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Frommer's Scotland 8Th Edition
Scotland 8th Edition by Darwin Porter & Danforth Prince Here’s what the critics say about Frommer’s: “Amazingly easy to use. Very portable, very complete.” —Booklist “Detailed, accurate, and easy-to-read information for all price ranges.” —Glamour Magazine “Hotel information is close to encyclopedic.” —Des Moines Sunday Register “Frommer’s Guides have a way of giving you a real feel for a place.” —Knight Ridder Newspapers About the Authors Darwin Porter has covered Scotland since the beginning of his travel-writing career as author of Frommer’s England & Scotland. Since 1982, he has been joined in his efforts by Danforth Prince, formerly of the Paris Bureau of the New York Times. Together, they’ve written numerous best-selling Frommer’s guides—notably to England, France, and Italy. Published by: Wiley Publishing, Inc. 111 River St. Hoboken, NJ 07030-5744 Copyright © 2004 Wiley Publishing, Inc., Hoboken, New Jersey. All rights reserved. No part of this publication may be reproduced, stored in a retrieval sys- tem or transmitted in any form or by any means, electronic, mechanical, photo- copying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, 978/750-8400, fax 978/646-8600. Requests to the Publisher for per- mission should be addressed to the Legal Department, Wiley Publishing, Inc., 10475 Crosspoint Blvd., Indianapolis, IN 46256, 317/572-3447, fax 317/572-4447, E-Mail: [email protected]. -
Report on Collections Agreement 1 April 2011 - 31 March 2012
APPENDIX Report to Board Meeting of 13 June 2012 Report by Director of Cultural Services REPORT ON COLLECTIONS AGREEMENT 1 APRIL 2011 - 31 MARCH 2012 Purpose of report To provide the Board with performance information relating to the Collections Agreement. Recommendations The Board is asked (1) to note the performance information relating to the Collections Agreement; and (2) agree that the report be referred to Glasgow City Council for information. 1. INTRODUCTION 1.1 The Collections Agreement (paragraph 24.1) requires that Culture and Sport Glasgow shall keep Glasgow City Council informed concerning the performance of its obligations under the agreement. 1.2 The Museums Acquisition and Disposal Policy agreed by Glasgow City Council and the Board of Directors of Culture and Sport Glasgow in February and March 2008 respectively also stipulates that the Head of Museums and Collections will present a regular report to the Board of Directors on performance under the Collections Agreement. The Head of Museums and Collections will also present an annual report summarising performance. Once agreed by the Board the reports will be submitted to the Council. 2. BACKGROUND 2.1 This is the annual report on Culture and Sport Glasgow’s performance under the Collections Agreement from 1 April 2011 to 31 March 2012. In addition, the report for the 4th Quarter (1 Jan – 31 March 2012) is incorporated within this report. 3. SUMMARY OF PERFORMANCE 3.1 The following is a summary of performance under the headings specified in the Collections Agreement. 4. MUSEUMS AND ART GALLERIES 4.1 Inward loans (other than those connected with exhibitions) There were 15 inward loan transactions during this period: x Renewals: 10 long term renewals: 8 for a maximum 3 years and the other 2 for shorter periods pending redisplay plans. -
Helen Flockhart CV
