Infocusquarterly Money Makes the World Go ‘Round
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1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
UNDERSTANDING PORTRAYALS of LAW ENFORCEMENT OFFICERS in HIP-HOP LYRICS SINCE 2009 By
ON THE BEAT: UNDERSTANDING PORTRAYALS OF LAW ENFORCEMENT OFFICERS IN HIP-HOP LYRICS SINCE 2009 by Francesca A. Keesee A Thesis Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degrees of Master of Science Conflict Analysis and Resolution Master of Arts Conflict Resolution and Mediterranean Security Committee: ___________________________________________ Chair of Committee ___________________________________________ ___________________________________________ ___________________________________________ Graduate Program Director ___________________________________________ Dean, School for Conflict Analysis and Resolution Date: _____________________________________ Fall Semester 2017 George Mason University Fairfax, VA University of Malta Valletta, Malta On the Beat: Understanding Portrayals of Law Enforcement Officers in Hip-hop Lyrics Since 2009 A Thesis submitted in partial fulfillment of the requirements for the degrees of Master of Science at George Mason University and Master of Arts at the University of Malta by Francesca A. Keesee Bachelor of Arts University of Virginia, 2015 Director: Juliette Shedd, Professor School for Conflict Analysis and Resolution Fall Semester 2017 George Mason University Fairfax, Virginia University of Malta Valletta, Malta Copyright 2016 Francesca A. Keesee All Rights Reserved ii DEDICATION This is dedicated to all victims of police brutality. iii ACKNOWLEDGEMENTS I am forever grateful to my best friend, partner in crime, and husband, Patrick. -
Money Makes the World Go Round Money Makes the World Go Round
AN ANNUAL MAGAZINE OF VOLUME IX 2013 Sector 5, Rohini, Delhi ELDORADOEXPLORING NEW HORIZONS... MONEYMONEY MAKESMAKES THETHE WORLDWORLD GOGO ROUNDROUND “Excellence endeavors those who wish to seek thought provoking knowledge at every step in their lives”. Established in 1993, JIMS had the vision of becoming a B-school of excellence with holistic academic inputs and had articulated the desire to excel in order to achieve an extraordinary future for its students. 20 years have seen JIMS carving a niche in Management and Technical Education. It has now broadened its horizons and has grown in terms of ■ Students ■ Faculty ■ Staff ■ Alumni ■ Corporate networks The challenge put forth was to promise quality education where the resources deliver employable management students. We have succeeded in doing so through a complete transformation by the aid of our experienced faculty, modern style teaching methodology, universally accredited educational patterns and an industry relevant curriculum. The conviction of the faculty and the determination of the students have made us achieve 20 years of excellence becoming a people centric organization that runs on the basic principle of customer satisfaction, high quality delivery & over all honesty & transparency in the functions. Innovation is the basis of survival for anybody, and is the root cause for any change in the society. The innovation that we did at JIMS was that each student was worked upon individually & made to achieve what the companies desired & not what we thought was good for them. Our industry associations have grown by leaps and bounds where many reputed organizations have associated with us. Prominent people from these organizations are a part of our network and we move towards creating a niche in this professional cadre. -
Satisfaction Rolling Stones 1965 3 American Pie Don Mclean 1972 4
AS VOTED AT OLDIESBOARD.COM 10/30/17 THROUGH 12/4/17 CONGRATULATIONS TO “HEY JUDE”, THE #1 SELECTION FOR THE 19 TH TIME IN 20 YEARS! Ti tle Artist Year 1 Hey Jude Beatles 1968 2 (I Can’t Get No) Satisfaction Rolling Stones 1965 3 American Pie Don McLean 1972 4 Light My Fire Doors 1967 5 In The Still Of The Nite Five Satins 1956 6 I Want To Hold Your Hand Beatles 1964 7 MacArthur Park Richard Harris 1968 8 Rag Doll Four Seasons 1964 9 God Only Knows Beach Boys 1966 10 Ain't No Mount ain High Enough Diana Ross 1970 11 Bridge Over Troubled Water Simon and Garfunkel 1970 12 Because Dave Clark Five 1964 13 Good Vibrations Beach Boys 1966 14 Cherish Association 1966 15 She Loves You Beatles 1964 16 Hotel California Eagles 1977 17 St airway To Heaven Led Zeppelin 1971 18 Born To Run Bruce Springsteen 1975 19 My Girl Temptations 1965 20 Let It Be Beatles 1970 21 Be My Baby Ronettes 1963 22 Downtown Petula Clark 1965 23 Since I Don't Have You Skyliners 1959 24 To Sir With Love Lul u 1967 25 Brandy (You're A Fine Girl) Looking Glass 1972 26 Suspicious Minds Elvis Presley 1969 27 You've Lost That Lovin' Feelin' Righteous Brothers 1965 28 You Really Got Me Kinks 19 64 29 Wichita Lineman Glen Campbell 1968 30 The Rain The Park & Ot her Things Cowsills 1967 31 A Hard Day's Night Beatles 1964 32 A Day In The Life Beatles 1967 33 Rock Around The Clock Bill Haley & His Comets 1955 34 Imagine John Lennon 1971 35 I Only Have Eyes For You Flamingos 1959 36 Waterloo Sunset Kinks 1967 37 Bohemian Rhapsody Queen 76 -92 38 Sugar Sugar Archies 1969 39 What's -
