GERMANY’S LARGEST EVENT ON MUSIC AND SOUND IN FILM, TV, GAMES AND MEDIA

IHK KÖLN KÖLNER PHILHARMONIE

Pieter Schlosser • Workshop Discussion Music Politics Reality Check/Sync • Contracting a Com - Reality Check/Tools • Orchestral Tools & Tamar-kali • Workshop Discussion Reality Check/Sync • Lucy Bright Concert • “Heart of Gaming” Reality Check/Workshop • How to Talk Eloi Ragot & Stéphane Bergmans • Work - Composing for Germany’s favourite TV for - Pieter Schlosser is an award-winning com - The participants discuss Fingerprinting and poser Elias Singer-songwriter Tamar-kali made her debut Lucy Bright, Director at Music Sales Creative, WDR Funkhausorchester About Music (in English) shop Discussion mat – music for crime thrillers FILMFORUM NRW poser with game music credits to his name Platform Renumeration in two roundtables: Music Supervisor Maggie Rodford is going to From MIDI to Live: Experts of Orchestral Tools as a film score composer in 2017 with the has music supervised some of the most criti - It started with three monotone beeps and 64 Working internationally often causes a prob - When a composer and a showrunner already Everyday scripted crime thrillers are broadcast IM MUSEUM such as Gears of War 3 and Transformers: The Media companies supplement their audiovisual talk about how to contract a composer in an give a lesson for stunning and time-efficient score to the Oscar nominated Mudbound , cally-acclaimed British films of recent years: kilobyte RAM. Now the scores of videogames lem for composers, Music Supervisors and work together from the conception of the se - on German TV. This genre booms and guaran - LUDWIG Game . For the past two years, he has been content with music and draw from a large pool insightful and useful session. She is Managing mockup programming vs. the real orchestral which premiered to rave reviews at the Sun - The Unloved, which won a BAFTA Award, The are as impressive as their visual worlds. In Heart their collaborators; discussing in a foreign lan - ries, this is a lucky chance for both and often tees high ratings. How does it work to get working on the score for the hugely successful of providers. They increasingly rely on finger - Director of the Air-Edel Group, incorporating recording and mixing. Get examples of music dance Film Festival. Her score led her to be Arbor , The Swimmer and Slow West, which of Gaming , the fight between good and evil guage and finding a shared language to talk leads to outstanding results. Hence it is no hired as a composer for popular series such FRITZ THYSSEN sequel to the Destiny franchise. He has also printing for reporting and billing music. • Au - one of the world’s leading music publishing that starts in the box and goes on to the scor - selected by The Hollywood Reporter to appear debuted 2015 at Sundance Film Festival comes alive in impressive sound creations – the about music. Drawing on a range of music ex - wonder that the Belgian TV series The Break as Tatort? Why are the scores for more than STIFTUNG scored TV series like The Lying Game , for diovisual content is being consumed less and and production companies, representing com - ing stage. • Adaptive music for an adaptive in the Composer Roundtable and IndieWire where it won the Jury Prize for World Cinema WDR Funkhausorchester plays classics like amples for illustration, the seminar explores aired in several countries before being dis - 1,000 episodes of this popular series rarely SOUND which he won the ASCAP Award for Top Tele - less in the linear medium of television, but all posers worldwide. She has worked as music world – starting with game music: Games, VR, listed the composition as one of the Top 25 – Dramatic. International projects have in - Great Giana Sisters and Tomb Raider and new building blocks of music (melody, harmony, in - tributed by Netflix. It is also a lucky chance for composed by women? Which aspects are im - RIPHAHN vision Series. Pieter started his career working the more via digital online platforms. This re - producer and supervisor on many feature films AR, sound branding etc. all need some level of Film Scores of the 21st Century. She recently cluded the blockbuster Assassin’s Creed and scores around Assassin’s Creed and Fallout ac - strumentation) and musical attributes (tempo, SoundTrack_Cologne that composer Eloi portant when composing for a crime film or TURISTARAMA alongside Steve Jablonsky in Hans Zimmer’s sults in major challenges in the billing of digital including Murder on the Orient Express and adaptivity. The best starting point is to under - composed the score for Joshua Marston’s award-winning Marjorie Prime . Recently, she companied by the WDR Rundfunkchor. In coop. rhythm, volume, dynamics, timbre), offering Ragot and showrunner Stéphane Bergmans series? And how to communicate with direc - studio on projects such as Desperate House - uses. The King’s Speech . In coop. with UK & Euro - stand game music. Elias’ Kristofer Eng ex - Sundance film, Come Sunday , released by has also music supervised the TV series Mc - with WDR. the vocabulary required to discuss these as - are going to provide insights in their workflow tor, production and editorial team? In coop. wives . Thu 23.08., 10.00, 12.00 Robert Ellscheid Saal pean Guild of Music Supervisors. plains how to use your tools. Netflix. Mafia . Conductor: Evan Christ, Piano: Benyamin Nuss. pects with non-musicians. during the conception of the series. with WIFT. Thu 23.08., 10.00 Amélie Thyssen Auditorium Thu 23.08., 14.30 Garden Venue Thu 23.08., 10.00, 12.00 Helmut Coing Saal Fri 24.08., 14.30 Amélie Thyssen Auditorium Fri 24.08., 10.00 Robert Ellscheid Saal Fri 24.08., 20.00 Kölner Philharmonie Fri 24.08., 10.00 Helmut Coing Saal Sat 25.08., 12.00 Garden Venue Sat. 25.08., 12.00 Robert Ellscheid Saal TRACK MOTEL ONE

