DOCSLIB.ORG

Page 1 T H E D E V E L O P M E N T S H O W C a S E Page 2 Page 3

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

THE DEVELOPMENT SHOWCASE WELCOME London is renowned as one of the world’s most exciting global cities, and rightly so. Alongside the English language, convenient time zone and world-class education system, the diverse culture and eclectic mix of lifestyles make it a vibrant place to call home. As well as having four world heritage sites, eight spacious royal parks and over 200 museums and galleries, London is also a leading centre for finance, technology and creativity and is one of the safest, most stable cities in the world. Education forms an enormous part of the appeal of this city. Students flock from all over the globe to study in London, and whether they buy or rent, there are so many places to choose to live and study. Security, lifestyle, transport links and amenities are all important factors for students and their parents. I know from my own experiences of helping families to find the ideal place in London for their children to live, that the new homes currently on offer fulfil all these criteria and more. The quality of new build homes is already world class in London, and is only getting better. Despite challenging market conditions, in the last year we’ve continued to accelerate. We’ve grown our business and added to our portfolio of London offices, opening our Battersea and Nine Elms office, which is going from strength to strength and really embracing the pace of change and regeneration in this exciting new neighbourhood. We continue to work with the very best housebuilders and developers, and are proud of the strength of these relationships. At CBRE we are dedicated to matching buyers with their dream home, and pride ourselves on an excellent track record of doing just that. We regularly have buyers who are so happy they go on to add to their property portfolio through us, and recommend our excellent service to others. We hope that this Development Showcase will demonstrate the wonderful breadth of opportunity that London presents, whatever your reason for buying in one of the most iconic and colourful global cities. MARK COLLINS Chairman of Residential THE DEVELOPMENT SHOWCASE | CBRE Brent CONTENTS 04 page page 01. Emerald Gardens 6 25. London City Island 48 02. Queen’s Wharf 7 26. 360 Barking 50 03. White City Living 8 2 7. Callis Yard 51 03 04. Hampstead Manor 10 05. Fulham Riverside 12 The Boutique 06. Ebury Place 13 Collection Ealing 0 7. Paddington Gardens 14 28. Lincoln Square 54 08. Nine Elms Point 15 29. Chancery Quarters 56 09. Portman Square 20 30. The Colyer 57 Hammersmith 10. Centre Point Residences 22 & Fulham 31. Adelphi Terrace 58 11 . The Mansion 26 32. Artisan 59 12 . 250 City Road 27 33. Beau House 60 02 13 . South Bank Tower 28 34. Hanway Gardens 61 14 . One Blackfriars 30 35. Royalty Mews 62 15 . One Crown Place 32 36. Pinks Mews 64 16. The Stage 34 01 37. 7 Warwick Court 68 17. London Dock 35 38. Princes House 68 18. Spire London 36 39. Hexagon 69 19 . Carpenters Wharf 37 40. 190 Strand 70 20. One Park Drive 40 41. 26-27 Southampton Street 72 21. Blackwall Reach 42 42. 81 Dean Street 73 22. Arora Tower 44 Richmond upon Thames 23. Precision 46 24. Signal Townhouses 47 Contact us 80 DO THE RESEARCH CAPITAL APPRECIATION BOUTIQUE IS UNIQUE JENNET SIEBRITS 4 TRACY HUGHES 24 LISA HOLLANDS 53 RENT NOW, FALL IN IT’S WHAT’S INSIDE JUST ADD WATER LOVE FOREVER THAT COUNTS - LUKE MILLS JAMES THORNETT 19 39 A.LONDON 66 Hackney Camden Islington 19 26 > Newham 12 16 07 37 32 15 Tower Hamlets 28 36 09 10 39 City of 38 29 The City 25 11 33 35 34 40 Westminster 30 17 21 42 41 31 18 20 13 14 22 24 27 06 Kensington 23 & Chelsea 08 Southwark 05 Lambeth Lewisham Wandsworth OUR BATTERSEA & COMING WISHLISTS NINE ELMS 16 SOON 76 READY TO INTERNATIONAL MOVE INTO 74 78 THE DEVELOPMENT SHOWCASE | CBRE LONDON’S PROPERTY MARKET With over 8 million residents, 37% of whom were born on a par with 2015 and 58% of all units under construction overseas, London has a diverse range of peoples and in 2016 sold; well above the long-term average of under cultures, and more than 300 languages are spoken here. 50%. And, there has been more positive news from the London is well known as a leading financial centre, but new-build market this year. 5,800 units were sold during it also has strengths in the arts, commerce, education, Q2 2017, which is up 4% on Q1 and up 12% on the entertainment, fashion, healthcare, media, professional quarterly average of 5,200 in 2016. services, research and development, and tourism. London’s 43 universities form the largest