Ursula Von Rydingsvard
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Press-Release-2020-2018.Pdf
3852 North Miami Avenue, Miami, FL 33127 305.576.8570| [email protected] | www.locustprojects.org FOR IMMEDIATE RELEASE: 20/20: Twenty artists/twenty hours Exhibition Dates: 20/20 As part of our 20th anniversary season, Locust Projects is celebrating its September 7-Sep. 29, 2018 experimental roots as Miami’s longest running alternative art space with a project titled 20/20: twenty artists/twenty hours. Beginning at 9pm on Friday, Experience: September 7-8,2018 September 7, twenty artists and collectives who have never before exhibited at Begins at 9pm and continues Locust Projects will each present newly commissioned works in one-hour for 20 consecutive hours temporary exhibitions. Held over twenty consecutive hours, the selected artists will work quickly during their designated time slot to install their projects which Reception: include a range of virtually every imaginable medium, all created for a specially- Saturday, September 8, 2018 5-7pm designed presentation space in the Project Room. Visitors will be able to experience this ambitious, high-energy happening first-hand at any point day or Hours: night from a tent-covered viewing area outside the Project Room’s open garage Tuesday to Saturday door. 11am-5pm Media Contacts: After each one-hour presentation, the artists will migrate elements of their Lorie Mertes projects and re-install them in the Main Gallery space, where they will be on Executive Director view through September 29, 2018. Following the completion of the twenty-hour [email protected] happening on the evening of September 8, there will be a celebratory reception 305.576.8570 that will be free and open to the public. -
Front Desk Concierge Book Table of Contents
FRONT DESK CONCIERGE BOOK TABLE OF CONTENTS I II III HISTORY MUSEUMS DESTINATION 1.1 Miami Beach 2.1 Bass Museum of Art ENTERTAINMENT 1.2 Founding Fathers 2.2 The Wolfsonian 3.1 Miami Metro Zoo 1.3 The Leslie Hotels 2.3 World Erotic Art Museum (WEAM) 3.2 Miami Children’s Museum 1.4 The Nassau Suite Hotel 2.4 Pérez Art Museum Miami (PAMM) 3.3 Jungle Island 1.5 The Shepley Hotel 2.5 Miami Science Museum 3.4 Rapids Water Park 2.6 Vizcaya Museum & Gardens 3.5 Miami Sea Aquarium 2.7 Frost Art Museum 3.6 Lion Country Safari 2.8 Museum of Contemporary Art (MOCA) 3.7 Seminole Tribe of Florida 2.9 Lowe Art Museum 3.8 Monkey Jungle 2.10 Flagler Museum 3.9 Venetian Pool 3.10 Everglades Alligator Farm TABLE OF CONTENTS IV V VI VII VIII IX SHOPPING MALLS MOVIE THEATERS PERFORMING CASINO & GAMING SPORTS ACTIVITIES SPORTING EVENTS 4.1 The Shops at Fifth & Alton 5.1 Regal South Beach VENUES 7.1 Magic City Casino 8.1 Tennis 4.2 Lincoln Road Mall 5.2 Miami Beach Cinematheque (Indep.) 7.2 Seminole Hard Rock Casino 8.2 Lap/Swimming Pool 6.1 New World Symphony 9.1 Sunlife Stadium 5.3 O Cinema Miami Beach (Indep.) 7.3 Gulfstream Park Casino 8.3 Basketball 4.3 Bal Harbour Shops 9.2 American Airlines Arena 6.2 The Fillmore Miami Beach 7.4 Hialeah Park Race Track 8.4 Golf 9.3 Marlins Park 6.3 Adrienne Arscht Center 8.5 Biking 9.4 Ice Hockey 6.4 American Airlines Arena 8.6 Rowing 9.5 Crandon Park Tennis Center 6.5 Gusman Center 8.7 Sailing 6.6 Broward Center 8.8 Kayaking 6.7 Hard Rock Live 8.9 Paddleboarding 6.8 BB&T Center 8.10 Snorkeling 8.11 Scuba Diving 8.12 -
12 MIAMI ARTISTS HEADLINE MAJOR SHOW at the FROST ART MUSEUM FIU for 10Th ANNIVERSARY KICK OFF
Media Contacts News Travels Fast Jose Lima & Bill Spring [email protected] 12 MIAMI ARTISTS HEADLINE MAJOR SHOW AT THE FROST ART MUSEUM FIU FOR 10th ANNIVERSARY KICK OFF: Deconstruction: A Reordering of Life, Politics and Art NEW EXHBITION SHOWCASES THE MUSEUM’S PERMANENT COLLECTION: Connectivity: Selections from the Collection of the Frost Art Museum FIU Both on view through September 30 (MIAMI) ― The Patricia & Phillip Frost Art Museum FIU kicked off its 10th anniversary celebrations with the premiere of Deconstruction: A Reordering of Life, Politics and Art, featuring the work of twelve Miami artists: Eddie Arroyo, Zachary Balber, Frida Baranek, Christopher Carter, Leyden Rodriguez-Casanova, Yanira Collado, Gonzalo Fuenmayor, Pepe Mar, Glexis Novoa, Sandra Ramos, Jamilah