2007-08 Spring Newsletter
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Contemporary Folk Week, July 24-30, 2016
36 24-30 Contemporary Folk Week celebrates our 25th Anniversary with a world-class staff of returning artist/instructors including our first Master Music Maker, folk legend Tom Paxton and the timeless artistry of Janis Ian. We’re honored to also welcome back favorites from last year and previous years including Grammy-winners Kathy Mattea, Jon Vezner, and Don Henry, folk stalwarts Ellis Paul, Cliff Eberhardt and Amy Speace, vocal coaches Siobhan Quinn and Danny Ellis, and music theory guru Ray Chesna. We welcome an exciting new addition to this year’s staff in one of the leading lights in today’s contemporary folk scene, the wonderful Mary Gauthier. Drawing on tradition and innovation, our instructors bring a world of practical and imaginative experience to help you create and perform the music that makes your heart sing. Whether you’re trying out material at a local ‘open mike’, a performer with some experience, a working musician looking for some help in reaching your next goal, or someone who would simply like to feel more confident pulling that guitar out in front of others, we’re here to help, and our foundations are support, fun, and community. Our top-notch staff, knowledgeable in the various aspects of both the art and business of contemporary acoustic music, can help you achieve your goals. In addition, our limited enrollment and small campus encourage community-building at its best – frequent and informal interaction between students and staff, all doing our utmost to ensure that you go home energized and empowered to make the most of your music in hands-on and meaningful ways. -
A Musical Odyssey
KAULGGVWPZ0Z « Kindle > In It For The Long Run: A Musical Odyssey. In It For Th e Long Run: A Musical Odyssey. Filesize: 6.56 MB Reviews Very useful to all category of individuals. It is one of the most amazing publication i have got read through. You will not feel monotony at anytime of your respective time (that's what catalogs are for about when you question me). (Mr. Johnathon Dach) DISCLAIMER | DMCA IXMP5IN9EHQW // Doc \ In It For The Long Run: A Musical Odyssey. IN IT FOR THE LONG RUN: A MUSICAL ODYSSEY. To download In It For The Long Run: A Musical Odyssey. PDF, make sure you access the web link listed below and download the file or get access to other information which are highly relevant to IN IT FOR THE LONG RUN: A MUSICAL ODYSSEY. book. University of Illinois Press, Urbana and Chicago, 2014. Socover. Book Condition: New. 352 pages. Socover. New book. MEMOIRS. The memoir of the songwriter and Grammy-winning record producer Inspired by the Hank Williams and Leadbelly recordings he heard as a teenager growing up outside of Boston, Jim Rooney began a musical journey that intersected with some of the biggest names in American music including Bob Dylan, James Taylor, Bill Monroe, Muddy Waters, and Alison Krauss. In It for the Long Run: A Musical Odyssey is Rooney's kaleidoscopic first-hand account of more than five decades of success as a performer, concert promoter, songwriter, music publisher, engineer, and record producer. As witness to and participant in over a half century of music history, Rooney provides a sophisticated window into American vernacular music. -
April May June