concentration of Regardless of the ongoing political upheaval, London higher education institutes in Europe. All of this contributes remains an attractive place to buy a property. London’s to making London the vibrant and cosmopolitan city that it success is down to a variety of factors, including: language, is and ensures it continues to attract workers from the country time zone, location, fiscal policy and a strong business and world over. All of whom need somewhere to live. environment. As a result, London has a variety of world leading business clusters including financial services, Despite last year’s EU referendum, the new build market technical and creative industries and life sciences. has remained comparatively robust, with the level of sales 4 | CBRERESIDENTIAL.COM/UK Average house price £470,025 House price growth over last decade 91% House price growth over last year 15% Share of owner Share of private occupiers rental sector Off plan sales 49% 28% 64% Average rent Rental growth over % £2,129 pcm last year 4 Population growth Current population over next decade Average age 8.83m 12% 36.1 Employment Average salary 72.9% £43,154 334 229 72 Underground/ Railway DLR/Tramlink overground stations stations stations CBRERESIDENTIAL.COM/UK | 5 EMERALD GARDENS TW9 FOR SALE FROM £465,000 TO LET FROM £375 PER WEEK RIVER THAMES 7 0 3 A THE NATIONAL ARCHIVES D R S O W U E T ROYAL BOTANIC K H GARDENS KEW Kew C I R C U L A R R D 7 0 3 A D R D R W D E N K O HM RIC ER LOW Emerald Gardens is set within a landscaped courtyard in the heart of Kew and consists of 170 contemporary apartments. The five storey development features one, two and three bedroom apartments all with outside space (some including river views) and designated parking, as well as 24 hour concierge. The apartments have been finished to the highest specification featuring fully-appointed, sleek kitchens, relaxing living spaces and cosy bedrooms. Located 0.4 miles from Kew Gardens Underground Station, Emerald Gardens is well positioned to provide access into central London as well as for the enjoyment of Kew village with its wide selection of independent shops, restaurants and cafés. • Private balcony or terrace with every apartment • 24 hour dedicated concierge team • 5,306 sq ft of landscaped gardens • Underground parking with every apartment • First completions from September 2017 • Rentals now available • Predicted rental yields up to 4.3% [email protected] +44 (0)20 7182 2477 [email protected] 44 (0)20 3257 6565 6 | CBRERESIDENTIAL.COM/UK QUEEN’S WHARF W6 FOR SALE FROM £695,000 TO LET FROM £395 PER WEEK Hammersmith A4 OAD GREAT WEST R E G ID R B H IT M S R E M M A H This is a unique new development on the site of the former Riverside Studios, bordering Hammersmith Bridge and the River Thames. With exceptional river frontage, a large number of homes with river views, a unique performing arts space and independent cinema and situated moments from Hammersmith Underground Station. Residents will also benefit from 24 hour dedicated concierge, a rooftop yoga terrace with sweeping views for residents’ use only, and an on-site restaurant, bar and café. Queen’s Wharf is a six minute walk to Hammersmith Underground Station, which offers a choice of four lines: Circle, District, Hammersmith & City and Piccadilly providing excellent access to central London. • 165 unique apartments including studios and penthouses • Over 95% sold with the last few apartments remaining to buy • Direct outlook over the River Thames • On-site restaurant, bar and café • Landscaped podium gardens • Completion expected December 2017 • Apartments now available to rent [email protected] +44 (0)20 7182 2477 [email protected] 44 (0)20 3257 6565 CBRERESIDENTIAL.COM/UK | 7 WHITE CITY LIVING W 12 FOR SALE FROM £1,032,000 0 A4 WESTWAY W IMPERIAL O COLLEGE O D LONDON L A N WhiteE City W E S T NOTTING HILL C R O S S Wood Lane R T E WESTFIELD SHOPPING CENTRE AVE RK Shepherd’s Bush PA UXB ND RIDG LLA E R HO OAD Located in the heart of west London, White City Living is immediately adjacent to Westfield, soon to be Europe’s largest shopping centre, a world leading university, extensive entertainment, creative businesses and a cutting-edge research facility. The area will provide a thriving new place to live, work and play. Set within a 10 acre site with eight acres of open green space, beautifully landscaped gardens and water features. Residents will benefit from private club facilities such as the state of the art cinema rooms, pool, spa and fitness centre as well as lounges for both business and leisure.
Recommended publications
  • Barrington Pheloung's Cv

