Feminism on the Horizon
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Uncovering the Underground's Role in the Formation of Modern London, 1855-1945
University of Kentucky UKnowledge Theses and Dissertations--History History 2016 Minding the Gap: Uncovering the Underground's Role in the Formation of Modern London, 1855-1945 Danielle K. Dodson University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.339 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Dodson, Danielle K., "Minding the Gap: Uncovering the Underground's Role in the Formation of Modern London, 1855-1945" (2016). Theses and Dissertations--History. 40. https://uknowledge.uky.edu/history_etds/40 This Doctoral Dissertation is brought to you for free and open access by the History at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--History by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
WHO FOOLED WHOM? – Mary Wollstonecraft's Scandinavian Journey 1795 Re‐Traced Hard Cover Book, 13,5 X 20 C
WHO FOOLED WHOM? – Mary Wollstonecraft’s Scandinavian Journey 1795 re‐traced Hard cover book, 13,5 x 20 cm, 95 pages, edition 200, Åsa Elzén, 2012 The book consists of the following excerpts: 1796 Mary Wollstonecraft, Letters written during a short residence in Sweden, Norway, and Denmark, Joseph Johnson, London, pp. A2–3, 64–65, 69, 119–20, 132–33, 156–58, 211, 228, 249–52, 259, 263. 1798 William Godwin, Memoirs of the Author of A Vindication of the Rights of Woman, Joseph Johnson, London, pp. 103–04, 107–08, 114–20, 123–25, 127–31. 1798 William Godwin, Posthumous Works of the Author of A Vindication of the Rights of Woman. In Four Volumes. Vol. III: Letters and Miscellaneous, Joseph Johnson, London, pp. 5–6, 55, 58–61, 66, 68, 79–81, 83–84. 1800 Mary Hays, Memoirs of Mary Wollstonecraft, published in Annual Necrology for 1797–98; including, also, Various Articles of Neglected Biography. Vol. 1, R. Phillips, London, pp. 438–39. 1876 C. Kegan Paul, William Godwin: His Friends and Contemporaries. Vol. 1, Roberts Brothers, Boston, pp. 213–15, 227–28. 1879 C. Kegan Paul, Mary Wollstonecraft: Letters to Imlay, with Prefatory Memoir, C. Kegan Paul & Co., London, pp. xxxvii–iii. 1884 Elizabeth Robins Pennell, Life of Mary Wollstonecraft, part of the series Famous Women, Roberts Brothers, Boston, pp. 208, 230, 238. 1893 Frithjof Foss, A History of the Town of Arendal, original title: Arendal Byes Historie, Arendals Bogtrykkeri, Arendal, p. 20. 1911 Emma Goldman, Mary Wollstonecraft, the Pioneer of Modern Womanhood, originally presented as a public lecture in New York announced in Mother Earth, November issue 1911, and published in Alice Wexler, Emma Goldman on Mary Wollstonecraft, Feminist Studies 7:1, Feminist Studies Inc. -
Cookery, Nutrition and Food Technology
LIBRARY OF CONGRESS COLLECTIONS POLICY STATEMENTS ±² Collections Policy Statement Index Cookery, Nutrition and Food Technology Contents I. Scope II. Research Strengths III. Collecting Policy IV. Acquisition Sources V. Collecting Levels I. Scope Materials on cookery, food technology and nutrition covered in this statement are primarily found in the Library of Congress subclass TX, along with relevant sections of subclasses TP, GT, RA, RM and QP, and in the S and Z classes. Works on home economics, cookery, food chemistry, food safety testing, food supply safety issues, food contamination, Hazard Analysis Critical Control Points (HACCP), nutritional components of foods, food analysis methods and analytical tables, food additives, food design and production, and careers in the food industry, as well as the history of food, its preparation, preservation, and consumption are found in the core subclass TX. Also important to this subject area, the TP368-TP660 subclass includes works on food processing and manufacture, technology, and all types of food engineering, and preservation, including refrigeration and fermentation, food additives and compounds, beverage technology, and fats and oils. Works on the physiology of human nutrition, sports nutrition, Dietary Reference Intakes (DRIs), nutritional tables, vitamins, minerals, enzymes and other specialized areas of human nutrition and biochemistry, are classed in divisions of the subclass QP141-QP801A-Z. Bibliographies are classed in various subdivisions of class Z; these include bibliographies on the food supply (Z7164), and on cookery and cookbooks (Z5771 and Z5776). Quite a few materials of importance to this subject are classed in additional areas, including works on nutraceuticals, functional foods, and food and health (classed in RA), popular diet books (classed in RM), works on food supply and food supply safety, sustainability, GMO crops, and animal science (classed in S), works on food history and customs (classed in GT), and works on food microbiology (classed in QR). -
NINETEENTH-CENTURY GENDER STUDIES ISSUE 11.3 (WINTER 2015) Special Issue: Relations: Literary Marketplaces, Affects, and Bodi
