DANIEL DORRANCE Production Designer Danieltdorrance.Com

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DANIEL DORRANCE Production Designer danieltdorrance.com FEATURE FILMS Partial List DIRECTORS STUDIOS/PRODUCERS PLANET OF THE APES (REBOOT) Wes Ball 20TH CENTURY STUDIOS David Starke, Joe Hartwick Jr. THE UNITED STATES VS. BILLIE Lee Daniels PARAMOUNT HOLIDAY George Parra, Patty Long, Joe Roth MOUSE GUARD 2 Year Development Wes Ball 20TH CENTURY FOX / Joe Hartwick Jr. MAZE RUNNER: THE DEATH CURE Wes Ball 20TH CENTURY FOX Joe Hartwick Jr., Marty Bowen, Wyck Godfrey MAZE RUNNER: THE SCORCH TRIALS Wes Ball 20TH CENTURY FOX Joe Hartwick Jr., Marty Bowen, Wyck Godfrey THE EXPENDABLES 3 Patrick Hughes NU IMAGE / MILLENIUM FILMS Kevin King Templeton, Avi Lerner THE BUTLER Lee Daniels WEINSTEIN CO. Reshoots Dave Pomier, Pam Williams A GOOD DAY TO DIE HARD John Moore 20TH CENTURY FOX Tom Karnowski, Alex Young THE PAPERBOY Lee Daniels NU IMAGE Official Selection – Toronto Film Festival Ed Cathell, John Thompson PLAYING FOR KEEPS Gabriele Muccino NU IMAGE / Ed Cathell, John Thompson Kevin Misher, Michael Costigan, Paul Weitz KANE & LYNCH Simon Crane NU IMAGE / LIONSGATE 2 Months of Prep John Thompson NORTHERN LIGHTS John Moore PARAMOUNT PICTURES 2.5 Months of Prep David Ellison, Dean Devlin, Peter Veverka MAX PAYNE John Moore 20TH CENTURY FOX Scott Faye, Julie Silverman ART DIRECTOR Partial List THE ZOOKEEPER Frank Coraci MGM / Jeff Sussman THE INCREDIBLE HULK Louis Leterrier UNIVERSAL PICTURES Supervising Art Director Gale Anne Hurd, Kevin Feige 4: RISE OF THE SILVER SURFER Tim Story 20TH CENTURY FOX Ralph Winter, Bernd Eichinger MISSION IMPOSSIBLE III J.J. Abrams PARAMOUNT PICTURES Supervising Art Director Paula Wagner, Stratton Leopold COLLATERAL Michael Mann DREAMWORKS / SKG Nomination, Excellence in Production Design Julie Richardson Art Directors Guild Awards WE WERE SOLDIERS Randall Wallace PARAMOUNT PICTURES Supervising Art Director Bruce Davey, Stephen McEveety MISSION IMPOSSIBLE II John Woo PARAMOUNT PICTURES Supervising Art Director Paula Wagner SAVING PRIVATE RYAN Steven Spielberg DREAMWORKS SKG Supervising Art Director Mark Gordon, Gary Levinsohn Nomination, Best Art Direction – Academy Awards Nomination, Best Production Design – BAFTA Awards Nomination, Excellence in Production Design – Art Directors Guild Awards INNOVATIVE-PRODUCTION.COM | 310.656.5151 .

