DOCSLIB.ORG

Lolita – Nekaltybės Ir Nedorybės Mišinys

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Lolita – Nekaltybės Ir Nedorybės Mišinys MADOS ekspertai engva V. Nabokovo ranka sukurtas paveikslas, pasau- liui išgirdus provokuojan- čią jaunos mergaitės ir pagyvenusio vyro meilės istoriją, peržengė literatūrinio žan- ro rėmus. Matyt, įvyko kažkoks sutapi- mas: visuomenė, kurioje 1950 metų pabai- goje prasidėjo iki tol nematytas jaunimo KADRAS Iš STENLIO KUBRIKO FILMO maištas, pamėgo šią literatūrinę veikėją „LOLITA“. JAMES MASON IR SUE LYON ir pavertė ją mados ikona. Galima sakyti, Lolita netgi tapo hipių, pasisavinusių iš jos mėgavimosi savimi infantilumą kartu Visų pirma, Twigg y – nekaltomis lūpo- nebuvo nei protesto, nei provokacijos, nei su nepaklusnumu ir įžūlumu, įvaizdžio mis, išsigandusio vaiko žvilgsniu ir tyčia neprieinamumo ir neteisingumo pagun- skelbėja. padarytu „purvinu“ akių makiažu. Brigit- dos. Aštuntojo dešimtmečio disko stilius Tam, kad pavirstų madingu produktu, te Bardot, derinusi vaikišką kaprizingumą seksualumą atveda iki didžiausio atviru- įvaizdžiui būtinas vaizdinis įsikūnijimas. su seksualiniu išsilaisvinimu. Jane Birkin, mo, tačiau daro jį ir tikrą, „suaugusį“ – su- Tai įvyko1962 metais pasirodžius Stenlio Mia Farrow, Catherine Deneuve... siformavusį. Jame išnyksta vaikiškumas, o Kubriko filmui „Lolita“, kuriame debiu- Galų gale Lolitos įvaizdžiu pasinaudojo kartu su juo – ir nedorovingumas. LOLITANEKALTYBĖS IR NEDORYBĖS MIŠINYS – tavo Sue Lyon. Būtent jos išvaizda, filmui ir jį tiražavo septintojo dešimtmečio ko- Šis įvaizdis vėl grįžta dešimtajame de- pasirodžius ekranuose, tapo pirmuoju mercinė mada. Juk būtent tuo metu pir- šimtmetyje – mada, kartu su istorija, pasi- stiliaus ir įvaizdžio kūrėjas, mados analitikas gausių pamėgdžiojimų pavyzdžiu. mą kartą atsiranda įžymusis mini sijonas! suka spirale. Praėjo 30 metų – išaugo pir- Konstantinas Bogomolovas Bet kas gi tokio ypatingo slypi šioje mer- Lengvai kliošinis, labai trumpas, jis pri- mųjų lolitų vaikai. Jie, kaip būdinga jau- ginoje – paauglėje? Paslaptis paprasta: ne- mena ikimokyklinio amžiaus mergaičių niems, kritikuoja tėvus: viskas, kas vyko Lolita – sutrumpintas ispaniškas Doloresos vardas. Taip Vladimiras kaltybės ir nedorybės mišinys. Kampuoto drabužius ir kartu yra atvirai seksualus. aštuntajame–devintajame dešimtmetyje, Nabokovas pavadino savo romano „Lolita“, išvydusio šviesą 1958 vaikiškumo ir seksualinės provokacijos, Bejėgis vaikiškumas ir nepridengtas na- jaunajai kartai atrodo per daug buržuaziš- metais Amerikoje, pagrindinę veikėją. Skandalingo siužeto ir erotinių bejėgiškumo ir iššūkio, mokyklinės su- tūralizmas. Nekaltybė ir nedorybė. Ką gi, ka, per daug tiesu, per daug tikra. scenų dėka romanas akimirksniu tapo bestseleriu... Šiandien atsiras knelės ir lūpų dažų derinys. Kiekviena šių idealus apsimetimas Lolita. Amerikiečių dizaineris Calvinas Kleinas nemažai žmonių, neskaičiusių romano, tačiau Lolitos vardą žino visi. sudedamųjų dalių buvo žinoma pasauliui Tačiau bet koks madingas gaminys vienas pirmųjų