A New Classification for Evaluating Trolls by JOEL AVERY and FRED SHEALY
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Understanding the Current State of Toxicity in Battlefield V
“ROFL F*ck You”: Understanding the Current State of Toxicity in Battlefield V By Justin Juvrud Supervisor: Dr Susann Baez Ullberg 2020 Nr 99 2 Abstract: With the birth of “virtual worlds,” created a new space for social norms to evolve and change within a subset community. This thesis focuses on toxicity within the virtual world of EA DICE’s Battlefield V title. The goal of this research is to understand toxicity on a micro scale inside the world of Battlefield V from a gaming anthropological perspective. Along with understanding what toxicity looked like within the virtual world ofBattlefield V, the thesis obtained data for how the community and EA DICE employees perceived toxicity. This research has components of interviews with these members of the communities/staff as well as a netnography of the virtual world of Battlefield V gameplay. Findings and analysis were categorized under the themes of toxic language, power/freedom, virtual world creation, and gender toxicity. Battlefield V toxicity is ever evolving and shaped by player techne (player actions). Player chat consumes the majority of toxicity and therefore diving into toxic language was vital. Understanding the player perspective of power and freedom while gaming was just the first step as the thesis also dove into the developer’s perspective and analyzed the interviews with the backbone of Malaby’s (2009) contingency concepts to see how the developers have a large role to play when it comes to toxicity in games, even if they may not realize it. Just as in the “real world” the virtual world of Battlefield V also had a major theme of gender discrimination winessed and discussed via both community members and staff members of EA DICE. -
Sexual Subversives Or Lonely Losers? Discourses of Resistance And
SEXUAL SUBVERSIVES OR LONELY LOSERS? DISCOURSES OF RESISTANCE AND CONTAINMENT IN WOMEN’S USE OF MALE HOMOEROTIC MEDIA by Nicole Susann Cormier Bachelor of Arts, Psychology, University of British Columbia: Okanagan, 2007 Master of Arts, Psychology, Ryerson University, 2010 A dissertation presented to Ryerson University In partial fulfillment of the requirements for the degree of Doctor of Philosophy In the program of Psychology Toronto, Ontario, Canada, 2019 © Nicole Cormier, 2019 AUTHOR’S DECLARATION FOR ELECTRONIC SUBMISSION OF A DISSERTATION I hereby declare that I am the sole author of this dissertation. This is a true copy of the dissertation, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this dissertation to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this dissertation by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my dissertation may be made electronically available to the public. ii Abstract Title: Sexual Subversives or Lonely Losers? Discourses of Resistance and Containment in Women’s Use of Male Homoerotic Media Doctor of Philosophy, 2019 Nicole Cormier, Clinical Psychology, Ryerson University Very little academic work to date has investigated women’s use of male homoerotic media (for notable exceptions, see Marks, 1996; McCutcheon & Bishop, 2015; Neville, 2015; Ramsay, 2017; Salmon & Symons, 2004). The purpose of this dissertation is to examine the potential role of male homoerotic media, including gay pornography, slash fiction, and Yaoi, in facilitating women’s sexual desire, fantasy, and subjectivity – and the ways in which this expansion is circumscribed by dominant discourses regulating women’s gendered and sexual subjectivities. -
Sexuality and the Older Adult. Catherine Adams University of Massachusetts Amherst
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1980 Sexuality and the older adult. Catherine Adams University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Adams, Catherine, "Sexuality and the older adult." (1980). Doctoral Dissertations 1896 - February 2014. 3549. https://scholarworks.umass.edu/dissertations_1/3549 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. SEXUALITY AND THE OLDER ADULT A Dissertation Presented By CATHERINE ADAMS Submitted to the Graduate School of the University of Massachusetts in partial fulfillment of the requirements for the degree of DOCTOR OF EDUCATION September, 1980 Education Catherine Adams 1980 (c) All Rights Reserved ii SEXUALITY AND THE OLDER ADULT A Dissertation Presented BY CATHERINE ADAMS Approved as to style and content by: Barbara F. Turner, Chairperson of Committee John W. Wideman, Member - Dee G. Appley,Member JL YV^ P *4 Mario Fantini, Dean School of Education iii Acknowledgements To my mother, Ruth, who was instru- mental in soliciting the pilot sample and to my daughter, Phoebe, who helped substantially with editing and formating on the computer. To my committee Bar- bara Turner, John Wideman, and Dee Appley for their patience, forbearance, and assistance. Barbara deserves spe- cial thanks for the many hours spent working directly with me. I also wish to thank those who helped during the data collection pro- cess and all the respondents who shared their personal lives for the purpose of this study, especially interviewees and those who added marginal comments which so enriched the research. -
University International
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy. -