Sabur and Frances Trombly. The museum also debuted a new exhibition showcasing its permanent collection and recent acquisitions gifted to the Frost for its 10th anniversary, titled Connectivity: Selections from the Collection of the Frost Art Museum FIU. Both shows were curated by Amy Galpin, the Chief Curator, and are on view through September 30. The museum is located at 10975 S.W. 17 Street, on the campus of Florida International University. "Some say Miami's vibrant art scene can be overshadowed by the art fairs that descend upon our destination every December, and the question looms large: what is the real visual arts landscape like in Miami during the other 51 weeks of the year? As this city experiences a major growth boom, working artists in Miami have a broadening range of opportunities and challenges," said Dr. Jordana Pomeroy, the Director of the Frost Art Museum FIU. -
Highlights of Available Works
Highlights of Available Works TJ Ahearn Good Times Bad Times (Rolling Stones), 2018 Hand cut collage on vintage LP jacket with original vinyl 21 x 21 inches Framed Courtesy of the artist and lemon sky: projects + editions TJ Ahearn’s collages are created through a meticulous application of hand-cut imagery from both vintage and contemporary periodicals, books and other printed matter, which is glued onto the back of LP jackets. Most of the albums used date back to the 60s and 70s, and the original vinyl is included with the collaged piece. Ahearn creates imaginary environments through the inventive layering and juxtaposition of both banal and pop culture visual elements. The collages on view are from the artist's ongoing JUKEBOX series. TJ Ahearn lives and works between NYC and Miami. Ahearn attended School of Visual Arts in New York as well as both the University of Miami BFA Program and Miami Dade South Campus Fine Arts Program and Psychopolis Academy in the Netherlands. The work of TJ Ahearn is in many prestigious collections in the U.S. and abroad and has been exhibited at museums, galleries and art fairs internationally. Ahol Sniffs Glue Malt Liquor is Thicker Than Water, 2016 40 oz bottle, hot glue, and spray paint Courtesy of the artist Ahol, whose raw yet instantly recognizable street murals evaporate the divide between high and low art, often jumbles disparate themes from mass media, popular culture and marginalized pockets of society. He often draws inspiration from the urban environment and systems of society which dehumanize its inhabitants. -
C O N N I E L L O V E R a S
Connie Lloveras Education: Florida International University, B.F.A. 1981 Miami-Dade Community College, A.A. 1979 Solo Exhibitions: 2017 “Connie Lloveras: Messenger Pigeons and Circles,” The Americas Collection Coral Gables, FL 2015 “Connie Lloveras: Messenger Pigeons and Forms,” Galeria Arteconsult, Panama City, Panama. 2014 “Connie Lloveras: Messenger Pigeons”, The Americas Collection, Coral Gables, FL 2012 “Connie Lloveras: Random Forms”, Galeria Arteconsult, Panama City, Panama 2111 “Connie Lloveras: Letters and Forms”, The Americas Collectiom, Coral Gables, FL 2009 “Connie Lloveras: Scattered Pieces”, Gruen Galleries, Chicago, IL 2008 “C. Lloveras: Construction, Canvas, & Paper Work”, The Americas Collection, Coral Gables, FL “Connie Lloveras: Wood and Clay Constructions”. Galeria Arteconsult, Panama City, Panama 2007 “Spiritual Landscapes”, Gruen Galleries, Chicago, IL 2006 “Ordinary Moments”, Art @ Work, Miami, FL 2005 “Ordinary Moments in Ordinary Time”, The Americas Collection, Coral Gables, FL “Connie Lloveras: Recent Work”, Galeria Arte Consult, Panama City, Panama 2004 “Solo: Connie Lloveras”, Gruen Gallery. Chicago, IL 2003 “Bread, Houses, and Intuition”, The Americas Collection, Coral Gables, FL 2002 “Connie Lloveras: Unspoken Words, a Retrospective 1990 to 2000”, Museo de Art Contemporaneo, Panama City, Panama 2001 “Connie Lloveras: Light Seeds,” Collins Fine Art, Chicago, IL “Connie Lloveras: Dream Sorting,” The Americas Collection, Coral Gables, FL 2000 "Connie Lloveras: Interior Gardens," David Rockefeller Center for -
Tim Rodgers Appointed As New Director of the Wolfsonian–FIU