May 2005 vol 40, No.5 April 30 Sat Songs and Letters of the Spanish Civil War, co-sponsored with and at the Peoples’ Voice Cafe May 1 Sun Sea Music Concert: Dan Milner, Bob Conroy & Norm Pederson + NY Packet; 3pm South St.Melville Gallery 4WedFolk Open Sing; Ethical Culture Soc., Brooklyn, 7pm 9 Mon NYPFMC Exec. Board Meeting 7:15pm at the club office, 450 7th Ave, #972D (34-35 St), info 1-718-575-1906 14 Sat Chantey Sing at Seamen’s Church Institute, 8pm 15 Sun Sacred Harp Singing at St. Bart’s, Manhattan; 2:30 pm 19 Thur Riverdale Sing, 7:30-10pm, Riverdale Prsby. Church, Bronx 20 Fri Bill Staines, 8pm at Advent Church ☺ 21 Sat For The Love of Pete; at Community Church 22 Sun Gospel & Sacred Harp Sing, 3pm: location TBA 22 Sun Balkan Singing Workshop w/ Erica Weiss in Manhattan 22 Sun Sunnyside Song Circle in Queens; 2-6pm 27-30 Spring Folk Music Weekend --see flyer in centerfold June 1WedFolk Open Sing; Ethical Culture Soc., Brooklyn, 7pm 2 Thur Newsletter Mailing; at Club office, 450 7th Ave, #972, 7 pm 7 Tue Sea Music Concert: Mick Moloney + NY Packet; 6pm South Street Seaport Melville Gallery 11 Sat Chantey Sing at Seamen’s Church Institute, 8pm 13 Mon NYPFMC Exec. Board Meeting 7:15pm at the club office, 450 7th Ave, #972D (34-35 St), info 1-718-575-1906 14 Tue Sea Music Concert: The NexTradition + NY Packet; 6pm 16 Thur: Sara Grey & Kieron Means; location to be announced 19 Sun Sacred Harp Singing at St. -
The Ballads of the Southern Mountains and the Escape from Old Europe
B AR B ARA C HING Happily Ever After in the Marketplace: The Ballads of the Southern Mountains and the Escape from Old Europe Between 1882 and 1898, Harvard English Professor Francis J. Child published The English and Scottish Popular Ballads, a five volume col- lection of ballad lyrics that he believed to pre-date the printing press. While ballad collections had been published before, the scope and pur- ported antiquity of Child’s project captured the public imagination; within a decade, folklorists and amateur folk song collectors excitedly reported finding versions of the ballads in the Appalachians. Many enthused about the ‘purity’ of their discoveries – due to the supposed isolation of the British immigrants from the corrupting influences of modernization. When Englishman Cecil Sharp visited the mountains in search of English ballads, he described the people he encountered as “just English peasant folk [who] do not seem to me to have taken on any distinctive American traits” (cited in Whisnant 116). Even during the mid-century folk revival, Kentuckian Jean Thomas, founder of the American Folk Song Festival, wrote in the liner notes to a 1960 Folk- ways album featuring highlights from the festival that at the close of the Elizabethan era, English, Scotch, and Scotch Irish wearied of the tyranny of their kings and spurred by undaunted courage and love of inde- pendence they braved the perils of uncharted seas to seek freedom in a new world. Some tarried in the colonies but the braver, bolder, more venturesome of spirit pressed deep into the Appalachians bringing with them – hope in their hearts, song on their lips – the song their Anglo-Saxon forbears had gathered from the wander- ing minstrels of Shakespeare’s time. -
W W W . J a S O N S P O O N E R . C
Has shared stages with: The ingredients behind northern New England’s Jason Spooner Trio Brandi Carlile read like a bizarre musical science experiment. Start with a prolific, Peter Rowan singer/songwriter (Jason Spooner) with heavy roots, folk & blues Railroad Earth influences. Then mix in a classicly-trained bassist (Adam Frederick) with Colin Hay 2007 Winner foundations in jazz and a knack for serious pocket grooves. Lastly, shake Mountain Stage NewSong Willy Porter things up with a rock-solid drummer (Reed Chambers) with deep- Contest International Finals John Gorka seeded roots in funk, soul & reggae and you’ve begun to scratch the Tom Rush surface of this unique, energetic band. Ron Sexsmith Josh Ritter In recent news, Jason and the band confirmed bookings for main stage Stephen Kellogg performances at the 2008 Kerrville Folk Festival (TX), the 2008 Carbon Leaf Falcon Ridge Folk Festival (NY), 2008 Musikfest (PA), the 2008 2007 National Finalist The Wailin’ Jennys Boston Folk Festvial (MA), and the 2008 Prescott Park Festival (NH). Starbucks Music Makers Competition Chris Smither Jason also opened a New England show for songwriter Brandi Carlile Crooked Still during the summer of 2008. Jason won the 2007 Mountain Stage Janis Ian NewSong contest international finals at the South Street Sea Port in Eliza Gilkyson New York City. He was also a national finalist in the 2007 Starbucks Music Kelly Joe Phelps Makers Competition. He toured the East Coast in the Spring of 2006 as Peter Tork part of the Emerging Artist Showcase at the 2005 Falcon Ridge Folk 2006 Preview Tour Slaid Cleaves Festival in Hillsdale, NY. -