pajuto naujas dešimtojo de- Vargu ar galėjo V. Nabokovas numatyti, kad jis suteiks vardą vienam ir anksčiau. Pavyzdžiui, Baby Look („mer- anksčiau ar vėliau tampa senamadiš- šimtmečio nuotaikas ir pateikė pasauliui kultinių XX-ojo amžiaus antrosios pusės įvaizdžių. Ir XXI-ajame am- gina – vaikas“) baltomis kojinaitėmis, kas. Lolitos įvaizdis išeina iš mados jau atgimusį Lolitos įvaizdį bei jį įkūnijančią žiuje Lolitos įvaizdis – vis dar mados viršūnėse. pūstomis rankovėmis ir rausvu saldainiu. aštuntojo dešimtmečio viduryje. Sue „kampuotą“ anglę Kate Moss. Būtent jis, Arba jos priešingybė Bad Girl („bloga Lyon ir Twiggy užaugo. O būti Lolita, padarydamas šią merginą savo reklaminių mergaitė“) vulgariu makiažu, su cigarete. kai tau daugiau kaip 30, – absurdiška ir kampanijų ir mados pasirodymų pagrin- Tačiau Lolita šias priešingybes sujungė į apgailėtina. dine veikėja, pavertė ją supermodeliu. Už- anksčiau neregėtą sprogstamąjį mišinį. Nauja karta, gavusi seksualinę laisvę, tenka prisiminti skandalingą vyriško aro- Septintojo dešimtmečio viduryje Loli- dėl kurios kovojo hipiai, „baby boomers“ mato „Obsession“ reklamą, kurioje Kate tos įvaizdžio bruožais jau naudojosi dau- ir septintojo dešimtmečio lolitos, seksua- Moss pasirodo apsinuoginusi gulėdama ant BRIDGITTE BARDOT www.bogomolov.lv 1955 mETAIS KANUOSE guma aktorių, dainininkių ir modelių. lumu naudojosi jau kaip norma. Joje jau juodos odinės sofos. Sofa vyriškai sunki ir 2 EXPRESS MADA gegužė 2008 2008 gegužė EXPRESS MADA 3 MADOS ekspertai lakoniška, apnuogintas pusiau vaikiškas ir velniško nedorovingumo harmoniją. krašto – vaikiškai bejėgė ir su nekaltai bal- kūnas ant jos atrodo beveik nekaltas, ta- Ir pagaliau 1997 metais pasirodo dar tais naktiniais marškiniais, o ant jos lūpų čiau... šiame keistame derinyje visiškai aiš- viena V. Nabokovo romano „Lolita“ ekra- užtepti raudoni lūpų dažai... Na, tiesiog kiai įskaitoma pagrindinė Lolitos įvaizdžio nizacija – su pagrindinius vaidmenis at- paruošti paveikslėliai madų žurnalams! tema: nekaltybės ir nedorybės kontrastas! liekančiais Jeremiu Ironsu ir Dominique Vėlesni Lolitos įvaizdžio pavyzdžiai būtų Ir, nors Kate Moss tada jau buvo 18 metų, Swain. Dėl meninių filmo vertybių kilo mergaitės iš TATU dueto ir dainininkė Calviną Kleiną netgi buvo bandyta apkal- nemažai ginčų. Bet viena nekėlė jokių Avril Lavigne. Naujojo amžiaus pradžioje tinti pedofilijos propaganda. jos sukūrė šiuolaikiškesnį šio įvaiz- Kate Moss, kurią neretai vadinda- Lolitos įvaizdyje slypi kontrastai: džio variantą, nekopijuodamos nei vo „naująja Twiggy“, dėka dešimta- Sue Lyon, nei Twiggy, nei Kate Moss. jame dešimtmetyje modelių versle kampuotas vaikiškumas Lolitos įvaizdis stipriai įsitvirtino ma- įvyksta tikra revoliucija. Modelių ir seksualinė provokacija, doje ir tapo jaunimo klasika. agentūrų durys atsivėrė penkioli- Šiandien jis mums atrodo ne toks kmetėms mergaitėms, ir nepriekaiš- bejėgiškumas ir iššūkis, mokyklinės pavojingas, kaip buvo prieš 40 metų. tingoms subrendusioms gražuolėms suknelės ir lūpų dažų derinys. Dabar tai jau tampa