Media Contact: Meg Floryan Head of Marketing + PR [email protected] | 305.535.2622 Tim Rodgers Appointed as New Director of The Wolfsonian–FIU MIAMI BEACH (May 11, 2015) — Tim Rodgers has been named director of The Wolfsonian– FIU. Rodgers comes to FIU from Scottsdale Museum of Contemporary Art (SMoCA). “We are looking forward to having Dr. Rodgers lead The Wolfsonian–FIU into the next phase of its development. The museum is an incredible resource to our community and the art world,” said FIU Provost and Executive Vice President Kenneth G. Furton. “His track record of creating synergies between art and education made him the ideal candidate.” Rodgers officially takes the reins on July 1. The Wolfsonian–FIU is a museum, library, and research center devoted to art and design, with a collection of about 120,000 objects from the period 1885–1945. The collection includes a variety of media, from furniture and art to rare books and propaganda posters. Museum founder Mitchell “Micky” Wolfson Jr. praised the selection of Rodgers as director. “Tim is fully poised for his new challenge. His appointment enthusiastically approved by The Wolfsonian and FIU will give us all new confidence and undoubtedly new directions in order to maintain the institution as a world leader in transmitting the importance of design from one generation to the next, which is the highest responsibility of an educational research institution,” Wolfson said. As director of The Wolfsonian–FIU, Rodgers hopes to expand the physical museum, as well as begin the process of making most of the museum’s permanent collection available online. -
The Wolfsonian–FIU Appoints Yucef Merhi As Inaugural Curator of Digital Collections, Role Funded by Knight Foundation
Media Contact: Meg Floryan Head of Marketing + PR [email protected] | 305.535.2622 The Wolfsonian–FIU Appoints Yucef Merhi as Inaugural Curator of Digital Collections, Role Funded by Knight Foundation Merhi, a new media pioneer and interactive designer, sets sights on enhancing digital engagement and digitizing the museum’s collection of 180,000 objects MIAMI BEACH (October 8, 2018) — Yucef Merhi has joined The Wolfsonian–Florida International University as the museum’s first-ever curator of digital collections, a new role made possible by a grant from the John S. and James L. Knight Foundation. Having started the position in late July 2018, Merhi rounds out The Wolfsonian’s curatorial team with his extensive experience integrating ambitious online and technology-based tools in the galleries and beyond— skills that are integral to the long-term Wolfsonian goal of forging new avenues for visitors to connect with special exhibitions and the permanent collection. The tech-focused position is one of eight across the country funded by Knight Foundation to help art institutions implement digital strategies that improve the visitor experience and expand audiences. “A large part of a museum’s success in the digital era depends on its ability to leverage technology to take risks and engage audiences. The Wolfsonian has always presented its permanent collection and special exhibitions in thought-provoking ways. For The Wolf, integrating digital technology into the design of future exhibitions is another example of its innovative approach.” said Victoria Rogers, Knight Foundation vice president for the arts. For the last six years, Knight Foundation has supported The Wolfsonian’s efforts to digitize its collection, primarily for purposes of academic research. -
FIU Museums Go Virtual
Media Contact: Erica Corsano 617-510-192 [email protected] frost.fiu.edu jmof.edu wolfsonian.org @frostartmuseum @jmof_fiu @wolfsonian Frost Art Museum, The Wolfsonian-FIU and Jewish Museum of Florida engage arts and culture lovers working and learning at home Frost Art Museum, The Wolfsonian-FIU and Jewish Museum of Florida engage homebound arts and culture lovers with free content. MIAMI (March 19, 2020) — As FIU’s three museums join museums around the world in temporarily closing their doors in response to the coronavirus pandemic, they continue to offer inspiring, compelling and educational content to the community via virtual tours, digital content and social media outreach. At Frost Art FIU, curatorial, educational and content teams are working together virtually to bring their members, supporters and art