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Avengers and Its Applicability in the Swedish EFL-Classroom
Master’s Thesis Avenging the Anthropocene Green philosophy of heroes and villains in the motion picture tetralogy The Avengers and its applicability in the Swedish EFL-classroom Author: Jens Vang Supervisor: Anne Holm Examiner: Anna Thyberg Date: Spring 2019 Subject: English Level: Advanced Course code: 4ENÄ2E 2 Abstract This essay investigates the ecological values present in antagonists and protagonists in the narrative revolving the Avengers of the Marvel Cinematic Universe. The analysis concludes that biocentric ideals primarily are embodied by the main antagonist of the film series, whereas the protagonists mainly represent anthropocentric perspectives. Since there is a continuum between these two ideals some variations were found within the characters themselves, but philosophical conflicts related to the environment were also found within the group of the Avengers. Excerpts from the films of the study can thus be used to discuss and highlight complex ecological issues within the EFL-classroom. Keywords Ecocriticism, anthropocentrism, biocentrism, ecology, environmentalism, film, EFL, upper secondary school, Avengers, Marvel Cinematic Universe Thanks Throughout my studies at the Linneaus University of Vaxjo I have become acquainted with an incalculable number of teachers and peers whom I sincerely wish to thank gratefully. However, there are three individuals especially vital for me finally concluding my studies: My dear mother; my highly supportive girlfriend, Jenniefer; and my beloved daughter, Evie. i Vang ii Contents 1 Introduction -
Writer Charles Soule Layouts Reilly Brown
BLINDED IN A FREAK ACCIDENT AS A CHILD, ATTORNEY MATT MURDOCK GAINED HEIGHTENED SENSES, ALLOWING HIM TO FIGHT CRIME AS DAREDEVIL. WHEN HIS FAMILY WAS MURDERED BY THE MOB, FORMER SOLDIER FRANK CASTLE RENOUNCED EVERYTHING EXCEPT VENGEANCE, BECOMING THE VIGILANTE KNOWN AS THE PUNISHER. PROSECUTOR MATT MURDOCK ARRANGED FOR GANGSTER SERGEY ANTONOV’S TRANSFER TO TEXAS, AS THE ACCUSED COULDN’T GET A FAIR TRIAL IN NEW YORK CITY. BUT A FAIR TRIAL BECAME THE LEAST OF THE GANGSTER’S WORRIES WHEN THE PUNISHER ATTACKED HIS PRISON TRANSPORT! DAREDEVIL AND HIS NEW PROTÉGÉ BLINDSPOT DISPENSED WITH PUNISHER AND GOT THE ACCUSED SAFELY TO QUEENS, ONLY TO BE AMBUSHED BY ANTONOV’S GOONS! TO MAKE MATTERS WORSE, FRANK CASTLE’S CAUGHT UP AND HE’S OUT FOR BLOOD… WRITER CHARLES SOULE LAYOUTS REILLY BROWN PENCILS & INKS SZYMON KUDRANSKI COLORS JIM CHARALAMPIDIS LETTERER VC’S CLAYTON COWLES PRODUCTION ANNIE CHENG PRODUCTION MANAGER TIM SMITH 3 ASSISTANT EDITOR CHARLES BEACHAM EDITOR JAKE THOMAS EDITOR IN CHIEF AXEL ALONSO CHIEF CREATIVE OFFICER JOE QUESADA PUBLISHER DAN BUCKLEY EXECUTIVE PRODUCER ALAN FINE DAREDEVIL/PUNISHER: SEVENTH CIRCLE No. 2, August 2016. Published Monthly by MARVEL WORLDWIDE, INC., a subsidiary of MARVEL ENTERTAINMENT, LLC. OFFICE OF PUBLICATION: 135 West 50th Street, New York, NY 10020. BULK MAIL POSTAGE PAID AT NEW YORK, NY AND AT ADDITIONAL MAILING OFFICES. © 2016 MARVEL No similarity between any of the names, characters, persons, and/or institutions in this magazine with those of any living or dead person or institution is intended, and any such similarity which may exist is purely coincidental. -
Duggan • Allred • Allred