NINETEENTH-CENTURY GENDER STUDIES ISSUE 11.3 (WINTER 2015) Special Issue: Relations: Literary Marketplaces, Affects, and Bodies of 18th- and 19th-Century Women Writers Guest Edited by Julia Fuller, Meechal Hoffman, and Livia Arndal Woods “Ashamed of the Inkpot”: Virginia Woolf, Lucy Clifford, and the Literary Marketplace By Mary Jean Corbett, Miami University The literary and artistic world is so ordered that those who enter it have an interest in disinterestedness. —Pierre Bourdieu, “The Field of Cultural Production, or: The Economic World Reversed” <1> Most critics working in the contested terrain of fin-de-siècle literary and cultural history would agree that Virginia Woolf’s essays, reviews, and first two novels diminished the achievements of both the male and female writers of that era. The version of literary history she knew—and, indeed, helped to construct—is far less varied, progressive, or inclusive than that constructed by scholars over the last several decades, in which the reaction against “Victorianism,” for instance, is seen to be already well under way at least a generation before the queen’s demise. Still, the motivating factors in this erasure have yet to be fully explored. It’s my belief that rethinking Woolf’s relationship to the immediate past in relation to new narratives about late-Victorian literary culture can lead us to new conclusions about where and how Woolf does or does not borrow from, resist, reframe, or reject the legacies of her precursors. As I’ve argued elsewhere, the active disavowal of what I call second-generation Victorian women writers, while certainly shaped in part by her familial context, is but one facet of Woolf’s broader and deeper drive to establish relations with an earlier, “greater” Victorian generation while bypassing an intermediate and, to her mind, imperfect one (Corbett). -
A Study of the Women's Suffrage Movement in Nineteenth-Century English Periodical Literature
PRINT AND PROTEST: A STUDY OF THE WOMEN'S SUFFRAGE MOVEMENT IN NINETEENTH-CENTURY ENGLISH PERIODICAL LITERATURE Bonnie Ann Schmidt B.A., University College of the Fraser Valley, 2004 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREEE OF MASTER OF ARTS In the Department of History 43 Bonnie Ann Schmidt 2005 SIMON FRASER UNIVERSITY Fa11 2005 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL Name: Bonnie Ann Schmidt Degree: Master of Arts Title: Print and Protest: A Study of the Women's Suffrage Movement in Nineteenth-Century English Periodical Literature Examining Committee: Dr. Ian Dyck Senior Supervisor Associate Professor of History Dr. Mary Lynn Stewart Supervisor Professor of Women's Studies Dr. Betty A. Schellenberg External Examiner Associate Professor of English Date Defended: NOV.s/15 SIMON FRASER UN~VER~~brary DECLARATION OF PARTIAL COPYRIGHT LICENCE The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection, and, without changing the content, to translate the thesislproject or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work. -
Supplement – May 2021 Apologia
Supplement – May 2021 Why a supplement? Not a month went by when, within a day or so of submitting my pieces to the David Parr House, I would stumble across additional information or a picture which would have been perfect. And, what to do with the interesting information that didn’t make my 2020 ‘Afterword’s? Moreover, new discoveries have come to light in the interim. Compton – Designed 1882 Blackthorn wallpaper - 1892 Acanthus – 1875 Designer: William Morris Designer: William Morris Designer: William Morris Collection: V&A Museum, London Collection: V&A Museum Collection: V&A Museum, London Apologia In one of my 2020 ‘Afterwords’, I included the following quote, which Joseph and Elizabeth Robins Pennell - James McNeill Whistler’s friends and official biographers - had slipped into their work: ‘His [James Abbott McNeill Whistler’s] decorations bewildered people even more than the work of the new firm of Morris, Marshall, Faulkner and Co.’ Even though my piece was posted on the David Parr House website, the team were, nevertheless, surprised at its inclusion. Had I let them and the David Parr House down? Had I mistaken the Pennells’s quote for impartial observation when I ought to have picked up the scent of a nasty undercurrent? I began to read more widely to find out where I had gone wrong. In doing so, I found a story of redemption, and some interesting asides. Dear Reader, you are probably wondering why I had included the quote in the first place. To my mind, it was just as to be expected: doesn’t every new generation of artists and designers, those who strive to produce something new by going against the stayed views of their elders, © 2021 Nicola Gifford 1 struggle to gain recognition and meet with criticism, often from those who wish to guard their elevated positions having been through same struggle? I thought it (albeit mistakenly) interesting that William Morris hadn’t been exempt from such problems. -
Introduction