norma. Lolitos teko pasispausti, o paskui ir visai įvaizdis jau nustojo būti priemonė išeiti į pensiją. abejonių: Lolitos įvaizdis buvo vizualiai suaugusiam vyrui suvilioti – tai vaka- Ant Lolitos įvaizdžio populiarumo nepriekaištingas ir visiškai šiuolaikiškas, rykščio vaiko būdas išreikšti save. bangos dešimto dešimtmečio viduryje iš- netgi galima sakyti – madingas komercine Tai įvaizdis, kuris visada įdomus savo kyla jaunos prancūzų aktorės ir daininin- prasme. Lolita su vaikiškomis kasytėmis ir galimybe sudaryti kontrastus, sumaišyti kės Vanessos Paradis žvaigždė. Ryškiausi bjauria dantų plokštele guli ant žolės, apsi- vaikiškumą su seksualumu, teisingumą su pavyzdžiai – jos vaidmenys filmuose „Bal- rengusi atvirai prigludusią prie kūno šlapią provokacija, kuris neturi nė vienos klišės, tosios vestuvės“ ir „Eliza“, kuriuose Vanes- suknelę. Lolita mokykline suknele begė- tačiau egzistuoja daugybė galimybių at- sa labai tiksliai, tačiau be jokios „retro“ diškai ir natūraliai pakėlė koją, norėdama rasti vis naujus ir naujus receptus. Jį gali užuominos atkūrė angeliškos nekaltybės nusilakuoti nagus. Lolita sėdi ant lovos sustabdyti vienintelis dalykas. Amžius. ■ AVRIL LAVIGNE 4 EXPRESS MADA gegužė 2008.
Load more

Recommended publications
  • Stanley Kubrick & the Evolution of Critical Consensus
    Global Tides Volume 12 Article 3 5-2-2018 Stanley Kubrick & The Evolution of Critical Consensus Cote Keller Pepperdine University, [email protected] Follow this and additional works at: https://digitalcommons.pepperdine.edu/globaltides Recommended Citation Keller, Cote (2018) "Stanley Kubrick & The Evolution of Critical Consensus," Global Tides: Vol. 12 , Article 3. Available at: https://digitalcommons.pepperdine.edu/globaltides/vol12/iss1/3 This Humanities is brought to you for free and open access by the Seaver College at Pepperdine Digital Commons. It has been accepted for inclusion in Global Tides by an authorized editor of Pepperdine Digital Commons. For more information, please contact [email protected], [email protected], [email protected]. Keller: Stanley Kubrick & The Evolution of Critical Consensus Stanley Kubrick’s greatness as an American director precedes him to such an extent that the virtues of his films are rarely subjected to critique. Even laymen who have not followed his career that scrupulously or may not recognize his name at all would still likely regard The Shining, 2001, and perhaps Dr. Strangelove as benchmarks of their respective genres. The influence of Kubrick on pop culture is undeniable, but his films have not always enjoyed the fine repute they cherish today, since they tended to leave the first critics who saw them divided and conflicted. Examining contemporary critiques of the director’s filmography reveals not only aspects of his technique that may have been overlooked but also insightful constants about the process of criticism and the development of consensus. One convenient way to categorize Kubrick’s works emphasizes their timeline and relationship to the Motion Picture Association of America.