DUGGAN • ALLRED • ALLRED RATED T+ $4.99US MARVEL.COM 0 0 1 1 1 7 59606 08963 5 1 VARIANT EDITION 0 0 1 2 1 RATED T+ $4.99US MARVEL.COM 7 59606 08963 5 ADAM WARLOCK Adam Warlock has been a son of science. A savior. He lost and won his very soul. He had ultimate power—and sacrifi ced it. Adam Warlock has seen the future—and yet he wanders. Warlock awoke from an apocalyptic vision to fi nd himself trapped in the wastes of Soul World, within the Soul Stone. Making his escape, he emerged… into the clutches of Kang the Conqueror! WRITER ARTIST GERRY DUGGAN MICHAEL ALLRED COLOR ARTIST LETTERER COVER ARTIST LAURA ALLRED VC’s CORY PETIT AARON KUDER & IVE SVORCINA VARIANT COVER ARTISTS MICHAEL & LAURA ALLRED ASSISTANT EDITOR EDITOR EDITOR IN CHIEF CHIEF CREATIVE OFFICER PRESIDENT EXECUTIVE PRODUCER ANNALISE BISSA JORDAN D. WHITE C.B. CEBULSKI JOE QUESADA DAN BUCKLEY ALAN FINE INFINITY COUNTDOWN: ADAM WARLOCK No. 1, April 2018. Published as a One-Shot by MARVEL WORLDWIDE, INC., a subsidiary of MARVEL ENTERTAINMENT, LLC. OFFICE OF PUBLICATION: 135 West 50th Street, New York, NY 10020. © 2018 MARVEL No similarity between any of the names, characters, persons, and/or institutions in this magazine with those of any living or dead person or institution is intended, and any such similarity which may exist is purely coincidental. $4.99 per copy in the U.S. (GST #R127032852) in the direct market; Canadian Agreement #40668537. Printed in the USA. DAN BUCKLEY, President, Marvel Entertainment; JOE QUESADA, Chief Creative Offi cer; TOM BREVOORT, SVP of Publishing; DAVID BOGART, SVP of Business Affairs & Operations, Publishing & Partnership; DAVID GABRIEL, SVP of Sales & Marketing, Publishing; JEFF YOUNGQUIST, VP of Production & Special Projects; DAN CARR, Executive Director of Publishing Technology; ALEX MORALES, Director of Publishing Operations; SUSAN CRESPI, Production Manager; STAN LEE, Chairman Emeritus. -
Mackay MAGNO GURU-Efx
RATED RATED 0 0 4 1 1 $3.99 GURU- M MAGNO ac US T+ 4 7 5 9 6 0 6 0 9 9 8 4 9 KAY BONUS DIGITAL EDITION – DETAILS INSIDE! e FX And there came a day, a day unlike any other, when Earth’s mightiest heroes found themselves united against a common threat. On that day, the Avengers were born. To fi ght the foes no single super hero could withstand. Iron Man outfi tted himself and his fellow Avengers with specialized armor to battle giant biomechanoids that have been ravaging the Earth. Kang the Conqueror was revealed as the mastermind behind the attacks shortly before he killed Black Panther and took control of Avengers Mountain. Kang then caused further chaos by merging all time periods simultaneously on Earth. The Avengers fought back, but were only able to evade Kang’s forces after teleporting to the spacecraft of the unlikeliest of allies--Thanos of Titan! Unbeknownst to his teammates, Black Panther awoke, alive and fl oating in space, having been summoned by a mysterious force… AVENGERS MECH STRIKE No. 4, August 2021. Published Monthly by MARVEL WORLDWIDE, INC., a subsidiary of MARVEL ENTERTAINMENT, LLC. OFFICE OF PUBLICATION: 1290 Avenue of the Americas, New York, NY 10104. BULK MAIL POSTAGE PAID AT NEW YORK, NY AND AT ADDITIONAL MAILING OFFICES. © 2021 MARVEL No similarity between any of the names, characters, persons, and/or institutions in this magazine with those of any living or dead person or institution is intended, and any such similarity which may exist is purely coincidental. -
CORONA PILGRIM • ALLEN • POGGI • GURU-Efx
CORONA PILGRIM • ALLEN • POGGI • GURU-e FX 0 0 2 1 1 RATED T $3.99US 2 OF 2 MARVEL.COM 7 59606 08764 8 Years ago, Hank Pym developed what is known as the Pym Particle—a scientifi c marvel that allows its user to shrink to microscopic size. Fearing the potential of the technology in the wrong hands, Pym hid his breakthrough from the world. But Darren Cross, his former protégé and successor at Pym Tech, has reverse-engineered a facsimile of the Pym Particle and is using it in his weaponized Yellowjacket armor. Hank has teamed with his estranged daughter Hope to devise a plan to steal back the tech, and their plan currently hinges on talented (but unlucky) former thief Scott Lang. Scott, wearing the “Ant-Man” suit to control the Pym Particle, has been sent on the fi rst phase of the mission to liberate a prototype signal device that will help them steal back the tech from Cross. But the prototype is kept at an old Stark storage facility—one that has recently been converted to the Avengers HQ! BASED ON THE ANT-MAN