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Contemporary Folk Week, July 24-30, 2016
36 24-30 Contemporary Folk Week celebrates our 25th Anniversary with a world-class staff of returning artist/instructors including our first Master Music Maker, folk legend Tom Paxton and the timeless artistry of Janis Ian. We’re honored to also welcome back favorites from last year and previous years including Grammy-winners Kathy Mattea, Jon Vezner, and Don Henry, folk stalwarts Ellis Paul, Cliff Eberhardt and Amy Speace, vocal coaches Siobhan Quinn and Danny Ellis, and music theory guru Ray Chesna. We welcome an exciting new addition to this year’s staff in one of the leading lights in today’s contemporary folk scene, the wonderful Mary Gauthier. Drawing on tradition and innovation, our instructors bring a world of practical and imaginative experience to help you create and perform the music that makes your heart sing. Whether you’re trying out material at a local ‘open mike’, a performer with some experience, a working musician looking for some help in reaching your next goal, or someone who would simply like to feel more confident pulling that guitar out in front of others, we’re here to help, and our foundations are support, fun, and community. Our top-notch staff, knowledgeable in the various aspects of both the art and business of contemporary acoustic music, can help you achieve your goals. In addition, our limited enrollment and small campus encourage community-building at its best – frequent and informal interaction between students and staff, all doing our utmost to ensure that you go home energized and empowered to make the most of your music in hands-on and meaningful ways. -
Traditional Song
3 TraditionalSong l3-9 Traditional Song Week realizes a dream of a comprehensive program completely devoted to traditional styles of singing. Unlike programs where singing takes a back seat to the instrumentalists, it is the entire focus of this week, which aims to help restore the power of songs within the larger traditional music scene. Here, finally, is a place where you can develop and grow in confidence about your singing, and have lots of fun with other folks devoted to their own song journeys. Come gather with us to explore various traditional song genres under the guidance of experienced, top-notch instructors. When singers gather together, magical moments are bound to happen! For Traditional Song Week’s ninth year and our celebration of The Swannanoa Gathering’s 25th Anniversary, we are proud to present a gathering of highly influential singers and musicians who have remained devoted over the years to preserving and promoting traditional song. Tuesday evening will be our big Hoedown for a Traditional Country, Honk-Tonk, Western Swing Song and Dance Night. Imagine singing to a house band of Josh Goforth, Robin and Linda Williams and Ranger Doug or Tim May, Tim O’Brien, and Mark Weems! So, bring your boots and hats, your voices and instruments, and get ready to bring on the fun! Our Community Gathering Time each day just after lunch affords us the opportunity to experience together, as one group, diverse topics concerning our shared love of traditional song. This year’s spotlight will feature folks who have been “on the road” and singing for quite a while. -
Laurie Lewis Cd Catalog
LAURIE LEWIS CD CATALOG Skippin’ and Flyin’ Hills to Hollers - Live Steam and Steel Laurie Lewis’ homage to the Father of From the hills of bluegrass to the hol- Great railroading songs, sung by Scott Bluegrass, Bill Monroe, on the occasion of lers of the African-American musical Huffman, Tom Rozum, and Laurie Lewis. the 100th anniversary of his birth experience, they delve deep into the rich Originally produced and recorded for the With Tom Rozum, Todd Phillips, Craig Smith, history of both white and black musical Mid-Continent Railway Historic Society and Linda Ronstadt traditions from the American South Laurie Lewis, Tom Rozum, Scott Huffman, Old Ten Broeck Laurie Lewis, Linda Tillery, and Barbara Higbie Patrick Sauber, Chad Manning, Bobby Black, What’s Good For You Midnight Special and Andrew Conklin The Pharaoh’s Daughter Black Girl/In the Pines Old Saginaw Hartfordtown 1944 Working Girl Blues Denver & Rio Grande Tuck Away My Lonesome Blues Here Today Memories, Childhood Days I Don’t Care Anymore Rosie The Wreck of the No. 9 A Lonesome Road Pharaoh’s Daughter Passenger Train Dreams Tip the Canoe Rutland Road American Chestnuts Toots Blues East Broad Top Carters’ Blues Cold Front Morning (piano solo) The O & W Line Fair Beauty Bright I’m So Lonesome I Could Cry The Ballad of Bill Strauss Blue Moon of Kentucky Hollerin’ Four Ribbons of Light I Ain’t Gonna Work Tomorrow San Francisco Bay Blues $15 Going Away $15 $15 Blossoms Live The Golden West Featuring many of Laurie’s original songs, Three magical nights captured on a Highly-acclaimed -