    [Show full text]
  • Sex and Difference in the Jewish American Family: Incest Narratives in 1990S Literary and Pop Culture
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses March 2018 Sex and Difference in the Jewish American Family: Incest Narratives in 1990s Literary and Pop Culture Eli W. Bromberg University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the American Studies Commons Recommended Citation Bromberg, Eli W., "Sex and Difference in the Jewish American Family: Incest Narratives in 1990s Literary and Pop Culture" (2018). Doctoral Dissertations. 1156. https://doi.org/10.7275/11176350.0 https://scholarworks.umass.edu/dissertations_2/1156 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. SEX AND DIFFERENCE IN THE JEWISH AMERICAN FAMILY: INCEST NARRATIVES IN 1990S LITERARY AND POP CULTURE A Dissertation Presented by ELI WOLF BROMBERG Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2018 Department of English Concentration: American Studies © Copyright by Eli Bromberg 2018 All Rights Reserved SEX AND DIFFERENCE IN THE JEWISH AMERICAN FAMILY: INCEST NARRATIVES IN 1990S LITERARY AND POP CULTURE A Dissertation Presented By ELI W. BROMBERG
    [Show full text]
  • CHAPTER 11 Reviving Lolita? a Media Literacy Examination Ofsexual Portrayals Ofgirls in Fashion Advertising
    CHAPTER 11 Reviving Lolita? A Media Literacy Examination ofSexual Portrayals ofGirls in Fashion Advertising Debra Merskin (2004) Using a media literacy framework, sOciologist Debra Merskin examines the portrayal of"girls as women" and "women as girls" in four fashion advertisements. She argues that the continued sexualization of young girls in popular culture has significant implications for their psychological and physical well-being. Lolita, light of my life, fire of my loins. My sin, my the words "eye candy" and "wink wink;' to the age 7- to soul. Lo-Iee-ta. 14-year-old crowd. Aspokesperson for the company said, - Nabokov (1958, p. 1) "The underwear for young girls was created with the intent to be lighthearted and cute" (Odell, 2002, para. 6). Similarly, a Fetish perfume advertisement raised a stink irst, there was the book. Then there was the 1962 with the image of a young-looking girl with blackened Ffilm followed by yet another filmic version in 1997 eyes and the copy "so he can smell it when you say no:' of Nabokov's (1958) infamous best seller Lolita. The message from advertisers and the mass media to Simultaneously repulsive and fascinating mediated por­ girls (as eventual women) is they should always be sexu­ trayals of young girls as inviting and willing participants ally available, always have sex on their minds, be willing in their own sexual exploitation have fueled many a male to be dominated and even sexually aggressed against, and fantasy. Sexualized images of girls are not only found they will be gazed on as sexual objects.
    [Show full text]
  • Gay News Photographic Archive
    Gay News Photographic Archive (GNPA) ©Bishopsgate Institute Catalogued by Nicky Hilton September 2015 1 Table of Contents Page Collection Overview 3 GNPA/1 Cinemas 5 GNPA/2 Theatres 80 GNPA/3 Personalities and Events 90 GNPA/4 Miscellaneous 111 2 GNPA Gay News Photographic Archive (c.1972-1983) Name of Creator: Gay News Limited Extent: 37 folders Administrative/Biographical History: Gay News was a fortnightly newspaper in the United Kingdom founded in June 1972 in a collaboration between former members of the Gay Liberation Front and members of the Campaign for Homosexual Equality (CHE). At the newspaper's height, circulation was approximatly 18,000 copies. The original editorial collective included Denis Lemon (editor), Martin Corbett - who later was an active member of ACT UP, David Seligman, a founder member of the London Gay Switchboard collective, Ian Dunn of the Scottish Minorities Group, Glenys Parry (national chair of CHE), Suki J. Pitcher, and Doug Pollard, who later went on to launch the weekly gay newspaper, Gay Week (affectionately known as Gweek). Amongst Gay News' early "Special Friends" were Graham Chapman of Monty Python's Flying Circus, his partner David Sherlock, and Antony Grey, secretary of the UK Homosexual Law Reform Society from 1962 to 1970. Gay News was the response to a nationwide demand by lesbians and gay men for news of the burgeoning liberation movement. The paper played a pivotal role in the struggle for gay rights in the 1970s in the UK. It was described by Alison Hennegan (who joined the newspaper as Assistant Features Editor and Literary Editor in June 1977) as the movement's "debating chamber".