fans, entertainment, refuge and education. The museum has highlighted the following virtual tours: • Deconstruction: A Reordering of Life, Politics, and Art presents the work of twelve Miami-based artists who interrogate varying notions of deconstruction in their work. • Spheres of Meaning: An Exhibition of Artists' Books presents a range of artists' books from manipulated texts to new narrative forms and books presented as sculptures. • Cut: Abstraction in the United States, from the 1970s to the Present explores a multigenerational group of artists who challenged painting surfaces with cuts, carvings, and indentation. For some this gesture has been politically motivated; for others, it represents a bold and dynamic investigation into materiality. Alongside virtual tours, the museum will offer new weekly newsletters and social media content, which will include a behind-the-scenes look at museum staff, games and activities for families to do at home, and video montages of current exhibitions. -
Ursula Von Rydingsvard's SCIENTIA
PublicWorks Ursula von Rydingsvard SCIENTIA, 2016 A gift of Lore Harp McGovern McGovern Institute for Brain Research at MIT Building 46 Ursula von Rydingsvard’s SCIENTIA Patricia C. Phillips The studio of Ursula von Rydingsvard is a constant hum of activity associative and contextual readings and experiences. The work and inquiry. Each new work continues and confirms a depth and engenders an expressive dialogue with its local and expanded persistence of process—and presents new directions and challenges. environments of structures of and passions for knowledge Paradoxically both tempestuous and contemplative, the artist, and inquiry. clothed in protective gear, quietly draws exquisite wandering lines She recently installed a major new work, Uroda (2015), made of on pieces of cedar that are assembled to make evocative forms thousands of copper elements in front of the Andlinger Center for whose exposed surfaces are scored and lacerated in a cacophony Energy and the Environment at Princeton University. In time, the of the screeching blades of circular saws. Each new work builds copper will age, oxidize, and acquire new and vivid colors in response on its precedents, yet reveals in its process of becoming an to water and weather at the site. And now at MIT, one of the first enduring commitment to emergent and often difficult new ideas universities to establish an ambitious public art program for its and directions. Often beginning with the conformities of milled, remarkable confederation of researchers, teachers, and students, “ready-made” cedar beams, new and unprecedented variables she has installed the bronze sculpture SCIENTIA (2016) in front of the are coordinated in a wildly persistent yet inherently searching McGovern Institute for Brain Research. -
Debra and Dennis Scholl to Gift One of the Largest Private Aboriginal Australian Contemporary Art Collections in U.S
MEDIA CONTACT: Amanda Horn, Director of Communications, Nevada Museum of Art (o) 775.398.7228 / (m) 775.636.2567 / [email protected] DEBRA AND DENNIS SCHOLL TO GIFT ONE OF THE LARGEST PRIVATE ABORIGINAL AUSTRALIAN CONTEMPORARY ART COLLECTIONS IN U.S. TO THREE MUSEUMS ACROSS NORTH AMERICA Prominent Miami-based art collectors give 200 contemporary Aboriginal Australian artworks to The Frost Art Museum FIU, The Metropolitan Museum of Art, and the Nevada Museum of Art. MIAMI, FL. – (October 18, 2017) For more than a dozen years, prominent Miami-based art collectors Debra and Dennis Scholl have focused their collecting attention on Aboriginal Australian contemporary works. This passion has enabled the couple to bolster the West’s appetite for the extraordinary works by commissioning and then touring thematic shows to museums across the country. Now, they pledge to build a permanent bridge to narrow the cultural divide by gifting 200 pieces from their collection to three museums with which they are closely aligned: The Patricia & Phillip Frost Art Museum FIU in Miami; The Metropolitan Museum of Art in New York; and the Nevada Museum of Art in Reno. The Scholl gift includes works by the most prominent Australian Aboriginal contemporary painters today, including Warlimpirrnga Tjapaltjari, Paddy Bedford, Gulumbu Yunipingu, and Nongirrnga Marawili. These trailblazing artists were inspired by their ancient cultural traditions to forge one of the most dynamic painting movements of recent times. Firmly rooted in Aboriginal life, their works resonate profoundly with the abstract painting of the 20th and 21st centuries. The Frost Art Museum FIU and Nevada Museum of Art will each receive approximately 90 works. -