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DAN LEIGH Production Designer
(3/31/17) DAN LEIGH Production Designer FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “GYPSY” Sam Taylor-Johnson Netflix Rudd Simmons (TV Series) Scott Winant Universal Television Tim Bevan “THE FAMILY” Paul McGuigan ABC David Hoberman (Pilot / Series) Mandeville Todd Lieberman “FALLING WATER” Juan Carlos Fresnadillo USA Gale Anne Hurd (Pilot) Valhalla Entertainment Blake Masters “THE SLAP” Lisa Cholodenko NBC Rudd Simmons (TV Series) Michael Morris Universal Television Ken Olin “THE OUTCASTS” Peter Hutchings BCDF Pictures Brice Dal Farra Claude Dal Farra “JOHN WICK” David Leitch Thunder Road Pictures Basil Iwanyk Chad Stahelski “TRACERS” Daniel Benmayor Temple Hill Entertainment Wyck Godfrey FilmNation Entertainment D. Scott Lumpkin “THE AMERICANS” Gavin O'Connor DreamWorks Television Graham Yost (Pilot) Darryl Frank “VAMPS” Amy Heckerling Red Hour Adam Brightman Lucky Monkey Stuart Cornfeld Molly Hassell Lauren Versel “PERSON OF INTEREST” Various Bad Robot J.J. Abrams (TV Series) CBS Johanthan Nolan Bryan Burk Margot Lulick “WARRIOR” Gavin O’Connor Lionsgate Greg O’Connor Solaris “MARGARET” Kenneth Lonergan Mirage Enterprises Gary Gilbert Fox Searchlight Sydney Pollack Scott Rudin “BRIDE WARS” Gary Winick Firm Films Alan Riche New Regency Pictures Peter Riche Julie Yorn “THE BURNING PLAIN” Guillermo Arriaga 2929 Entertainment Laurie MacDonald Walter F. Parkes SANDRA MARSH & ASSOCIATES Tel: (310) 285-0303 Fax: (310) 285-0218 e-mail: [email protected] (3/31/17) DAN LEIGH Production Designer ---2-222---- FILM & TELEVISION COMPANIES
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International Production Notes
INTERNATIONAL PRODUCTION NOTES PUBLICITY CONTACT Julia Benaroya Lionsgate +1 310-255-3095 [email protected] US RELEASE DATE: SEPTEMBER 28, 2018 RUNNING TIME: 89 MINUTES TABLE OF CONTENTS PRODUCTION INFORMATION ..................................... 4 ABOUT THE CAST ................................................ 14 ABOUT THE FILMMAKERS ..................................... 18 END CREDITS ...................................................... 26 3 PRODUCTION INFORMATION In this terrifying thrill ride, college student Natalie is visiting her childhood best friend Brooke and her roommate Taylor. If it was any other time of year these three and their boyfriends might be heading to a concert or bar, but it is Halloween which means that like everyone else they will be bound for Hell Fest – a sprawling labyrinth of rides, games and mazes that travels the country and happens to be in town. Every year thousands follow Hell Fest to experience fear at the ghoulish carnival of nightmares. But for one visitor, Hell Fest is not the attraction – it is a hunting ground. An opportunity to slay in plain view of a gawking audience, too caught up in the terrifyingly fun atmosphere to recognize the horrific reality playing out before their eyes. As the body count and frenzied excitement of the crowds continue to rise, he turns his masked gaze to Natalie, Brooke, Taylor and their boyfriends who will fight to survive the night. CBS FILMS and TUCKER TOOLEY ENTERTAINMENT present a VALHALLA MOTION PICTURES production HELL FEST Starring Amy Forsyth, Reign Edwards, Bex Taylor-Klaus and Tony Todd. Casting by Deanna Brigidi, CSA and Lisa Mae Fincannon. Music by Bear McCreary. Costume Designer Eulyn C. Hufkie. Editors Gregory Plotkin, ACE and David Egan.
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Press Notes 4 of 14 Wilma Mankiller Reads to Young Students
A Valhalla Entertainment and Red-Horse Native Productions documentary for Vision Maker Media with major funding by the Corporation of Public Broadcasting Directed and Produced by Valerie Red-Horse Mohl Executive Produced by Gale Anne Hurd Publicity: Educational Sales/ All Other Territories Valhalla Entertainment Distribution Valhalla Entertainment 3201 Cahuenga Boulevard Good Docs 3201 Cahuenga Boulevard Los Angeles, CA 90068 Los Angeles, CA 90068 Sarah Feinbloom Lyndsey Miller [email protected] Julie Thomson [email protected] [email protected] (323) 850-3034 Home Sales (323) 850-3030 Vision Maker Media 1800 N 33rd St Red-Horse Native Productions Lincoln, NE 68503 Valerie Red-Horse Mohl Shirley Sneve [email protected] [email protected] (402) 472-3522 Not yet Rated, 74 min, Color © 2017 Red Horse Native Productions/Valhalla Entertainment About the Filmmakers Gale Anne Hurd Valerie Red-Horse Mohl MANKILLER Executive Producer MANKILLER Director/Producer Hurd’s career as a Producer was launched when A filmmaker of Cherokee ancestry, Red-Horse she produced and co-wrote THE TERMINATOR. Mohl’s body of work spans over three decades On location in San Francisco, the Mankiller Documentary crew interviews Roxanne Dunbar Ortiz. Pictured from left to right: Ms. Dunbar Ortiz, Hurd’s additional feature credits include the of film and television content creation and Valerie Red-Horse Mohl (Director/Producer), Tarin Anderson (Director of Photography), Robert Swanson (B-Camera Operator). Photo by Curt Mohl. Academy Award winning films
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For Gale Anne Hurd
Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA637539 Filing date: 11/06/2014 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Proceeding 91204259 Party Plaintiff Valhalla Motion Pictures, Inc. Correspondence MICHAEL K GRACE Address GRACE GRACE LLP 790 E COLORADO BLVD, SUITE 797 PASADENA, CA 91101 UNITED STATES [email protected] Submission Plaintiff's Notice of Reliance Filer's Name Pamela D. Deitchle Filer's e-mail [email protected], [email protected], [email protected] Signature /Pamela D. Deitchle/ Date 11/06/2014 Attachments 20141106 VMP Third Notice of Reliance.pdf(4025091 bytes ) IN THE UNITED STATES TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD In Re: Serial Nos. 77/948,333; 77/948,895; 85/310,089 Applicant’s Marks: VALHALLA GAME STUDIOS; VALHALLA GAME STUDIOS and Design; VALHALLA ENTERTAINMENT VALHALLA MOTION PICTURES, INC., Opposer; v. Opposition No. 91204259 (parent case) VALHALLA GAME STUDIOS CO. LTD., Applicant. VALHALLA GAME STUDIOS CO. LTD., Opposer; v. Opposition No. 91206662 VALHALLA MOTION PICTURES, INC, Applicant. THIRD NOTICE OF RELIANCE Pursuant to TMBP § 704.03(b)(1)(A), Opposer hereby serves notice that it will rely upon the following online publications: 1. Screenshot of http://twitter.com/valhallapics, printed on October 23, 2012, a true and correct copy of which is attached as Exhibit 1. 1 2. Screenshot of http://www.valhallaentertainment.com, printed on October 23, 2012, a true and correct copy of which is attached as Exhibit 2. 3. Screenshot of http://www.valhallaentertainment.com/films.html, printed on October 23, 2012, a true and correct copy of which is attached as Exhibit 3.
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Meet the Buyer 2015 Screen Forever Conference, Melbourne Australia
MEDIA RELEASE: Friday 23 October MEET THE BUYER 2015 SCREEN FOREVER CONFERENCE, MELBOURNE AUSTRALIA Australian producers have the opportunity to hear first hand from 21 leading local and international Development Executives, Commissioning Editors, Programmers and Controllers in Meet The Buyer, a highlight event of SCREEN FOREVER 2015, the premier conference for the screen industry in Australia. The invaluable three-day Partnership Event invites leading executives from significant media platforms and channels to outline their programming priorities, production schedules and target audiences, and to articulate how Australian producers may best facilitate collaborations. Screen Producers Australia is delighted to confirm the 21 Network Executives from SBS Television, ABC Television, NetworK Ten, NetworK Seven, Foxtel and STAN, who will participate in Meet The Buyer and link up with Australian producers. "The importance for producers and creators of screen content to understand the key programming needs of media platforms in Australia and overseas cannot be overstated. We are delighted to have 21 key representatives join us for Meet The Buyer at SCREEN FOREVER 2015, bringing potential partners together and facilitating successful productions,” said Matthew Deaner, CEO, Screen Producers Australia. The representatives confirmed for Meet the Buyer include the following executives: ABC TELEVISION Adrian Swift Head of Content Jon Casimir Head of Entertainment Carole Sklan Head of Fiction Kath Earle Acting Head of Arts Rick Kalowski Head of Comedy
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Aliens” (1986) – Superior Sequel to the Original Source
“Aliens” (1986) – Superior Sequel to the Original Source Retrospective by Dr. John L. Flynn Introduction At first glance, the notion of a sequel to “Alien” (1979) must have seemed like such a forgone conclusion. Next to “Star Wars” (1977) and “Close Encounters of the Third Kind” (1977), Ridley Scott’s stylish thriller had been one of the most popular films of the decade. But in the six years since its release, the motion picture had also spawned a rash of forgettable clones. And in a period filled with sequels to almost every successful and popular Hollywood movie that rarely succeeded on their own merit as original entertainment, the new production appeared to be more of a tremendous gamble than a sure thing. Besides the challenge to bring something familiar and new under budget and on time to the screen, the project also had to deal with its share of preconceptions. The most obvious problem writer and director James Cameron faced in developing a sequel to “Alien,” he said, was, “How do you beat a classic? You really have to dig deep into the bag of tricks and come up with some good ideas. And you have to do a proper homage to the original without being a mindless fan, something which is a piece of entertainment and a story in its own right.” Spawning the Sequel In the wake of “Alien’s” success, many similar films soon began appearing at the local multi-plex. Just as it had been influenced by low budget science fiction films of the Fifties and Sixties, like “It! The Terror from Beyond Space” (1958) and “Planet of the Vampires” (1965), the critically-acclaimed motion picture inspired its own collection of imitators, including “Inseminoid” (1980), ‘The Creature Wasn’t Nice” (1981), “Galaxina” (1981), “Galaxy of Terror” (1981) and many others.
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Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß.
