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Volume 8, Number 1
POPULAR CULTURE STUDIES JOURNAL VOLUME 8 NUMBER 1 2020 Editor Lead Copy Editor CARRIELYNN D. REINHARD AMY DREES Dominican University Northwest State Community College Managing Editor Associate Copy Editor JULIA LARGENT AMANDA KONKLE McPherson College Georgia Southern University Associate Editor Associate Copy Editor GARRET L. CASTLEBERRY PETER CULLEN BRYAN Mid-America Christian University The Pennsylvania State University Associate Editor Reviews Editor MALYNNDA JOHNSON CHRISTOPHER J. OLSON Indiana State University University of Wisconsin-Milwaukee Associate Editor Assistant Reviews Editor KATHLEEN TURNER LEDGERWOOD SARAH PAWLAK STANLEY Lincoln University Marquette University Associate Editor Graphics Editor RUTH ANN JONES ETHAN CHITTY Michigan State University Purdue University Please visit the PCSJ at: mpcaaca.org/the-popular-culture-studies-journal. Popular Culture Studies Journal is the official journal of the Midwest Popular Culture Association and American Culture Association (MPCA/ACA), ISSN 2691-8617. Copyright © 2020 MPCA. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 EDITORIAL BOARD CORTNEY BARKO KATIE WILSON PAUL BOOTH West Virginia University University of Louisville DePaul University AMANDA PICHE CARYN NEUMANN ALLISON R. LEVIN Ryerson University Miami University Webster University ZACHARY MATUSHESKI BRADY SIMENSON CARLOS MORRISON Ohio State University Northern Illinois University Alabama State University KATHLEEN KOLLMAN RAYMOND SCHUCK ROBIN HERSHKOWITZ Bowling Green State Bowling Green State -
Random Podcasts: an Earful for Library Patrons
Against the Grain Manuscript 8380 Wandering the Web — Random Podcasts: An Earful for Library Patrons Roxanne Spencer Rebecca L. Nimmo Follow this and additional works at: https://docs.lib.purdue.edu/atg Part of the Library and Information Science Commons This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. Wandering the Web — Random Podcasts: An Earful for Library Patrons by Roxanne Spencer (Associate Professor and Coordinator, Western Kentucky University Libraries) <[email protected]> and Rebecca L. Nimmo (Part-time Library Assistant, Beulah Winchel Education Library, Western Kentucky University Libraries) <[email protected]> Column Editor: Jack G. Montgomery (Professor, Coordinator, Collection Services, Western Kentucky University Libraries) <[email protected]> Column Editor’s Note: Podcasts are to “Making” in 2018 opened up the podcast to Getting Curious with Jonathan Van the early 21st century what radio and early creative professionals of all types. Ness — https://www.earwolf.com/show/ TV was to our mid-20th-century grandparents. The Stranded Podcast — https://www. getting-curious-with-jonathan-van-ness/ — We can access them anywhere, anytime, and youtube.com/user/amyflorence14. Amy Flor- Jonathan Van Ness, the flamboyant groom- on virtually any subject. We can subscribe to ence is a 28-year-old self-employed yarn dyer ing guru from the Netflix reality show Queer podcasts on iTunes and Google Play through living on the south coast of England. On her Eye, has always been curious about how the our mobile phones, or we can listen online via weekly video podcast, she discusses knitting, world works. -
Design the Design Book 36 Fashion the Anatomy of Fashion 38 The
Art Design Art & Place 2 The Design Book 36 The Chinese Art Book 4 Art as Therapy 6 Fashion Wild Art 8 The Anatomy of Fashion 38 Art Cities of the Future 10 The Fashion Book (New Edition) 40 Architecture Carlo Scarpa 12 Travel Wallpaper* City Guides 42 General Non-Fiction My World, Your Future 14 Cahiers du cinéma Anatomy of an Actor: Wine Bar Theory 16 Jack Nicholson 44 Meryl Streep 45 Children’s Books Architecture According to Paperbacks Pigeons 18 Art & Today 46 Hervé Tullet: The Big Book Magnum Stories 46 of Art 20 Mary Ellen Mark: Beatrice Alemagna: Bugs Seen Behind the Scene 46 at Christmas 21 Nicholas on Holiday 47 Food/Cook Nicholas in Trouble 47 Alex Atala 22 The Taste of America 24 Coi 26 Photography Steve McCurry Untold: The Stories Behind the Photographs 28 Nan Goldin: Eden and After 30 Bernhard Edmaier: EarthArt 32 Martin Parr 34 All prices subject to change La Universidad Autonoma Art & Place Artist Location Date Site-Specific Art of the Americas Conceived and edited by Phaidon Editors Storm King Art Center is in the lower Hudson Valley, 55 miles north of Manhattan. It was founded in 1960 by businessmen Ralph E. Ogden (1895- 1974) and H. Peter Stern. Since that time it has grown into a world-class collection of twentieth and twenty- first century sculpture installed in 500 acres of landscaped lawns, hills, fields and woodlands. Located between the Schunnemunk and Storm King mountains, the grounds are surrounded in the distance by the Hudson Highlands, a range of low- • An extraordinary collection of outstanding art destinations in the Americas, visited lying mountains, which provide a dramatic backdrop of sky and land for 320 x 270 mm the works. -