    [Show full text]
  • Giant Inflatable Rats Under Attack
    22 Established 1961 Lifestyle Features Sunday, December 29, 2019 Ballooning dispute: America’s giant inflatable rats under attack A giant inflatable rat makes its way down the street in midtown New York City on Nov 26, 2019 where it will sit outside a company’s office in New York. — AFP photos ew Yorkers are used to seeing rats on the street said union organizer Justice Favor, beside a towering air- site to be Scabby’s creator. They can reportedly cost but they are not always small, furry ones. filled rat with scabby belly, buck teeth and demon eyes. thousands of dollars. New York unions own dozens of the NSometimes they are inflatable and taller than His organization, representing laborers, set up the rat balloons, which range in height from six feet (1.83 m) to giraffes. American unions use giant balloon rodents as a outside the Manhattan offices of a developer it accuses 25 feet. Some look more fierce than others. They also protest symbol, parking them outside company offices to of paying construction workers non-union wages one have inflatables depicting fat cats smoking cigars while highlight labor disputes. “It’s used to display injustice,” recent morning. “The public stop and want to know clutching bags of money, pigs in waistcoats and top hats what’s going on. It’s a great tool to make folks aware,” the and a cockroach. 37-year-old told AFP. Inflatable rats were first used by a “If we were to assemble them all on the same day it union in Chicago around 30 years ago.
    [Show full text]
  • The Ledger and Times, December 21, 1963
    Murray State's Digital Commons The Ledger & Times Newspapers 12-21-1963 The Ledger and Times, December 21, 1963 The Ledger and Times Follow this and additional works at: https://digitalcommons.murraystate.edu/tlt Recommended Citation The Ledger and Times, "The Ledger and Times, December 21, 1963" (1963). The Ledger & Times. 4389. https://digitalcommons.murraystate.edu/tlt/4389 This Newspaper is brought to you for free and open access by the Newspapers at Murray State's Digital Commons. It has been accepted for inclusion in The Ledger & Times by an authorized administrator of Murray State's Digital Commons. For more information, please contact [email protected]. In 20, 1903 Meleeted As A Rest All Round Ftentuety Community NewsDaDer TING In The Afternoon Daily Newspaper God For Murray We and Trust Calloway County ,..nited Press International , ef4 ova 84th YEAR Murray, Ky., Saturday Afternoon, December 21, 1963 MURRAY POPULATION 10, 100 Vol. LXXXIV No. 301 Orchestra Members Mrs. Alice Campus Lights Trevathan - Are Named Bitter Cold Breaks More eeche.atra members for the Mitt say State College musical mode( 'ton. "Campus Lights" have been Passes Away director ennounced by the show's Records Across Nation nerry Trentham The orchestra mrmberi are: Saxe Mrs Alice Hand Trweathan. wid- chonce -Dere Peck, Murray; Carolyn 3t1,' of the late William Herbert Childers, Huntsville, Ala.; Jerre Eivhth Tiros Is Trevethan. 'massed tessav yesterday Donsan. West Palm Beach, Fla.: Sent Into Orbit Mercury Dips To Freezing On at 11.15 at the tee of 92, fonovrine Charles Hutchins, Oak Ride, Tenn.: an extended inness. and Ftanion Popp tlardo, Jamestown.