Download the Biography
Galerie Lelong & Co. Paris – New York Ursula Von Rydingsvard Ursula von Rydingsvard was born in Germany in 1942. Until the age of 8, she comes and goes from a refugees camp to another along with her family. In 1950, the familly settles in Plainville, Connecticut. She passes a Master of Fine Arts degree in the Columbia University in 1975. In 2000, she receives the second prize for the best exhibition in a gallery, awarded by the International Art Critique Association. In 1984, she receives the Guggenheim fellowship. Exhibitions Solo shows 2019 The Contour of feeling, National Museum of Women in the Arts, Washington, United States GDY ONA - WHEN SHE, Galerie Lelong & Co., Paris, Paris, France 2018 Torn, Galerie Lelong & Co., New York City, United States Now, She, Philadelphia Museum of Arts, Philadelphia, United States 2016 One Wall, One Work, Barbara Krakow Gallery, Boston, United States 2015 Bronze Bowl with Lace, The Art Institute of Chicago, Chicago, United States Ursula von Rydingsvard and Others: Materials and Manipulations, Princeton University Art Museum, Princeton, United States Ursula von Rydingsvard, Art Institute of Chicago, Chicago, United States 2014 Ursula von Rydingsvard, Yorkshire Sculpture Park, Wakefield, United Kingdom Permeated Shield, Galerie Lelong, New York City, United States 2013 Ursula Von Rydingsvard - Shadows Remain, SCAD Museum of Art, Savannah, United States 2012 Sculpture, Museum of Contemporary Art Cleveland (MOCA), Cleveland, United States Sculpture, Frost Art Museum, Miami, United States 13 rue de Téhéran, 75008 Paris – France / +33 1 45 63 13 19 / [email protected] / www.galerie-lelong.com 1 Galerie Lelong & Co. Paris – New York 2011 Sculpture 1991-2009, Sculpture Center, New York City, United States Sculpture, DeCordova Sculpture Park and Museum, Lincoln, United States 2010 Erratus, Galerie Lelong, New York, United States 2007 Ursula von Rydingsvard, Herbert F. -
Strategic Plan 2020-2025
CONTENTS Executive Summary 2 Introduction 7 Greater Miami and the Beaches Market Overview 8 Project Overview 12 Community Engagement 14 Community Stakeholder Feedback 16 Industry Trends 18 Destination Marketing Organization (DMO) Trends 20 DestinationNEXT Assessment 22 Major Findings 28 Strategic Goals & Initiatives 30 Appendices 36 DestinationMiami.org | 1 EXECUTIVE SUMMARY Greater Miami and the Beaches has evolved into one of the most diverse and dynamic destinations in the world in little more than a generation. The fusion of Latin, Caribbean, African and European influences has elevated Greater Miami on the world stage with a bravado uniquely its own, attracting a wide cross-section of visitors from around the globe. Signature destination marketing programs along with infrastructure and real estate investment have propelled Miami- Dade County as one of the fastest growing counties in the eastern U.S. in 2019, according to the U.S. Census Bureau. Today, Greater Miami has entered a new era where it must address numerous challenges brought about by its status and success as a global destination. Specifically, with regard to the visitor economy, there are many complex issues relating to mobility, workforce development, inclusivity, affordability and sustainability that will require the public and private sectors to collaborate more intentionally than ever before to address effectively. The Strategic Plan for Greater Miami and the Beaches is a 5-year roadmap to outline how the local tourism and hospitality industry can navigate a future ripe with new opportunities amid those challenges. To inform the development of the plan, the Greater Miami Convention & Visitors Bureau (GMCVB), in partnership with the InterVISTAS and MMGY NextFactor consultant teams, convened key industry stakeholders, elected officials and hundreds of residents across the county.