UAD Powered Plug-Ins Manual V5.3
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Universal Audio 4-710D User Guide
Model 4-710d Four-Channel Tone-Blending Mic Preamplifier Universal Audio Part Number 65-00051 Revision A Universal Audio, Inc. Customer Service & Tech Support: +1-877-MY-UAUDIO Business, Sales & Marketing: +1-866-UAD-1176 www.uaudio.com Notices This manual provides general information, preparation for use, installation and operating instructions for the Universal Audio Model 4-710d. Disclaimer The information contained in this manual is subject to change without notice. Universal Audio, Inc. makes no warranties of any kind with regard to this manual, including, but not limited to, the implied warranties of merchantability and fitness for a particular purpose. Universal Audio, Inc. shall not be liable for errors contained herein or direct, indirect, special, incidental, or consequential damages in connection with the furnishing, performance, or use of this material. Copyright © 2011 Universal Audio, Inc. All rights reserved. This manual and any associated software, artwork, product designs, and design concepts are subject to copyright protection. No part of this document may be reproduced, in any form, without prior written permission of Universal Audio, Inc. Trademarks 4-710d, 710, Twin-Finity, 4110, 8110, SOLO/110, SOLO/610, 2-610, LA-610, LA-2A, 2-LA2, LA-3A, 6176, 1176LN, 2-1176, 2192, DCS Remote Preamp, UAD and the Universal Audio, Inc. logo are trademarks of Universal Audio, Inc. Other company and product names mentioned herein are trademarks of their respective companies FCC Compliance This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) the device must accept any interference received, including interference that may cause undesired operation. -
Model 710 Twin-Finity Mic/Line/Hi-Z Preamplifier
Model 710 Twin-Finity Mic/Line/Hi-Z Preamplifier Universal Audio Part Number 65-0029 Revision 1.0 Universal Audio, Inc. Customer Service & Tech Support: 1-877-MY-AUDIO Business, Sales & Marketing: 1-866-UAD-1176 www.uaudio.com Notice This manual provides general information, preparation for use, installation and operating instructions for the Universal Audio 710. The information contained in this manual is subject to change without notice. Universal Audio, Inc. makes no warranties of any kind with regard to this manual, including, but not limited to, the implied warranties of merchantability and fitness for a particular purpose. Universal Audio, Inc. shall not be liable for errors contained herein or direct, indirect, special, incidental, or consequential damages in connection with the furnishing, performance, or use of this material. Copyright © 2008 Universal Audio, Inc. All rights reserved. This manual and any associated software, artwork, product designs, and design concepts are subject to copyright protection. No part of this document may be reproduced, in any form, without prior written permission of Universal Audio, Inc. Trademarks 710, Twin-Finity, 4110, 8110, SOLO/110, SOLO/610, 2-610, LA-610, LA-2A, 2-LA2, LA-3A, 6176, 1176LN, 2-1176, 2192, DCS Remote Preamp, UAD and the Universal Audio, Inc. logo are trademarks of Universal Audio, Inc. Other company and product names mentioned herein are trademarks of their respective companies Contents of This Box This package should contain: • One Model 710 Twin-Finity Mic/Line/Hi-Z Preamplifier • Rack mounting hardware • 710 Operating Instructions • IEC Power Cable • Registration card A Letter From Bill Putnam, Jr. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Universal Audio UAD Manual
UAD POWERED PLUG-INS USER MANUAL VERSION 5.1 MANUAL VERSION 080922 Universal Audio, Inc. 1700 Green Hills Road Scotts Valley, CA 95066-4926 Voice: +1-831-440-1176 Fax: +1-831-461-1550 www.uaudio.com Customer Support (USA): 1-877-MY-UAUDIO (877-698-2834) NOTICES Disclaimer Servicing This manual provides general information, preparation for use, installation and The user should not attempt to service the unit beyond that described in the operating instructions for the Universal Audio UAD Powered Plug-Ins. The operating instructions. All other servicing should be referred to qualified service information contained in this manual is subject to change without notice. personnel. Universal Audio, Inc. makes no warranties of any kind with regard to this manual, or the product(s) it refers to, including, but not limited to, the implied warranties of merchantability and fitness for a particular