HELEN FLOCKHART Arusha Gallery | [email protected] | 0131 557 1412 BIOGRAPHY Following her attainment of a first-class undergraduate degree in painting at the Glasgow School of Art in 1984, Helen Flockhart took up postgraduate study with the British Council at the State Higher School of Fine Art in Poznan, Poland. Boasting an impressive resume of solo exhibitions, spanning both Scotland and England, as well as group shows in New York, Ontario, Rotterdam, London and Truro, Flockhart was recently awarded the Concept Fine Art Award (2016), the Royal Scottish Academy’s Maude Gemmel Hutchinson Prize (2012), and the Lyon and Turnbull Award presented by the Royal Glasgow Institute (2012). A fellow of the Glasgow Art Club (as of 1997), Flockhart’s works belong to such prestigious collections as the Fleming Collection, the Scottish Arts Council, Strathclyde University and the Lillie. Bill Hare, teaching fellow of Modern and Contemporary Scottish Art at the University of Edinburgh, praises her work. ‘Nobody paints like Helen Flockhart’, he writes: ‘here the mundane and the mythical are at one with each other’. Hers are works which break with established convention -- a blend of portrait and landscape, Flockhart’s paintings are verdant, fantastical paeans to that particularist genre of British myth making centered on pastures, mountains and divinity. Indeed, there is something Blakean about her work -- a warmth of vision borne of what appears simultaneous ancient and modern. EDUCATION 1985-1986 Studied painting at the State Higher School of -
Bridget Riley Born 1931 in London
This document was updated March 3, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. Bridget Riley Born 1931 in London. Live and works in London. EDUCATION 1949-1952 Goldsmiths College, University of London 1952-1956 Royal College of Art, London SOLO EXHIBITIONS 1962 Bridget Riley, Gallery One, London, April–May 1963 Bridget Riley, Gallery One, London, September 9–28 Bridget Riley, University Art Gallery, Nottingham 1965 Bridget Riley, Richard Feigen Gallery, New York Bridget Riley, Feigen/Palmer Gallery, Los Angeles 1966 Bridget Riley, Preparatory Drawings and Studies, Robert Fraser Gallery, London, June 8–July 9 Bridget Riley: Drawings, Richard Feigen Gallery, New York 1967 Bridget Riley: Drawings, The Museum of Modern Art (Department of Circulating Exhibitions, USA): Wilmington College, Wilmington, February 12–March 5; and Talladega College, Talladega, March 24–April 16 Bridget Riley, Robert Fraser Gallery, London Bridget Riley, Richard Feigen Gallery, New York 1968 Bridget Riley, Richard Feigen Gallery, New York British Pavilion (with Phillip King), XXXIV Venice Biennale, 1968; Städtische Kunstgalerie, Bochum, November 23–December 30, 1968; and Museum Boijmans Van Beuningen, Rotterdam, 1969 1969 Bridget Riley, Rowan Gallery, London Bridget Riley: Drawings, Bear Lane Gallery, Oxford [itinerary: Arnolfini Gallery, Bristol; Midland Group Gallery, Nottingham] 1970 Bridget Riley: Prints, Kunststudio, Westfalen-Blatt, Bielefeld Bridget Riley: Paintings and Drawings 1951–71, Arts -
274 Sauchiehall Street Glasgow G2 3EH
274 Sauchiehall Street Glasgow G2 3EH For the change makers McLellan Works is Glasgow's most exciting and creative McLellan Works. new workspace. The iconic Glasgow building is situated in a transformative location in the heart of the city centre. Immediately adjacent to The Glasgow School of Art, McLellan A response to the Works will create an innovation ecosystem, flexible by design changing way we work. and created to inspire and suit occupiers. The building incorporates one of Glasgow’s most well-known art centres, The McLellan Galleries, which is one of the key features located in the heart of the redevelopment. With both private offices/studios and co-working space in addition to retail and café spaces, McLellan Works supports a vibrant and entrepreneurial culture which goes beyond work. → Fully refurbished listed building with new central plant An iconic block in the and high quality finishes → Impressive double height feature entrance → Wiredscore Gold Certified heart of Glasgow city centre, → Lobby café and break out areas → 24 hour digital access security controls re-imagined for today. → 2 x 13 person high speed KONE passenger lifts → VRV climate control providing heating and comfort cooling → Full raised access floor → Underfloor power and fibre optic broadband data → Refurbished toilet facilities → Spa style showers, lockers and changing facilities → Bike store and repair workstation → Pool bikes available to use → Basement car parking spaces Showers, lockers Our lobby – the Independent restaurant and changing facilities heart of the building. and retail spaces Flexible, subdivided Bike Storage and Full floors for office spaces maintenance hero businesses For illustrative purposes only. -