SCREENPLAY BY EDGAR WRIGHT & JOE CORNISH AND ADAM MCKAY & PAUL RUDD STORY BY EDGAR WRIGHT & JOE CORNISH WRITER: WILL CORONA PILGRIM PENCILER: CHRIS ALLEN INKER: ROBERTO POGGI COLORIST: GURU-eFX LETTERER: VC’S TRAVIS LANHAM COVER ARTIST: RYAN MEINERDING EDITOR: MARK BASSO EDITOR IN CHIEF: C.B. CEBULSKI CHIEF CREATIVE OFFICER: JOE QUESADA PRESIDENT: DAN BUCKLEY FOR MARVEL STUDIOS VP PRODUCTION & DEVELOPMENT: BRAD WINDERBAUM PRESIDENT: KEVIN FEIGE ANT-MAN CREATED BY STAN LEE, LARRY LIEBER & JACK KIRBY WASP CREATED BY STAN LEE, ERNIE HART & JACK KIRBY MARVEL’S ANT-MAN AND THE WASP PRELUDE No. -
Put on the Mask
Alternate Scripts - Superheroes PUT ON THE MASK An Alternate Script for The Play's The Thing By Brian Engard For more information about The Play's The Thing and Magpie Games, visit us at www.magpiegames.com/theplay Alternate Scripts - Superheroes Biff! Bam! Pow! We all know what superheroes are. They can do things no normal person can, stand against forces the rest of us can't hope to combat, represent the ideals of our society -- even if they're ideals we've forgotten ourselves -- and they act as a beacon and an example for the rest of us. Superheroes also get into great, exciting fights and wear colorful Spandex uniforms. For all the dizzying number of superheroes (and villains!) out there, they're each subtly different from one another, each driven by his or her own motivations and background. Oh sure, eye lasers and the ability to fly are flashy and exciting and cool, but it's the human drama, the relationships and mortal struggles of these sometimes godlike beings that grounds them, makes them relatable, and makes us keep watching them. Sometimes superhero drama comes from the hero's need to see justice -- or vengeance -- done. Sometimes it's a need to protect that which the hero holds dear. Sometimes it's the struggle that comes with suddenly being thrust into a mantle of great power, and the enormous responsibility that comes with it. The only difference between a superhero and a supervillain is how the individual character reacts to these motives, how far she or he is willing to go to see justice -- or vengeance -- done, what lengths the character is willing to go to to protect something, or how the hero -- or villain -- handles that mantle of power and responsibility. -
JOE QUESADA DAN BUCKLEY Editor in Chief Chief Creative Offi Cer Publisher
JON HORACIO VC’S JOE ADAMS DOMINGUES CARAMAGNA writer artist letterer BRIAN JODY JASON JOHN TYLER KESINGER DAILY GRANDT CHRISTOPHER cover variant orange bird & connecting action fi gure variant cover artist cover artist variant cover artist & recap page artist ANDY DIGENOVA, TOM MORRIS, & JOSH SHIPLEY Walt Disney Imagineers MARK BASSO MARK PANICCIA editor senior editor AXEL ALONSO JOE QUESADA DAN BUCKLEY editor in chief chief creative offi cer publisher Special Thanks to DAVID GABRIEL & BRIAN CROSBY ENCHANTED TIKI ROOM No. 1, December 2016. Published Monthly by MARVEL WORLDWIDE, INC., a subsidiary of MARVEL ENTERTAINMENT, LLC. OFFICE OF PUBLICATION: 135 West 50th Street, New York, NY 10020. BULK MAIL POSTAGE PAID AT NEW YORK, NY AND AT ADDITIONAL MAILING OFFICES. Elements based on Enchanted Tiki Room © Disney. © 2016 MARVEL No similarity between any of the names, characters, persons, and/or institutions in this magazine with those of any living or dead person or institution is intended, and any such similarity which may exist is purely coincidental. $3.99 per copy in the U.S. (GST #R127032852) in the direct market; Canadian Agreement #40668537. Printed in the USA. Subscription rate (U.S. dollars) for 12 issues: U.S. $26.99; Canada $42.99; Foreign $42.99. POSTMASTER: SEND ALL ADDRESS CHANGES TO ENCHANTED TIKI ROOM, C/O MARVEL SUBSCRIPTIONS P.O. BOX 727 NEW HYDE PARK, NY 11040. TELEPHONE # (888) 511-5480. FAX # (347) 537-2649. [email protected]. ALAN FINE, President, Marvel Entertainment; DAN BUCKLEY, President, TV, Publishing & Brand Management; JOE QUESADA, Chief Creative Offi cer; TOM BREVOORT, SVP of Publishing; DAVID BOGART, SVP of Business Affairs & Operations, Publishing & Partnership; C.B. -