purpose. Universal Audio, Inc. shall not be liable for errors contained herein or direct, indirect, special, incidental, or consequential damages in connection with the FCC Compliance furnishing, performance, or use of this material or the product(s). This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules. These limits are designed Important Safety Instructions to provide reasonable protection against harmful interference in a residential installation. Before using this unit, be sure to carefully read the applicable items of these operating instructions and the safety suggestions. Afterwards keep them handy This equipment generates, uses and can radiate radio frequency energy and, if for future reference. -
Model LA-610 Channel Strip
Model LA-610 Channel Strip Universal Audio Manual Number 65-0901 Revision 1.00 Universal Audio, Inc. www.uaudio.com 330 Encinal St. Santa Cruz, CA 95060 (831) 466-3737 voice (831) 466-3775 fax www.uaudio.com The LA-610 Channel Strip Thank you for purchasing the LA-610 Channel Strip. This unit combines a modified channel of our 2-610 Mic Pre with an LA2A style T4 Optical Compressor. Our 610 was inspired by the microphone preamp section of the 610 tube console designed by my father, M.T. “Bill” Putnam, in the 1950s. The 610 was a rotary-control console and was the first console of the modular design. Although technologically simple compared to modern consoles, the 610 possessed a warmth and character that kept it in demand for decades. As a prominent part of my father’s United/Western studios, the 610 was used on many classic recordings by Frank Sinatra and Sarah Vaughan. The Beach Boys Pet Sounds, the Doors LA Woman, and Van Halen’s debut album were all recorded on the 610. The legendary Wally Heider used the 610 in his remote truck for many of his best-known live recordings. At Ocean Way Studios (formerly United), the 610 is lovingly preserved and still used in Studio B. The T4 Compressor element in the LA-610 is identical to the circuit components housed inside the T4 optical cell used on the legendary LA- 2A compressor. The heart and soul of the LA-2A is mostly a result of this special optical gain control element. -
Psaudio Copper
Issue 133 MARCH 29TH, 2021 Copper has a new look! So does the rest of the PS Audio website, the result of countless hours of hard work. There's more functionality and easier access to articles, and additional developments will come. There will be some temporary glitches and some tweaks required – like high-end audio systems, magazines sometimes need tweaking too – but overall, we're excited to provide a better and more enjoyable reading experience. I now hand over the column to our esteemed Larry Schenbeck: Dear Copper Colleagues and Readers, Frank has graciously asked if I’d like to share a word or two about my intention to stop writing Too Much Tchaikovsky. So: thanks to everyone who read and enjoyed it – I wrote it for you. If you added comments occasionally, you made my day. I also wrote the column so I could keep learning, especially about emerging creatives and performers in classical music. Getting the chance to stumble upon something new and nourishing had sustained me in the academic world – it certainly wasn’t the money! – and I was grateful to continue that in Copper. So why stop? Because, as they say, there is a season. It has become considerably harder for me to stumble upon truly fresh sounds and then write freshly thereon. Here I am tempted to quote Douglas Adams or Satchel Paige, who both knew how to deliver an exit line. But I’ll just say (since Frank has promised to leave the light on), goodbye for now. The door is open, Larry, and we can’t thank you enough for your wonderful contributions. -
22 Years of Crown 'Mic Memos'
Web: http://www.pearl-hifi.com 86008, 2106 33 Ave. SW, Calgary, AB; CAN T2T 1Z6 E-mail: [email protected] Ph: +.1.403.244.4434 Fx: +.1.403.245.4456 Inc. Perkins Electro-Acoustic Research Lab, Inc. ❦ Engineering and Intuition Serving the Soul of Music Please note that the links in the PEARL logotype above are “live” and can be used to direct your web browser to our site or to open an e-mail message window addressed to ourselves. To view our item listings on eBay, click here. To see the feedback we have left for our customers, click here. This document has been prepared as a public service . Any and all trademarks and logotypes used herein are the property of their owners. It is our intent to provide this document in accordance with the stipulations with respect to “fair use” as delineated in Copyrights - Chapter 1: Subject Matter and Scope of Copyright; Sec. 107. Limitations on exclusive rights: Fair Use. Public access to copy of this document is provided on the website of Cornell Law School at http://www4.law.cornell.edu/uscode/17/107.html and is here reproduced below: Sec. 107. - Limitations on exclusive rights: Fair Use Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, includ- ing such use by reproduction in copies or phono records or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for class- room use), scholarship, or research, is not an infringement of copyright. -