Summer Camp Song Book
Summer Camp Song Book 05-209-03/2017 TABLE OF CONTENTS Numbers 3 Short Neck Buzzards ..................................................................... 1 18 Wheels .............................................................................................. 2 A A Ram Sam Sam .................................................................................. 2 Ah Ta Ka Ta Nu Va .............................................................................. 3 Alive, Alert, Awake .............................................................................. 3 All You Et-A ........................................................................................... 3 Alligator is My Friend ......................................................................... 4 Aloutte ................................................................................................... 5 Aouettesky ........................................................................................... 5 Animal Fair ........................................................................................... 6 Annabelle ............................................................................................. 6 Ants Go Marching .............................................................................. 6 Around the World ............................................................................... 7 Auntie Monica ..................................................................................... 8 Austrian Went Yodeling ................................................................. -
Raritan Review
RARITANRARITAN HIGHREVIEW SCHOOL’S OFFICIAL NEWSPAPER Valentine’s Day Edition STUPID CUPID nus cannot find her. Here, Psyche finds herself approaching a beautiful mansion where she BY: KIERA MALLEY decides to make herself at home. In her time With Valentine’s day approaching, cou- spent at this mansion, she is waited on by invis- ples everywhere are beginning to plan romantic ible servants and eventually falls in love with evenings for one another. It has been said that a man in the dark. Having never seen her new Cupid, the Roman God of desire, flies around love, she is eventually encouraged by her sisters the world on this night shooting his arrows of to go look upon him in the night. While doing love at deserving couples, locking their fate so, she accidentally wakes up her love, who she together. While Cupid works his magic, the discovered to be Cupid himself, angering him amount of love in the atmosphere leaves people and causing him to flee. On a quest to find her swooning over one another. The myth of cupid love, Psyche goes to Venus herself for help. Still has been around for thousands of years, resur- angry, Venus sends Psyche on several daunting facing each February with the takeover of this FEB. 2016 tasks before offering her help. In the mean- Hallmark holiday. But how did Cupid come to time, Cupid found out about his mother’s de- claim the throne of Valentine’s Day? mands, then asking the God Jupiter to order her The son of Venus and Mars, Cupid is typi- to stop. -
Love Makes the World Go Somewhere Page 1 5. Love Makes
5. Love Makes The World Go Somewhere (“Gabriel’s Letter/My First Woman”) In This Lesson • How bookwriters address matters of love and sex for an increasingly skeptical audience and whether this is necessary or merely a reflection of the moment • How composers deal with romance, including romantic love, heroic adventure and woolgatherers’ dreams • How lyricists strike a balance between sentimentality and honest sentiment in a changing world Overview Whether you agree with Richard Rodgers (“Love Makes The World Go Square” from No Strings) or Bob Merrill (“Love Makes the World Go Round” from Carnival) you will probably agree that love of one kind or another is present in large amounts in most musicals. Love comes in many guises, two of which are exhibited in the selection from The Kiss of the Spider Woman (book by Terrence McNally, music by John Kander, lyrics by Fred Ebb) with the double title “Gabriel’s Letter/My First Woman. Gabriel sings about his friend, Molina, an incarcerated gay window-dresser. Valentin, uncomfortable being Molina’s cellmate, sings about his first sexual experience with a woman. Love and sex can be confusing; one without the other can be unsatisfying…or not, depending on the circumstances. Romance is a different word, however. In the past, musical theatre romance almost always meant boy/girl love affairs, and the always ended happily. In recent years this is not always true. The lovers separate at the end of Once. Alexander Hamilton marries a woman he doesn’t love because the woman he does love won’t marry him. -
