實世界千絲萬縷的關係，致力打造 exploring the intersection between the virtual and the 出獨一無二的公共藝術／互動裝置品牌。 physical world via its unique brand of interactive public art 韋斯對未來的城市充滿熱情及好奇，相信透 installations worldwide. 過創作融合藝術與科技的作品，能夠將人與 Weis is passionate about a future of cities filled with new 人連繫起來；並期望藉著人與作品的互動， experiences designed to bind us as art and technology bring 帶動各種情緒體驗。作品的風格玩味性強， us closer together.
[Show full text]
Houston Arts Alliance 2018 Artist Roster
2018 Artist Roster Fariba Abedin Houston, TX I have always been fascinated by the beauty of nature and its integral parts, colors, and geometry. The geometric shapes and the rich colors of Persian tile works appeal to me. The architecture and structures of the most unique domes in the mosques and their unparalleled mirror works still mesmerize me, reminding me of my childhood. My work emphasizes exploration of color using geometric abstraction as my foundation. www.faribaabedin.com Our work is usually characterized by a strong profile, a sense of humor, and Actual Size Artworks excellent craftsmanship. We are especially dedicated to works that change as a Stoughton, WI viewer walks past, creating a sense of discovery and keeping up interest upon www.actualsizeartworks.com repeated viewing. Adela Andea Houston, TX Formally, my work has a very distinctive style and it presents original and cutting edge ideas. I create light installations and light sculptures using the latest technologies in the industry and a variety of materials that suit my vision for each installation. I believe that the vibrant energy and the unique aesthetics of my work will bring liveliness, color, and brightness to any site in the Houston area. www.adelaandea.com Bennie Flores Ansell Houston, TX I realize the ethereal nature of my work does not lend itself to favorable long-lasting public art installations. However, I have been printing images of the light projections on dye infused metal which can be printed very large and are very moveable as well as permanent. Most recently, I started working with a laser cutter and a 3-D printer that will allow for new and sturdy presentations of my work and ideas.
[Show full text]
Mark D. Gross August 2020
Mark D. Gross August 2020 http://atlas.colorado.edu/mdgross EDUCATION Massachusetts Institute of Technology Ph.D. Design Theory & Methods 1986 Dissertation title: Design as Exploring Constraints; committee: NJ Habraken, A Fleisher, S Papert Massachusetts Institute of Technology B.S., Architectural Design, 1978 PROFESSIONAL EXPERIENCE 2014 – present University of Colorado, Boulder Professor, Computer Science and Director, ATLAS Institute 2004 – 2013 Carnegie Mellon University Professor, Computational Design, Associate Head & Director of Graduate Programs, School of Architecture 2008-2012 Affiliate faculty Human Computer Interaction Institute 2008 – present Modular Robotics Incorporated co-founder; Research and Education Director 2013 – present Blank Slate Systems co-founder; Research and Outreach Director 2019 Ulsan National Institute of Science and Technology, visiting professor (1 month) 2012 National University of Singapore, CUTE Center, visiting professor (1 month) 1999 - 2004 University of Washington, Seattle Professor (from Sept 2002), Department of Architecture 1990 - 1999 University of Colorado, Boulder and Denver Associate (1997-1999) and Assistant (1990-1997) Professor, College of Architecture and Planning, Department of Planning and Design 1998 Nara Advanced Institute of Science and Technology, Nara, Japan Visiting Research Scholar, Cognitive Science Lab, Information Systems Division 1988 - 1990 Design Technology Research, Cambridge, MA and Tokyo Principal Investigator 1981 - 1988 Massachusetts Institute of Technology Lecturer
[Show full text]
Sponsorship Deck
NYC2021 The CowParade God’s Love We Deliver is excited to announce that the Cow Parade is coming back to New York City this summer with God’s Love as the exclusive charity partner! If you were in the city in 2000, you likely recall the CowParade public art event during the summer of that year, which culminated in a live auction that raised hundreds of thousands of dollars for New York City non-proﬁts including God’s Love We Deliver. The Mayor’s oce estimated that some 45 million people came to see the cows during the three months of the exhibit. CowParade began in New York and has gone on to stage another 90+ public art exhibits in 34 countries with more than 6,000 life size Fiberglass cows painted and imaginatively transformed by many thousands of global artists and sculptors. God’s Love is thrilled to be staging the 100th global CowParade event this August. NYC2021 Why Moo? The cow is simply a unique, three-dimensional canvas to which artists can easily relate. There really is no other animal that could adequately substitute for the cow. The surface area and bone structures are just right, as well as the height and length. Even more importantly, the cow is an animal we all love. One of the ﬁrst words we say in our infancy is moo. Cows provide many the milk that fosters our development, and milk is the basis of childhood treats like ice cream. The cow is whimsical, quirky and never threatening. That is why so much of the art in this show causes us to laugh, smile and just feel good, something that New York City is yearning for.