The Cultural and Industrial Uses of Nostalgia in 2010S Hollywood Cinema
DePaul University Via Sapientiae College of Communication Master of Arts Theses College of Communication Spring 6-11-2021 Backward glances: The cultural and industrial uses of nostalgia in 2010s Hollywood cinema Matthew Cooper [email protected] Follow this and additional works at: https://via.library.depaul.edu/cmnt Part of the Communication Commons Recommended Citation Cooper, Matthew, "Backward glances: The cultural and industrial uses of nostalgia in 2010s Hollywood cinema" (2021). College of Communication Master of Arts Theses. 36. https://via.library.depaul.edu/cmnt/36 This Thesis is brought to you for free and open access by the College of Communication at Via Sapientiae. It has been accepted for inclusion in College of Communication Master of Arts Theses by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. Backward Glances: The Cultural and Industrial Uses of Nostalgia in 2010s Hollywood Cinema Matthew Cooper DePaul University June 2021 Thesis presented to the faculty of the Graduate School of DePaul University in partial fulfillment of the requirements for the Degree of Master of Arts in Communication and Media – Media and Cinema Studies Dedication For the certainty that has never been. And for those who long for it all the same. iii Acknowledgements I have been contemplating, researching, and writing about nostalgia and contemporary American cinema for almost two years now. Over the course of that period, I have received some incredible intellectual and social support. I am immensely grateful for Michael DeAngelis and Dan Bashara, whose enthusiastic mentorship and support throughout the undergraduate and graduate versions of this project made me a better scholar and constantly motivated me to keep pushing forward. -
Talking Book Topics May-June 2019
Talking Book Topics May–June 2019 Volume 85, Number 3 Need help? Your local cooperating library is always the place to start. For general information and to order books, call 1-888-NLS-READ (1-888-657-7323) to be connected to your local cooperating library. To find your library, visit www.loc.gov/nls and select “Find Your Library.” To change your Talking Book Topics subscription, contact your local cooperating library. Get books fast from BARD Most books and magazines listed in Talking Book Topics are available to eligible readers for download on the NLS Braille and Audio Reading Download (BARD) site. To use BARD, contact your local cooperating library or visit nlsbard.loc.gov for more information. The free BARD Mobile app is available from the App Store, Google Play, and Amazon’s Appstore. About Talking Book Topics Talking Book Topics, published in audio, large print, and online, is distributed free to people unable to read regular print and is available in an abridged form in braille. Talking Book Topics lists titles recently added to the NLS collection. The entire collection, with hundreds of thousands of titles, is available at www.loc.gov/nls. Select “Catalog Search” to view the collection. Talking Book Topics is also online at www.loc.gov/nls/tbt and in downloadable audio files from BARD. Overseas Service American citizens living abroad may enroll and request delivery to foreign addresses by contacting the NLS Overseas Librarian by phone at (202) 707-9261 or by email at [email protected]. Page 1 of 108 Music scores and instructional materials NLS music patrons can receive braille and large-print music scores and instructional recordings through the NLS Music Section. -
Genre, Authorship and Contemporary Women Filmmakers
KATARZYNA PASZKIEWICZ GENRE, AUTHORSHIP AND CONTEMPORARY WOMEN FILMMAKERS Not for distribution or resale. For personal use only. Not for distribution or resale. For personal use only. GENRE, AUTHORSHIP AND CONTEMPORARY WOMEN FILMMAKERS Not for distribution or resale. For personal use only. Not for distribution or resale. For personal use only. GENRE, AUTHORSHIP AND CONTEMPORARY WOMEN FILMMAKERS Katarzyna Paszkiewicz Not for distribution or resale. For personal use only. Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance. For more information visit our website: edinburghuniversitypress.com © Katarzyna Paszkiewicz, 2018 Edinburgh University Press Ltd The Tun – Holyrood Road 12 (2f) Jackson’s Entry Edinburgh EH8 8PJ Typeset in 10/12.5pt Sabon by Servis Filmsetting Ltd, Stockport, Cheshire and printed and bound in Great Britain A CIP record for this book is available from the British Library ISBN 978 1 4744 2526 1 (hardback) ISBN 978 1 4744 2527 8 (webready PDF) ISBN 978 1 4744 2528 5 (epub) The right of Katarzyna Paszkiewicz to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 and the Copyright and Related Rights Regulations 2003 (SI No. 2498). Not for distribution or resale. For personal use only. CONTENTS List of Figures vi Acknowledgements viii Introduction: Impossible Liaisons? Genre and Feminist Film Criticism 1 1. Subversive Auteur, Subversive Genre 34 2. -