SoundTrack_Cologne Accreditation Locations at www.soundtrackcologne.de Fritz Thyssen Stiftung Conference Accreditation: all Events incl. Opening, Apostelnkloster 13-15 COLOGNE Award Ceremony and film programme Tram Neumarkt or Tram Rudolfplatz

Full Accreditation Soundtrack_Cologne Filmforum NRW im Museum Ludwig 100 € | Students: 40 € Bischofsgartenstraße 1 Day Ticket Tram Dom / Hauptbahnhof 50 € | Students: 30 € MUSIC THAT Takeshi Furukawa • Workshop Discussion European Education Alliance Reality Check/Sync • Jeff Jernigan Jed Kurzel • Workshop Discussion SoundTrack_Cologne Lifetime Achieve - Reality Check/Sync • Steven Gizicki Game Music Pipeline – from Briefing to Im - Recording successfully with live musicians Mac Quayle • Workshop Discussion Sound Design & Music • Right Here Right Now Industrie- und Handelskammer zu Köln (IHK Köln) 15 Takeshi Furukawa's music has accompanied What’s happening in media music education? Industry veteran Jeff Jernigan joined the Kraft- Jed Kurzel is an award-winning composer and ment Award Winner Craig Armstrong • Grammy-winning Music Supervisor Steven plementation – and back again • Workshop – Do’s + Don’ts during Scoring Sessions The credits of Emmy-winning and Grammy- On New Year's Eve in Hamburg, a young club Press accreditation Unter Sachsenhausen 10-26 some of the world's most recognizable fran - The European Education Alliance for Music Engel Management team in 2016 as an agent musician. His feature film debut for the criti - Workshop Discussion Gizicki is best known for his work on the mu - This panel will talk about the typical process A somewhat encompassing description of how nominated composer Mac Quayle comprise owner is struggling to keep the party going [email protected] Tram Appellhofplatz chises and brands: the TV series and same-ti - and Sound in Media , EEAMS, a Sound - representing composing and songwriting ta - cally-acclaimed Australian movie Snowtown Since the mid-nineties, Craig Armstrong has sical La La Land , which won the Academy of a Game Music Production: Starting with the to achieve the desired results when dealing more than 40 films and TV series including when a violent ex-pimp, the police, a former tled game Star Wars: The Clone Wars and the Track_Cologne initiative, is headed by Yati lents. A former director of ASCAP’s Film & TV was named Feature Film Score of the Year at created scores for both Hollywood and inde - Award and Golden Globes for Best Original first contact between composer and devel - with live musicians and all the issues that can Pose , Golden Globe-winning Mr. Robot , for rock star and the love of his life are all coming Tickets public events and film programme Kölner Philharmonie Cannes Lions-winning global campaigns for Durant (University of Edinburgh). EEAMS music department, Jeff today represents top Australia’s 2011 Screen Music Awards. pendent films, including Baz Luhrmann’s Song and Original Score. His recent projects oper, over to exchanging first drafts via the develop during the cooperation between them which Mac also won an Emmy, 9-1-1 which for him. Right Here Right Now (OT: So Was TELLS YOUR 7 € Bischofsgartenstraße 1 Mercedes-Benz and Apple. He won multiple supports educators, students and industry composers and songwriters in film, theatre, He has since gone on to score feature films in - Romeo + Juliet , Moulin Rouge! and The Great include the Cannes film Arctic and on-set su - DAW, up to the first implementation into an and composer/orchestrator or arranger. From Mac composes with Todd Haberman, and Von Da ) is an extraordinary film with an ex - WITH awards like the Game Audio Network Guild professionals in the areas of filmmaking, television, and new media, providing them with cluding: Assassin’s Creed , Alien: Covenant and Gatsby . Armstrong has composed also scores pervision of the music sequences in the up - Audio Middleware and the actual Game En - attitude differences to tuning issues, players’ Feud: Bette and Joan , for which Mac received traordinary sound. Valentin Finke (dialogue ed - Stories: The Path of Destinies: 19 € Tram Dom / Hauptbahnhof Award for his appointment on the PlayStation sound design and media music composition career development services and support. Jupiter’s Moon , which premiered in competi - for director Oliver Stone: World Trade Center , coming romantic comedy Crazy Rich Asians . gine. Florian Füsslin (Audio Director at Crytek), capabilities and many more will be covered two Emmy nominations for his main title and itor, re-recording mixer), Jakob Lass (director) CRAIG ARMSTRONG MOULIN ROUGE!, THE GREAT GATSBY 4 title The Last Guardian . Thus, he established and seeks to forge an inclusive framework to Thu 23.08., 16.30 Garden Venue tion at Cannes in 2017. Jed’s work will next be Wall Street: Money Never Sleeps and Snow - Steven was also the sole music executive at Helge Borgarts (Composer) and Sebastian during this presentation with L.A.-based vio - score. Mac received his first Emmy nomination and Michael Schlücker (composer) are going Heart of Gaming | WDR Funkhausorchester Motel One Waidmarkt STORY himself as one of the most exciting new voices bridge interdisciplinary boundaries. heard in Overlord for producer J.J. Abrams. den . His scores were honoured with numerous Lucasfilm for five years and served as an in- Mönch (Senior Product Specialist at Steinberg) linist Dimitrie Leivici, who recorded more than for his score on American Horror Story: Freak to explain the sound layers with the help of film Tickets at www.koelnticket.de Tel-Aviv-Straße 6 GARRY SCHYMAN in the video game industry. For participation please e-mail to Fri 24.08., 10.00 Amélie Thyssen Auditorium awards, like the BAFTA, Golden Globe, No - house Music Supervisor at Disney Animation. will show all the necessary steps to get the 1000 film scores as musician. Show . excerpts. Tram Poststraße or Tram Severinstraße BIOSHOCK, MIDDLE*EARTH: SHADOW OF WAR Thu 23.08., 12.00 Amélie Thyssen Auditorium [email protected] . vello, AACTA and a Grammy. Fri 24.08., 12.00 Robert Ellscheid Saal game music into the product. Fri 24.08., 12.00 Helmut Coing Saal Sat 25.08., 14.30 Garden Venue Presented by bvft. SoundTrack_Cologne is organised by Thu 23.08., 14.30, 16.30 Robert Ellscheid Saal Fri 24.08., 16.30 Amélie Thyssen Auditorium Fri 24.08., 10.00 Garden Venue Sat 25.08., 14.30 Robert Ellscheid Saal Riphahn Café und Restaurant LOLITA RITMANIS SoundTrack_Cologne SPECTACULAR SPIDER*MAN Apostelnkloster 2 PASSENDE MUSIK FÜR TELEVISOR TROIKA GmbH Tram Neumarkt or Tram Rudolfplatz MAC QUAYLE Trajanstr. 27 · 50678 Köln AMERICAN HORROR STORY JEDES PROJEKT AUS FILM, fon +49 221 931844 0 · fax +49 221 931844 9 www.facebook.com/soundtrackcologne JOSEPH TRAPANESE [email protected] www.twitter.com/SoundTrack_C TRON: UPRISING, OBLIVION FERNSEHEN, WERBUNG www.soundtrackcologne.de www.instagram.com/soundtrackcologne TAKESHI FURUKAWA THE LAST GUARDIAN UND DIGITAL SoundTrack_Cologne 15 wird gefördert von // is supported by (Stand Juli / as per July 2018):

Garry Schyman • Workshop Discussion Reality Check / Sync • This is BMG Interactive Concert: “Stories: the Path of Joseph Trapanese • Workshop Discussion Music Video Lectures Reality Check • Production Music Reality Check/Tools • Spitfire Audio Ginge Anvik • Workshop Discussion Lolita Ritmanis • Workshop Discussion Sound Design & Music • Of Fathers and Sons BAFTA Award-winning composer Garry Schy - BMG - The New Music Company: What does Destinies” + Workshop Joseph Trapanese is best known for his score Four lectures at SoundTrack_Cologne are Many audiovisual films and clips contain Multi award winning composer Christian Hen - Two of the five awards of the first edition of Emmy Award-winning composer Lolita Ritma - How does an enduring war and an extreme re - man has most notably given the universe of the it mean when it comes to the connection of In videogames the music adapts to the actions of work for blockbuster films like TRON: Legacy , dedicated to the art form of the music video. music provided by specialized publishers, son, who founded Spitfire Audio with Paul Canneseries, the international series festival in nis is one of the most sought after composers ligious faith affect a whole generation? Of Fa - m u hugely successful game series BioShock its music and film? Regina Reis (Senior Music Su - the player – an exciting challenge for a new type Straight Outta Compton and the Raid series Justin Smith and Emily Caston speak about sorted and organized according to the musical Thomson, hosts a panel about Do’s + Don’ts Cannes were awarded to State of Happiness for animated series and superheroes. She and thers and Sons shows this in an impressive l B

e i

musical identity with his award-winning scores. pervisor) and Lisa Humann (Senior Manager of live-to-game-concerts. The gRoBA orchestra (with Linkin Park’s Mike Shinoda). He has col - the British music video industry from its origins character and mood. Which changes are cur - in Media Composition . In-house composers (OT: Lykkeland ) – one for the script and one for her scoring partners are best known for me- way against the background of the situation in r

wird unterstützt von // is sponsored by: a

With his music for the action-adventure game Synch & Licensing) will share some insight into performs the score of Stories: The Path of Des - laborated with musicians like Dr. Dre, Moby in the 1960s through to the MTV and YouTube rently emerging in the music needs of broad - Oliver Patrice Weder and Homay Schmitz just the music by Ginge Anvik. After 15 years me - mo rable themes and underscores they have Syria. Consequently, the film won numerous M

:

