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Books Added to the Collection: July 2014
Books Added to the Collection: July 2014 - August 2016 *To search for items, please press Ctrl + F and enter the title in the search box at the top right hand corner or at the bottom of the screen. LEGEND : BK - Book; AL - Adult Library; YPL - Children Library; AV - Audiobooks; FIC - Fiction; ANF - Adult Non-Fiction; Bio - Biography/Autobiography; ER - Early Reader; CFIC - Picture Books; CC - Chapter Books; TOD - Toddlers; COO - Cookbook; JFIC - Junior Fiction; JNF - Junior Non Fiction; POE -Children's Poetry; TRA - Travel Guide Type Location Collection Call No Title AV AL ANF CD 153.3 GIL Big magic : Creative living / Elizabeth Gilbert. AV AL ANF CD 153.3 GRA Originals : How non-conformists move the world / Adam Grant. Irrationally yours : On missing socks, pick up lines, and other existential puzzles / Dan AV AL ANF CD 153.4 ARI Ariely. Think like a freak : The authors of Freakonomics offer to retrain your brain /Steven D. AV AL ANF CD 153.43 LEV Levitt and Stephen J. Dubner. AV AL ANF CD 153.8 DWE Mindset : The new psychology of success / Carol S. Dweck. The geography of genius : A search for the world's most creative places, from Ancient AV AL ANF CD 153.98 WEI Athens to Silicon Valley / Eric Weiner. AV AL ANF CD 158 BRO Rising strong / Brene Brown. AV AL ANF CD 158 DUH Smarter faster better : The secrets of prodctivity in life and business / Charles Duhigg. AV AL ANF CD 158.1 URY Getting to yes with yourself and other worthy opponents / William Ury. 10% happier : How I tamed the voice in my head, reduced stress without losing my edge, AV AL ANF CD 158.12 HAR and found self-help that actually works - a true story / Dan Harris. -
CCM-Summer 2015.Pdf
A Story worth Singing About Micheal Castaldo By Natasha Barbieri Micheal Castaldo is not just your their father soon after he was settled. average classical crossover tenor. Despite being a long way from his When we spoke I was struck by his native country Micheal grew up very knowledge of music, culture and his much saturated in the Italian culture. own ancestry. He is someone committed to embracing his entire “Toronto is the sixth largest Italian history and sharing his story in a very speaking city in the world,” he says. authentic way. “I was born in the “There are four ‘little Italy’s’… I was region of Calabria Italy, which is the constantly surrounded by Italian tip of the toe of the Italian peninsula,” neighbors and the Italian radio he says at the beginning of our station was on all the time. There was interview. He describes it as the final TV, tons of publications, festivals and frontier of Italian tourism. “It’s a street fairs.” He remembers speaking poor region so many of the Italian at home and maintaining a Calabrians ended up immigrating to close relationship with his family look for work and a better life. Many back in Italy. “My mother tongue was moved either to northern Italy, still a big part of me based on my northern Europe, Canada, the USA or environment and upbringing.” Australia.” He describes his father as Micheal feels that Canada was the ‘nomad’ of the family, a man who especially embracing of multi-cultural risked the unknown to settle in backgrounds which encouraged him Toronto, Canada and begin a new not only to remain true to his roots life. -
Abortion and Law: the Crisis of Reason in Western Jurisprudence
Abortion and Law: The Crisis of Reason in Western Jurisprudence Nikolas T. Nikas*† I. Introduction The practice of human abortion, the intentional termination of the life of an unborn child in utero at the behest of one or more people who see the child as a burden or unwanted, is undoubtedly one of the most profound issues affecting Western Civilization1 today. *Nikolas T. Nikas is president and general counsel of Bioethics Defense Fund (BDF). J.D., Arizona State University College of Law, 1986; M.A., government and international relations, University of Notre Dame, 1981; B.A., government and international relations, University of Notre Dame, 1979. BDF is a public-interest legal and educational organization whose mission is to put law in the service of life by addressing issues such as abortion, biotechnologies that commodify human life, end of life issues, and healthcare rights of conscience (www.bdfund.org). †This paper was originally published in Protection of Human Life in Its Early Stage: Intellectual Foundations and Legal Means, Aleksander Stepkowski, ed., AD FONTES, Vol. 10 (Peter Lang Edition: 2014). It is a modification of oral comments delivered at the University of Warsaw in September 2012. The author offers this paper as a public interest attorney who delivers addresses as part of the public education mission of Bioethics Defense Fund. The author is not a professional scholar; he expresses his gratitude for the inspiration and ideas that form the foundation of this synthesis to his former graduate school professor, the late Gerhart Niemeyer, and from the writings of the popes, professors and giants of political philosophy cited in these footnotes. -