Newsletter Contents 06-07
Newsletter No 26 Autumn/Winter 2007 From the Chair society, one which reflects our existing activities and membership but which we hope will appeal to a wider audience and help to attract many more people to ‘Art is long, and Time is fleeting.’ So Longfellow wrote join us. As part of this we have created new publicity and he knew a thing or two. Once again I must begin leaflets and will soon be redesigning the society’s by apologising for that fact that this issue has taken so website, but the most important factor in making all long to appear. Our plans for a new editor to take this work is our new logo. Our previous design, over the newsletter unfortunately failed to work out, though eye-catching at a certain size, has always been so I’m afraid what you’re reading here has had to be difficult to reproduce in the variety of ways that we somewhat hastily assembled by yours truly. It’s needed it to, and was looking increasingly out of place particularly frustrating as there have been some truly amid the cleaner, simpler logos of other organisations. inspiring exhibitions on over the summer which we Our first means of tackling this was a would have loved to feature while they were still on competition for art students, held earlier this year. show – my own favourite being the stunning Arts & This yielded some interesting ideas but none that was Crafts exhibition Hand, Heart & Soul at the City Art quite what we were looking for. In the end we Centre in Edinburgh. -
Biography Website Format
IAN DAVENPORT BIOGRAPHY 1966 Born 8 July, Kent 1984–85 Northwich College of Art and Design, Cheshire 1985–88 Goldsmiths College of Art, London (B.A. Fine Art) 1991 Nominated for Turner Prize 1996–97 Commissioned to create a site-specific installation for Banque BNP Paribas in London 1999 Prizewinner John Moores Liverpool Exhibition 21 2000 Prizewinner Premio del Golfo, La Spezia, Italy 2002 Awarded first prize Prospects (sponsored by Pizza Express), Essor Project Space, London 2003 Makes a wall painting for the Groucho Club, London 2004 Commissioned by the Contemporary Art Society to make a wall painting for the Institute of Mathematics and Statistics at Warwick University, titled Everything Retrospective opens at Ikon, Birmingham, in September Marries Sue Arrowsmith 2006 Poured Lines: Southwark Street, a 3 by 48 metre painting commissioned by Southwark Council and Land Securities as part of a regeneration project in Bankside, London, installed under Western Bridge, Southwark Street, London Commissioned to design a limited edition cover for the September issue of Wallpaper 2007 Commissioned by The New York Times Magazine to create an American Flag based on an environmentally friendly theme along with seven other artists to be featured in their 15 April issue. Ian’s work is reproduced on the title page of the article ‘The Power of Green’. Completed Poured Lines: QUBE Building, a 2.85 by 15 metre painting, commissioned by Derwent London for the QUBE Building, Fitzrovia, London 2010 Commissoned by Wallpaper Magazine to produce a mural with -
West End City Centre Merchant City Finnieston