Marvel Film Chronology
Marvel Film Chronology 965 AD – The frost giants of Jotunheim attempt to conquer Midgard/Earth. Their invasion point in Norway becomes the site of an epic battle as Asgard’s ruler Odin leads an army to repeal the invasion and protect the planet. Odin and his force push the frost giants back to Jotunheim where the AllFather discovers an abandoned frost giant infant, whom he adopts, names Loki and raises as his own alongside his own son Thor. A truce is negotiated between Odin and the frost giant king Laufey. 400-500s AD – Odin leaves the Tesseract on Earth. 1832 – James Howlett is born. 1845 – James Howlett’s father is murdered by Thomas Logan. Howlett discovers his mutant powers and kills Logan, only to learn that Logan is his true father and Logan’s son, Victor Creed, is Howlett’s half-brother. 1861-1975 – James Howlett fights in the American Civil War, World War I, World War II, and the Vietnam War with his brother Victor Creed. 1918 July 4 – Steve Rogers is born to a young couple in the Hell’s Kitchen section of New York City. His father dies of injuries from being mustard gassed during World War One, leaving his mother to raise the boy. 1924 June – Steve Roger’s mother dies of tuberculosis. Young Steve is placed in an Eighth Avenue orphanage. 1930 Sept. – A teenage Steve Rogers meets James Buchanan “Bucky” Barnes and the pair quickly become best friends. 1934 – Howard Stark and Abram Erskine briefly meet at an engineering conference in Geneva. February – Johann Schmidt meets the newly appointed German Chancellor Adolph Hitler at the Deutsches Operhaus in Berlin where he tries to convince Hitler of his theory that the Norse myths may actually be true. -
Avengers Explored
2020 Avengers Explored IRON MAN AND CAPTAIN AMERICA: A STUDY IN TRANSMEDIA, ADDITIVE COMPREHENSION AND ADDITIVE MYSTERY OLIVIER SNEPVANGERS Contents Introduction ............................................................................................................................................. 2 1. Theory: Transmedia and Narratology… Assemble! ............................................................................. 5 1.1 Transmedia .................................................................................................................................... 5 1.2 Narratology .................................................................................................................................. 10 1.3 Method ........................................................................................................................................ 19 2. Analysis: Captain America and Iron Man: A tale of two superheroes ............................................... 20 2.1 Captain America: Fragile body, Strong mind ............................................................................... 20 2.2 Iron Man: Fragile ego, Strong suit ............................................................................................... 29 2.3 Steve and Tony: Fragile friendship, Stronger together ............................................................... 37 2.3.1 The narratological nature of the relationship ...................................................................... 37 2.3.2 Exploring and expanding on Stony -
Council of Marvels London International Model United Nations 21St Session | 2020