Jimi Hendrix Songs for Groovy Children: the Fillmore East Concerts
Jimi Hendrix Songs For Groovy Children: The Fillmore East Concerts (19075982772) Expansive CD & LP Box Sets Present All Four Historic Hendrix Band of Gypsys Performances At The Fillmore East Newly Mixed by Eddie Kramer Songs For Groovy Children includes more than two dozen previously unreleased tracks October 1, 2019-New York, NY-Experience Hendrix L.L.C. and Legacy Recordings, a division of Sony Music Entertainment, are proud to release Songs For Groovy Children: The Fillmore East Concerts by Jimi Hendrix, on CD and digital November 22, with a vinyl release to follow on December 13. This collection assembles all four historic debut concerts by the legendary guitarist in their original performance sequence. The 5 CD or 8 vinyl set boasts over two dozen tracks that have either never before been released commercially or have been newly pressed and newly remixed. Those who pre-order the digital version will instantly receive the previously unreleased track “Message To Love,” from the New Year’s Eve second set performance on the collection. Pre-order Songs For Groovy Children here: https://jimihendrix.lnk.to/groovy Watch Songs Of Groovy Children album trailer: https://jimihendrix.lnk.to/groovyvid Over the course of four extraordinary years, Jimi Hendrix placed his indelible stamp upon popular music with breathtaking velocity. Measured alongside his triumphs at Monterey Pop and Woodstock, Hendrix’s legendary Fillmore East concerts illustrated a critical turning point in a radiant career filled with indefinite possibilities. The revolutionary impact Jimi Hendrix, Billy Cox and Buddy Miles had upon the boundaries and definitions of rock, R&B, and funk can be traced to four concerts over the course of two captivating evenings. -
Explore Local
Eat & Drink Stop & SHOP ¡CHECK it out! EXXPPLLOO RR EATERY • Fitness & Recreation % History/Architecture EE o Cafe Z Clothing & Accessories ARt/design/Craft ! ! A Grocer/Bodega c Health/Beauty The Q D natural/open space z Producer 1 Home & Garden 9 community resource Bars, BREWs & barrels • Professional Services All Star Donuts ConfiDental Smile 826 Valencia (TL) and Burgers 735 Larkin St 180 Golden Gate Ave 1 42 • Q 53 9 The Tenderloin got its name because police once bragged that the price of bribes afforded 290 Golden Gate Ave (415) 589-7353 (415) 642-5905, ext 201 (415) 921-5541 them the highest grade of beef. The Em's Barber Shop Asian Art Museum Amigo's Market TenderloinTenderloin 43 342 Jones St Q 54 200 Larkin St 2 500 Ellis St A (415) 926-0552 (415) 581-3500 c % (415) 674-4145 Chico's Pizza Get High on Mountains Boeddeker Park 44 55 3 468 Ellis St 276 Golden Gate Ave Z 246 Eddy St D The neighborhood played a huge role in San Francisco's golden age of vice, with gambling (415) 776-2222 dens, speakeasies, bordellos, and a historic sex worker protest of 1917. GoodLife RX Pharmacy Center for New Music Dispensa 731 Larkin St 55 Taylor St 39 Taylor St 45 Q 56 4 (415) 922-0777 (415) 275-2466 (415) 896-4021 c % Karry's Auto Body Civic Center Campus, CCSF Downtown Grocery 46 265 Eddy St • 57 1170 Market St 5 289 Eddy St A 9 At legendary venue Blackhawk Jazz Club, greats like Miles Davis, Billie Holiday, Charlie (415) 531-2754 (415) 655-3262 (415) 561-1020 Parker, Dave Brubeck, and Thelonious Monk played and recorded. -
UAD System Manual