EDGEHILL RD BEECHWOOD DR O SARACEN ST NOVAR DR GT N IN G H KINGSBOROUGH S T O N E R GDNS K GREAT WESTERN RD R F ELMWOOD AVE S O DU EL KEW TER BOTANIC GARDENS D US ND E ET R AIRLIE ST QUEENSBOROUGH GDNS S O T R T D PETERSHILL RD Hyndland RC N H RIVER KELVIN H L R N I A C A IL IL D L L HUNTLY RD G A COWLAIRS PARK H D R N G LINFERN RD A R H QUEENSBOROUGH GDNS I D R HUNTLY GDNS A MARYHILL RD D C H R GROSVENOR TER D C O G M O P WOODCROFT AVE L SPRINGBURN RD U NASEBY AVE T HAMILTON DR Y P O D E PETERSHILL PARK HYNDLAND RD C HUNTLY GDNS RANDOLPH RD ROWALLAN GDNS R I QUEEN E K O V C CROW RD SYDENHAM RD 79 B GROSVENOR A S N MARLBOROUGH AVE 50 OBSERVATORY95 RD 1 33 6 68 69 80 ATTRACTIONS G A Barnhill POLWARTH ST L LAUDERDALE GDNS N CRES CHURCHILL DR CLARENCE DR I HAMILTON DR LACROSSE TER GARSCUBE RD K PRINCE ALBERT RD ATHOLE GDNS OBSERVATORY RD 1 Auchentoshan Distillery 26 Gallery of Modern Art 49 Glasgow Women’s Library 74 Mitchell Theatre at Mitchell Library 99 SSE Hydro FALKLAND ST VICTORIA CRESCENT RD PETERSHILL RD VICTORIA PARK DUDLEY DR HYNDLAND RD VINICOMBE ST 2 Argyll Arcade 27 Garnethill Synagogue 50 Glengoyne Distillery 75 M&D’s - Scotland’s ThemeKEP Park 100 St Andrew’s Cathedral GDNS S POCH SIGHTHILL CEMETERY PL BYRES RD HI 3 The Barras Market 28 Glasgow Caledonian University 51 Go Karting @ The Experience 76 The National Piping Centre LL RD 101 St Andrew’s in the Square ATHOLE GDNS ROXBURGH ST GREAT WESTERN RD RE PRINCE’SPL C S AIRLIE ST T 4 The Barony 29 Glasgow Cathedral 52 Govan Old Parish Church 77 O2 Academy 102 St. -
A Shadow on the Blind, Parafin, London, UK
Alison Watt Biography — Born 1965 Greenock, Scotland, UK Lives and works in Edinburgh Education — 2006-2008 Associate Artist at The National Gallery, London, UK 1987-88 Glasgow School of Art Postgraduate Studies, Glasgow, UK 1983-87 Glasgow School of Art, Glasgow, UK Selected Solo Exhibitions — 2019 A Shadow on the Blind, Parafin, London, UK 2018 A Shadow on the Blind, Abbot Hall Art Gallery, Kendal, UK 2016 The Sun Never Knew How Wonderful It Was, Parafin, London, UK 2014 GENERATION, Alison Watt: Paintings 1986 –2014, Perth Museum and Art Gallery, Perth, UK 2011 Hiding in Full View, Ingleby Gallery, Edinburgh, UK 2008 Phantom, The Sunley Rooms, The National Gallery, London, UK 2007 Dark Light, Ingleby Gallery, Edinburgh, UK Dark Light, Pier Arts Centre, Orkney, UK 2004 Alison Watt, Ingleby Gallery, Edinburgh, UK Still, Memorial Chapel, Old Saint Paul’s Church, Edinburgh, UK (permanent installation) 2002 New Paintings, Dulwich Picture Gallery, London, UK 2000 Shift, Scottish National Gallery of Modern Art, Edinburgh, UK 1998 Fold, Aberdeen Art Gallery and Museum, Aberdeen, UK Leeds Metropolitan University Gallery, Leeds, UK 1997 Monotypes, Flowers East, London, UK Fold, The Fruitmarket Gallery, Edinburgh, UK 1996 New Paintings, Flowers East, London, UK 1990 Contemporary Art Season, Glasgow Art Gallery & Museum, Glasgow, UK The Scottish Gallery, London, UK Selected Group Exhibitions — 2018 TWENTY, Ingleby Gallery, Edinburgh, UK 2017 The Modern Portrait, Scottish National Portrait Gallery, Edinburgh, UK Ages of Wonder, National Galleries -
West End City Centre Merchant City Finnieston
EDGEHILL RD BEECHWOOD DR O SARACEN ST NOVAR DR GT N IN G H KINGSBOROUGH S T O N E R GDNS K GREAT WESTERN RD R F ELMWOOD AVE S O DU EL KEW TER BOTANIC GARDENS D US ND E ET R AIRLIE ST QUEENSBOROUGH GDNS S O T R T D PETERSHILL RD Hyndland RC N H RIVER KELVIN H L R N I A C A IL IL D L L HUNTLY RD G A COWLAIRS PARK H D R N G LINFERN RD A R H QUEENSBOROUGH GDNS I D R HUNTLY GDNS A MARYHILL RD D C H R GROSVENOR TER D C O G M O P WOODCROFT AVE L SPRINGBURN RD U NASEBY AVE T HAMILTON DR Y P O D E PETERSHILL PARK HYNDLAND RD C HUNTLY GDNS RANDOLPH RD ROWALLAN GDNS R I QUEEN E K O V C CROW RD SYDENHAM RD 80 B GROSVENOR A S N MARLBOROUGH AVE 50 OBSERVATORY96 RD 1 33 6 68 69 81 ATTRACTIONS G A Barnhill POLWARTH ST L LAUDERDALE GDNS N CRES CHURCHILL DR CLARENCE DR I HAMILTON DR LACROSSE TER GARSCUBE RD K PRINCE ALBERT RD ATHOLE GDNS OBSERVATORY RD 1 Auchentoshan Distillery 26 Gallery of Modern Art 49 Glasgow Women’s Library 74 Mitchell Theatre at Mitchell Library 99 Snow Factor, Soar Intu at Braehead FALKLAND ST VICTORIA