A Musical Odyssey
KAULGGVWPZ0Z « Kindle > In It For The Long Run: A Musical Odyssey. In It For Th e Long Run: A Musical Odyssey. Filesize: 6.56 MB Reviews Very useful to all category of individuals. It is one of the most amazing publication i have got read through. You will not feel monotony at anytime of your respective time (that's what catalogs are for about when you question me). (Mr. Johnathon Dach) DISCLAIMER | DMCA IXMP5IN9EHQW // Doc \ In It For The Long Run: A Musical Odyssey. IN IT FOR THE LONG RUN: A MUSICAL ODYSSEY. To download In It For The Long Run: A Musical Odyssey. PDF, make sure you access the web link listed below and download the file or get access to other information which are highly relevant to IN IT FOR THE LONG RUN: A MUSICAL ODYSSEY. book. University of Illinois Press, Urbana and Chicago, 2014. Socover. Book Condition: New. 352 pages. Socover. New book. MEMOIRS. The memoir of the songwriter and Grammy-winning record producer Inspired by the Hank Williams and Leadbelly recordings he heard as a teenager growing up outside of Boston, Jim Rooney began a musical journey that intersected with some of the biggest names in American music including Bob Dylan, James Taylor, Bill Monroe, Muddy Waters, and Alison Krauss. In It for the Long Run: A Musical Odyssey is Rooney's kaleidoscopic first-hand account of more than five decades of success as a performer, concert promoter, songwriter, music publisher, engineer, and record producer. As witness to and participant in over a half century of music history, Rooney provides a sophisticated window into American vernacular music. -
The Ballads of the Southern Mountains and the Escape from Old Europe
B AR B ARA C HING Happily Ever After in the Marketplace: The Ballads of the Southern Mountains and the Escape from Old Europe Between 1882 and 1898, Harvard English Professor Francis J. Child published The English and Scottish Popular Ballads, a five volume col- lection of ballad lyrics that he believed to pre-date the printing press. While ballad collections had been published before, the scope and pur- ported antiquity of Child’s project captured the public imagination; within a decade, folklorists and amateur folk song collectors excitedly reported finding versions of the ballads in the Appalachians. Many enthused about the ‘purity’ of their discoveries – due to the supposed isolation of the British immigrants from the corrupting influences of modernization. When Englishman Cecil Sharp visited the mountains in search of English ballads, he described the people he encountered as “just English peasant folk [who] do not seem to me to have taken on any distinctive American traits” (cited in Whisnant 116). Even during the mid-century folk revival, Kentuckian Jean Thomas, founder of the American Folk Song Festival, wrote in the liner notes to a 1960 Folk- ways album featuring highlights from the festival that at the close of the Elizabethan era, English, Scotch, and Scotch Irish wearied of the tyranny of their kings and spurred by undaunted courage and love of inde- pendence they braved the perils of uncharted seas to seek freedom in a new world. Some tarried in the colonies but the braver, bolder, more venturesome of spirit pressed deep into the Appalachians bringing with them – hope in their hearts, song on their lips – the song their Anglo-Saxon forbears had gathered from the wander- ing minstrels of Shakespeare’s time. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
Billy Jonas and the Billy Jonas Band
Billy Jonas and the Billy Jonas Band Throw out the rules when Billy Jonas hits the stage! It’s a musical conversation… a sonic celebration … a splendiferous gathering of old and young, because at a Billy Jonas show, the ensemble is… everyone. “My favorite instrument is the audience. I work to ‘tribalize’ the compositions … to create songs that provide an immediate opportunity, on first hearing, for the listener to join in, as if the song had been a part of their life for a long time.” – Billy Jonas A Billy Jonas concert is a "neo-tribal hootenanny" -- original "voice and percussion" -based songs with a generous dose of audience participation. The music mixes conventional instruments (guitar, bass, marimba) with homemade creations (using buckets and barrels, keys and cans, bells and body percussion). The New York Times has described