Destroy All Humans! and two sequels, he paid their approach to connecting Music and Film. tinies as live-to-game world premiere, while a and Kendrick Lamar. His first breakthrough eras. Fitore Muzaqi holds three lectures in Ger - casters and media companies? What does the collaborated for the horror movie The Haun- andering around in Oslo's musical under - created for fan-favourite productions like awards like the Deutscher Dokumentarfilm - e c Y a F E

playful homage to 50s sci-fi. Most recently he’s BMG’s ambition is to be “the best company in player on stage plays the game. Next day the came in 2010, when he worked with Daft Punk man under the headline “Protest”. She will dis - future of billing music look like? How do ting . At STC they present a show case con - ground, he accidentally ended up scoring the Avengers Assemble , Young Justice , Batman preis and the World Cinema Documentary ·

S a l

S been in the fantasy world of J.R.R. Tolkien for music to do business with” – for songwriters, composers FX Dupas and Mathieu Lavoie explain on the soundtrack to Disney's TRON: Uprising . cuss the following topics: gender, racism and providers of music deal with direct awards of cert: Live Scoring to Picture . Spitfire Audio is comedy drama Tommys Movie in 2005. Since and Harley Quinn , the animated series Spec - Grand Jury Prize at Sundance. Karim S. Elias l a U the adventure game Middle-earth: Shadow of artists and those who want to use their music. their innovative concept. In coop. with Next Level For The Greatest Showman , Trapanese worked postcolonialism in contemporary music clips. music (in the field of so-called sync rights)? a music technology company. They specialise then he has scored 23 feature films like Sons tacular Spider-Man and Batman: The Ani - (composer) and Sebastian Tesch (sound de - b u B K

Mordor and its latest sequel Middle-earth: So, what’s their secret? Festival supported by NRW KULTURsekretariat. alongside Pasek & Paul and John Debney, pro - Fri 24.08., 19.00, 20.30 Amélie Thyssen Audi - With Erika Oltmanns (SONOTON Production in sounds: sample libraries, virtual instruments of Norway and Julekongen in addition to TV- mated Series . Lolita is also the current signer) are going to explain how closely music

KONTAKT x i S l I

Shadow of War . Thu 23.08., 12.00 Garden Venue Thu 23.08., 19.00 Filmforum NRW: Concert ducing songs and co-composing the score. torium Music), Alexandra Eichhorn (Cézame Music and other useful software devices. series such as Varg Veum and documentaries. president of the Alliance for Women Film Com - and sound design are intertwined in the film. e F R 22.*25.08.2018 Thu 23.08., 14.30 Amélie Thyssen Auditorium Fri 24.08., 14.30 Helmut Coing Saal: Workshop Fri 24.08., 12.00 Amélie Thyssen Auditorium Sat 25.08., 19.00, 20.30 Amélie Thyssen Audi- Agency) and Sascha Peters (Warner/Chappell). Fri 24.08., 14.30, 16.30 Garden Venue Sat 25.08., 10.00 Garden Venue posers. Presented by bvft. : o H t C [email protected] Discussion torium Fri 24.08., 14.30 Robert Ellscheid Saal Sat 25.08., 16.30 Garden Venue Sat 25.08., 16.30 Robert Ellscheid Saal o h DE.AUDIONETWORK.COM P WWW.SOUNDTRACK.COLOGNE Wednesday 22.8.2018 Thursday 23.8.2018 Friday 24.8.2018 Saturday 25.8.2018 THE FILMFESTIVAL OF SOUNDTRACK_COLOGNE Fritz Thyssen Stift·ung Fritz Thyssen S·tiftung Fritz Thyssen Stiftung Fritz Thyssen Stiftung Fritz Thyssen Stiftung Fritz Thys·sen Stiftung Fritz Thyssen Stiftung Fritz Thyssen Stiftung Fritz Thyssen Stiftung Fritz Thyssen ·Stiftung Fritz Thyssen Stiftung Fritz Thyssen Stiftung Amélie Thyssen Auditorium Amélie Thyssen Auditorium Robert Ellscheid Saal Garden Venue Helmut Coing Saal Amélie Thyssen Auditorium Robert Ellscheid Saal Garden Venue Helmut Coing Saal Amélie Thyssen Auditorium Garden Venue Robert Ellscheid Saal

10.00-11.30 10.00-11.30 10.00-11.30 10.00-11.30 10.00-11.30 10.00–13.30 10.00-11.30 10.00-11.45 10.00-11.30 COMPOSING FOR VIDEOGAMES MUSIC POLITICS REALITY CHECK / TOOLS COMPOSING FOR FILM REALITY CHECK / SYNC WORKSHOP REALITY CHECK / WORKSHOP EUROPEAN TALENT COMPETITION COMPOSING FOR TV SERIES Pieter Schlosser Finger Printing • Expert Talk with Johan Presentation Orchestral Tools Jed Kurzel Music Supervisor Lucy Bright Game Music Pipeline – from Briefing to How to talk about Music (in English) Competition Screening of the nominees Ginge Anvik (State of Happiness) (Destiny 2, Transformers: The Game) van der Voet (BUMA) , Martin Berger From MIDI to Live (Assassin’s Creed, Alien Covenant) (Assassin’s Creed, Marjorie Prime) Implementation – and back again with Vasco Hexel The European Talent Competition shows Workshop Discussion Workshop Discussion (TuneSat) , Arne Kammhöfer (Sonoton) , with Hendrik Schwarzer Workshop Discussion Mod.: Tina Pepper and Lika Alekseeva with Sebastian Mönch (Steinberg) , in which different ways sound tracks can Mod.: André Feldhaus Mod.: Helge Borgarts Iñigo Ugarteburu (BMAT) and Jens Kin - and Tom Rußbüldt Mod.: Gary Yershon Florian Fuesslin (Audio Director Crytek) tell a story. The nominees of the competi - dermann (GEMA) · Mod.: Anselm Kreuzer and Helge Borgarts (Composer) tion created their own world of music and sound for the animated short BLUE HONEY by Constance Joliff, Daphné Durocher Musikverlag | Soundtracklabel and Fanny Lhotellier. EE Mod.: Yati Durant S Premium Production Music Jury: Corinna Rottschy, Elfi Vomberg, Joseph Trapanese, Olga Chajdas Authentic & 12.00-13.30 12.00-13.30 12.00-13.30 12.00-13.30 12.00-13.30 12.00-13.30 12.00-13.30 12.00-13.30 12.00-13.30 12.00-13.30 COMPOSING FOR VIDEOGAMES MUSIC POLITICS REALITY CHECK / SYNC REALITY CHECK / TOOLS COMPOSING FOR FILM REALITY CHECK / SYNC REALITY CHECK / WORKSHOP DISCUSSION PEER-RABEN-MUSIC-AWARD COMPOSING FOR TV SERIES PANEL WOMEN IN MEDIA MUSIC THE Takeshi Furukawa Platform Renumeration • Expert Talk This is BMG Presentation Elias Joseph Trapanese Music Supervisor Steven Gizicki Recording successfully with live Competition Screening of the nominees The Break with Eloi Ragot (Lucas etc.) Composing for Germany’s favourite TV (The last Guardian, Star Wars: Clone Wars) with Matthias Krüger (Composers Club) , with Lisa Humann (Senior Manager Adaptive music for an adaptive world - (The Greatest Showman, TRON: Uprising) (La La Land) musicians – Do’s + Don’ts during The Peer Raben Music Award is awarding a and Stéphane Bergmans format – music for crime thrillers Workshop Discussion Jens Kindermann (GEMA) , Markus Synch & Licensing at BMG Rights Mana - starting with game music Workshop Discussion Mod.: Milena Fessmann Scoring Sessions prize for the best music in a short film. Workshop Discussion with Iris Wolfinger (Warner) , Jasmin Independent Mod.: Helge Borgarts Rennhack (Kick The Flame) gement) and Regina Reis (Senior Mana - with Kristofer Eng Mod.: Vasco Hexel with Dimitrie Leivici Ho noured will be a film score where the rela - Mod.: Vasco Hexel Reuter, Iva Zabkar and Mod.: Anselm Kreuzer ger Music Supervision, BMG) Mod.: André Feldhaus tionship between the narration and the music Martina Eisenreich is innovative and dramaturgically strinking. Mod.: Cornelia Köhler The prize is awarded in memory of the great SOUND German film composer Peer Raben. In cooperation with WIFT Germany. Mod.: André Feldhaus Jury: FX Dupas, Mike Beilfuß, Lika Alexeeva FILMS ABOUT Production Music We speak English. GEORGE MICHAEL Lunch Break Lunch Break Lunch Break Only the marked panels CHILLY GONZALES cezame-fle.com will be in German. 14.30-16.00 14.30-16.00 14.30-16.00 14.30-16.00 14.30-16.00 14.30-16.00 14.30-16.00 14.30-16.00 14.30-16.00 14.30-16.00 SEX PISTOLS + PIL COMPOSING FOR VIDEOGAMES EUROPEAN EDUCATIAN ALLIANCE REALITY CHECK / SYNC COMPOSING FOR FILM REALITY CHECK / SYNC REALITY CHECK / TOOLS REALITY CHECK / WORKSHOP DISCUSSION PEER-RABEN-MUSIC-AWARD COMPOSING FOR TV SERIES SOUND DESIGN & MUSIC Garry Schyman Mod.: Yati Durant Contracting a Composer Tamar-kali Production Music Expert Talk Do’s + Don’ts in Media Composition Interactive Concert “Stories: The Path of Competition Screening of the nominees Mac Quayle (The Assassination of Right Here Right Now with Valentin Finke GRACE JONES (BioShock, Middle-earth: Shadow of with Maggie Rodford (Mudbound, Come Sunday) with Erika Oltmanns (SONOTON Produc - with Christian Henson (Spitfire Audio) Des tinies” with Mathieu Lavoie and FX Dupas Part II Gianni Versace: American Crime Story, (dialogue editor, re-recording mixer) , Jakob Mordor) For participation please send an e-mail to Mod.: Hansjörg Kohli Workshop Discussion tion Music) , Alexandra Eichhorn (Cézame Mod.: André Feldhaus Feud: Bette and Joan) Lass (director) and Michael Schlücker ELVIS PRESLEY Workshop Discussion [email protected]. In coop. with UK & European Guild of Mod.: Chandler Poling Music Agency) and In cooperation with Next Level Festival Workshop Discussion (composer) · Mod.: Patrick Schmitz Mod.: Helge Borgarts Music Supervisors Sascha Peters (Warner/Chappell) supported by NRW KULTURsekretariat Mod.: Tina Pepper Presented by bvft. TOKIO HOTEL Mod.: Anselm Kreuzer ANNE CLARK GG ALLIN JOÃO GILBERTO SILVANA 16.30-18.00 16.30-18.00 16.30-18.00 16.30-18.00 16.30-18.00 16.30-18.00 16.30-18.00 16.30-18.00 16.30-18.00 COSPLAY + K*POP COMPOSING FOR VIDEOGAMES EUROPEAN EDUCATIAN ALLIANCE REALITY CHECK / SYNC COMPOSING FOR FILM REALITY CHECK / MATCH MAKING REALITY CHECK / TOOLS REALITY CHECK / WORKSHOP DISCUSSION COMPOSING FOR TV SERIES SOUND DESIGN & MUSIC Panel Discussion with Gareth Coker (Ori Mod.: Yati Durant Jeff Jernigan (Kraft-Engel Management) Craig Armstrong Meet International Music Supervisors, Live Scoring to Picture Musik zum ARD-Hörspiel “Der Nasse Lolita Ritmanis (Batman and Harley Quinn, Of Fathers and Sons with Karim Sebastian FUGAZI + SWANS Partner der and the Blind Forest) , Takeshi Furukawa, Mod.: Hansjörg Kohli (Moulin Rouge!, The Great Gatsby) Agents, Labels and Film Music Profes - with Homay Schmitz and Oliver Patrice Fisch” (Babylon Berlin) eingespielt mit dem Spectacular Spider-Man) Elias (composer) and Sebastian Tesch Richard Jacques (James Bond 007: Blood Workshop Discussion sionals in intense 10 minute One-on-One Weder (Spitfire Audio) WDR-Funkhausorchester. Mit Verena Workshop Discussion (sound designer, Basis Berlin) + XIU XIU Stone) , Pieter Schlosser, Garry Schyman, Mod.: Daniel Kothenschulte Meetings Guido · Werkstatt Gespräch Mod.: Thomas Mikusz Mod.: Hansjörg Kohli &ŝůŵŬŽŵƉŽŶŝƐƟŶŶĞŶ Inon Zur (Fallout) , Helge Borgarts Mod.: Prof. Andreas Grimm Presented by bvft. AND MORE... Limited number of participants – Separate Registration required. In cooperation with und Filmkomponisten mediamusic

Original 18:00-20:00 BLUE HOUR 18:00-20:00 BLUE HOUR Börsen-Saal Carte in the IHK Köln Scores Blanche 19.00-20.00 Filmforum NRW 19.00 Riphahn - Café & Restaurant Kölner Philharmonie 19.00 OPENING 50 YEARS OF BRITISH MUSIC VIDEO PROTEST – MUSIKCLIPS – RASSISMUS 19.30 Official Opening Lecture by Justin Smith Vortrag von Fitore Muzaqi AWARD CEREMONY 19.00 Interactive Game Concert SEE THE SOUND – THE FILM PROGRAMME 22.00 20.00 SoundTrack_Cologne 15 invites to the and Emily Caston SoundTrack_Cologne awards the WDR STORIES: THE PATH OF DESTINIES 22.-26.08.2018 NETWORKING LOUNGE HEART OF GAMING – MUSIC FROM VIDEOGAMES 15 official opening at the Fritz Thyssen Stiftung Filmscore Award and the European Talent with Prof. Dr. Andreas Pinkwart (Minister of gRoBA Orchestra Every evening the film programme of SoundTrack_Cologne shows Networking Lounge WDR Funkhausorchester Award in the category Sound Design . The Economic Affairs, Innovation, Digitalization Conductor: Rodrigo Lopez Klingenfuss Conductor: Evan Christ best music in a short film will be honoured and Energy of the State of North Rhine-West- Composers: Mathieu Lavoie, FX Dupas music documentaries and feature films. 20.30 With the kind support of Orchestral Tools Piano: Benyamin Nuss 20.30 with the Peer Raben Music Award . Sound - PROTEST – MUSIKCLIPS – POSTKOLONIALIS MUS PROTEST – MUSIKCLIPS – GENDER Track_Cologne also awards the best music 22.*26.08.2018 phalia) Free entry with a full accreditation. Mod.: Maxi Gstettenbauer In cooperation with Next Level Festival documentary of the SEE THE SOUND com - Information and tickets: seethesound.de Vortrag von Fitore Muzaqi Vortrag von Fitore Muzaqi petition . The Lifetime Achievement Award Followed by a reception supported by NRW KULTURsekretariat In cooperation with WWW.SEETHESOUND.DE Bavariafilmplatz 7 | 82031 Geiselgasteig goes to Craig Armstrong. WDR Funkhausorchester Mod.: Ill-Young Kim Cézame Music Agency NRQWDNW#FH]DPHÁHFRP www.bavaria-media.de Followed by a reception T : +33(0)1 42 22 00 68

1 0