    [Show full text]
  • John's Definitive Movie List
    ESSENTIAL VIEWING!!! GREAT FILM ACTING … in no particular order John Gallagher Film Acting Classes www.jgmovie.com Bold=especially recommended! Directed by John Cassavetes* *FACES 1968 Gena Rowlands *HUSBANDS 1970 Ben Gazzara, Peter Falk, John Cassavetes *MINNIE AND MOSKOWITZ 1971 Gena Rowlands, Seymour Cassel *A WOMAN UNDER THE INFLUENCE 1975 Gena Rowlands *KILLING OF A CHINESE BOOKIE 1976 Ben Gazzara *OPENING NIGHT ‘77 Gena Rowlands, Ben Gazzara, John Cassavetes *GLORIA 1980 Gena Rowlands *LOVE STREAMS 1984 Gena Rowlands, Seymour Cassel, John C ON THE WATERFRONT ‘54 d. Elia Kazan w/Brando, Saint, Steiger A STREETCAR NAMED DESIRE ’51 d. Kazan w/Brando, VLeigh SPLENDOR IN THE GRASS ‘61 d. Kazan w/Natalie Wood, W Beatty LA STRADA ‘54 d. F Fellini w/Guilietta Massina, Anthony Quinn NIGHTS OF CABIRIA 1957 d. Federico Fellini w/Giulietta Massina ROCCO AND HIS BROTHERS 1961 d. Luchino Visconti w/Delon SEVEN BEAUTIES 1976 d. Lina Wertmuller w/Giancarlo Giannini LEON/THE PROFESSIONAL ‘94 d.Besson w/Reno,Portman,Oldman MARGARET ’11 d. Kenneth Lonergan w/Anna Paquin, Matt Damon THE SEARCHERS 1956 d. John Ford w/John Wayne, Natalie Wood ONCE UPON A TIME IN AMERICA 1983 d. Sergio Leone W/Robt DeNiro, Elizabeth McGovern, James Woods MALCOLM X 1991 d. Spike Lee w/Denzel Washington ROOM 2015 d. Lenny Abrahamson w/Brie Larson, Jacob Tremblay A BRONX TALE 1993 d. Robt DeNiro w/Chazz Palminteri, R DeNiro CHINATOWN ‘74 d. Roman Polanski w/Jack Nicholson, Faye Dunaway THE LAST DETAIL 1973 d. Hal Ashby w/Jack Nicholson BEING THERE 1979 d. Hal Ashby w/Peter Sellers, Shirley MacLaine GLORY 1989 d.
    [Show full text]
  • Stanley Kubrick: Producers and Production Companies
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by De Montfort University Open Research Archive Stanley Kubrick: Producers and Production Companies Thesis submitted by James Fenwick In partial fulfilment of the requirements for the award of Doctor of Philosophy De Montfort University, September 2017 1 Abstract This doctoral thesis examines filmmaker Stanley Kubrick’s role as a producer and the impact of the industrial contexts upon the role and his independent production companies. The thesis represents a significant intervention into the understanding of the much-misunderstood role of the producer by exploring how business, management, working relationships and financial contexts influenced Kubrick’s methods as a producer. The thesis also shows how Kubrick contributed to the transformation of industrial practices and the role of the producer in Hollywood, particularly in areas of legal authority, promotion and publicity, and distribution. The thesis also assesses the influence and impact of Kubrick’s methods of producing and the structure of his production companies in the shaping of his own reputation and brand of cinema. The thesis takes a case study approach across four distinct phases of Kubrick’s career. The first is Kubrick’s early years as an independent filmmaker, in which he made two privately funded feature films (1951-1955). The second will be an exploration of the Harris-Kubrick Pictures Corporation and its affiliation with Kirk Douglas’ Bryna Productions (1956-1962). Thirdly, the research will examine Kubrick’s formation of Hawk Films and Polaris Productions in the 1960s (1962-1968), with a deep focus on the latter and the vital role of vice-president of the company.