OUR GUARANTEE You Must Be Satisfied with Any Item Purchased from This Catalog Or Return It Within 60 Days for a Full Refund
Edward R. Hamilton Bookseller Company • Falls Village, Connecticut February 26, 2016 These items are in limited supply and at these prices may sell out fast. DVD 1836234 ANCIENT 7623992 GIRL, MAKE YOUR MONEY 6545157 BERNSTEIN’S PROPHETS/JESUS’ SILENT GROW! A Sister’s Guide to ORCHESTRAL MUSIC: An Owner’s YEARS. Encounters with the Protecting Your Future and Enriching Manual. By David Hurwitz. In this Unexplained takes viewers on a journey Your Life. By G. Bridgforth & G. listener’s guide, and in conjunction through the greatest religious mysteries Perry-Mason. Delivers sister-to-sister with the accompanying 17-track audio of the ages. This set includes two advice on how to master the stock CD, Hurwitz presents all of Leonard investigations: Could Ancient Prophets market, grow your income, and start Bernstein’s significant concert works See the Future? and Jesus’ Silent Years: investing in your biggest asset—you. in a detailed but approachable way. Where Was Jesus All Those Years? 88 Book Club Edition. 244 pages. 131 pages. Amadeus. Paperbound. minutes SOLDon two DVDs. TLN. OU $7.95T Broadway. Orig. Pub. at $19.95 $2.95 Pub. at $24.99SOLD OU $2.95T 2719711 THE ECSTASY OF DEFEAT: 756810X YOUR INCREDIBLE CAT: 6410421 THE MAMMOTH BOOK OF Sports Reporting at Its Finest by the Understanding the Secret Powers ANTARCTIC JOURNEYS. Ed. by Jon Editors of The Onion. From painfully of Your Pet. By David Greene. E. Lewis. Collects a heart-pounding obvious steroid revelations to superstars Interweaves scientific studies, history, assortment of 32 true, first-hand who announce trades in over-the-top TV mythology, and the claims of accounts of death-defying expeditions specials, the world of sports often seems cat-owners and concludes that cats in the earth’s southernmost wilderness. -
Ben Hillier You Get Asked to Produce and Then You Have to Take Control of the Project in a Practical Sense
How do you feel about the distinction between producer and engineer? Ben Hillier You get asked to produce and then you have to take control of the project in a practical sense. Every album I do is different but the thing I always do the same Blur’s latest album Think Tank has enjoyed critical acclaim yet it’s creation did not follow a when I produce is finish it and get it done. That is your job. traditional course. ZENON SCHOEPE talks to the man who took it from London, to It is funny when you go in to a project not as the producer but end up as the producer, which is Marrakech, to Devon. effectively how it happened with this Blur album. Where did you start working on the project? We started working in 13 and the majority of the tracking was done there in two weeks at the end of EN ALMOST BECAME a professional him to edit. This combined with a good knowledge of 2001. Blur are great to work with because they do classical percussionist until sessions for Virgin sequencing got him working and then his clients regular and sensible hours. We had nine songs at the BClassics with Floating Earth recording led to realised he could engineer as well. end of that, some of which were finished, and then him assisting on a handful of sessions. In his own His move in to production started with Elbow’s first another two weeks in January-February by which point words he’d ‘caught the bug’. -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
G \ Music Week UNI Lakes on Publishers In