01_INTRO 7/26/04 9:54 AM Page 1 Introduction There is no simon-pure thing —Countee Cullen This book studies the many literary and journalistic representations of Britain’s first indigenous and fully capitalized mass culture form, the music hall.1 The London music hall reached its commercial zenith roughly between and .A miscellaneous revue of art and amusements, a night of music hall could feature song, dance, comic routine, acrobats, and animal acts. As the music hall grew from roots in local, raucous pub sing-alongs into a large-scale capi- talized venture, it welcomed more styles of entertainment, as well as a large paying segment of the nation itself.2 The London music hall provides the central focus of my book, since the many descriptions of these halls by the London intelligentsia serve as the core texts for 01_INTRO 7/26/04 9:54 AM Page 2 Introduction this study.3 My work addresses the discourse produced by the metropolitan intelligentsia at the moment when the music hall reached its commercial peak. I argue that this discourse provides a pioneering example of a now fa- miliar story about the inevitable loss of cultural possibilities. Late-Victorian literary intellectuals like Max Beerbohm and Elizabeth Robins Pennell framed a narrative of cultural rise and decline using their experience of the music hall. As they understood it, culture forms emerge with an appealing vigor, vitality, and charisma. Popular entertainment stands in some honest, responsive, and authentic relation to its patrons. Inevitably, the bloom leaves the rose; entertainment becomes commercialized, co-opted, appropriated, and vitiated. -
Against Ruskin
AGAINST RUSKIN Joseph and Elizabeth Pennell’s recasting of Venice [Received August 28th 2020; accepted March 1st 2021 – DOI: 10.21463/shima.116] William Bainbridge University of Hertfordshire, UK <[email protected]> ABSTRACT: The images of Venice by Philadelphian Joseph Pennell (1857-1926) have never really escaped from James McNeill Whistler’s long shadow. His etchings, drawings, pastels, and lithographs all show the influence of the master. Together with his wife, Elizabeth Robins Pennell (1855-1936), he would publish a two-volume biography of his friend (1908). Their allegiance to Whistler and the Barbaro Circle brought the Pennells to endorse a new image of Venice away from the hegemonic cult of Ruskin pervasive in tourist and travel books about the city. This article seeks to reassess the contribution of both Pennells to this group of erudite intellectuals and reconsider their promotion of a more truthful and intimate representation of Venice beyond the mass of tourists and polished marble façades. Its special focus is on the Pennells’ – Elizabeth’s in particular – antagonistic relationship with Ruskin, whose iconic The Stones of Venice had mourned a city forever lost to tourists, over- restoration, and the onslaught of the railroad. KEYWORDS: Joseph Pennell, Elizabeth Pennell, John Ruskin, James McNeill Whistler, John Singer Sargent Introduction Ruskin’s The Stones of Venice (1851-1853) classically formulates a strong argument against the destruction wrought upon the aesthetic and environmental integrity of the maritime city in the 19th Century. Chief among Ruskin’s concerns were those damaging forces linked to the onslaught of mass tourism and the railroad.1 While promoting Venice as a tourist destination in its own right, however, Ruskin also argued that it was precisely tourism that was responsible for the city’s demise (Hanley, 2010). -
Introduction
Cambridge University Press 0521783437 - The Cambridge Companion to Mary Wollstonecraft Edited by Claudia L. Johnson Excerpt More information 1 CLAUDIA L. JOHNSON Introduction Even though Mary Wollstonecraft had little to no presence in history or literature curricula as recently as a generation ago, she has never exactly been a minor figure. Some, certainly, have wished her so. A dauntless ad- vocate of political reform, Wollstonecraft was one of the first to vindicate the “rights of man,” but in her own – brief – lifetime and ever since, she achieved notoriety principally for her championship of women’s rights. And while some of this notoriety took the particular form of scandal of the sort that often attends women directly involved in public affairs, some of it she di- rectly sought in her writing and in her conduct. Controversy always inspired Wollstonecraft, always sharpened her sense of purpose. Whether writing about education, history, fiction, or politics itself, she was always arguing – even her travelogue, written as a series of letters to her faithless lover, is an ongoing argument. And in turn, Wollstonecraft always inspired controversy. A revolutionary figure in a revolutionary time, she took up and lived out not only the liberal call for women’s educational and moral equality, but also virtually all of the other related, violently contested questions of the 1790s– questions pertaining to the principles of political authority, tyranny, liberty, class, sex, marriage, childrearing, property, prejudice, reason, sentimental- ity, promises, suicide, to mention only a few. Clearly, she struck many a raw nerve. Although her A Vindication of the Rights of Woman (1792), for exam- ple, at first received fairly respectful reviews as a tract on female education,1 after England and France declared war, it was increasingly (and correctly) read against the backdrop of its broader progressive agendas on behalf of liberty. -