    [Show full text]
  • The Eroticization of the Female Child in 1930S Film
    Graduate Theses, Dissertations, and Problem Reports 2014 America's Lollipop Licking Tease: The Eroticization of the Female Child in 1930s Film Susan Jennings Lantz West Virginia University Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Lantz, Susan Jennings, "America's Lollipop Licking Tease: The Eroticization of the Female Child in 1930s Film" (2014). Graduate Theses, Dissertations, and Problem Reports. 461. https://researchrepository.wvu.edu/etd/461 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. America's Lollipop Licking Tease: The Eroticization of the Female Child in 1930s Film Susan Jennings Lantz Dissertation submitted to the Eberly College of Arts and Sciences at West Virginia University In partial fulfillment of the requirements for the degree of Doctor of Philosophy in English Dennis
    [Show full text]
  • October 20, 2009 (XIX:8) Stanley Kubrick LOLITA (1962, 152 Min)
    October 20, 2009 (XIX:8) Stanley Kubrick LOLITA (1962, 152 min) Directed by Stanley Kubrick Screenplay by Vladimir Nabokov & Stanley Kubrick Based on the novel by Vladimir Nabokov Original Music by Nelson Riddle Cinematography by Oswald Morris James Mason...Prof. Humbert Humbert Shelley Winters...Charlotte Haze Sue Lyon... Lolita Peter Sellers... Clare Quilty STANLEY KUBRICK (26 July 1928, New York City, New York, USA—7 March 1999, Harpenden, Hertfordshire, England, UK, natural causes) direct 16, wrote 12, produced 11 and shot 5 films: Eyes Wide Shut (1999), Full Metal Jacket (1987), The Shining (1980), Barry Lyndon (1975), A Clockwork Orange (1971), 2001: A Space Odyssey (1968), Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), Lolita (1962), Spartacus (1960), Paths of Glory (1957), The Killing (1956), Killer's Kiss (1955), The Seafarers (1953), Fear and Desire (1953), Day of the Fight (1951), Flying Padre: An RKO-Pathe short story writer. Nabokov wrote his first nine novels in Russian, Screenliner (1951). Won Oscar: Best Effects, Special Visual then rose to international prominence as a master English prose Effects- 2001: A Space Odyssey (1969); Nominated Oscar: Best stylist. He also made contributions to entomology and had an Writing, Screenplay Based on Material from Another Medium- interest in chess problems. Nabokov's Lolita (1955) is frequently Dr. Strangelove or: How I Learned to Stop Worrying and Love cited as amongst his most important novels, and is his most the Bomb (1965); Nominated Oscar: Best Picture- Dr. Strangelove widely known, exhibiting or: How I Learned to Stop Worrying and Love the Bomb (1965); the love of intricate word Nominated Oscar: Best Director- Dr.
    [Show full text]
  • Www .Shoeder Smarine.Com SPRING
    WE MAKE FUN STUFF FUN TO BUY! • GET OUT AND PLAY! PAID ECRWSS Eagle River PRSRT STD PRSRT U.S. Postage Permit No. 13 POSTAL PATRON POSTAL Loaded 20,495 18,595 69,995 Loaded 270 LE $ $ $ Bunkhouse 4 Point Fish 2016 Ranger Springdale Evinrude 9.8 Kicker Mooring Cover With Mercury 40-HP With 2018 Keystone Fisherman 620FS With Evinrude G2 250-HP With Explorer 1880 CF 2018 Misty Harbor Sale Sale Now Stk# RG1607 Wednesday, Wednesday, April 11, 2018 April 11, Stk# 1820 MSRP $30,538 (715) 479-4421 HOURS: Mon.-Fri. 8-6; Sat. 8-4 HOURS: Mon.-Fri. 8-6; Sat. 8-4 AND THE THREE LAKES NEWS Stk# MH1831 Loaded 69,994 20,895 17,495 (3) Slides (2) Patios Toy Hauler Toy $ $ $ Minn Kota 55 pd 2017 Jayco Vinyl Floor, 3 Seats Floor, Vinyl ShoreLand’r Trailer 2520 RL With Mercury 50-HP With Seismic 4113 Vision 16 Tiller Vision 2018 Crestliner Grand Touring Sale Fiberglass, Lightweight Load Equalization Axles Sale Sale A SPECIAL SECTION OF THE VILAS COUNTY NEWS-REVIEW THE VILAS COUNTY SECTION OF SPECIAL A 2018 Keystone Passport • (715) 365-7722 • (715) 365-7722 Stk# CI1807 Stk# JY1799-16 MSRP $116,226 Stk# KS1838 $26,712 WAS 10,995 29,877 24,874 Loaded (2) Slides Ultra Light 154 BH $ $ $ Rear Living Lightweight 2018 Jayco J Flight SLX VS 1670SC Minn Kota 70 pd Lowrance Graph Plus Auto Leveling Vinyl Floor, Cover Floor, Vinyl 2018 Keystone Cougar 29 RLDS With Evinrude Etec 90-HP With Sale Sale Sale 2018 Ranger Aluminum NORTH WOODS NORTH THE PAUL BUNYAN OF NORTH WOODS ADVERTISING WOODS OF NORTH BUNYAN THE PAUL www.shoedersmarine.com Stk# RG1827 Stk# JY1871 MSRP $16,422 Stk# KS1885 MSRP $39,665 2230 N.