UAD System Manual Software Version 9 Manual Version 210429 www.uaudio.com Tip: Click any section or Table of Contents page number to jump directly to that page. Introduction ......................................................................................... 6 The Authentic Sound of Analog ........................................................................... 6 Features ........................................................................................................... 7 UAD Documentation Overview ............................................................................. 8 Additional Resources & Technical Support ........................................................... 9 UAD Installation ................................................................................. 10 System Requirements ...................................................................................... 11 Installation on Windows Systems (FireWire and/or PCIe) ...................................... 13 Installation on Windows Systems (Thunderbolt and/or USB) ................................. 14 Installation on Mac Systems ............................................................................. 15 Installed Software Locations ............................................................................. 16 UAD-2 PCIe Card Installation ............................................................................ 17 Online Authorization ........................................................................................ 18 Offline Authorization -
1176LN Manual V3-090908-DC
Model 1176LN Solid-State Limiting Amplifier Universal Audio Part Number 65-00046 Universal Audio, Inc. Customer Service & Tech Support: 1-877-MY-UAUDIO Business, Sales & Marketing: 1-866-UAD-1176 www.uaudio.com Notice _____________________________________________________________ This manual provides general information, preparation for use, installation and operating instructions for the Universal Audio 1176LN. The information contained in this manual is subject to change without notice. Universal Audio, Inc. makes no warranties of any kind with regard to this manual, including, but not limited to, the implied warranties of merchantability and fitness for a particular purpose. Universal Audio, Inc. shall not be liable for errors contained herein or direct, indirect, special, incidental, or consequential damages in connection with the furnishing, performance, or use of this material. Copyright © 2009 Universal Audio, Inc. All rights reserved. This manual and any associated software, artwork, product designs, and design concepts are subject to copyright protection. No part of this document may be reproduced, in any form, without prior written permission of Universal Audio, Inc. Trademarks Universal Audio, the Universal Audio "diamond" logo, UAD, UAD Series, UAD-1, UAD-2, UAD-2 SOLO, UAD-2 DUO, UAD-2 QUAD, "Powered Plug-Ins", 1176LN, 1176SE, Teletronix, LA-2A, LA-3A, LA-610, LA- 610MkII, 2-1176, 2-610, 6176, 710 Twin-Finity, 2192, 4110, 8110, SOLO/610, SOLO/110, DCS Remote Preamp, Cambridge EQ, DreamVerb, Plate 140, Precision Limiter, RealVerb Pro, Precision Buss Compressor, Precision De-Esser, Precision Maximizer and "Analog Ears | Digital Minds," are trademarks or registered trademarks of Universal Audio, Inc.. Other company and product names mentioned herein are trademarks of their respective owners. -
Bill Putnam Jr – Universal Audio
Anz2006-03-245x100 Resolution 22.2.2006 13:55 Uhr Seite 1 meet your maker What are the technical processes involved in creating a reissue of a classic processor; how Bill Putnam Jr real are the component sourcing issues and how authentic is the result? Universal Audio’s CEO and the man behind much of the direction in the company’s Sourcing components is a big deal. I call it forensic engineering. When recreating a processor, we try analogue and digital products discusses the hardware/plug-in issue, the right to keep everything as original as possible. This ingredients, system modelling, and why it’s all just about allowing people to sometimes involves tracking down parts that have long been out of production. We’ve gone so far as to express themselves. ZENON SCHOEPE track the equipment used to make these parts from the original manufacturer all the way through the more serendipitous. decades of company mergers and acquisitions to their ‘Our father, Bill Sr, passed away in 1989. When new owners and worked with them to remake the the time came to sell the family home, Jim and I original parts on the original equipment. were faced with the Herculean task of cleaning out There is also a synergistic element that we have his workshop and storage areas. At fi rst, we enjoyed experienced from the research and analysis required sorting out all the old test equipment, boxes of parts for creation of our plug-ins. For example, there are and bits and pieces of consoles and half-cannibalised some subtle programme-dependent effects introduced 1176s.