FOR EVERYONE IN THE BUSINESS OF MUSIC K/W • -g \ music week UNI lakes on publishers in Europe BMG and Sony are understood to be to the outcome." ■ïiM'iiimiïM If Universal werecalled successful for a eut.in iow- "If you look at the factUniversal that collection says, tlesupporting with publishers Unh/ersal over Music songwriting in its bat- tibonA spokesman department for confirmed the EC's that compe- the toering the thelevel continental of the UK rate European -which ratehas eachsocieties record get and 9.2% see from what the the sale record of acrossroyalties continental paid on Europe.sales of records complaint had been received. "We tribunalstood at battle 8.5% ofsince 1991 the - BPI/MCPSthe major thatcompanies get that get, amount." there are not many firmedUniversal last week Music that International it bas made con- a careful examination and that is what thanrecord eSOm companies a year. could save more communityBut sources dismiss within talk the of apublishing "cartel". Commission,formai complaint accusi to ng thethe publishersEuropean royalty as percentage of dealer prlce. arguing. It is understoodthat Biem opérâtesthat Universal a cartel is Oneare queryingpublishing the sourceBiem cartel,says, when,"They -Biem through - of acting mechanical as a cartel. rights body an BO-page document delivered earii- writers'the UK, royaltieswhich opérâtes for record under sales a dif- in nessbecause without the payingmajor thecannot royalties do busi- and ofIFPI course, cartel. they These have two been cartels part ofhave the Tuesday,In a astatement UMI spokesman issued said,last déclinéser this summer; to comment. a Sony Althoughspokesman a férentBiem rate.mechanical But it does royalty affect rate the to roy-the thatnant Biemposition, is thusin contravention abusing its ofdomi- the done business for many years and International"We can confirm has that filed Universal a complaint Music ingBMG whether source to says make it isa stillformai consider- state- that,Treaty by Of insisting Rome. -
De Dj Als Superster Universiteit Universiteit Van Utrecht Auteur J.H
Titel doctoraalscriptie De dj als superster Universiteit Universiteit van Utrecht Auteur J.H. Meeuwissen Studierichting Taal en Cultuurstudies Adres Waalstraat 93hs Specialisatie Kunstbeleid en Management Woonplaats Amsterdam Eerste lezer drs. Ingmar Leijen Telefoon 06-51819744 Tweede lezer dr. Kees Vuyk Studentnummer 0067016 Datum mei 2007 - de dj als superster - 2 Samenvatting In De dj als superster wordt een vergelijking getrokken tussen de superster uit de popmuziek en de dj uit de dancewereld. De thesis legt overeenkomsten en verschillen in marketingtechnieken tussen de popmuziekwereld en de dancemuziekwereld bloot. De opkomst en creatie van de superster in de jaren tachtig worden bestudeerd, alsmede de geschiedenis van dancemuziek en marketingtechnieken in de dancescene. Hierdoor komen ook enkele fundamentele verschillen tussen deze twee muziekwerelden aan het licht. De dj is aan het einde van de 20 e eeuw het middelpunt geworden van de dancescene. Het uitgebreide takenpakket van een dj vertoont overeenkomsten met het takenpakket van een superster in de popmuziek. Ook op het gebied van de marketing zijn er diverse overeenkomsten gevonden in dit onderzoek. Hier zijn echter ook belangrijke verschillen aan het licht gekomen. Uit de interviews met specialisten uit de dancewereld blijkt dat de marketingmethodes die zij gebruiken, voor een groot deel overeenkomen met de benodigdheden die gevonden werden voor het bereiken van de supersterstatus in de popmuziek in de jaren tachtig. Vier van die zeven benodigdheden, te weten het verzorgen van optredens, wereldwijde distributie, cross-overs en weinig aanbod op het gebied van optredens, worden volledig identiek ook toegepast in de marketing van dj’s. Slechts met één punt, het bezitten van sex appeal, wordt op dit moment niets gedaan door de specialisten uit de dance-industrie. -
Singles 1970 to 1983
AUSTRALIAN RECORD LABELS PHILIPS–PHONOGRAM 7”, EP’s and 12” singles 1970 to 1983 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 PHILIPS-PHONOGRAM, 1970-83 2001 POLYDOR, ROCKY ROAD, JET 2001 007 SYMPATHY / MOONSHINE MARY STEVE ROWLAND & FAMILY DOGG 5.70 2001 072 SPILL THE WINE / MAGIC MOUNTAIN ERIC BURDON & WAR 8.70 2001 073 BACK HOME / THIS IS THE TIME OF THE YEAR GOLDEN EARRING 10.70 2001 096 AFTER MIDNIGHT / EASY NOW ERIC CLAPTON 10.70 2001 112 CAROLINA IN MY MIND / IF I LIVE CRYSTAL MANSION 11.70 2001 120 MAMA / A MOTHER’S TEARS HEINTJE 3.71 2001 122 HEAVY MAKES YOU HAPPY / GIVE ‘EM A HAND BOBBY BLOOM 1.71 2001 127 I DIG EVERYTHING ABOUT YOU / LOVE HAS GOT A HOLD ON ME THE MOB 1.71 2001 134 HOUSE OF THE KING / BLACK BEAUTY FOCUS 3.71 2001 135 HOLY, HOLY LIFE / JESSICA GOLDEN EARING 4.71 2001 140 MAKE ME HAPPY / THIS THING I’VE GOTTEN INTO BOBBY BLOOM 4.71 2001 163 SOUL POWER (PT.1) / (PTS.2 & 3) JAMES BROWN 4.71 2001 164 MIXED UP GUY / LOVED YOU DARLIN’ FROM THE VERY START JOEY SCARBURY 3.71 2001 172 LAYLA / I AM YOURS DEREK AND THE DOMINOS 7.72 2001 203 HOT PANTS (PT.1) / (PT.2) JAMES BROWN 10.71 2001 206 MONEY / GIVE IT TO ME THE MOB 7.71 2001 215 BLOSSOM LADY / IS THIS A DREAM SHOCKING BLUE 10.71 2001 223 MAKE IT FUNKY (PART 1) / (PART 2) JAMES BROWN 11.71 2001 233 I’VE GOT YOU ON MY MIND / GIVE ME YOUR LOVE CAROLYN DAYE LTD. -