Jonas’ songwriting as “witty, smart and raw”. Billy tailors both his song selection and its presentation to uniquely suit each audience. Its spirited, straightforward music that is accessible to anyone and everyone, regardless of age or cultural background. Jonas’ concerts are a magical mix of stagecraft and wholesome, open-ended, anything-can- happen spontaneity. Sing Out magazine says, “ …he engages the audience with a wild assortment of rhythm and word play, leaving them entertained and a little more in touch with their spiritual selves.” Jonas is known for his ability to facilitate connection and community while fostering inspiration and FUN! Billy Jonas has shared stages with many renowned artists, including Alison Krauss, Peter Yarrow, Keb' Mo', Mary Chapin Carpenter, Kathy Mattea, Paul Winter, Michele Shocked, Justin Bieber, Ani DiFranco, David Wilcox, Richard Thompson, and Pete Seeger. -
282 Newsletter
NEWSLETTER #282 COUNTY SALES P.O. Box 191 November-December 2006 Floyd,VA 24091 www.countysales.com PHONE ORDERS: (540) 745-2001 FAX ORDERS: (540) 745-2008 WELCOME TO OUR COMBINED CHRISTMAS CATALOG & NEWSLETTER #282 Once again this holiday season we are combining our last Newsletter of the year with our Christmas catalog of gift sugges- tions. There are many wonderful items in the realm of BOOKs, VIDEOS and BOXED SETS that will make wonderful gifts for family members & friends who love this music. Gift suggestions start on page 10—there are some Christmas CDs and many recent DVDs that are new to our catalog this year. JOSH GRAVES We are saddened to report the death of the great dobro player, Burkett Graves (also known as “Buck” ROU-0575 RHONDA VINCENT “Beautiful Graves and even more as “Uncle Josh”) who passed away Star—A Christmas Collection” This is the year’s on Sept. 30. Though he played for other groups like Wilma only new Bluegrass Christmas album that we are Lee & Stoney Cooper and Mac Wiseman, Graves was best aware of—but it’s a beauty that should please most known for his work with Lester Flatt & Earl Scruggs, add- Bluegrass fans and all ing his dobro to their already exceptional sound at the height Rhonda Vincent fans. of their popularity. The first to really make the dobro a solo Rhonda has picked out a instrument, Graves had a profound influence on Mike typical program of mostly standards (JINGLE Auldridge and Jerry Douglas and the legions of others who BELLS, AWAY IN A have since made the instrument a staple of many Bluegrass MANGER, LET IT bands everywhere. -
Guitar Week, July 24-30, 2016 7:30- 8:30 Breakfast
JULY 3 - AUGUST 6, 2016 AT WARREN WILSON COLLEGE, ASHEVILLE, NC The Swannanoa Gathering Warren Wilson College, PO Box 9000, Asheville, NC 28815-9000 phone/fax: (828) 298-3434 email: [email protected] • website: www.swangathering.com shipping address: The Swannanoa Gathering, 701 Warren Wilson Rd., Swannanoa, NC 28778 For college admission information contact: [email protected] or 1-800-934-3536 WARREN WILSON COLLEGE CLASS INFORMATION President Dr. Steven L. Solnick The workshops take place at various sites around the Warren Wilson Vice President and Dean of the College Dr. Paula Garrett campus and environs, (contact: [email protected] or 1-800-934-3536 Vice President for Administration and Finance Stephanie Owens for college admission information) including classrooms, Kittredge Theatre, our Vice President of Advancement K. Johnson Bowles Bryson Gym dancehall and campus Pavilion, the campus gardens and patios, Vice President for Enrollment and Marketing Janelle Holmboe Dean of Student Life Paul Perrine and our own jam session tents. Each year we offer over 150 classes. Students are Dean of Service Learning Cathy Kramer free to create their own curriculum from any of the classes in any programs offered Dean of Work Ian Robertson for each week. Students may list a class choice and an alternate for each of our scheduled class periods, but concentration on two, or perhaps three classes is THE SWANNANOA GATHERING strongly recommended, and class selections are required for registration. We ask that you be thoughtful in making your selections, since we will consider Director Jim Magill them to be binding choices for which we will reserve you space. -
Jim-Rooney-Daa-Induction-By-Menius
