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Sound Track Cologne GERMANY’S LARGEST EVENT ON MUSIC AND SOUND IN FILM, TV, GAMES AND MEDIA IHK KÖLN KÖLNER PHILHARMONIE Pieter Schlosser • Workshop Discussion Music Politics Reality Check/Sync • Contracting a Com - Reality Check/Tools • Orchestral Tools & Tamar-kali • Workshop Discussion Reality Check/Sync • Lucy Bright Concert • “Heart of Gaming” Reality Check/Workshop • How to Talk Eloi Ragot & Stéphane Bergmans • Work - Composing for Germany’s favourite TV for - Pieter Schlosser is an award-winning com - The participants discuss Fingerprinting and poser Elias Singer-songwriter Tamar-kali made her debut Lucy Bright, Director at Music Sales Creative, WDR Funkhausorchester About Music (in English) shop Discussion mat – music for crime thrillers FILMFORUM NRW poser with game music credits to his name Platform Renumeration in two roundtables: Music Supervisor Maggie Rodford is going to From MIDI to Live: Experts of Orchestral Tools as a film score composer in 2017 with the has music supervised some of the most criti - It started with three monotone beeps and 64 Working internationally often causes a prob - When a composer and a showrunner already Everyday scripted crime thrillers are broadcast IM MUSEUM such as Gears of War 3 and Transformers: The Media companies supplement their audiovisual talk about how to contract a composer in an give a lesson for stunning and time-efficient score to the Oscar nominated Mudbound , cally-acclaimed British films of recent years: kilobyte RAM. Now the scores of videogames lem for composers, Music Supervisors and work together from the conception of the se - on German TV. This genre booms and guaran - LUDWIG Game . For the past two years, he has been content with music and draw from a large pool insightful and useful session. She is Managing mockup programming vs. the real orchestral which premiered to rave reviews at the Sun - The Unloved, which won a BAFTA Award, The are as impressive as their visual worlds. In Heart their collaborators; discussing in a foreign lan - ries, this is a lucky chance for both and often tees high ratings. How does it work to get working on the score for the hugely successful of providers. They increasingly rely on finger - Director of the Air-Edel Group, incorporating recording and mixing. Get examples of music dance Film Festival. Her score led her to be Arbor , The Swimmer and Slow West, which of Gaming , the fight between good and evil guage and finding a shared language to talk leads to outstanding results. Hence it is no hired as a composer for popular series such FRITZ THYSSEN sequel to the Destiny franchise. He has also printing for reporting and billing music. • Au - one of the world’s leading music publishing that starts in the box and goes on to the scor - selected by The Hollywood Reporter to appear debuted 2015 at Sundance Film Festival comes alive in impressive sound creations – the about music. Drawing on a range of music ex - wonder that the Belgian TV series The Break as Tatort? Why are the scores for more than STIFTUNG scored TV series like The Lying Game , for diovisual content is being consumed less and and production companies, representing com - ing stage. • Adaptive music for an adaptive in the Composer Roundtable and IndieWire where it won the Jury Prize for World Cinema WDR Funkhausorchester plays classics like amples for illustration, the seminar explores aired in several countries before being dis - 1,000 episodes of this popular series rarely SOUND which he won the ASCAP Award for Top Tele - less in the linear medium of television, but all posers worldwide. She has worked as music world – starting with game music: Games, VR, listed the composition as one of the Top 25 – Dramatic. International projects have in - Great Giana Sisters and Tomb Raider and new building blocks of music (melody, harmony, in - tributed by Netflix. It is also a lucky chance for composed by women? Which aspects are im - RIPHAHN vision Series. Pieter started his career working the more via digital online platforms. This re - producer and supervisor on many feature films AR, sound branding etc. all need some level of Film Scores of the 21st Century. She recently cluded the blockbuster Assassin’s Creed and scores around Assassin’s Creed and Fallout ac - strumentation) and musical attributes (tempo, SoundTrack_Cologne that composer Eloi portant when composing for a crime film or TURISTARAMA alongside Steve Jablonsky in Hans Zimmer’s sults in major challenges in the billing of digital including Murder on the Orient Express and adaptivity. The best starting point is to under - composed the score for Joshua Marston’s award-winning Marjorie Prime . Recently, she companied by the WDR Rundfunkchor. In coop. rhythm, volume, dynamics, timbre), offering Ragot and showrunner Stéphane Bergmans series? And how to communicate with direc - studio on projects such as Desperate House - uses. The King’s Speech . In coop. with UK & Euro - stand game music. Elias’ Kristofer Eng ex - Sundance film, Come Sunday , released by has