Alice's Adventures in Wonderland
digital edition to that of the The world’s original. After weeks of toil he most precise created an exact replica of the A LICE’S original! The book was added replica to VolumeOne’s print-on- Adventures in Wonderland demand offering. While a PDF of the world’s version is offered on various portals of the Net, BookVirtual most famous took the project to heart and children’s book! added its interface designs and programming. Welcome to the world’s most precise all-digital In 1998, Peter Zelchenko replica of the world’s most began a project for Volume- famous children’s book. Thank One Publishing: to create an you, Peter. exact digital replica of Lewis Carroll’s first edition of Alice. BookVirtual™ Working with the original Books made Virtual. Books made well. 1865 edition and numerous www.bookvirtual.com other editions at the Newberry Library in Chicago, Zelchenko created a digital masterpiece in his own right, a testament to NAVIGATE the original work of Lewis Carroll (aka Prof. Charles Dodgson) who personally CONTROL directed the typography for the first Alice. CLOSE THE BOOK After much analyis, Peter then painstakingly matched letter to letter, line to line, of his new TURN THE PAGE BY LEWIS CARROLL ILLUSTRATED BY JOHN TENNIEL RABBIT-HOLE. 1 Fit Page Full Screen On/Off Close Book ALICE’S ADVENTURES IN WONDERLAND Navigate Control Internet Digital InterfaceInterface by byBookVirtual BookVirtual Corp. Corp. U.S. U.S. Patent Patent Pending. Pending. © 2000' 2000 All AllRights Rights Reserved. Reserved. Fit Page Full Screen On/Off Close Book ALICE’S ADVENTURES IN WONDERLAND BY LEWIS CARROLL WITH FORTY-TWO ILLUSTRATIONS BY JOHN TENNIEL VolumeOne Publishing Chicago, Illinois 1998 A BookVirtual Digital Edition, v.1.2 November, 2000 Navigate Control Internet Digital Interface by BookVirtual Corp. -
A Ram Sam Sam Wada-Lee-Ah-Cha
21 22 A Ram Sam Sam Wada-lee-ah-cha A ram sam sam, a ram sam sam, Please sing for me that sweet melody, called doodely-doo, Gooly gooly gooly gooly gooly ram sam sam, doddley-doo, A ram sam sam, a ram sam sam, I love it so, and wherever I go, it’s doodely doo, doodely Gooly gooly gooly gooly gooly ram sam sam, doo. A rah fee, a rah fee, It’s the simplest thing, there isn’t much to it, Gooly gooly gooly gooly gooly ram sam sam, All you have to do is doodely do it. A rah fee, a rah fee, I like the rest, but the part I like best is doodely doodely doo. Gooly gooly gooly gooly gooly ram sam sam. Oh, wada lee ah cha, wada-lee-ah-cha, Movements: Doodely doo, doodely doo, A ram sam sam – fists on top of one another Wada lee ah cha, wada-lee-ah-cha, Gooly gooly – fingers together as if you are making a snowball A rah fee – hands up near your shoulders as if you are surprised Doodely doo, doodely doo, It’s the simplest thing, there isn’t much to it, A Pizza Hut, a Pizza Hut, All you have to do is doodely do it. Kentucky Fried Chicken and a Pizza Hut, I like the rest, but the part I like best is doodely doodely doo. A Pizza Hut, a Pizza Hut, Kentucky Fried Chicken and a Pizza Hut, Movements Oh – raise your hands about shoulder level McDonald’s, McDonald’s, Wadda-lee – tap your legs twice Kentucky Fried Chicken and a Pizza Hut, Ah-cha – clap hands twice McDonald’s, McDonald’s, Wadda-lee – pass flat hands over each other twice, right hand on Kentucky Fried Chicken and a Pizza Hut. -
A Legal and Economic Critique of President Trump's China Trade