    Barrington Pheloung's Cv

    BARRINGTON PHELOUNG’S CV 2004/05 FILMS SHOPGIRL Production Company: Hyde Park Entertainment Directed by: Anand Tucker Produced by: Jon Jashni, Ashok Amritraj & Steve Martin Written by: Steve Martin LITTLE FUGITIVE Production Company: Little Fugitive Directed by: Joanna Lipper Produced by: Joanna Lipper, Vince Maggio, Nicholas Paleologos & Fredrick Zollo Written by: Joanna Lipper A PREVIOUS ENGAGEMENT Production Company: Bucaneer Films Directed by: Joan Carr-Wiggin Produced by: Joan Carr-Wiggin , David Gordian & Damita Nikapota Written by: Joan Carr-Wiggin TELEVISION IMAGINE: SMOKING DIARIES Directed by: Margy Kinmonth Production Company: BBC THE WORLD OF NAT KING COLE Produced by: Kari Lia Production Company: Double Jab Productions 2002/03 FILMS TOUCHING WILD HORSES Production Company: Animal Tales Productions Inc. Directed by: Eleanore Lindo Produced by: Lewis B. Chesler, David M. Perlmutter, Frank Huebner, Rob Vaughan Written by: Murray McRae TELEVISION THE STRANGE TALE OF BARRY WHO Directed by: Margy Kinmonth Documentary on Barry Joule Produced by: Margy Kinmonth/Sam Organ Production Company: Darlowsmithson Productions For BBC4. MOVE TO LEARN Directed by: Sheila Liljeqvist Documentary for Video Produced by: Sheila Liljeqvist and Barbara Pheloung Australian documentary, children with learning difficulties. SHORTS ARDEEVAN Short Feature film made in the UK. Directed and Produced by: Jonathan Richardson NIGHT’S NOONTIME Short Feature film made in the Canada. Executive Producers: Richard Clifford & Amar Singh Produced by: Hanna Tower Directed
  • Fleet Street Lawyers' Society

    Fleet Street Lawyers' Society

    FLEET STREET LAWYERS’ SOCIETY Please reply to: Times Newspapers Limited, Times House, 1 Pennington Street, London E98 1LG. 13th December 2006 The Rt. Hon. Baroness Ashton, URGENT BY HAND & FAX Parliamentary Under Secretary of State, Department for Constitutional Affairs, Selbourne House, 54-60 Victoria Street, London, SW1E 6QW. Dear Cathy, Following the meeting at the Newspaper Society on Monday, I think it is extremely important that you see what the newspapers and broadcasters, which constitute the Fleet Street Lawyers’ Society, have to say about the current government proposals on Freedom of Information. The letter, which follows, has been circulated amongst all the companies listed below and they have approved its content. I hope therefore it will be taken into account at the crucial meeting you are having tomorrow with the DCA Information Rights User Group. We, the Fleet Street Lawyers, are writing to express our very serious concern at the proposals that the DCA has recently published to limit access to information under the Freedom of Information Act. The initial success of the Freedom of Information Act in promoting greater openness by public authorities has been one of this government’s significant achievements. Authorities increasingly recognise that they must respond to the new legislation with greater transparency. However, instead of encouraging, and taking credit for this process the government’s current proposals suggest it wishes to reverse it. Each of the two proposed changes to the FOI Act’s fees regulations would, in our view, severely restrict the media’s use of the Act. The public would be denied information which they need and which the media, which is traditionally referred to as the “eyes and ears of the public” by the Law Lords, should be in a position to provide them with about public authority decision-making.
  • Download the Development Showcase Here

    Download the Development Showcase Here

    THE DEVELOPMENT SHOWCASE WELCOME ondon is one of the most popular capital in the past year, CBRE has continued global cities, home to over eight million to provide exceptional advice and innovative L residents from all over the world. The solutions to clients, housebuilders and English language, convenient time zone, developers, maintaining our strong track world-class education system, diverse culture record of matching buyers and tenants with and eclectic mix of lifestyles, make London their ideal homes. one of the most exciting places to call home and also the ideal place to invest in. Regeneration in London is on a scale like no other, with many previously neglected With four world heritage sites, eight spacious areas being transformed into thriving new royal parks and over 200 museums and communities and public realms, creating galleries, London acts as a cultural hub for jobs and economic growth. This large- both its residents and the 19 million visitors scale investment into regeneration and it receives every year. The London economy, placemaking is contributing to the exciting including financial services, life sciences and constant evolution of the capital that and many of the world’s best advisory we are witnessing and is a crucial reason as firms not only attract people from all over to why people are still choosing to invest in the world to study and work here, but also London real estate. London’s regeneration contribute towards the robust UK economy plan will be enhanced further when the that stands strong throughout uncertainty. It Elizabeth Line (previously Crossrail) will is no surprise that the property market has open in December, reducing journey times mirrored this resilience in the past few years.
  • Julia Smith Lighting CV.Pages

    Julia Smith Lighting CV.Pages

    CV Lighting Designer Julia Smith 1991: BBC camera trainee - Studios, Film & OBs 1992: BBC camera woman 1996: BBC Lighting & vision operator (racks) 1999: BBC Lighting & vision supervisor (console operator) 2002: Freelance Lighting director & console operator Production History Lighting Designer Rob Beckett’s Playing for Rumpus Media Channel 4 Hospital Studios Time The Darkness of John Phil McIntyre TV Not broadcast as yet BBC Radio Theatre Robbins Tim Vine Travels in Time Baby Cow Productions BBC1 Pinewood Studios Citizen Khan BBC Comedy BBC 1 Dock 10 Yes Primeminister BBC Comedy UKTV TVC Lighting Director - original designs by other Lighting designers Harry Hill’s Alien Fun Capsule CPL Productions ITV 1 TLS Live From the BBC Phil McIntyre TV BBC2 BBC Radio Theatre Cats Do Countdown Zeppatron Productions Channel 4 Dock 10 Eggheads 12 Yard Productions BBC1 BBC2 BBC Scotland Perfection 12 Yard Productions BBC1 BBC Scotland Who Dares Wins 12 Yard Productions BBC1 BBC Scotland Russel Howard’s Good News Avalon BBC2 BBC3 Riverside Studios Sheperton, TLS Unspun with Matt Ford Avalon Dave TLS Question of Sport BBC Entertainment BBC1 Dock 10 Insert Name Here 12 Yard Productions BBC2 Pinewood Studios Football on Five Sunset & Vine Channel 5 Sky Studios Various BT Sport Timeline BT Sport Channel International Broadcasting programmes Centre Dog Ate my homework BBC Children’s Glasgow CBBC Pacific Quay !1 of !3 Production History Vision Supervisor or Console Operator Sitcom Upstart Crow BBC Comedy BBC 2 TLS Not Going Out Avalon BBC 1 TVC, Teddington
  • Full Year Results 2020/21 Investor & Analyst Presentation

    Full Year Results 2020/21 Investor & Analyst Presentation

    Full Year Results 2020/21 Investor & Analyst Presentation 3rd June 2021 Agenda 01 02 Introduction Financial review Graham Clemett Dave Benson CEO CFO 03 04 Outlook Supplementary Graham Clemett information CEO 2 Workspace | Full Year Results 2020/21 Introduction Graham Clemett, CEO 3 Workspace | Full Year Results 2020/21 Introduction A resilient performance and encouraging signs for the year ahead • London shut down for much of the year • £20m of rent discounts given • Ensured all business centres are Covid-safe and secure • Lost some 10% of our customers • Occupancy levels now stabilising • Good momentum into the new financial year • Committed to net zero carbon by 2030 • First green public bond completed Well positioned for growth 4 Workspace | Full Year Results 2020/21 Introduction Financial highlights Mar 21 Mar 20 Mar 21 Mar 20 Net rental income £81.5m £122.0m Property valuation £2,324m £2,574m Trading profit after interest £38.7m £81.0m EPRA NTA per share £9.38 £10.88 Total dividend per share 17.75p 36.16p Loan to value 24% 21% Trading Profit after interest NTA per share £90m £12.00 £80m £10.00 £70m £60m £8.00 £50m £6.00 £40m £30m £4.00 £20m £2.00 £10m £0m £- 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 5 Workspace | Full Year Results 2020/21 Introduction Operating highlights Year ending Mar 21 Mar 20 Mar 21 Mar 20 Enquiries per month 739 1,087 Like-for-like occupancy 81.6% 93.3% Viewings per month 328 675 Like-for-like rent per sq.
  • What Is a Lighting Director?

    What Is a Lighting Director?

    What is a lighting director by Martin Kempton What is a lighting director? Simply put - a lighting director designs the lighting for multi-camera television productions. He or she instructs the crew of electricians in their work in addition to guiding the team of operators who usually sit with the LD in the lighting control room. All this while working closely with the director and the rest of the production team to deliver the best possible pictures. However, there's rather more to it than that, and on this page on the website I explain where LDs work, what kinds of shows LDs work on and give some of the background to what we do. It's important to point out right away that simple 'illumination' is actually a relatively unimportant part of our work. Current TV cameras are capable of operating in very low light levels so it would be quite possible to see what was going on in most studios simply by switching on the houselights. Fortunately, producers and directors realise that the result would look pretty awful. Another thing is also worth making clear – a lighting director is not an electrician. He or she might have been once, but an LD is not another name for a crew chief or gaffer. Most television LDs do not have electrical qualifications, although some may have. In any case, this is not a requirement of the job. The electrical supervisor (gaffer) is in charge of realising the LD’s design in the studio from the rigging and electrical point of view.
  • Reuters Knowledge Corporates

    Reuters Knowledge Corporates

    Reuters Knowledge Corporates The premier information and analytics tool for corporate professionals Reuters Knowledge Corporates In today’s environment, you need immediate access to accurate, up-to-date information to work more effectively, whether you’re a senior executive, investor relations officer or M&A professional. Reuters Knowledge is an advanced research and analysis solution that gives you everything you need to gain insight from the convenience of your browser. Easy access to information saves you time so you can stay focused on what really matters: increasing shareholder value. Tools Content - Easy navigation using Reuters Symbology - Reuters real-time estimates - Advanced searches available on: - Research - Broker research - Broker - Factiva content - Independent - Significant Developments - Reuters Global Fundamentals - Global Company Screener - Reuters news and corporate releases - Report Writer for custom peer and - Selected content from Factiva portfolio reports - Ownership data from Factset - Research alerts organised by your portfolio - Company corporate credit data and research filters - Events calendar and Call Street transcripts - Dynamic Excel add-In (Reuters Link for Microsoft Office) - Reuters Business Intelligence - Filings, pricing and charts Access high-quality content recognized for its breadth, timeliness and accuracy Reuters Estimates Used by investors as well as the media, Reuters Estimates is the leading provider of timely and accurate forecast information on companies worldwide. - Updated in real-time
  • Independent Television Producers in England

    Independent Television Producers in England

    Negotiating Dependence: Independent Television Producers in England Karl Rawstrone A thesis submitted in partial fulfilment of the requirements of the University of the West of England, Bristol for the degree of Doctor of Philosophy Faculty of Arts and Creative Industries, University of the West of England, Bristol November 2020 77,900 words. Abstract The thesis analyses the independent television production sector focusing on the role of the producer. At its centre are four in-depth case studies which investigate the practices and contexts of the independent television producer in four different production cultures. The sample consists of a small self-owned company, a medium- sized family-owned company, a broadcaster-owned company and an independent- corporate partnership. The thesis contextualises these case studies through a history of four critical conjunctures in which the concept of ‘independence’ was debated and shifted in meaning, allowing the term to be operationalised to different ends. It gives particular attention to the birth of Channel 4 in 1982 and the subsequent rapid growth of an independent ‘sector’. Throughout, the thesis explores the tensions between the political, economic and social aims of independent television production and how these impact on the role of the producer. The thesis employs an empirical methodology to investigate the independent television producer’s role. It uses qualitative data, principally original interviews with both employers and employees in the four companies, to provide a nuanced and detailed analysis of the complexities of the producer’s role. Rather than independence, the thesis uses network analysis to argue that a television producer’s role is characterised by sets of negotiated dependencies, through which professional agency is exercised and professional identity constructed and performed.
  • Paper View by Philip Dalling

    Paper View by Philip Dalling

    Paper View By Philip Dalling The news that Jon Cook of Arena Essex-Lakeside was to be the first of several speedway personalities to be featured on TalkSport during the summer months made me think about the current (and past) media coverage of speedway. The attitude of the 'quality' press to the sport varies considerably. As far as the national papers are concerned, the Daily Telegraph usually carries a paragraph or so about the Grand Prix, while The Guardian (more about that one later) and The Independent will usually mention the Cardiff event. On the downside, The Times even seems to have stopped using results on a regular basis. Regional newspaper coverage appears to me to be still good - fairly recent visits to Coventry and Wolverhampton have both coincided with 'wrap around' special editions of the Evening Telegraph and the Express and Star for matches at Brandon and Monmore respectively, whilst the Plymouth-based Western Morning News has first-class coverage of both the revived Devils and of West Country hero, Cornwall's Chris Harris. My new book (sorry for the plug) on Nottingham and Long Eaton Speedway 1928- 1967 (Tempus) has received excellent coverage from the Nottingham Evening Post and the Derby Evening Telegraph. Returning to the national press, it is interesting to note that in the 'golden age' of the late 1940s, several men who later became top by-lined Fleet Street sports columnists cut their journalistic teeth at least partly on speedway. Names like Desmond Hackett of the Daily Express (writing at a time when the Express sold four million copies a day), and J L Manning of The Daily Mail feature in the pages of the Stenner annuals of the period.
  • A Classic from the Journalism Bookshelf

    A Classic from the Journalism Bookshelf

    University of Huddersfield Repository Jones, Richard Book Review: All The Truth Is Out by Bai, M. (2016) Original Citation Jones, Richard (2016) Book Review: All The Truth Is Out by Bai, M. (2016). Journalism Education, 5 (1). pp. 193-194. ISSN 2050-3903 This version is available at http://eprints.hud.ac.uk/id/eprint/28716/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Page 192 Journalism Education Volume 5 number 1 Volume 5 number 1 Journalism Education page 193 A classic from the Journalism bookshelf All The Truth Is Out by Matt Bai Review by Richard Jones, University of Huddersfield Towards the End of the Morning by Michael Frayn Before Bill Clinton, there was Gary Hart. Charismatic, intelligent and youthful, he was the overwhelming favourite to win the Democratic nomination for the 1988 Review by Michael Foley, Dublin Institute of Technology presidential election.
  • CAST BIOS TOM RILEY (Leonardo Da Vinci) Tom Has Been Seen in A

    CAST BIOS TOM RILEY (Leonardo Da Vinci) Tom Has Been Seen in A

    CAST BIOS TOM RILEY (Leonardo da Vinci) Tom has been seen in a variety of TV roles, recently portraying Dr. Laurence Shepherd opposite James Nesbitt and Sarah Parish in ITV1’s critically acclaimed six-part medical drama series “Monroe.” Tom has completed filming the highly anticipated second season which premiered autumn 2012. In 2010, Tom played the role of Gavin Sorensen in the ITV thriller “Bouquet of Barbed Wire,” and was also cast in the role of Mr. Wickham in the ITV four-part series “Lost in Austen,” alongside Hugh Bonneville and Gemma Arterton. Other television appearances include his roles in Agatha Christie’s “Poirot: Appointment with Death” as Raymond Boynton, as Philip Horton in “Inspector Lewis: And the Moonbeams Kiss the Sea” and as Dr. James Walton in an episode of the BBC series “Casualty 1906,” a role that he later reprised in “Casualty 1907.” Among his film credits, Tom played the leading roles of Freddie Butler in the Irish film Happy Ever Afters, and the role of Joe Clarke in Stephen Surjik’s British Comedy, I Want Candy. Tom has also been seen as Romeo in St Trinian’s 2: The Legend of Fritton’s Gold alongside Colin Firth and Rupert Everett and as the lead role in Santiago Amigorena’s A Few Days in September. Tom’s significant theater experiences originate from numerous productions at the Royal Court Theatre, including “Paradise Regained,” “The Vertical Hour,” “Posh,” “Censorship,” “Victory,” “The Entertainer” and “The Woman Before.” Tom has also appeared on stage in the Donmar Warehouse theatre’s production of “A House Not Meant to Stand” and in the Riverside Studios’ 2010 production of “Hurts Given and Received” by Howard Barker, for which Tom received outstanding reviews and a nomination for best performance in the new Off West End Theatre Awards.
  • Chronology of Key Events in the History of the Daily Telegraph

    Chronology of Key Events in the History of the Daily Telegraph

    Chronology 1 of Key Events in the History of 2 1800s Daily Telegraph And Courier launched by Colonel Arthur Sleigh, price 2d, edited by Alfred 1855 June 29 Bate Richards Special 2nd edition printed in afternoon to report the death of Lord Raglan, C.-in-C. of British 1855 June 30 forces in the Crimea 1855 September 17 Price halved to 1d, making it the first penny paper 1 1855 December 31 Alfred Bate Richards resigns as Editor, replaced by Thornton Leigh Hunt 1856 October 28 “And Courier” dropped from title, leaving it as just The Daily Telegraph 1857 February 17 Joseph Levy buys out ownership of the paper from Colonel Sleigh 1857 Box number system for classified advertisements invented 1858 June 25 Adopts the motto “Was, Is & Will Be” 1860 Offices move from 253 Strand to 135 Fleet Street 1861 May First supplement published, on the International Exhibition 1862 An appeal for starving cotton workers in Lancashire raises £6,000 4-page supplement on the arrival of Princess Alexandra of Denmark in Britain sees that day’s 1863 March 9 issue sell a world-record 205,884 copies 1872 July 3 Publishes despatch from Henry Morton Stanley describing how he met Dr. Livingstone 1873 Sponsors expedition of George Smith, of the British Museum, to Nineveh 1874 Co-sponsors Henry Morton Stanley’s African expedition with the New York Herald A drawing by Hall Richardson of murder suspect Percy Lefroy Mapleton is the first image 1881 July 1 2 to appear in the Telegraph, and helps in the manhunt for him 1882 June 28 New building at 135 Fleet Street opened by the Prince of Wales 1882 July 3 Opens a postal department to which can be addressed answers to advertisements Gale Primary Sources gale.com/telegraph Start at the Source.