Southern California Public Radio- FCC Quarterly Programming Report
Southern California Public Radio- FCC Quarterly Programming Report April 1, 2015-June 30,2015 Public Affairs Public Affairs START TIME Duration min:sec Issue 1 Issue 2 Show & Segment Guests /Hosts /Reporter WEDNESDAY, APRIL 1, 2015 Take Two: Trevor Noah: When comedy offends: The new host of the Daily Show has some Twitter skeletons in his Entertainment closet. Should comedians be given a pass when it comes Alonzo Bolden, Maz Jobrani, 9:06 14:58 Industry Racial Relations to offensive stereotypes? Kristina Wong Alex Cohen Take Two: Silicon Valley responds to religious freedom acts: Apple and Salesforce.com are among the Silicon Valley companies that have chimed in on the controversial religious freedom laws in Indiana and 9:24 6:19 Religion Homosexuality Arkansas. Nick Wingfield Alex Cohen Take Two: Navajo junk food tax: Today, the Navajo Nation becomes the first tribe in the country to tax junk food. Sodas, donuts and frozen burritos - they'll all be Public Health/ subject to a two percent tax. The move hints at larger 9:30 6:00 Medicine problems that the Nation is hoping to fix. Laurel Morales A Martinez Take Two: An LA judge will decide who really owns the Law & Bahia Emerald: Eight people and one country are laying Order/Courts/Poli claim to the Bahia Emerald, a massive gem worth 9:36 4:04 ce around $400 million. Stephen Cesar A Martinez Take Two: Sports roundup: There's an old saying in sports, "Winning isn't everything, it's the only thing." Well, right now for some teams, winning is really inconvenient. -
Sight & Sound Annual Index 2018
THE INTERNATIONAL FILM MAGAZINE Index to Volume 28 January to December 2018 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX SUBJECT INDEX Akhavan, Desiree Anderson, Michael 8:46, 47 Armstrong, Gillian 11:15; 12:95 Ashes and Diamonds 9:36 Ballers series 9:22 Film review titles are also The Miseducation of Cameron Post Anderson, Paul Thomas 2:34; 4:35 Armstrong, Robert 10:88 Ash Is Purest White 6:5; 7:20 Bambach, Josef 11:15 included and are indicated by 10:67(r), background with Phantom Thread 2:69(r); Arnold, Andrea 4:34; 5:26, 27; 9:90 Asia Extreme 1:54-5 Bamber, David 10:31 (r) after the reference; comments from her 10:36-8 3:5, 9, background with Arnold, Jack 5:13 Asp, Anna 2:41 Bamboozled 9:25, 27 (b) after reference indicates Akhenaten 6:87 comments from him 2:20-5 Aronofsky, Darren 1:20; 8:95 aspect ratios Bancroft, Anne 8:47 a book review Akingbade, Ayo 10:19 Anderson, Wes 12:11 Around India with a Movie tv settings 1:111 Banderas, Antonio 3:82, 83 Akomfrah, John 8:13 Isle of Dogs 2:6; 3:9, 21; 4:18, Camera 4:56(r) Assassination Nation 12:59(r) Banerjee, Aarshi 11:21 A Aksu, Akin 12:48 63(r), background 4:22, Arrieta, Adolfo 1:12 Assayas, Olivier 11:19 Bang, Claes 4:38 Aardman Studios Alan Bleasdale Presents.. -
Women, Convergent Film Criticism, and the Cinephilia of Feminist Interruptions
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses November 2016 Women, Convergent Film Criticism, and the Cinephilia of Feminist Interruptions Rachel L. Thibault University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the Communication Technology and New Media Commons, Critical and Cultural Studies Commons, Feminist, Gender, and Sexuality Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, Journalism Studies Commons, and the Other Film and Media Studies Commons Recommended Citation Thibault, Rachel L., "Women, Convergent Film Criticism, and the Cinephilia of Feminist Interruptions" (2016). Doctoral Dissertations. 809. https://doi.org/10.7275/9054133.0 https://scholarworks.umass.edu/dissertations_2/809 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. WOMEN, CONVERGENT FILM CRITICISM, AND THE CINEPHILIA OF FEMINIST INTERRUPTIONS A Dissertation Presented by RACHEL LEA THIBAULT Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfilment of the requirements of the degree of DOCTOR OF PHILOSOPHY September 2016 COMMUNICATION ©Rachel Lea Thibault 2016 All Rights Reserved Women, -
PHOTOPLAY MAGAZINE and WOMEN in WORLD WAR II Laura