Love and Its Critics
Love and its Critics From the Song of Songs to Shakespeare and Milton’s Eden MICHAEL BRYSON AND ARPI MOVSESIAN LOVE AND ITS CRITICS Love and its Critics From the Song of Songs to Shakespeare and Milton’s Eden Michael Bryson and Arpi Movsesian https://www.openbookpublishers.com © 2017 Michael Bryson and Arpi Movsesian This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Michael Bryson and Arpi Movsesian, Love and its Critics: From the Song of Songs to Shakespeare and Milton’s Eden. Cambridge, UK: Open Book Publishers, 2017, https://doi. org/10.11647/OBP.0117 In order to access detailed and updated information on the license, please visit https:// www.openbookpublishers.com/product/611#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/ by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Digital material and resources associated with this volume are available at https://www. openbookpublishers.com/product/611#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. -
Andrew Lloyd Webber's Musicals
MASARYK UNIVERSITY Faculty of Education Department of English Language and Literature ANDREW LLOYD WEBBER’S MUSICALS Diploma Thesis Brno 2009 Radka Adamová Supervisor: Mgr. Lucie Podroužková, PhD. 1 BIBLIOGRAPHICAL ENTRY Adamová, Radka. Andrew Lloyd Webber’s Musicals Brno: Masaryk University, Faculty of Education, Department of English Language and Literature, 2007. Diploma thesis supervisor Mgr. Lucie Podroužková, Ph. D. ANNOTATION This diploma thesis deals with British musical composer Andrew Lloyd Webber and his works. The first part of the thesis introduces Lloyd Webber’s biography, his close collaborators as well as his production company the Really Useful Group and description of all his works. The main part of the thesis is aimed at his musicals Joseph and the Amazing Technicolor Dreamcoat and Jesus Christ Superstar , rather their origin and development, the main plot and their main characters that have many things in common. Both these musicals are based on topics from the Bible. The thesis also deals with the librettos and their translation into Czech. ANOTACE Diplomová práce se zabývá britským hudebním skladatelem Andrew Lloyd Webberem a jeho díly. První část práce seznamuje s Lloyd Webberovým životopisem, jeho blízkými spolupracovníky, stejně jako s jeho produkční společností Really Useful Group a popisem všech jeho děl. Hlavní část práce je zaměřena na muzikály Josef a jeho úžasný pestrobarevný plášť a Jesus Christ Superstar , přesněji řečeno jejich vznik a vývoj, hlavní dějovou linii a jejich hlavní postavy, které mají mnoho společného. Oba tyto muzikály jsou založeny na příbězích z Bible. Práce se také zabýva librety obou muzikálů a jejich překladem do češtiny. 2 I declare that I have worked on this thesis on my own and used only the sources listed in the Bibliography. -
Audition Packet
Victory Lutheran College Presents Audition Packet for Performers (Leads Roles, Chorus & Dancers) Auditions will be held in Term 3, Week 6 (Any follow-up auditions may be held at a date to be determined) AUDITION REGISTRATION & LINK: You MUST complete the Musical Registration form if you wish to be involved in the production. PLEASE FOLLOW THE LINK & REGISTER ONLINE: Click Here JOSEPH AUDITION REGISTRATION • Deadline for student Audition registration is Term 3, Week 5. nd • Auditions will be conducted in Term 3, Week 6, Tuesday 22 August, from Lesson 5 to 5p.m. For more information please contact: Producer: Mrs. Lisa Wilson [email protected] Musical Director: Mr. Andrew Baker [email protected] Thank you for your interest in auditioning for the VLC Secondary School 2018 production of ‘Joseph and the Amazing Technicolor Dreamcoat’ Our production will be staged in Luther Hall from 6th - 7th September 2018, comprising of a matinee and two evening performances. Please read this packet thoroughly as it contains very important information. Audition and Performance Expectations In auditioning for this role you are making a commitment to weekly after school and weekend rehearsals (closer to performance date) and a sustained work ethic throughout the process. To be part of this fantastic Production, you will need to: • Do your best to memorize your songs and aspects of performance. • Know the time commitments the show expects and make sure you can commit to that time. • Go over and prepare rehearsal material outside of school. • Be respectful of your peers and any other volunteers (staff & parents/others).