Jim-Rooney-Daa-Induction-By-Menius
Jim Rooney DAA Presentation by Art Menius IBMA World of Bluegrass Awards Luncheon September 29, 2016 Jim Rooney did me a big favor, writing. In It for the Long Run: A Musical Memoir, so that I could do this presentation. That’s being a friend. Jim is a man who has done it all while enjoying being in it for the long run in many relationships. Think of Bill Keith, Eric von Schmidt, or his eventual spouse Carol Langstaff. At Owensboro I remember Jim, tall and commanding, as his left hand powered the rhythm on a kick ass rendition of Six White Horses.” Not that he limited himself to Monroe covers. His interpretation of the Stones’ “No Expectations” became a go to song. His love for bluegrass began back in Massachusetts in the 1950s when he heard on a band called the Confederate Mountaineers at radio station WCOP. Inspired by the Lillys, Tex, and Stovepipe, it wasn’t too long before Jim was on WCOP himself and hooked on performing. At Amherst he met Bill Keith who would be a friend and musical partner for much of the next 60 years. In 1962, they recorded “Devils Dream” and “Sailor’s Hornpipe,” the first documentation of Bill’s chromatic style shortly before he joined the Blue Grass Boys. The tracks appeared on their Living on the Mountain LP. Their many collaborations would include the revolutionary Blue Velvet Band whose music spread worldwide person to person Mud Acres, and concerts and tours with many different aggregations and combinations. Jim enjoyed sharing a heritage award from the Boston Bluegrass Union and brought us to tears at Bill’s induction into the Hall of Fame. -
Pieta Brown in Concert
Rootstalk | Volume IV, Issue 2, Spring 2018 Pieta Brown in Concert BY KELLY HANSEN MAHER usically as well as figuratively, Iowa-born Msinger-songwriter, Pieta Brown (https:// www.pietabrown.com) honors the long sustain—a fact which was amply evidenced by her sold-out fall 2017 performance in the Grinnell (Iowa) Area Arts Council’s (https://www.grinnellarts.org) gallery space, backed by Grammy-award winning guitarist Bo Ramsey (https:// www.boramsey.com). Her layered refrains make for a straightforward but lush musical atmosphere that re- calls traditional folk and blues, while her strong yet PHOTO COURTESY OF KELLY HANSEN MAHER breathy vocals run more indie and alt-country. It’s an Kelly Hansen Maher (https://www.kelly- infectious blend that ably supports Brown’s clear sense hansenmaher.com/books) lives in Grinnell, of tradition and place. Put another way, her music epit- Iowa, and is the author of one collection of omizes contemporary Middle-America songwriting. poetry, Tremolo (Tinderbox Editions, 2016; Watching her play, I found myself watching her fin- http://www.tinderboxeditions.org/on-line- gers on the guitar neck at the end of each song. On each store/Tremolo-p61897419). Her work has song ending, she pressed the strings and gently waved appeared in Briar Cliff Review (http:// the neck, drawing the final sound out in a reverent, last- www.bcreview.org), New Orleans Review ing fade. This impression of that night has stayed with (http://www.neworleansreview.org), and me: that resonant, purposeful close, which was really an elsewhere. Kelly teaches creative writing in intention to remain. -
Other Songwriter Quotes