A Legal and Economic Critique of President Trump’s China Trade Policies Daniel C.K. Chow, Ian Sheldon, William McGuire Public Law and Legal Theory Working Paper Series No. 393 April 19, 2017 This working paper series is co-sponsored by the Center for Interdisciplinary Law and Policy Studies at the Moritz College of Law This paper can be downloaded without charge from the Social Science Research Network: http://ssrn.com/abstract=2955105 Electronic copy available at: https://ssrn.com/abstract=2955105 A LEGAL AND ECONOMIC CRITIQUE OF PRESIDENT TRUMP’S CHINA TRADE POLICIES Daniel C.K. Chow, William McGuire, Ian Sheldon University of Pittsburgh Law Review (forthcoming 2018) _______________________ The administration of President Donald J. Trump has warned that it supports an aggressive across the board tariff of 45% on all imports from China to neutralize the effects of China’s currency manipulation. However, such a tariff cannot withstand an economic and legal analysis. Fundamental economic principles indicate that China’s alleged currency devaluation cannot create a real long-term trade advantage and that the effects of currency devaluation have no real effect on the U.S.-China trade balance. Not only is currency manipulation not a cause of the U.S. trade deficit with China but the proposed remedy of a draconian 45% tariff will only create a grievous self-inflicted wound on the U.S. and global economy. From a legal perspective, a 45% tariff cannot be justified under the legal regime of the World Trade Organization as such a tariff runs afoul of the tightly regulated regime of authorized trade sanctions. -
Happy Valentine's Day! Sno-Ball Rolls with Record Crowd Sno-Ball '89
rrp Nrmn THE WEEKLY NEWSPAPER OF ST. LOUIS U. HIGH !220 couples packed tlle auditorium for Volume 53, Number 22 Friday, February 10, 1989 last weekend's Sno-Ball. Happy Valentine's Day! Sno-Ball rolls with record crowd Sno-Ball '89. "The Kinder, Gentler extremes. STIJCO President Mark Gunn Dance,"lived up to its name and was the gave the band a thumbs up because "they most sucessful SLUH winter dance in were original, energetic, and they all history. looked very pretty. " Junior Brad Hellwig The mammoth crowd of approxi gave a contrasting opinion, claiming that mately 220 couples huddled into the "it sounded like they were playing the auditorium for an evening of walking, same song over and over again. Also, they dancing, and reminiscing. Some expressed were a little heavy on the bass." Everyone disappointment about the decorations, seemed to agree, however, that the lead which seemed more appropriate for a singer bore an uncanny resemblance to Valentine's Day theme than the Sno-Ball the now grizzled-faced '88 SLUH grad, Dance. Last year's giant Billiken snow Dan Scheiber, who, strangely enough, man and smaller Billiken ice sculpture wasn't seen anywhere Saturday night were sorely missed. The decorations, In the absence of Mr. Art Zinsel however, did not interl'ere with the atmos meyer, Mr. Steve Brock acted as discipli phere, which was ripe with jollity and narian, and, by the end of the evening, he The Jargestooever PN Valentine edition gaiety. earned the title "The Enforcer." He grace begins on page 7. Reviews of the band, The -
ENEMY CONSTRUCTION and the PRESS Ronnell Andersen Jones* & Lisa Grow Sun†
ENEMY CONSTRUCTION AND THE PRESS RonNell Andersen Jones* & Lisa Grow Sun† ABSTRACT When the President of the United States declared recently that the press is “the enemy,” it set off a firestorm of criticism from defenders of the institutional media and champions of the press’s role in the democracy. But even these Trump critics have mostly failed to appreciate the wider ramifications of the President’s narrative choice. Our earlier work describes the process of governmental “enemy construction,” by which officials use war rhetoric and other signaling behaviors to convey that a person or institution is not merely an institution that, although wholly legitimate, has engaged in behaviors that are disappointing or disapproved, but instead an illegitimate “enemy” triggering a state of Schmittian exceptionalism and justifying the compromise of ordinarily recognized liberties. The Trump administration, with a rhetoric that began during the campaign and burgeoned in the earliest days of Donald Trump’s presidency, has engaged in enemy construction of the press, and the risks that accompany that categorization are grave. This article examines the fuller components of that enemy construction, beyond the overt use of the label. It offers insights into the social, technological, legal, and political realities that make the press ripe for enemy construction in a way that would have been unthinkable a generation ago. It then explores the potential motivations for and consequences of enemy construction. We argue that enemy construction is particularly alarming when the press, rather than some other entity, is the constructed enemy. Undercutting the watchdog, educator, and proxy functions of the press through enemy construction leaves the administration more capable of delegitimizing other institutions and constructing other enemies—including the judiciary, the intelligence community, immigrants, and members of certain races or religions—because the viability and traction of counter-narrative is so greatly diminished.