[Show full text]
The Future History of Public Art Symposium Proceedings
The Future History of Public Art Symposium Proceedings The 2017 Symposium of the Western States Arts Federation November 5-7, 2017 Honolulu, Hawai’i Symposium Director Lori Goldstein Symposium Advisors Jack Becker Karen Ewald Jonathan Johnson Jen Krava Anthony Radich Theresa Sweetland Proceedings Editors Lori Goldstein Laurel Sherman Contributing Editors Sonja K. Foss Lori Goldstein Cover Design Lori Goldstein Rainbows by Shige Yamada. Bronze. 1998. 11’6” x 4’ x 2’6” / 7’6”. University of Hawai’i at Manoa, Stan Sheriff Center. Photo Courtesy: Hawai’i State Foundation on Culture and the Arts. For permission requests, please contact WESTAF (the Western States Arts Federation) at the address below: 2 WESTAF 1888 Sherman Street, Ste. 375 Denver, CO 80203 Phone: 303-629-1166 Fax: 303-629-9717 Email: [email protected] 3 Table of Contents About the Project Sponsors 8 Introduction 10 Symposium Participants 16 Presentations and Discussions Keynote Presentation 18 Our Inner Lives in Public: Making Space for Well-being and Kinship Candy Chang, Artist, New Orleans, Louisiana Welcome and Opening Remarks 30 • Anthony Radich, Executive Director, WESTAF, Denver, Colorado Moderator: ● Cameron Cartiere, Associate Professor, Emily Carr University of Art + Design, Vancouver, British Columbia The Future Democracy of Public Art 32 Presenters: • Jasper Wong, Founder and Lead Director, POW! WOW!, Honolulu, Hawai’i • Lauren Kennedy, Executive Director, UrbanArt Commission, Memphis, Tennessee • Larry Baza, Council Member, California Arts Council, San Diego, California
[Show full text]
Scottsdale Cultural Council Annual Report
Scottsdale Cultural Council Annual Report Scottsdale Center for the Performing Arts Scottsdale Museum of Contemporary Art Scottsdale Public Art 14 15 Contents FROM THE MAYOR 1 THE YEAR IN REVIEW 2 SEASON HIGHLIGHTS 8 PERFORMANCE MEASURES 21 UP CLOSE 28 FINANCES AND FIGURES 50 DONORS AND SUPPORTERS 56 CORPORATE PARTNERS 60 BOARDS AND STAFF 62 The Scottsdale Cultural Council offers a world of entertaining and enlightening arts experiences. Through its unique partnership with the City of Scottsdale, the nonprofit organization manages Scottsdale Center for the Performing Arts, Scottsdale Museum of Contemporary Art (SMoCA) and Scottsdale Public Art, which together have made the community a leading arts destination. Cover: Installation view of Covert Operations: Investigating the Known Unknowns, at Scottsdale Museum of Contemporary Art, September 21, 2014 – January 11, 2015. Photo: Chris Loomis This Page: A Little Slice of Heaven by John Tuomisto-Bell Scottsdale Public Art, IN FLUX, Cycle 5 The Pavilions at Talking Stick February – June 2015 Photo: Sean Deckert, Calnicean Projects Back Cover: Royal Ballet of Cambodia October 30, 2014 Scottsdale Center for the Performing Arts From the Mayor “Most Livable City” U.S. Conference of Mayors W.J. “JIM” LANE Mayor WELCOME The City of Scottsdale is proud of its reputation as a leading arts destination. Our residents and visitors enjoy a remarkable variety of arts experiences 365 days a year, from world-class performances, films and exhibitions to inspiring works of public art embedded throughout our community. Quality arts education and outreach programs – many offered free of charge – also serve thousands of students and lifelong learners.