CRESCENT RD PETERSHILL RD VICTORIA PARK DUDLEY DR HYNDLAND RD VINICOMBE ST 2 Argyll Arcade 27 Garnethill Synagogue 50 Glengoyne Distillery 75 M&D’s - Scotland’s ThemeKEP Park 100 SSE Hydro GDNS S POCH SIGHTHILL CEMETERY PL BYRES RD HI 3 The Barras Market 28 Glasgow Caledonian University 51 Go Karting @ The Experience 76 The National Piping Centre LL RD 101 St Andrew’s Cathedral ATHOLE GDNS ROXBURGH ST GREAT WESTERN RD RE PRINCE’SPL C S AIRLIE ST T 4 The Barony 29 Glasgow Cathedral 52 Govan Old Parish Church 77 O2 ABC Glasgow 102 St Andrew’s in the Square TURNBERRY RD CROWN RD N SALTOUN ST N TIBBERMORE RD O H M B L 5 The Barrowland Ballroom 30 Glasgow Central Mosque & The Govan Stones O2 Academy St. -
James Morrison Decades
JAMES MORRISON DECADES JAMES MORRISON DECADES 6 to 23 January 2017 16 Dundas Street · Edinburgh EH3 6HZ +44 (0) 131 558 1200 [email protected] www.scottish-gallery.co.uk PREFACE James Morrison had his first exhibition with The Scottish Gallery in 1959 and this show of new and some earlier work will be his twenty-fourth with us. The presumption must be that if a relationship between a gallery and an artist works it will persist, but also that in selecting its artists for exhibition the gallery is not influenced by what isà la mode, in a world constantly over-heated with wolfish interest in novelty. Instead the gallery should support and trust an artist in their endeavour while the artist will gain momentum from the process of exhibition, contemplation and renewal of work. In this way, generations of art lovers have been introduced to Morrison and over the decades as his work has developed many have continued their interest and enriched their collections with works as physically disparate as The Gorbals and Ellesmere Island and as psychologically separate as Notre Dame Cathedral and the battlefields of the Somme. Today, physical challenges have arrived uninvited and been overcome – the central motif of the artist, an inner eye that can recognise universal truths in nature, is unaltered and as striking and original as it was in 1959. Guy PEPloE 2 3 INTRODUCTION The retrospective exhibition at the Fleming Gallery in London such as Connonsyth (2009) would be augmented with more studied in 2013 brought together a collection of Morrison’s work from his elements painted later in the studio. -
197 Sauchiehall Street & 128 – 142 Bath Street Glasgow G2
165 – 197 SAUCHIEHALL STREET & 128 – 142 BATH STREET GLASGOW G2 3ER 01 INTRODUCTION A RARE OPPORTUNITY TO ACQUIRE THE HERITABLE INTEREST IN A PRIME LONG-INCOME MIXED USE INVESTMENT ON AN ICONIC GLASGOW RETAIL STREET 02 INVESTMENT SUMMARY THE SAUCHIEHALL BUILDING HAS AN INCOME EXPIRY PROFILE OUTSTANDING WEIGHTED AVERAGE UNEXPIRED LEASE TERM CERTAIN OF 15.8 YEARS, WITH 83% OF THE INCOME SECURED TO TENANTS WITH A DUN & BRADSTREET RATING OF 5A1 OR 5A2. 10 YEARS + Glasgow is regarded as the second most 63% of the income is secured to tenants 8-10 YEARS important and largest retail market in the with a Dun and Bradstreet Credit Rating UK after the West End of London, this of 5A1, with a further 20% secured against 6-7 YEARS is confirmed by its consistent number 2 a 5A2 rated covenant. 3-6 YEARS position in the CACI UK Retail Rankings which also places it in the top 20 super Outstanding Weighted Average Unexpired 0-3 YEARS league of major European shopping Lease Term (WAULT) of 16.8 years to destinations by commercial expenditure. expiries and 15.8 years to break options. Glasgow is the largest city in Scotland Passing Contracted Rent of £3,713,301 per and one of Europe’s most dynamic annum, subject to a service charge shortfall and vibrant cities with over £4.95bn of of £2,600 over unit 32 (TK Maxx) resulting comparison goods spend available in in a net income of £3,710,701. the catchment area. 26% of the income is subject to RPI linked The Sauchiehall Building comprises a full rental uplifts.