FINDING MEANING IN THE STARS: PHOTOPLAY MAGAZINE AND WOMEN IN WORLD WAR II Laura Lacy A thesis submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the School of Media and Journalism. Chapel Hill 2017 Approved by: Barbara Friedman Anne Johnston Joy Kasson © 2017 Laura Lacy ALL RIGHTS RESERVED ii ABSTRACT Laura Lacy: Finding Meaning in the Stars: Photoplay Magazine and Women in World War II (Under the direction of Barbara Friedman) Photoplay was one of the most popular fan magazines of the 1940s, filled with seemingly authentic glimpses into Hollywood stars’ lives. Within that content, Photoplay communicated values, norms, concerns, and ideologies to women readers. Adopting the theoretical framework of cultural studies, this thesis studies Photoplay from October 1942 through November 1945, adding to the body of research about women, media, and World War II by offering an in-depth textual analysis of the magazine during the war. It examines what messages regarding women’s wartime roles and behaviors appeared, how they changed over time, how Photoplay reinforced or challenged prevailing mass-mediated notions about women’s wartime roles, and what the magazine tells us about women readers of Photoplay and historical audiences. This research reveals that a relationship deeper than one between an unknowable celebrity author and a passive reader existed behind the tales about celebrity romance, women on the homefront, and war work. iii ACKNOWLEDGEMENTS This project was anything but a solitary effort, and I owe so much to the people who have helped me along the way. -
Resisting the Norm
Háskóli Íslands Hugvísindasvið Kvikmyndafræði Resisting the Norm: The Possibility of Revolutionary Black Cinema Ritgerð til M.A.-prófs Hrannar Már Ólínuson Kt.: 121092-3369 Leiðbeinandi: Björn Þór Vilhjálmsson September 2020 Abstract This thesis does an in-depth analysis of Boots Riley’s Sorry to Bother You in order to examine whether a Black revolutionary cinema has emerged in Hollywood. His film is invaluable in understanding the depiction of contemporary aesthetics in Black cinema as it is highly racial and politically charged. It also offers a way forward for Black cinema, perhaps even a revolutionary Black cinema, in its fusion of politics, style and narrative, as well as in its dismantling of generic boundaries. The thesis is broken down into three chapters. The first chapter will lay down the methodological blueprint that will ground the analysis of Riley's film. The literary genre of the fable will be adopted as it gives us an understanding of how Boots Riley activates fantastical elements in order to bring the film's moral message to the audience. The reading of Tzvetan Todorov’s The Fantastic: A Structural Approach to a Literary Genre, will supply the functions of the fantastical and in addition, so too will Rosemary Jackson’s Fantasy: Literature of Subversion to see the relationship between fantasy and the political in a social context. V.F. Perkins’s book Film as Film, will provide formal and aesthetic methodology when it comes to discussing the language of film. The second will be dedicated to the the historical and social context of the film in question. -
Québec Cinema at the Wisconsin Film Festival
Great Shades of Spring Season Premiere Writers write. We help New season begins April 2012! you start, polish, pitch. Check wpt.org for schedule and details. Online courses Screenplays, TV Pilots, Fiction, more The new season features interviews with Critiques & Consults local independent filmmakers followed by a presentation of their film. Writers’ Institute April 13-15 Write-by-the-Lake Retreat June 18-22 School of the Arts July 22-27 Be more independent www.dcs.wisc.edu/lsa/writing 608-262-3447 WISCONSIN PUBLIC TELEVISION City of Madison Department of Planningg Esther, are you sure you and Community & Economic know what you’re doing? the city can loan you money Oh, Shorty, you’re such WIFILMFEST.ORG • 877.963.FILM • WIFILMFEST.ORG to h i r e pr ofess i on als ! Development a good neighbor! And now present..... I can relax while getting 2012 • Grab That a loan at a great 2.75% rate! Loan! % Improve Your Home! • Energy Justst lookl at this • Windows • Insulation • Plumbing • Furnace Effi ciency great rate: 2.75 & Doors • Roofi ng • Electrical • Siding Upgrade WISCONSIN FILM FESTIVAL • MADISON • APRIL 18–22, 18–22, APRIL • MADISON • FESTIVAL FILM WISCONSIN Home Remodeling www.cityofmadison.com/homeloans 2 Loan 266-6557 • 266-4223 MADISON, WISCONSIN [ MARCH 25–31, 2012] film festival ((( SOUNDING ))) OUT THE ENVIRONMENT IN 30 FILMS ALL FILMS AND EVENTS ARE FREE AND OPEN TO THE PUBLIC. NO TICKETS REQUIRED. FEATURED EVENTS KEYNOTE: VAN JONES SEMPER FI: ALWAYS FAITHFUL THE CITY DARK Barrymore Theatre RACHEL LIBERT AND TONY HARDMON, U.S. (2011) IAN CHENEY, U.S.