[Show full text]
The People of the Future City Are Enlightened. in the Blink of an Eye Their Hearts and Minds Glow with the Radiance of Transcendent Knowing
Page 1 MANIFESTO THE PEOPLE OF THE FUTURE CITY ARE ENLIGHTENED. IN THE BLINK OF AN EYE THEIR HEARTS AND MINDS GLOW WITH THE RADIANCE OF TRANSCENDENT KNOWING. Knowing the light of a thousand tomorrows of opportunity and hope. Knowing the light that shines from their hearts is all that was ever needed to stay the darkness of ignorance and poverty. Not here they said. Not in our shining future city. They work and play and draw the light from one another until it outshines the sun. The light inside revealed in all. The only light that matters. Together they shine with celebration, laughter and labor shared for all the world to see and in the blink of an eye their radiance is undeniable. Page 2 Page 3 AN ART EVENT SET TO TRANSFORM THE QUEEN CITY 4-DAYS THURSDAY TO SUNDAY, OCTOBER 12TH -15TH, 2017 COMPLETELY NEW PROJECTION MAPPING, URBAN ARTSCAPE, MEDIA LIGHT AND INTERACTIVE ART 20 CITY BLOCKS FROM THE BANKS TO FINDLAY MARKET FREE OPEN TO THE PUBLIC Page 4 Page 5 CINCINNATI ON A WHOLE NEW SCALE ZONE 4 FINDLAY 4 ZONES 20 BLOCKS ENDLESS POSSIBILITIES MARKET FROM THE BANKS TO FINDLAY MARKET, BLINK WILL BE ACTIVATED IN FOUR ZONES ZONE 1 ZONE 2 THE BANKS CENTRAL BUSINESS ZONE 3 DISTRICT OVER THE RHINE ZONE 3 ZONE 4 OVER THE FINDLAY MARKET ZONE 2 RHINE CENTRAL BUSINESS DISTRICT BLINK will program the city on a scale like never before. From Smale Park to Findlay Market, guests will spend four days exploring the rich diversity of our city.