Buddy Mondlock Other songwriters say: “Buddy Mondlock represents the best of the new generation of singer/songwriters in folk music. His writing style is grounded in the traditions of the past, but has it’s heart in the present. He is one of my favorite writers.” Nanci Griffith “I first saw Buddy Mondlock while hosting the Ballad Tree, a tradition at the Kerrville Folk Festival. This kid in a bathing suit walked up and played “No Choice” to an audience of 30 - 40 people. By the time he got to the second verse, he had 200 people singing along with him. He blew me away! Pay attention to Buddy; he’s a great writer!” Guy Clark “Buddy Mondlock is one of our country’s best songwriters. His approach is gentle and Zen-like, the songs unfurl like little movies and the listener is transported to some distant better place -- and isn’t that what music should be about?” Ellis Paul “Buddy Mondlock is consistently eclectic, consistently innovative and consistently one of the few artists that doesn’t irritate me. I love working with him and he better keep working with me.” Janis Ian “While residing in the world capital of perfunctory 9 - 5 songwriters, Buddy Mondlock chooses to write songs that convey honest emotional depth through a prism of sophisticated harmony and melody. His song “The Kid” is a timeless anthem of innocence discovering reality. I cried like a little girl.” Richard Julian “Buddy Mondlock writes beautiful songs and plays the kind of guitar they deserve. He’s a fine person and a fine artist.” Townes Van Zandt www.buddymondlock.com . -
SCVFA Slow-Jam Tunes As of March 2018
SCVFA Slow-Jam Tunes as of March 2018 Dates on Page Title (key) Slow-Jam List * 1 Angeline the Baker (aka Angelina Baker) (D) 9/15- * 2 Arkansas Traveler (D) 4/15- * 3 Barlow Knife (G) 3/18- 4 Cripple Creek (A) 4/15-1/16 5 Girl I Left Behind Me, The (G) 1/15- 6 Hot Corn, Cold Corn (G) 7/15-7/16 8 Irish Washerwoman (G) 3/15-7/15 9 Jaybird (D) 11/15- 10 June Apple (A) 8/16- 11 Kesh Jig, The (G) 2/15-7/15 12 Liberty (D; 2 versions) 1/15- 13 Long Journey Home (Two Dollar Bill) (G) 8/15-3/16 14 Mississippi Sawyer (D) 11/15- 16 Mountain Dew (G) 5/15-3/16 * 18 Old Joe Clark (A Mixolydian, or mixed) 12/14-1/16 19 Over the Waterfall (A) 11/15- 20 Red Wing (G) 4/16- (instrumental and singing ver.) 22 Red-Haired Boy (A Mix.) 8/15- (as hornpipe and reel) 23 Saint Anne's Reel (D) 8/16- * 24 Shoo Fly (D) 3/18- 25 Soldier’s Joy (D) (2 versions) 12/14- 26 Squirrel Hunters (A Mixolydian & A Dorian) 4/16- 27 Swallowtail Jig (Edor) 8/16- 28 Whiskey Before Breakfast (D) 8/16- 30 Wildwood Flower (C) 1/15- 32 Will the Circle Be Unbroken (A) 5/15-3/16 33 Worried Man Blues (G) 2/15-3/16 * = Added or revised March 2018 1 Key: D maj. Angeline the Baker Traditional, arr. Pete Showman = 90 aka Angelina Baker A D G 1. -
Visit Robin and Linda on the World Wide
The couple met in 1971. Linda — originally from Robin and Linda Williams are like Robin and Linda Williams — Alabama — was teaching school in South Carolina. dynamic, hilarious and better than ever. your next-door neighbors — assuming your Robin, who grew up in North Carolina, had been neighbors are the salt-of-the- earth and top-flight making the rounds on the national coffeehouse performers to boot. One minute you picture circuit. It wasn’t long before they hit it off Recent releases include: borrowing a cup of sugar from these two; the romantically. And the uncanny blend of their voices Stonewall Country (2011) next, you’re completely stunned by their jaw- was icing on the cake. These days, they make their Buena Vista (2008) dropping talent. Bottom line: You feel right at home in the beautiful Shenandoah Valley of Virginia. Radio Songs (2007) home at a Robin and Linda concert, and their The First Christmas Gift (2005) Their first album came out on a small Minnesota- music stays with you like an old friend. Deeper Waters (2004) based record label in 1975, the same year they Favorites of fans and promoters alike, they have Visions of Love (2002) debuted on A Prairie Home Companion. Their In the Company of Strangers (2000) crisscrossed the continent (and beyond) for more association with the popular public radio program has than three decades, performing the tunes they landed them on major stages from Carnegie Hall to love — a hearty blend of bluegrass, folk, old- the Hollywood Bowl. As half of The Hopeful Appeared with: time and acoustic country. -