Council of Marvels London International Model United Nations 21st Session | 2020 1 Council of Marvels London International Model United Nations 2020 Table of Contents TOPIC A: USE AND REGULATION OF TIME MANIPULATION 7 Introduction to the Topic 7 History of the topic: A Timeline of Events 10 Time travel in the MARVEL Universe 13 Current Situation 18 Past Actions 21 Guiding Questions 21 Further Reading 21 Bibliography 22 TOPIC B: RESTORATION AND INTEGRATION – DEALING WITH THE AFTERMATH OF THE BLIP 24 Introduction to the Topic 25 History of the Topic 26 Current Situation 29 Past Actions 32 Conclusion 32 Guiding Questions 33 Further Reading 33 Bibliography 34 2 Council of Marvels London International Model United Nations 2020 INTRODUCTION LETTER Dear Delegates, We are Helena Granik, Zoe Braddick, Kelli-Anne Tim and Zeesha Shirin Bandyopadhyay, and it is our honour and privilege to be your Directors for the UN Commission on Superhuman Activity. We hope that it is here that you will discover what an amazing activity Model United Nations truly is; it is the only forum in which you see academic rigour and social relations come together in one place. At every conference we attended, we learned an incredible amount and made lots of new friends; above all, MUN teaches people to accept others and themselves. If you’re reading this, you either agree or you’ve just received your committee allocation. Either way, you’re in too deep to back out now! The concept of this summit is to have two parallel committees: one of the powered individuals from the Marvel Universe and a United Nations committee made up of world leaders. -
The Marvel Sonic Narrative: a Study of the Film Music in Marvel's the Avengers, Avengers: Infinity War, and Avengers: Endgame
Graduate Theses, Dissertations, and Problem Reports 2019 The Marvel Sonic Narrative: A Study of the Film Music in Marvel's The Avengers, Avengers: Infinity arW , and Avengers: Endgame Anthony Walker West Virginia University, [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the Musicology Commons Recommended Citation Walker, Anthony, "The Marvel Sonic Narrative: A Study of the Film Music in Marvel's The Avengers, Avengers: Infinity arW , and Avengers: Endgame" (2019). Graduate Theses, Dissertations, and Problem Reports. 7427. https://researchrepository.wvu.edu/etd/7427 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. The Marvel Sonic Narrative: A Study of the Film Music in Marvel's The Avengers, Avengers: Infinity War, and Avengers: Endgame Anthony James Walker Dissertation submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree Doctor of Musical Arts in Music Performance Keith Jackson, D.M.A., Chair Evan A. -
Whitley Robson Diaz Orlandini Menzie O’Halloran
2 WHITLEY ROBSON DIAZ ORLANDINI MENZIE O’HALLORAN RATED T | $3.99 US 0 0 2 1 1 7 59606 09543 8 BONUS DIGITAL EDITION – DETAILS INSIDE! When Reed Richards saw the think tanks of the world failing to see the possible in the impossible, he found a solution: To save the future, put it in the hands of those who will live it. These are the smartest kids in the Multiverse. Their classroom IS the Multiverse. Their vision is the future, and the future looks good. They are the… Right now, their #1 mission is collecting the pieces of their friend Owen Reece, A.K.A. Molecule Man, whose atoms have been scattered about the Multiverse. They tracked an otherworldly signature to an alien prison planet, where they sent Julie inside—with space pirate Yondu Udonta’s help—to find the source. All Julie found was a girl named Rebecca…but Alex, watching from their ship’s surveillance, spotted his mentor, Reed Richards! Abandoning all subtlety, he led Yondu, Dragon Man and Bentley into combat, and they found Reed deep in the prison, surrounded by violent-looking inmates. Except it’s not the Reed Richards they know. This is the Maker, the Reed of Earth-1610—and one of the Fantastic Four’s greatest enemies. STORY JEREMY WHITLEY PENCILS WILL ROBSON & PACO DIAZ INKS WILL ROBSON, PACO DIAZ & DANIELE ORLANDINI COLORS GREG MENZIE WITH CHRIS O’HALLORAN LETTERS VC’s JOE CARAMAGNA COVER CARLOS PACHECO, RAFAEL FONTERIZ & MATT YACKEY VARIANT COVER HUMBERTO RAMOS & EDGAR DELGADO PRODUCTION EDITOR EXECUTIVE EDITOR NICK RUSSELL SARAH BRUNSTAD TOM BREVOORT EDITOR IN CHIEF CHIEF CREATIVE OFFICER PRESIDENT EXECUTIVE PRODUCER C.B.