[Show full text]
Universidade Tecnológica Federal Do Paraná Programa De Pós-Graduação Em Tecnologia E Sociedade
UNIVERSIDADE TECNOLÓGICA FEDERAL DO PARANÁ PROGRAMA DE PÓS-GRADUAÇÃO EM TECNOLOGIA E SOCIEDADE VENISE PASCHOAL DE MELO ARTEMÍDIA: UM OLHAR SOBRE A ARTE CONTEMPORÂNEA E SUAS RELAÇÕES SOCIAIS QUANDO VISTA A PARTIR DO CONTEXTO DO JOGO TESE DE DOUTORADO CURITIBA 2017 VENISE PASCHOAL DE MELO ARTEMÍDIA: UM OLHAR SOBRE A ARTE CONTEMPORÂNEA E SUAS RELAÇÕES SOCIAIS QUANDO VISTA A PARTIR DO CONTEXTO DO JOGO Tese de Doutorado apresentada ao Programa de Pós-Graduação em Tecnologia e Sociedade da Universidade Tecnológica Federal do Paraná como requisito parcial para obtenção do título de ―Doutora em Tecnologia‖ - Área de Concentração: Mediações e Cultura. Orientadora: Profa. Dra. Luciana Martha Silveira CURITIBA 2017 Dados Internacionais de Catalogação na Publicação Melo, Venise Paschoal de M528a Artemídia : um olhar sobre a arte contemporânea e suas rela- 2017 ções sociais quando vista a partir do contexto do jogo / Venise Paschoal de Melo.-- 2017. 180 f. : il. ; 30 cm Tese (Doutorado) – Universidade Tecnológica Federal do Paraná. Programa de Pós-Graduação em Tecnologia e Sociedade, Curitiba, 2017 Bibliografia: f. 172-180 1. Arte moderna – Séc. XX. 2. Arte – Apreciação. 3. Arte – Crítica e interpretação. 4. Arte e tecnologia – Crítica e interpretação. 5. Jogos. 6. Tecnologia – Teses. I. Silveira, Luciana Martha. II. Universidade Tecnológica Federal do Paraná. Programa de Pós-Graduação em Tecnologia e Sociedade. III. Título. CDD: Ed. 22 – 600 Biblioteca Central da UTFPR, Câmpus Curitiba Para Cleison Reinhardt, meu porto seguro. Para Andria, meu filho, minha pequena estrela de amor e luz que esteve só de passagem. Para Giam, meu irmão que partiu cedo demais, na certeza de sua felicidade diante de minhas realizações.
[Show full text]
Sponsorship Deck
NYC2021 The CowParade God’s Love We Deliver is excited to announce that the Cow Parade is coming back to New York City this summer with God’s Love as the exclusive charity partner! If you were in the city in 2000, you likely recall the CowParade public art event during the summer of that year, which culminated in a live auction that raised hundreds of thousands of dollars for New York City non-proﬁts including God’s Love We Deliver. The Mayor’s oce estimated that some 45 million people came to see the cows during the three months of the exhibit. CowParade began in New York and has gone on to stage another 90+ public art exhibits in 34 countries with more than 6,000 life size Fiberglass cows painted and imaginatively transformed by many thousands of global artists and sculptors. God’s Love is thrilled to be staging the 100th global CowParade event this August. NYC2021 Why Moo? The cow is simply a unique, three-dimensional canvas to which artists can easily relate. There really is no other animal that could adequately substitute for the cow. The surface area and bone structures are just right, as well as the height and length. Even more importantly, the cow is an animal we all love. One of the ﬁrst words we say in our infancy is moo. Cows provide many the milk that fosters our development, and milk is the basis of childhood treats like ice cream. The cow is whimsical, quirky and never threatening. That is why so much of the art in this show causes us to laugh, smile and just feel good, something that New York City is yearning for.
[Show full text]
Student's Full Name Michael Skirpan Student's Home Department
Student's Full Name Michael Skirpan Student's Home Department Computer Science Student's Email Address [email protected] Adviser's Full Name Mark Gross and Tom Yeh Payroll Liaison's Full Name Stephanie Morris Payroll Liaison's Email Address [email protected] Payroll Liaison's Phone Number (303) 492-6101 I'm applying for funding for: Summer 2014 Fall 2014 Spring 2015 By submitting this application, I confirm that, if selected to receive a Chancellor’s Award for Excellence in STEM Education, I will: ! Attend and be recognized at the annual Symposium on STEM Education (fall 2014). ! Give a brief introduction (~10-15 min) to my project at DBER in fall 2014. ! Actively engage in the CU-Boulder STEM education community by attending Chancellor’s Fellow events. ! Present my work to the STEM education community by giving at least one DBER seminar, OR, if that is an impossibility, I will give a talk that the CU-Boulder STEM education community is invited to attend. ! Submit a 1000 to 3000-word report detailing the outcomes of the project at the end of the funding period. Michael Skirpan Chancellor’s STEM Fellowship Application Empowered Learners: Using in-class Hack-a-thons as a Basis for Teaching STEM Technical Skills in College and High School Classrooms Submitted by Michael Skirpan, Doctoral Candidate, Department of Computer Science Faculty Advisors: Mark Gross, Professor, Director of ATLAS, Department of Computer Science; Tom Yeh, Assistant Professor, Department of Computer Science Goals and Objectives Research Questions: What technological and teaching resources are necessary for designing an active classroom setting that teaches technical skills? Using in-class hack-a- thons can instructors gain richer data on learning progressions and do students develop stronger technical skills? My PhD research focuses on how to interweave principles of democratic and experiential learning into the design and implementation of education technologies that are useful to STEM educators.