Jim Rooney DAA Presentation by Art Menius IBMA World of Bluegrass Awards Luncheon September 29, 2016 Jim Rooney did me a big favor, writing. In It for the Long Run: A Musical Memoir, so that I could do this presentation. That’s being a friend. Jim is a man who has done it all while enjoying being in it for the long run in many relationships. Think of Bill Keith, Eric von Schmidt, or his eventual spouse Carol Langstaff. At Owensboro I remember Jim, tall and commanding, as his left hand powered the rhythm on a kick ass rendition of Six White Horses.” Not that he limited himself to Monroe covers. His interpretation of the Stones’ “No Expectations” became a go to song. His love for bluegrass began back in Massachusetts in the 1950s when he heard on a band called the Confederate Mountaineers at radio station WCOP. Inspired by the Lillys, Tex, and Stovepipe, it wasn’t too long before Jim was on WCOP himself and hooked on performing. At Amherst he met Bill Keith who would be a friend and musical partner for much of the next 60 years. In 1962, they recorded “Devils Dream” and “Sailor’s Hornpipe,” the first documentation of Bill’s chromatic style shortly before he joined the Blue Grass Boys. The tracks appeared on their Living on the Mountain LP. Their many collaborations would include the revolutionary Blue Velvet Band whose music spread worldwide person to person Mud Acres, and concerts and tours with many different aggregations and combinations. Jim enjoyed sharing a heritage award from the Boston Bluegrass Union and brought us to tears at Bill’s induction into the Hall of Fame. -
Pieta Brown in Concert
Rootstalk | Volume IV, Issue 2, Spring 2018 Pieta Brown in Concert BY KELLY HANSEN MAHER usically as well as figuratively, Iowa-born Msinger-songwriter, Pieta Brown (https:// www.pietabrown.com) honors the long sustain—a fact which was amply evidenced by her sold-out fall 2017 performance in the Grinnell (Iowa) Area Arts Council’s (https://www.grinnellarts.org) gallery space, backed by Grammy-award winning guitarist Bo Ramsey (https:// www.boramsey.com). Her layered refrains make for a straightforward but lush musical atmosphere that re- calls traditional folk and blues, while her strong yet PHOTO COURTESY OF KELLY HANSEN MAHER breathy vocals run more indie and alt-country. It’s an Kelly Hansen Maher (https://www.kelly- infectious blend that ably supports Brown’s clear sense hansenmaher.com/books) lives in Grinnell, of tradition and place. Put another way, her music epit- Iowa, and is the author of one collection of omizes contemporary Middle-America songwriting. poetry, Tremolo (Tinderbox Editions, 2016; Watching her play, I found myself watching her fin- http://www.tinderboxeditions.org/on-line- gers on the guitar neck at the end of each song. On each store/Tremolo-p61897419). Her work has song ending, she pressed the strings and gently waved appeared in Briar Cliff Review (http:// the neck, drawing the final sound out in a reverent, last- www.bcreview.org), New Orleans Review ing fade. This impression of that night has stayed with (http://www.neworleansreview.org), and me: that resonant, purposeful close, which was really an elsewhere. Kelly teaches creative writing in intention to remain. -
Ice-T Re^Rns to the Real Inside: the Cash Box Retail Guide
'f)L. LIX, NO. 30 Newspaper $3.95 ftSo E ENTERTAINMENT TRADE M. rj V;K Ice-T Re^rns To The Real Inside: The Cash Box Retail Guide 0 82791 19360 4 VOL. LIX, NO. 30 April 6, 1996 NUMBER ONES STAFF GEORGE ALBERT President and Publisher POP SINGLE KEITH ALBERT THE ENTERTAINMENT TRADE MAGAZINE Exec. V.PJOeneral Manager Always Baby Be My M.R. MARTINEZ Mariah Carey Managing Editor (Columbia) EDITORIAL Los Angdes JOhM GOFF GIL ROBERTSON IV DAINA DARZIN URBAN SINGLE HECTOR RESENDEZ, Latin Edtor Cover Story Nashville Down Low ^AENDY NEWCOMER New York R. Kelly Ice-T Keeps It Real J.S GAER (Jive) CHART RESEARCH He’s established himself as a rapper to be reckoned with, and has encountered Los Angdes BRIAN PARMELLY his share of controversy along the way. But Ice-T doesn’t mind keepin’ it real, ZIV RAP SINGLE which is the key element in his new Rhyme Syndicate/ Priority release Ice VI: TONY RUIZ PETER FIRESTONE The Return Of The Real. The album is being launched into the consciousness of Woo-Hah! Got You... Retail Gude Research fans and foes with a wickedly vigorous marketing and media campaign that LAURI Busta Rhymes Nashville artist’s power. Angeles-based rapper talks with underscores the The Los Cash GAIL FRANCESCHl (Elektra) Box urban editor Gil Robertson IV about the record, his view of the industry MARKETINO/ADVERTISINO today and his varied creative ventures. Los A^gdes FRANK HIGGINBOTHAM —see page 5 JOI-TJ RHYS COUNTRY SINGLE BOB CASSELL Nashville To Be Loved By You The Cash Box Retail Guide Inside! TED RANDALL V\^nonna New York NOEL ALBERT (Curb) CIRCULATION NINATREGUB, Managa- Check Out Cash Box on The Internet at JANET YU PRODUCTION POP ALBUM HTTP: //CASHBOX.COM.