    [Show full text]
  • PRICES REALIZED DETAIL - Hollywood Auction Auction 89, Auction Date
    26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Hollywood Auction Auction 89, Auction Date: LOT ITEM PRICE PREMIUM 1 ROSCOE “FATTY” ARBUCKLE SIGNED OVERSIZE MASTER STUDIO $600 $120 PHOTOGRAPHIC PORTRAIT BY WITZEL. 2 JEAN ARTHUR RARE SIGNED OVERSIZE PHOTOGRAPH. $375 $105 3 FRED ASTAIRE AND GINGER ROGERS (2) SIGNED OVERSIZE PHOTOGRAPHS. $400 $80 4 GINGER ROGERS AND FRED ASTAIRE SIGNED OVERSIZE PRODUCTION $850 $238 PHOTOGRAPH FROM FOLLOW THE FLEET. 5 BOB HOPE, BING CROSBY, AND JACK BENNY (3) SIGNED OVERSIZE $375 $75 PHOTOGRAPHS. 6 LUCILLE BALL (2) SIGNED OVERSIZE PHOTOGRAPHS. $600 $168 7 LAUREN BACALL RARE SIGNED OVERSIZE PHOTOGRAPH. $325 $65 8 JOHN BARRYMORE AND LIONEL BARRYMORE (2) SIGNED OVERSIZE $325 $65 PHOTOGRAPHS. 9 CLARA BOW AND FAMILY (7) RARE SIGNED OVERSIZE PHOTOGRAPHS. $1,500 $420 10 WILLIAM BOYD (2) SIGNED OVERSIZE PHOTOGRAPHS. $325 $91 11 LOUISE BROOKS RARE SIGNED OVERSIZE PHOTOGRAPH BY RICHEE. $5,000 $1,000 12 JAMES CAGNEY SIGNED OVERSIZE PHOTOGRAPH BY HURRELL. $350 $70 13 JEFF CHANDLER AND MAUREEN O’HARA (2) SIGNED OVERSIZE $400 $112 PHOTOGRAPHS. 14 LON CHANEY SR. EXCEEDINGLY RARE SIGNED OVERSIZE PHOTOGRAPH FROM $1,500 $420 TELL IT TO THE MARINES INSCRIBED TO PRODUCER SOL LESSER. 15 LON CHANEY SR. AS “QUASIMODO” FROM THE HUNCHBACK OF NOTRE DAME $19,000 $5,320 EXCESSIVELY RARE SIGNED OVERSIZE PHOTOGRAPH BY FREULICH. 16 LON CHANEY SR. RARE SIGNED PHOTOGRAPH. $600 $120 Page 1 of 98 26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Hollywood Auction Auction 89, Auction Date: LOT ITEM PRICE PREMIUM 17 [CASABLANCA] CO-STARS CLAUDE RAINS AND SYDNEY GREENSTREET (2) $800 $160 SIGNED OVERSIZE PHOTOGRAPHS.
    [Show full text]