[Show full text]
Tan, L. (2017).Pdf (1.382Mb)
The Future History of Public Art Symposium Proceedings The 2017 Symposium of the Western States Arts Federation November 5-7, 2017 Honolulu, Hawai’i Symposium Director Lori Goldstein Symposium Advisors Jack Becker Karen Ewald Jonathan Johnson Jen Krava Anthony Radich Theresa Sweetland Proceedings Editors Lori Goldstein Laurel Sherman Contributing Editors Sonja K. Foss Lori Goldstein Cover Design Lori Goldstein Rainbows by Shige Yamada. Bronze. 1998. 11’6” x 4’ x 2’6” / 7’6”. University of Hawai’i at Manoa, Stan Sheriff Center. Photo Courtesy: Hawai’i State Foundation on Culture and the Arts. For permission requests, please contact WESTAF (the Western States Arts Federation) at the address below: 2 WESTAF 1888 Sherman Street, Ste. 375 Denver, CO 80203 Phone: 303-629-1166 Fax: 303-629-9717 Email: [email protected] 3 The Future of Technological Advancements in Public Art Cameron Cartiere: We will now move to our next set of presenters for the “The Future of Technological Advancements in Public Art” session. We will start with Jen Lewin, an artist from Brooklyn. Jen Lewin: Hello. I have a studio in Brooklyn, and I originally have a background in architecture. I picked architecture not because I wanted to be an architect but because I couldn't choose between art school and engineering school. I wanted to take fine art classes, but I also wanted to take programming. I, too, am actually from Hawai’i. I Figure 8. Screenshot of circle created in LOGO. Photo: Jen Lewin. grew up on Maui and went to school at Punahoa. I had a really wonderful, beautiful childhood here.
[Show full text]
Flier Reveals 2009 Voyeurism Arrest of Gay Council Candidate Protests, Travel Bans Emerge After Rise of Anti-LGBT Bills
APRIL 01, 2016 VOLUME 47 ISSUE 14 • AMERICA’S GAY NEWS SOURCE • WASHINGTONBLADE.COM Protests, travel bans discrimination. “Georgia is a welcoming state fi lled emerge after rise of with warm, friendly and loving people. anti-LGBT bills Our cities and countryside are populated with people who worship God in a myriad of ways and in very diverse settings,” said By CHRIS JOHNSON Deal during a press conference in Atlanta. [email protected] “Our people work side-by-side without regard to the color of our skin, or the A national backlash emerged this week religion we adhere to. We are working to after several states passed “religious make life better for our families and our freedom” and other bills that enable communities. That is the character of businesses and schools to discriminate Georgia. I intend to do my part to keep against LGBT people. it that way.” Lawsuits, boycotts and travel bans Georgia lawmakers had approved have emerged following passage of such House Bill 757 that would have allowed laws and may have helped persuade at faith-based organizations to deny least one governor to veto a measure. In services “that violate such faith-based Georgia, Gov. Nathan Deal on Monday organization’s sincerely held religious vetoed a religious freedom bill that critics A new lawsuit has been fi led against the anti-LGBT law in North Carolina. contend would have allowed anti-LGBT CONTINUES ON PAGE 13 SCREEN CAPTURE COURTESY OF WRAL Flier reveals 2009 voyeurism and aimed at discrediting his campaign to become Baltimore’s fi rst out gay member of the City Council.
[Show full text]