Iris Dement Bio
Iris DeMent Bio The last of fourteen children, born in Arkansas and raised in Southern California, DeMent spent her childhood immersed in gospel and traditional country music. Infamous Angel, initially issued on Rounder in 1992, before being picked up by Warner Bros., immediately established her as a promising and talented artist. Its 1994 follow-up, My Life, earned a Grammy nomination in the Contemporary Folk category and her 1996 album, The Way I Should, which addressed political, as well as personal themes, brought her a second nomination. Along the way, several of DeMent’s songs became cultural touchstones. “Let The Mystery Be” found its way to MTV Unplugged as a duet by David Byrne and Natalie Merchant. “Our Town” was played over the farewell scene in the series finale of Northern Exposure. Merle Haggard, invited her to tour with his legendary band “The Strangers,” sitting in as piano player and later went on to record two of her songs, “No Time To Cry” and the gospel tinged “The Shores of Jordan”. She’s recorded and toured extensively with John Prine, singing four duets with him on “In Spite of Ourselves”, and had a minor role in the motion picture “Songcatcher”, as well as contributing a song to its soundtrack. In 2004 she recorded the gospel album, Lifeline. “I took a bunch of old church songs I love...songs I’ve sung since as far back as I can remember, and sat down at a worn out, warbly piano with some tape rolling.” One of the songs caught on that tape, was her rendition of “Leaning on the Everlasting Arms,” the song the Coen Brothers, in 2010, chose to run over the closing credits of their remake of the classic western “True Grit.” As with Lifeline, DeMent released her latest album, Sing The Delta on her own label, Flariella Records in 2012. -
Bring Robin & Linda Williams
Robin and Linda Williams are like your next- coffeehouse circuit. It wasn’t long before they hit it off door neighbors — assuming your neighbors are the salt-of-the- romantically. And the uncanny blend of their voices was icing on Recent releases include: earth and top-flight performers to boot. One minute you picture the cake. These days, they make their home in the beautiful The First Christmas Gift (2005) borrowing a cup of sugar from these two; the next, you’re Shenandoah Valley of Virginia. Deeper Waters (2004 completely stunned by their jaw-dropping talent. Bottom line: Visions of Love (2002) You feel right at home at a Robin and Linda concert, and their Their first album came out on a small Minnesota-based record In The Company Of Strangers (2000) music stays with you like an old friend. label in 1975, the same year they debuted on A Prairie Home Devil Of A Dream (1998) Companion. Their association with the popular public radio Sugar For Sugar (1996) Favorites of fans and promoters alike, they have crisscrossed the program has landed them on major stages from Carnegie Hall to continent (and beyond) for more than three decades, performing the Hollywood Bowl. As half of The Hopeful Gospel Quartet, Appeared with: the tunes they love — a hearty blend of bluegrass, folk, old-time they have collaborated on several CDs with the show’s host, Garrison Keillor Tom Paxton and acoustic country. From The Grand Ole Opry to Austin City Garrison Keillor, and were prominently featured in the 2006 film Mary Chapin Carpenter John McCutcheon Limits, Music City Tonight to Mountain Stage, clubs, festivals and “A Prairie Home Companion,” directed by master filmmaker Emmylou Harris Doc Watson countless other venues, Robin and Linda never cease to wow Robert Altman.