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Night of the Living Dead
FIRST RUN FEATURES PRESENTS a definitive look at niGHt of tHe livinG dead tHe filM tHat spaWned tHe ZoMBie industry “Birth of the Living Dead has the horror community buzzing, and there’s good reason.” - Matt Molgaard, Best Horror Movies “If you’re a fan of zombies in any way, shape, or form, you need to watch this movie – one of the most extensive, informative, and even entertaining looks at Night of the Living Dead. Very highly recommended.” - Brian M. Sammons, Hell Notes “Fascinating, hugely entertaining documentary chronicles the making of the classic horror film while also tracing its lineage, its colossal influence on the zombie sub-genre, and analysis of its cultural import. And kudos to director Rob Kuhns; he’s crafted a spot-on, ingratiating, informative film that should appeal to the died-in-the-wool horror fanatic as well as the interested newbie. This is easily one of my favorites of 2013 so far.” - Dean Galanis, Forces of Geek “Mesmerizing...I finally understand why I was not only scared out of my wits, but was simultaneously In 1968 a young college drop-out named watching a cinematic breakthrough and cultural George A. Romero directed Night of the phenomenon. Birth of the Living Dead is immensely Living Dead, a low budget horror film that watchable and abundantly enlightening, shocked the world, became an icon of the counterculture, and spawned a zombie with one ah-hah moment after another.” industry worth billions of dollars that contin- - Bill Moyers ues to this day. FEATURING INTERVIEWS WITH Birth of the Living Dead shows how Romero GEORGE A.
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Prospector 1955-2014 Remembrance on Rediscovery October 8, 2014 Volume 108 Edition 1 Carroll College Helena, Montana Page 7
Dedicated to the life The and work of Mike Franklin Prospector 1955-2014 Remembrance on Rediscovery October 8, 2014 Volume 108 Edition 1 Carroll College Helena, Montana page 7 Student Hunthausen Activity Center groundbreaking Columnist JOSH MCCORMICK Hello fellow peers, my name is Josh McCormick and I am a junior here at Carroll College. I am currently majoring in creative alternatives to homework and vibe exploration. I get asked frequently, “what do you plan on doing with that?” I typically reply, “what can’t I do with that?” Though I also study communications and philosophy, my inner ¿re is fueled by forming relationships with others, interacting with nature, sharing laughs, listening to music (preferably with juicy bass), and deepening my understanding of the semi-crazy yet loving creature I call me. Over the course of this year I am excited to share some of my thoughts and inner world with you via my column “Rediscovery.” There are many elements of one’s relationships, the world around, inner being, and daily activities that are Digital rendition of north perspective of future activity center, photo courtesy of Patty White. taken for granted or go unnoticed. I hope to bring to light some of these beautiful Nate Kavanagh commitment of the board of trustees and that responds to the needs of our time.” complexities of everyday life and make donors to the project and “how much they Matz stated it is ¿tting that the building the ordinary a wonder to rediscover. Lead Writer believe in the school and its students.” be named after Hunthausen citing his Enjoy! Evans opened up the ceremony with “pastoral care in and out of the classroom Students, faculty, staff, board members, The other day as I awoke from a excitement.
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Films 2018.Xlsx
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International & Festivals
COMPANY CV – INTERNATIONAL & FESTIVALS INTERNATIONAL CAMPAIGNS / JUNKETS / TOURS (selected) Below we list the key elements of the international campaigns we have handled, but our work often also involves working closely with the local distributors and the film-makers and their representatives to ensure that all publicity opportunities are maximised. We have set up face-to-face and telephone interviews for actors and film-makers, working around their schedules to ensure that the key territories in particular are given as much access as possible, highlighting syndication opportunities, supplying information on special photography, incorporating international press into UK schedules that we are running, and looking at creative ways of scheduling press. THE AFTERMATH / James Kent / Fox Searchlight • International campaign support COLETTE / Wash Westmoreland / HanWay Films • International campaign BEAUTIFUL BOY / Felix van Groeningen / FilmNation • International campaign THE FAVOURITE / Yorgos Lanthimos / Fox Searchlight • International campaign support SUSPIRIA / Luca Guadagnino / Amazon Studios • International campaign LIFE ITSELF / Dan Fogelman / FilmNation • International campaign DISOBEDIENCE / Sebastián Lelio / FilmNation • International campaign THE CHILDREN ACT / Richard Eyre / FilmNation • International campaign DON’T WORRY, HE WON’T GET FAR ON FOOT / Gus Van Sant / Amazon Studios & FilmNation • International campaign ISLE OF DOGS / Wes Anderson / Fox Searchlight • International campaign THREE BILLBOARDS OUTSIDE EBBING, MISSOURI /
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Ian Erik Silverstein Editor
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