Pennell Family Papers Ms
Pennell family papers Ms. Coll. 50 Finding aid prepared by Maggie Kruesi. Last updated on June 29, 2020. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 1999 Pennell family papers Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 7 Administrative Information......................................................................................................................... 10 Controlled Access Headings........................................................................................................................10 Other Finding Aids......................................................................................................................................11 Bibliography.................................................................................................................................................11 Collection Inventory.................................................................................................................................... 13 Joseph and Elizabeth Robins Pennell Correspondence.........................................................................13 -
Victorians II, and After John Spalding Gatton University of Kentucky
The Kentucky Review Volume 4 Number 1 This issue is devoted to a catalog of an Article 13 exhibition from the W. Hugh Peal Collection in the University of Kentucky Libraries. 1982 Catalog of the Peal Exhibition: Victorians II, and After John Spalding Gatton University of Kentucky Follow this and additional works at: https://uknowledge.uky.edu/kentucky-review Part of the English Language and Literature Commons Right click to open a feedback form in a new tab to let us know how this document benefits you. Recommended Citation Gatton, John Spalding (1982) "Catalog of the Peal Exhibition: Victorians II, and After," The Kentucky Review: Vol. 4 : No. 1 , Article 13. Available at: https://uknowledge.uky.edu/kentucky-review/vol4/iss1/13 This Article is brought to you for free and open access by the University of Kentucky Libraries at UKnowledge. It has been accepted for inclusion in The Kentucky Review by an authorized editor of UKnowledge. For more information, please contact [email protected]. Victorians II, and After s 150. Cabinet photograph of John Ruskin and Dante Gabriel Rossetti by W. & D. Downey of London. tted Peal 10,451. :tes 151. DANTE GABRIEL ROSSETTI. A.L.s. to Mrs. Sumner, 187-. Equally celebrated as poet and painter, Gabriel Charles Dante Rossetti (1828-1882) was the eldest son of Gabriele Rossetti, an his Italian political exile and scholar of Dante Alighieri. From childhood strongly influenced by his famous namesake, Rossetti as an adult dropped the Charles from his baptismal name and signed the himself "Dante Gabriel." (His first published volume, The Early Italian Poets, 1861, would be an admirable collection of translations from Dante and his circle.) Rossetti was precocious in both literature and art. -
Elizabeth Robins Pennell (1855–1936): Pioneer Bicycle Tourist in Italy, Travel Writer, and Cycling Advocate for Women Paola Malpezzi Price Colorado State University
LINGUA ROMANA VOL 11, ISSUE 2 ARTICLE Elizabeth Robins Pennell (1855–1936): Pioneer Bicycle Tourist in Italy, Travel Writer, and Cycling Advocate for Women Paola Malpezzi Price Colorado State University SUMMARY In 1896 Susan B. Anthony wrote that bicycling had done more than anything else for women’s emancipation. Elizabeth Robins Pennell exemplifies this assertion in both her personal life and professional accomplishments. Born and raised in Victorian Philadelphia, Robins Pennell “discovered” the world through her husband and collaborator, Joseph Pennell, an avid cyclist and brilliant illustrator, with whom she lived in London for over thirty years. Touring Italy by bicycle, Robins Pennell is probably the first woman who pedaled from Florence to Rome in 1884. She recounted this trip and several others taken with her husband on a tricycle and, eventually, on “safety bicycles” in France, England and Eastern Europe with vivid and detailed descriptions. She also became known as a keen art critic, a collector and writer of cookbooks, and a biographer of family members and friends. Her extensive autobiography left us with many details of her life and work. One of the accomplishments that made her most proud was to have been the first woman to cross over nine Alpine passes on a bicycle, with six being climbed in one week! KEYWORDS: Elizabeth Robins Pennel – women’s cycling – pioneer cyclist – cycling in Italy – touring cyclist – travelogue writer – bicycle advocate – women’s sports – nineteenth-century women Let me tell you what I think about bicycling. I think it has done more to emancipate women than anything else in the world.