also music supervised the TV series Mc - with WDR. the vocabulary required to discuss these as - are going to provide insights in their workflow tor, production and editorial team? In coop. wives . Thu 23.08., 10.00, 12.00 Robert Ellscheid Saal pean Guild of Music Supervisors. plains how to use your tools. Netflix. Mafia . Conductor: Evan Christ, Piano: Benyamin Nuss. pects with non-musicians. during the conception of the series. with WIFT. Thu 23.08., 10.00 Amélie Thyssen Auditorium Thu 23.08., 14.30 Garden Venue Thu 23.08., 10.00, 12.00 Helmut Coing Saal Fri 24.08., 14.30 Amélie Thyssen Auditorium Fri 24.08., 10.00 Robert Ellscheid Saal Fri 24.08., 20.00 Kölner Philharmonie Fri 24.08., 10.00 Helmut Coing Saal Sat 25.08., 12.00 Garden Venue Sat. 25.08., 12.00 Robert Ellscheid Saal TRACK MOTEL ONE SoundTrack_Cologne Accreditation Locations at www.soundtrackcologne.de Fritz Thyssen Stiftung Conference Accreditation: all Events incl. Opening, Apostelnkloster 13-15 COLOGNE Award Ceremony and film programme Tram Neumarkt or Tram Rudolfplatz Full Accreditation Soundtrack_Cologne Filmforum NRW im Museum Ludwig 100 € | Students: 40 € Bischofsgartenstraße 1 Day Ticket Tram Dom / Hauptbahnhof 50 € | Students: 30 € MUSIC THAT Takeshi Furukawa • Workshop Discussion European Education Alliance Reality Check/Sync • Jeff Jernigan Jed Kurzel • Workshop Discussion SoundTrack_Cologne Lifetime Achieve - Reality Check/Sync • Steven Gizicki Game Music Pipeline – from Briefing to Im - Recording successfully with live musicians Mac Quayle • Workshop Discussion Sound Design & Music • Right Here Right Now Industrie- und Handelskammer zu Köln (IHK Köln) 15 Takeshi Furukawa's music has accompanied What’s happening in media music education? Industry veteran Jeff Jernigan joined the Kraft- Jed Kurzel is an award-winning composer and ment Award Winner Craig Armstrong • Grammy-winning Music Supervisor Steven plementation – and back again • Workshop – Do’s + Don’ts during Scoring Sessions The credits of Emmy-winning and Grammy- On New Year's Eve in Hamburg, a young club Press accreditation Unter Sachsenhausen 10-26 some of the world's most recognizable fran - The European Education Alliance for Music Engel Management team in 2016 as an agent musician. His feature film debut for the criti - Workshop Discussion Gizicki is best known for his work on the mu - This panel will talk about the typical process A somewhat encompassing description of how nominated composer Mac Quayle comprise owner is struggling to keep the party going [email protected] Tram Appellhofplatz chises and brands: the TV series and same-ti - and Sound in Media , EEAMS, a Sound - representing composing and songwriting ta - cally-acclaimed Australian movie Snowtown Since the mid-nineties, Craig Armstrong has sical La La Land , which won the Academy of a Game Music Production: Starting with the to achieve the desired results when dealing more than 40 films and TV series including when a violent ex-pimp, the police, a former tled game Star Wars: The Clone Wars and the Track_Cologne initiative, is headed by Yati lents. A former director of ASCAP’s Film & TV was named Feature Film Score of the Year at created scores for both Hollywood and inde - Award and Golden Globes for Best Original first contact between composer and devel - with live musicians and all the issues that can Pose , Golden Globe-winning Mr. Robot , for rock star and the love of his life are all coming Tickets public events and film programme Kölner Philharmonie Cannes Lions-winning global campaigns for Durant (University of Edinburgh). EEAMS music department, Jeff today represents top Australia’s 2011 Screen Music Awards. pendent films, including Baz Luhrmann’s Song and Original Score. His recent projects oper, over to exchanging first drafts via the develop during the cooperation between them which Mac also won an Emmy, 9-1-1 which for him. Right Here Right Now (OT: So Was TELLS YOUR 7 € Bischofsgartenstraße 1 Mercedes-Benz and Apple. He won multiple supports educators, students and industry composers and songwriters in film, theatre, He has since gone on to score feature films in - Romeo + Juliet , Moulin Rouge! and The Great include the Cannes film Arctic and on-set su - DAW, up to the first implementation into an and composer/orchestrator or arranger. From Mac composes with Todd Haberman, and Von Da ) is an extraordinary film with an ex - WITH awards like the Game Audio Network Guild professionals in the areas of filmmaking, television, and new media, providing them with cluding: Assassin’s Creed , Alien: Covenant and Gatsby . Armstrong has composed also scores pervision of the music sequences in the up - Audio Middleware and the actual Game En - attitude differences to tuning issues, players’ Feud: Bette and Joan , for which Mac received traordinary sound. Valentin Finke (dialogue ed - Stories: The Path of Destinies: 19 € Tram Dom / Hauptbahnhof Award for his appointment on the PlayStation sound design and media music composition career development services and support.
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