Block the Words
BLOCK the WORDS No to Online Torture, Trolls, and Sociopaths: Moderation of Online Social Platforms The Power of Social Media Platforms in Your Hands That They Do Not Want You to Discover By Hazlo Emma Block the Words No to Online Torture, Trolls, and Sociopaths: Moderation of Online Social Platforms (The Power of Social Media Platforms in Your Hands That They Do Not Want You to Discover) Author: Hazlo Emma Editing: Albert Bright Cover Design: Favour Chapman First Edition, 2019. Hazlo Emma (ThExtraordinariOnly) Book 1 in the Digital Swag Series ISBN xxx Kindle Version: ASIN: xxx Text Copyright © 2019 Hazlo Emma 2019 The events in this book are as portrayed, perceived, and experienced by Hazlo Emma. The moral rights of the author has been asserted. All rights reserved. No portion or part of this book may be reproduced, distributed or transmitted in any form or any means, including photocopying, scanning, recording or other electronic or mechanical methods without prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews or articles and certain other non-commercial uses permitted by copyright law. This book is published as Book 1 of the Digital Swag Series. Printed and Bound in the United States of America First Printing March 2019 Connect on Instagram (at) Hazloe3 ThExtraordinariOnly www.thextraordinarionly.com For a FREE newsletter for updates and to know what is trending in the startup and small business world, just sign up with your name and email address here www.eepurl.com/dAK905 NOW. Disclaimer The advice and strategies found within may not be suitable for every situation. -
Program Notes by Joshua Ritter
PROGRAM NOTES BY JOSHUA RITTER In the late 1960s, political, “Jimmy” and the title song. Many other aspects of the stage social, and artistic change production similarly diverged from the film version. was sweeping across the nation. Virtually everything Universal Pictures released the film at a time when racism was in flux, including was more institutionalized, accepted, and apparent in popular interest in movie peoples’ daily lives. The film reflected this reality. There musicals. When the film was trepidation among the creative team about taking Thoroughly Modern Millie on a project that could offend modern audiences. In fact, was released in 1967, Mayer was not willing to commit to the project unless he director George Roy Hill, could portray the Asian characters in culturally appropriate producer Ross Hunter, and ways. Mayer’s solution was to make the Chinese henchmen screenwriter Richard Morris fully-realized characters that are central to the plot and were inspired by pastiche to have them speak Chinese. He later chose to embrace musicals (e.g., The Boy actress Harriet Harris’ extreme portrayal of an Asian Friend) that were gaining stereotype when she first played Mrs. Meers. The creative popularity in London at the team realized that the opportunity to juxtapose an over- time. In the waning days the-top Asian stereotype with authentic Asian characters of the Hollywood musical, would delegitimize the offensive characterization of Asian Millie spoofed silent films Americans. This daring theatrical choice worked and helped from the 1920s and embraced the farcical slapstick style of propel the show to greater acclaim. this bygone age. -
Tarnished Angels
The Dark Vision of Douglas Sirk 38 NOIR CITY I SPRING 2016 I filmnoirfoundation.org Imogen Sara Smith n a hot night in New Orleans, in a half-lit, elegantly shabby apartment, two troubled souls share a bottle of cheap wine and an intimate, confessional conversation. Next door, a raucous costume party is in full swing, revelers dancing like hopped-up zombies to relentless Dixieland jazz. The man and woman speak tenderly about betrayals and disillusion- O ment, building to a kiss that is jarringly interrupted by Death— a guy in a leering skull mask who bursts in from the party. This scene, from Douglas Sirk’s underappreciated drama The Tarnished Angels (1958), dramatizes one of the director’s key themes: people struggling for authentic connection, surrounded by an oppressive, sinister masquerade of happi- ness. Sirk is best known for baroquely stylized Technicolor melodramas, once dismissed as sudsy kitsch but now embraced by many cinephiles for their formalist rigor and their subversive notes of unease. The work of a European intellectual often saddled with projects he disdained, Sirk’s films are complex, oblique, and visually incisive. One of the few German refugee filmmakers who didnot specialize in film noir, Sirk shared his fellow exiles’ gimlet eye for his adopted country. His lush melodramas strike a dissonant note, resonating from the hollowness behind the false front of the American “good life.” Like his sophisticated noir films of the 1940s, they reveal an insatiable hunger bred by idealized visions of plenty, and the paradoxical seduc- tion of death in a willfully complacent society. -
A Fiction-Based Religion Within the Harry Potter Fandom
Religions 2014, 5, 219–267; doi:10.3390/rel5010219 OPEN ACCESS religions ISSN 2077-1444 www.mdpi.com/journal/religions Article ‘Snapewives’ and ‘Snapeism’: A Fiction-Based Religion within the Harry Potter Fandom Zoe Alderton Independent scholar; E-Mail: [email protected] Received: 18 December 2013; in revised form: 6 February 2014 / Accepted: 11 February 2014 / Published: 3 March 2014 Abstract: The book and film franchise of Harry Potter has inspired a monumental fandom community with a veracious output of fanfiction and general musings on the text and the vivid universe contained therein. A significant portion of these texts deal with Professor Severus Snape, the stern Potions Master with ambiguous ethics and loyalties. This paper explores a small community of Snape fans who have gone beyond a narrative retelling of the character as constrained by the work of Joanne Katherine Rowling. The ‘Snapewives’ or ‘Snapists’ are women who channel Snape, are engaged in romantic relationships with him, and see him as a vital guide for their daily lives. In this context, Snape is viewed as more than a mere fictional creation. He is seen as a being that extends beyond the Harry Potter texts with Rowling perceived as a flawed interpreter of his supra-textual essence. While a Snape religion may be seen as the extreme end of the Harry Potter fandom, I argue that religions of this nature are not uncommon, unreasonable, or unprecedented. Popular films are a mechanism for communal bonding, individual identity building, and often contain their own metaphysical discourses. Here, I plan to outline the manner in which these elements resolve within extreme Snape fandom so as to propose a nuanced model for the analysis of fandom-inspired religion without the use of unwarranted veracity claims. -
Adventuring with Books: a Booklist for Pre-K-Grade 6. the NCTE Booklist
DOCUMENT RESUME ED 311 453 CS 212 097 AUTHOR Jett-Simpson, Mary, Ed. TITLE Adventuring with Books: A Booklist for Pre-K-Grade 6. Ninth Edition. The NCTE Booklist Series. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-0078-3 PUB DATE 89 NOTE 570p.; Prepared by the Committee on the Elementary School Booklist of the National Council of Teachers of English. For earlier edition, see ED 264 588. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 00783-3020; $12.95 member, $16.50 nonmember). PUB TYPE Books (010) -- Reference Materials - Bibliographies (131) EDRS PRICE MF02/PC23 Plus Postage. DESCRIPTORS Annotated Bibliographies; Art; Athletics; Biographies; *Books; *Childress Literature; Elementary Education; Fantasy; Fiction; Nonfiction; Poetry; Preschool Education; *Reading Materials; Recreational Reading; Sciences; Social Studies IDENTIFIERS Historical Fiction; *Trade Books ABSTRACT Intended to provide teachers with a list of recently published books recommended for children, this annotated booklist cites titles of children's trade books selected for their literary and artistic quality. The annotations in the booklist include a critical statement about each book as well as a brief description of the content, and--where appropriate--information about quality and composition of illustrations. Some 1,800 titles are included in this publication; they were selected from approximately 8,000 children's books published in the United States between 1985 and 1989 and are divided into the following categories: (1) books for babies and toddlers, (2) basic concept books, (3) wordless picture books, (4) language and reading, (5) poetry. (6) classics, (7) traditional literature, (8) fantasy,(9) science fiction, (10) contemporary realistic fiction, (11) historical fiction, (12) biography, (13) social studies, (14) science and mathematics, (15) fine arts, (16) crafts and hobbies, (17) sports and games, and (18) holidays. -
Janet Green Collection
JANET GREEN COLLECTION Accession date: March 1984 Extent: 52 Archive boxes INTRODUCTION Documents relating to the work of film, television and stage writer Janet Green (Born Ethel Victoria Green, 4/7/1914, Hitchin, Hertfordshire, died 30/3/1993, Beaconsfield, Buckinghamshire) Adopted the professional name Janet Green [also wrote as Sarah Mutimer and occasionally as Janet McCormick after her second marriage to theatre manager and writer John McCormick]. Janet Green had short stories published before she was sixteen but became an actress in 1931 (acted with Ralph Lynn in the Aldwych farces and had leading roles in 'Hellowagain' and 'Nap Hand' at the Aldwych and Shaftesbury Theatres) and was involved in theatrical entertainment for the armed forces throughout World War II. In 1945 she gave up acting and began writing for the stage and screen, often in collaboration with her husband John McCormick. During 1956-1959 the couple were under contract to the J. Arthur Rank Organisation, to provide two original screenplays per year for three years Janet Green’s main film, television and stage writing credits include: the CLOUDED YELLOW (GB, 1950) TRIO (GB, 1950) - [not credited on sift but did a re-write for the 'Sanatorium' segment of the film] the GOOD BEGINNING (GB,1953) CAST A DARK SHADOW (GB,1955) - based on JG's Original 1953 Stage play 'Murder Mistaken' [A BBC television Version of the play MURDER MISTAKEN was transmitted 18/10/ 1956 with Margaret Lockwood in the lead role] EYEWITNESS (GB,1956) LOST (GB,1956) the LONG ARM (GB,1956) the GYPSY -
Evaluation of Internet Child Safety Materials Used by ICAC Task Forces in School and Community Settings, Final Report
The author(s) shown below used Federal funds provided by the U.S. Department of Justice and prepared the following final report: Document Title: Evaluation of Internet Child Safety Materials Used by ICAC Task Forces in School and Community Settings, Final Report Author(s): Lisa M. