DOCSLIB.ORG

ALEX GIBSON Music Editor

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

ALEX GIBSON Music Editor 6 UNDERGROUND Netflix (Temp Tracking & Final) Lorne Balfe, Composer Michael Bay, Director X-MEN: DARK PHOENIX Twentieth Century Fox (Temp Tracking & Final) Hans Zimmer, Composer Simon Kinberg, Director JUSTICE LEAGUE Warner Bros. (Temp Tracking & Final) Danny Elfman, Composer Zack Snyder, Director TRANSFORMERS: THE LAST KNIGHT Paramount Pictures Golden Reel Nominee (Temp Tracking and Final) Steve Jablonsky, Composer Michael Bay, Director DUNKIRK Warner Bros. Golden Globe Nomination (Supervising Music Editor) Academy Award (Oscar) Winner (Temp Tracking and Final) BAFTA Award Winner Hans Zimmer, Composer BAFTA Award Nominee Christopher Nolan, Director TEENAGE MUTANT NINJA TURTLES: OUT OF Paramount Pictures THE SHADOWS (Temp Tracking and Final) Steve Jablonsky, Composer David Green, Director 13 HOURS: THE SECRET SOLDIERS OF Paramount Pictures BENGHAZI (Supervising Music Editor) Golden Reel Nominee (Temp Tracking and Final) Lorne Balfe, Composer Michael Bay, Director TERMINATOR GENISYS Paramount Pictures / Skydance Productions (Supervising Music Editor) (Temp Tracking and Final) Lorne Balfe, Composer Alan Taylor, Director www.FormosaGroup.com/Music Leigh Kotkin : [email protected] Stacey Kozak : [email protected] Page 1 INTERSTELLAR Legendary Pictures / Paramount Pictures/Warner Golden Globe Nomination Bros. Academy Award (Oscar) Nominee (Supervising Music Editor) Grammy Award Nominee (Temp Tracking and Final) Golden Reel Nominee Hans Zimmer, Composer Christopher Nolan, Director TRANSFORMERS: AGE OF EXTINCTION Paramount Pictures (Temp Tracking ) Michael Bay, Director MAD MAX: FURY ROAD Warner Bros. Golden Reel Nominee (Temp Tracking) George Miller, Director ENDER’S GAME Summit Entertainment (Temp Tracking & Final) Steve Jablonsky, Composer Gavin Hood, Director PAIN & GAIN Paramount Pictures (Temp Tracking & Final) Steve Jablonsky, Composer Michael Bay, Director THE DARK KNIGHT RISES Warner Bros Pictures Grammy Award Nominee (Supervising Music Editor) Golden Reel Nominee (Temp Tracking and Final) James Newton Howard, Hans Zimmer, Composers Christopher Nolan, Director BATTLESHIP Universal Pictures Steve Jablonsky, Composer Peter Berg, Director TRANSFORMERS: DARK OF THE MOON Paramount Pictures Golden Reel Nominee (Supervising Music Editor) (Temp Tracking and Final) Steve Jablonsky, Composer Michael Bay, Director INCEPTION Warner Bros. Golden Reel Winner (Supervising Music Editor) Grammy Award Nominee (Temp Tracking and Final) Academy Award (Oscar) Nominee Hans Zimmer, Composer Christopher Nolan, Director THE WOLFMAN Universal Pictures (Temp Tracking and Final) Danny Elfman, Composer Joe Johnston, Director TRANSFORMERS: REVENGE OF THE FALLEN Dreamworks SKG Steve Jablonsky, Composer Michael Bay, Director X-MEN ORIGINS: WOLVERINE Twentieth Century Fox Harry Gregson-Williams, Composer Gavin Hood, Director www.FormosaGroup.com/Music Leigh Kotkin : [email protected] Stacey Kozak : [email protected] Page 2 MAX PAYNE Twentieth Century Fox Marco Beltrami, Composer John Moore, Director THE DARK KNIGHT Warner Bros. Pictures Golden Reel Winner (Temp Tracking and Final) Golden Reel Winner James Newton Howard & Hans Zimmer, Grammy Award Winner Composers Christopher Nolan, Director JOHN ADAMS HBO Films Primetime Emmy Award Winner Tom Hooper, Director LIVE FREE OR DIE HARD 20th Century Fox Marco Beltrami, Composer Len Wiseman, Director THE SHOOTER Paramount Pictures (Temp Tracking & Final) Antoine Fuqua, Director THE PRESTIGE Touchstone Pictures (Temp Tracking & Final) David Julyan, Composer Christopher Nolan, Director THE OMEN 666 20th Century Fox Marco Beltrami, Composer John Moore, Director SCARY MOVIE 4 Dimension Films / The Weinstein Co. (Temp Tracking and Final) James Venable, Composer David Zucker, Director GET RICH OR DIE TRYIN Paramount Pictures (Supervising Music Editor) (Temp Tracking and Final) Quincy Jones, Gavin Friday, Maurice Seezer, Composers Jim Shreridan, Director RED EYE Dreamworks (Temp Tracking and Final) Marco Beltrami, Composer Wes Craven, Director XXX2 Sony Pictures / Revolution Studios (Source Music Editor) Laura Z. Wasserman, Music Supervisor Lee Tamahor, Director CURIOUS GEORGE Universal (Temp Tracking) Jun Falkenstein, Director BLADE: TRINITY New Line Cinema Ramin Djawadi & RZA, Composers David S. Goyer, Director www.FormosaGroup.com/Music Leigh Kotkin : [email protected] Stacey Kozak : [email protected] Page 3 I, ROBOT 20th Century Fox (Temp Tracking & Final) Marco Beltrami, Composer Alex Proyas, Director SCARY MOVIE 3 Miramax Pictures (Supervising Music Editor) (Temp Tracking and Final) James Venable, Composer David Zucker, Director CHARLIE’S ANGELS: FULL THROTTLE Sony Pictures (Temp Tracking & Final) Ed Shearmur, Composer McG, Director OUT OF TIME MGM (Temp Tracking) Carl Franklin, Director THE RECRUIT Buena Vista Ent. / Spyglass Ent. (Temp Tracking & Final) Klaus Badelt, Composer Roger Donaldson, Director DINOTOPIA MINI SERIES ABC Television Golden Reel Nominee Trevor Jones, Composer Marco Brambilla, Director INSOMNIA Warner Bros. (Temp Tracking & Final) David Julyan, Composer Christopher Nolan, Director ROLLERBALL MGM (Source Music Editor) Laura Wasserman, Music Supervisor John McTiernan, Director MY BIG FAT GREEK WEDDING Playtone Co. (Temp Tracking & Final) Xandy Janko, Composers Joel Zwick, Director FROM HELL 20th Century Fox (Temp Tracking and Final) Trevor Jones, Composer Albert and Allen Hughes, Directors CORKY ROMANO Walt Disney Pictures (Temp Tracking) Rob Pritts, Director 13 DAYS New Line Cinema (Temp Tracking & Final) Trevor Jones, Composer Roger Donaldson, Director THE WEIGHT OF WATER Palomar Pictures (Temp Tracking) Kathryn Bigelow, Director www.FormosaGroup.com/Music Leigh Kotkin : [email protected] Stacey Kozak : [email protected] Page 4 REINDEER GAMES Miramax (Temp Tracking & Final) Alan Silvestri, Composer John Frankenheimer, Director SHANGHAI NOON Touchstone Pictures (Temp Tracking) Tom Dey, Director MYSTERY MEN Universal Pictures (Supervising Music Editor) (Temp Tracking and Final) Stephen Warbeck, Composer Kinka Usher, Director AGNES BROWNE October Films / Universal Pictures (Temp Tracking & Score) Paddy Moloney, Ed Shearmur, Composers Anjelica Huston, Director SOLDIER Warner Bros. (Temp Tracking & Final) Joel McNeely, Composer Paul Anderson, Director ONE TRUE THING Universal Pictures (Supervising Music Editor) (Temp Tracking and Final) Cliff Eidelman, Composer Carl Franklin, Director THE NEWTON BOYS 20th Century Fox (Temp Tracking & Final) Danny Barnes, Composer Richard Linklater, Director EVENT HORIZON Paramount Pictures (Temp Tracking & Final) Michael Kamen, Composer Paul Anderson, Director OUT TO SEA 20th Century Fox (Temp Tracking & Final) Martha Coolidge, Director THAT THING YOU DO 20th Century Fox Golden Reel Nominee (Temp Tracking & Final) Tom Hanks, Director VEGAS VACATION Warner Bros. (Supervising Music Editor) (Temp Tracking and Final) Joel McNeely, Composer Stephen Kessler, Director RACE THE SUN TriStar Pictures (Temp Tracking) Charlie Kinganis, Director www.FormosaGroup.com/Music Leigh Kotkin : [email protected] Stacey Kozak : [email protected] Page 5 VIRTUOSITY Paramount Pictures (Co-Editor) Christopher Young, Composer Brett Leonard, Director DEVIL IN A BLUE DRESS Tri-Star Pictures (Temp Tracking & Final) Elmer Berstein, Composer Carl Franklin, Director NATURAL BORN KILLERS Warner Bros. Golden Reel Nominee (Temp Tracking & Final) Oliver Stone, Director I’LL DO ANYTHING Columbia (Co-Editor) Hans Zimmer, Composer James Brooks, Director WITH HONORS Warner Bros. (Co - Editor ) (Temp Tracking & Final) Patrick Leonard, Composer Alex Keshishian, Director SO I MARRIED AN AXE MURDERER Tri-Star (Temp Tracking & Final) Bruce Broughton, Composer Thomas Schlamme, Director CABIN BOY Touchstone (Temp Tracking & Final) Steve Bartek, Composer Adam Resnik, Director RED ROCK WEST Propaganda William Olvis, Composer John Dahl, Director POINT OF NO RETURN Warner Bros. Hans Zimmer, Composer John Badham, Director GET SHORTY MGM/UA (All Temps) Barry Sonnenfeld, Director FEELING MINNESOTA New Line Cinema (All Temps) Steve Baigelman, Director SUNSET PARK Tri-Star (Temp Tracking) DANGEROUS MINDS Touchstone (Temp Tracking) John H. Smith, Director www.FormosaGroup.com/Music Leigh Kotkin : [email protected] Stacey Kozak : [email protected] Page 6 SUDDEN DEATH Universal (Temp Tracking) John Debney, Composer Peter Hyams, Director MR. SATURDAY NIGHT Castle Rock (Temps and Co-Editor) Marc Shaiman, Composer Billy Crystal, Director THE GETAWAY Largo (Temp Tracking) Mark Isham, Composer Roger Donaldson, Director JACK THE BEAR 20th Century Fox (Temp Tracking) James Horner, Composer Marshal Heskovitz, Director TRESPASS Universal (Temp Tracking) Ry Cooder, Composer Walter Hill, Director UNLAWFUL ENTRY Largo (Temp Tracking) Jonathan Kaplan, Director WHISPERS IN THE DARK Paramount Pictures (Temp Tracking) Christopher Crowe, Director ENCHANTED Golden Reel Nominee www.FormosaGroup.com/Music Leigh Kotkin : [email protected] Stacey Kozak : [email protected] Page 7.
Recommended publications
  • Micdi Productions, Inc

    Micdi Productions, Inc

    MICDI PRODUCTIONS, INC. CALIFORNIA STATE CORPORATION SIGNATORY OF I.A.T.S.E. MEMBER OF LOCAL 700 EDITOR’S GUILD [email protected] PHONE 818-563-3400 FAX 818-563-3800 MICDI PRODUCTIONS, INC. MICDI Productions is an award-winning, cutting-edge music editoriaL company and is home to a famiLy of taLented music editors, assistants, and support staff. Formed in 1987, MICDI holds among its credits many of film and television’s biggest hits and emerging favorites. We pride ourselves as creative colLaborators and host a Long and storied list of fiLmmakers, producers, composers, and music supervisors as our partners. We are adept in providing high-quaLity music editoriaL services for many media formats including broadcast television, feature fiLms, streaming, and new media. The MICDI faciLity is equipped with state-of-the-art technology including on-site ProtooLs editoriaL suites, mobiLe ProtooLs editoriaL systems, a fulLy networked faciLity and their very own high-speed server to secureLy transfer media fiLes with productions anywhere around the world. To colLaborate with remote productions and clienteLe, MICDI is equipped with remote playback systems such as Source Live and Source Connect, as welL as their very own hardware QVidium media streaming system. AdditionaLLy, our editors have access to a vast and exclusive fiLm & television score library containing many thousands of titLes, avaiLable only to MICDI. Being centraLLy located to aLL major studios in the greater Los Angeles area, our Burbank faciLity hosts amenities including a fulLy-stocked hospitaLity kitchen, runner & client services personnel, a conference room and electric vehicle charging stations. We look forward to Learning more about your project.
  • {DOWNLOAD} Memento and Following Kindle

    {DOWNLOAD} Memento and Following Kindle

    MEMENTO AND FOLLOWING PDF, EPUB, EBOOK Christopher Nolan | 240 pages | 15 Jun 2001 | FABER & FABER | 9780571210473 | English | London, United Kingdom Unlimited acces Film: Memento and Following Book - video Dailymotion Leonard has created an entirely new identity built on a lie, and because his creation is based on a lie, it ultimately leads to a destructive conclusion, which is that he becomes nothing more than Teddy's hitman. Like The Young Man from Following or Robert Angier from The Prestige or Mal from Inception , Leonard has provided himself a comforting lie, and that lie has proven to be his downfall until he finally decides to pursue something that's true—Teddy is using him and so Teddy must be stopped. The cautionary tale in Memento is that Leonard Shelby, despite his unique condition, is universal in how he lies to himself. Nolan isn't opposed to the concept of a lie—he's a storyteller after all. But he's fascinated by how lies are implemented. For Nolan, lies are tools, and sometimes they can be used to benevolent purposes like a magic show in The Prestige or the mind heist in Inception. In Memento , Leonard finds a new lie—that Teddy is responsible for the rape and murder of Leonard's wife—but like all good art, it's a lie that tells the truth. Teddy may not be responsible for Leonard's condition, but his desire to use Leonard as a weapon makes him at least partially responsible for Leonard's predicament. Leonard lies to himself on a tapestry of good intentions; he tells himself he's not a killer.
  • Graham Walker Film Music Producer / Music Production Supervisor

    Graham Walker Film Music Producer / Music Production Supervisor

    GRAHAM WALKER FILM MUSIC PRODUCER / MUSIC PRODUCTION SUPERVISOR Graham is one of Britain’s most experienced and active Music Producers specialising in the international film music business. Education Graham studied music at Kneller Hall, the Royal Military School of Music and the Guildhall School of Music in London after which he began his career in the music production business. Graham is also a good musician; a trumpet player. Graham is one of Britain’s most experienced and active Music Producers specialising in the international film music business. After a distinguished career as Musical Director of Yorkshire Television, Head of Music for Granada Television and Head of Film Music Production for Lord Grade’s ITC Films, Graham then became freelance. The first 6 years of Graham’s career were spent at the world famous KPM Production Music Library; that was the day job! The night job was arranging and conducting sessions for various ‘pop’ and variety stars’ singles and albums such as Dickie Henderson, Roy Castle, Nicko McBrain (the drummer from Iron Maiden) and the number 1 hit ‘Grandad’ performed by Clive Dunn(!) plus score takedowns for the BBC’s ‘Top of the Pops’ for US groups such as ‘The Four Tops,’ Diana Ross and The Supremes,’ Otis Redding,’ ‘Marvin Gaye’ and many others. Work: Musical Director - Yorkshire Television, Head of Music - Granada Television, Head of Film Production (Music) - Lord Grade’s ITC Films, Head of Music - Zenith Productions. Over the years Graham has acquired extensive expertise in recording throughout Europe and beyond. He has worked with many composers, musicians and orchestras in the recording centres of London, New York, Paris, Munich, Cologne, Rome, Brussels, Berlin, Budapest, Moscow, Belgrade, Prague, Bratislava, Brandenburg and various locations in South Africa.
  • Nicholas Fitzgerald Music Editor Selected Credits Resume 0120

    Nicholas Fitzgerald Music Editor Selected Credits Resume 0120

    Nicholas Fitzgerald Music Editor [email protected] | 978-870-6349 Selected Credits BAD BOYS FOR LIFE (Sony Pictures) Directors: Adil El Arbi, Bilall Fallah Producer: Jerry Bruckheimer Composer: Lorne Balfe 6 UNDERGROUND (Netflix) Director: Michael Bay Composer: Lorne Balfe CRAWL (Paramount Pictures) Director: Alexandre Aja Composers: Max Aruj, Steffen Thum GODZILLA VS. KONG (Temp) (Legendary Pictures) Director: Adam Wingard BODY CAM (Paramount Pictures) Director: Malik Vitthal Composer: Joseph Bishara PET SEMATARY (Paramount Pictures) Directors: Kevin Kolsch, Dennis Widmyer Composer: Christopher Young JUST MERCY (Temp) (Warner Bros) Director: Destin Daniel Cretton Composer: Joel P. West GONE HOLLYWOOD (Pilot) (FX) Director: Ted Griffin GRUDGE (Temp) (Sony Pictures) Director: Nicolas Pesce MY DINNER WITH HERVE (HBO Films) 2019 MPSE Golden Reel Award Nominee Director: Sacha Gervasi Composer: David Norland MEDAL OF HONOR (TV Series) (Netflix) 2019 MPSE Golden Reel Award Nominee Producers: James Moll, Robert Zemeckis Composer: Jasha Klebe WHEN THEY SEE US (Temp) (Netflix) Director: Ava DuVernay BRIGHT (Netflix) Director: David Ayer Composer: David Sardy THE DEFIANT ONES (TV Mini-Series) (HBO) 2018 MPSE Golden Reel Award Nominee Director: Allen Hughes Composers: Atticus Ross, Leopold Ross, Claudia Sarne GENIUS: EINSTEIN, GENIUS: PICASSO (TV Series) (Fox 21 Television Studios) 2017 Primetime Emmy Nominee Producers: Ron Howard, Ken Biller Composer: Lorne Balfe Theme Music: Hans Zimmer AMERICAN WOMAN (Scott Free Productions) Director: Jake Scott Composer: Adam Wiltzie HOW IT ENDS (Temp) (Netflix) Director: David M. Rosenthal Composer: Atli Orvarsson THE GLASS CASTLE (Temp) (Lionsgate) Director: Destin Cretton Composer: Joel P. West SHOTS FIRED (TV Series) (Imagine / 20th Century Fox) Producers: Gina Prince-Bythewood, Reggie Rock Bythewood Composer: Terence Blanchard SAINTS & STRANGERS (TV Mini-Series) (Sony Pictures Television) 2016 MPSE Golden Reel Award Winner Composer: Lorne Balfe Theme Music: Hans Zimmer KRYSTAL (Great Point Media) Director: William H.
  • KEVIN MCKEEVER Music Editor FILM CREDITS

    KEVIN MCKEEVER Music Editor FILM CREDITS

    KEVIN MCKEEVER Music Editor FILM CREDITS The Toxic Avenger Ghost in the Shell Director: Macon Blair Director: Rupert Sanders Legendary Entertainment Arad Productions Composers: The Blair Brothers Composer: Clint Mansell Coming 2 America Rings – Temp Director: Craig Brewer Director: F Javier Gutierrez Eddie Murphy Productions Macari/Edelstein Composer: Jermaine Stegall Composer: Matthew Margeson Sonic the Hedgehog (uncredited) xXx: Return of Xander Cage – Temp/Final Director: Jeff Fowler Director: D. J. Caruso Paramount Pictures Hua Hua Media Composer: Junkie XL Composers: Robert Lydecker & Brian Tyler The Rhythm Section (uncredited) Teenage Mutant Ninja Turtles: Out of the Director: Reed Morano Shadows – Final Paramount Pictures Director: Dave Green Composer: Steve Mazzaro Canadian Film or Video Production Tax Credit Program Composer: Steve Jablonsky Like a Boss (uncredited) Director: Miguel Arteta Scouts Guide to The Zombie Apocalypse – Paramount Pictures Temp/Final Composer: Christophe Beck Director: Christopher Landon Broken Road Productions Point Blank – Final Composer: Matthew Margeson Director: Joe Lynch WarParty Film/Netflix Drunk Wedding Composer: Mitch Lee Director: Nick Weiss Weston Pictures Wonder Park (uncredited) Composer: Nathan Matthew David Director: Josh Appelbaum & André Nemec Paramount Animation Project Almanac Composer: Steven Price Director: Dean Israelite Insurge Pictures Bumblebee Director: Travis Knight Allspark Pictures/Paramount Pictures Composer: Dario Marianelli Page 1 of 3 Transformers: Age of Extinction Footloose
  • Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3

    Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3

    Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing
  • Broadband Communities (ISSN 0745-8711) (USPS 679-050) (Publication Is the Best Broadband.” Indeed

    Broadband Communities (ISSN 0745-8711) (USPS 679-050) (Publication Is the Best Broadband.” Indeed

    FIBER: TRANSFORMING THE POST-PANDEMIC ECONOMY Secure your position now so that promotion of your participation begins immediately. See who’s already decided to do so: PLATINUM SPONSOR: ENHANCED GOLD SPONSORS: HOUSTON GOLD SPONSORS: SILVER SPONSORS: SEPT 27-30 MARRIOTT MARQUIS FEATURED SPONSOR: MEET At BBC Summit 2021, we're excited to meet again in person with a focus on rekindling our connections and taking ACTION in a EXHIBITORS: ENGAGE post-pandemic economy. It's about both experienced and new voices driving change, innovation, and evolution in the broadband business to create a more connected future. DO Register now and get ready to DO MORE. NEW FOCUS AREAS & FEATURES Industry Power Players • Up-and-Coming Voices • Legislative Action Entertainment Industry • Roundtable Problem-Solving Sessions Office Hours for Speakers & Industry Leaders $350 Houston2021 Special Discounted Rate: Use VIP Code: To exhibit or sponsor, contact: Irene Prescott at [email protected], or call 505-867-3299 (Save $600 off regular Summit price of $950) Offer expires May 31, 2021 FIBER: TRANSFORMING THE POST-PANDEMIC ECONOMY Secure your position now so that promotion of your participation begins immediately. See who’s already decided to do so: PLATINUM SPONSOR: ENHANCED GOLD SPONSORS: HOUSTON GOLD SPONSORS: SILVER SPONSORS: SEPT 27-30 MARRIOTT MARQUIS FEATURED SPONSOR: MEET At BBC Summit 2021, we're excited to meet again in person with a focus on rekindling EXHIBITORS: our connections and taking ACTION in a ENGAGE post-pandemic economy. It's about both experienced and new voices driving change, innovation, and evolution in the broadband business to create a more connected future.
  • Dark City Music Credits

    Dark City Music Credits

    Music By Trevor Jones (cast) Emma Murdoch Jennifer Connelly Four Piece Band Tony Mosley Glenford Richards Stanley Steer Greg Tell MUSIC Executive in Charge of Music Toby Emmerich Music Executives Paul Broucek, Dana Sano Music Recorded and Mixed by Simon Rhodes Additional Music Mixed by Gareth Cousins Music Recorded and Mixed at Abbey Road Studios London Assistant Engineers Alex Marcou, David Flowers, Alex Scannell, Robbie Kazandjian Synthesizers Performed by Trevor Jones Synthesizers Programmed by Gareth Cousins, Kipper, Glenn Keiles Orchestrations by Trevor Jones, Geoff Alexander, Julian Kershaw Additional Orchestrations by Edmund Butt, Simon Chamberlain Orchestral Contracter Isobel Griffiths Leader Rolf Wilson EWI Played by Phil Todd Singer Anita Kelsey Conductor Geoff Alexander Music Preparation Tony Stanton Music Co-ordinator for CMMP Victoria Seale Studio Monitoring by ATC Loudspeaker Technology “Le Chale Bleu” Written by Francois Perchat “Sway” Written by Norman Gimbel and Pablo Beltran Ruiz “The Night Has 1000 Eyes” Written by Marilyn Garrett, Dottie Wayne and Ben Weisman Produced and Arranged by Martin Armiger Music Editor Simon Leadley Additional Music Editing Jim Harrison Publishing Clearances Christine Woodruff Music in the film: In keeping with film noir genre expectations, Jennifer Connelly’s heroine is a night club torch singer. In detective Bumstead’s world, a piano accordion assumes symbolic significance. Connelly’s first number is “Sway”, but the film’s credits don’t give a singing credit. It’s left to the CD’s credits to suggest that Anita Kelsey was the vocalist. Kelsey’s wiki here confirms this by calling her the “featured vocalist on big screen productions such as Dark City…” However, for the director’s cut extended version, one of the changes made was to return Jennifer Connelly’s original vocals to the cut, and there’s a noticeable difference in the stylings between the two cuts.
  • Music Playlist Class 101, 17-22 Sept 2018 Song Title___

    Music Playlist Class 101, 17-22 Sept 2018 Song Title___

    Music Playlist Class 101, 17-22 Sept 2018 Song Title___________ Artist____________ Album________ Day 1 Session 1 Warm Up Almost Home Mariah Carey Background Pandora – Jesse Cook Radio Warm Up Can’t Stop the Feeling Justin Timberlake Background Pandora – David Arkenstone Radio Day 1 Session 2 Warm Up Rise Up (Miami Beach Rumba Mix) Sunkids C&E Demo The Art of War Steve Jablonsky Battleship Run Free (Instrumental) Two Steps From Hell Unleashed Day 1 Session 3 Warm Up Let’s Go Calvin Harris C&E Practice The Art of war Steve Jablonski Battleship Anumati E.S. Posthumus Makara Ramtha Tighten Down – 101Vers. End Title Bladerunner Vangelis Bladerunner Movie Soundtrack Power Bill Conti Official 1984 Olympic Soundtrack Generation Peter Buffett The Waiting 1 Chronologie Part 4 Jean Michel Jarre Chronologie 3&3 C&E Autobots Reunite Steve Jablonsky Transformers: Age of Extinction Dreams of Fireflies Transiberian Orchestra Dreams of Fireflies 1 Krosah E.S. Posthumus Makara 2 El Dorado Two Steps From Hell Skyworld 3 Archangel Two Steps From Hell Archangel 4 Bastion Two Steps From Hell Classics Vol. 2 5 Test Drive John Powell How to Train Your Dragon 6 Tubular Bells Mike Oldfield Isles of Wonder: 2012 London Games Life Must Have Its Mysteries Hans Zimmer Inferno Background Pandora – David Arkenstone Radio Day 2 Session 1 C&E Star Sky (Instrumental Two Steps From Hell Battlecry Stronger, Faster, Braver Two Steps From Hell Battlecry Cannon In D Minor Two Steps From Hell Battlecry Victory Two Steps From Hell Battlecry The Courage Within Future World Music
  • Christopher Nolan's Insomnia & the Renewal

    Christopher Nolan's Insomnia & the Renewal

    WHITE NIGHTS OF THE SoUL: CHRISTOPHER NoLAN's INSOMNIA & THE RENEWAL OF MORAL REFLECTION IN FILM1 J. L. A. Garcia "In this Light, how can you hide? You are not transparent enough while brightness breathes from every side. Look into yourself. here is your Friend, a single spark, yet Luminosity." -Pope john Paul II, "Shores of Silence" 2 "I said ... to Eve[ning], 'Be soon"' -Francis Thompson, "Hound of Heaven"3 "Insomnia is constituted by the consciousness that it will never finish-that is, that there is no longer any way of withdrawing from the vigilance to which one is held ... The present is welded to the past, is entirely the heritage of the past: it renews nothing. It is always the same present or the same past that endures ... "... this immortality from which one cannot escape ... a vigilance without recourse to sleep. That is to say, a vigilance without refuge in unconsciousness, without the possibility ofwithdrawing into sleep as into a private domain. " -Emmanuel Levinas, Time and the Other4 1 This article originally appeared in Logos 9:4 (Fall, 2006): 82-117 and is reprinted with permission. The author expresses his appreciation to Professors Laura Garcia and Thomas Hibbs, who helped him to look for deeper themes in movies and to think more seriously about them, although any mistakes are his own. j. Veith, V. Devendra, and Laura Garcia also assisted with citations and editing. 2 john Paul II, "Shores of Silence," in Collected Poems, translated by jerzy Peterkiewicz (New York: Random House, 1982), p. 7. 3 Francis Thompson, "The Hound of Heaven," in I Fled Him Down the Nights and Down the Days, with commentary and notes by john Quinn, S.j.
  • Ian Erik Silverstein Editor

    Ian Erik Silverstein Editor

    Ian Erik Silverstein Editor AVATAR SEQUELS - 20th Century Fox - James Cameron, director ALITA: BATTLE ANGEL - 20th Century Fox - Robert Rodriguez, director SIN CITY: A DAME TO KILL FOR (co-editor) - The Weinstein Company - Robert Rodriguez & Frank Miller, directors MACHETE KILLS (co-editor) - Open Road Films - Robert Rodriguez, director SPY KIDS: ALL THE TIME IN THE WORLD (co-editor) - The Weinstein Company - Robert Rodriguez, director MACHETE (co-editor) - 20th Century Fox - Robert Rodriguez, director PREDATORS (associate editor) - 20th Century Fox - Nimrod Antal, director Television: FROM DUSK TILL DAWN (seasons 1-3) - El Rey Network - Robert Rodriguez and various directors TURN - AMC - Craig Silverstein & Barry Josephson, EPs; various directors THE LIZZIE BORDEN CHRONICLES - Lifetime Network - Stephen Kay & Russell Mulcahy, directors First Assistant Editor: A GOOD DAY TO DIE HARD - 20th Century Fox - John Moore, director; Dan Zimmerman, editor SEASON OF THE WITCH - Relativity Media - Dominic Sena, director; Dan Zimmerman, editor MAX PAYNE - 20th Century Fox - John Moore, director; Dan Zimmerman, editor ALIENS VS PREDATOR: REQUIEM - 20th Century Fox - Brothers Strause, director; Dan Zimmerman, editor FLICKA - Fox 2000 - Michael Mayer, director; Andrew Marcus, editor WEEDS (pilot) - Showtime - Brian Dannelly, director; Pam Martin, editor LITTLE SENEGAL - Canal+ - Rachid Boucharb, director; Sandrine Deegan, editor O BROTHER, WHERE ART THOU? - Buena Vista Pictures - Joel & Ethan Coen, directors; Roderick Jaynes, editor Assistant Editor:
  • JAY DUERR Music Editor FILM CREDITS

    JAY DUERR Music Editor FILM CREDITS

    JAY DUERR Music Editor FILM CREDITS Hala 50 to 1 Director: Minhal Baig Director: Jim Wilson Overbrook Entertainment Ten Furlongs films Composer: Mandy Hoffman Composer: William Ross Fighting with My Family Tim’s Vermeer Director: Stephen Merchant Director: Teller Channel 4 Television Corporation/MGM Sony Pictures Classic Composer: Vik Sharma Composer: Conrad Pope 2:22 – Temp At Middleton (Score Producer) Director: Paul Currie Director: Adam Rogers Lightstream Pictures 8th Day Pictures/Anchor Bay Composers: Lisa Gerrard & James Orr Composer: Arturo Sandoval Sully A Good Day to Die Hard Director: Clint Eastwood Director: John Moore BBC Films/Warner Bros. 20th Century Fox Composer: Christian Jacob Composer: Marco Beltrami Hands Of Stone Warm Bodies Director: Jonathan Jacubowicz Director: Jonathan Levine Fuego Films Summit Entertainment Composer: Angelo Milli Composer: Marco Beltrami The Devil’s Candy Deadfall Director: Sean Byrne Director: Stefan Ruzowitzyky Snoot Entertainment Magnolia Pictures Composer: Mads Heldtberg Composer: Marco Beltrami Kill Me Deadly My Week With Marilyn Director: Darrett Sanders Director: Simon Curtis Kill Me Deadly, LLC. The Weinstein Company Composer: Bill Newlin Composer: Conrad Pope The Giver The Presence Director: Phillip Noyce Director: Tom Provost Asis Productions Khartoum Productions Composer: Marco Beltrami Composer: Conrad Pope Page 1 of 4 In My Sleep The Astronaut Farmer Director: Allen Wolf Director: Michael Polish Morning Star Pictures Warner Bros. Pictures Composer: Conrad Pope Composer: Stuart Matthewman The Wolfman Save the Last Dance 2 (Video) Director: Joe Johnston Director: David Petrarca Universal Pictures Paramount Home Entertainment Composer: Danny Elfman Pulse City Island Director: Jim Sonzero Director: Raymond De Felitta The Weinstein Company CineSon Entertainment Composer: Elia Cmiral Composer: Jan A.P.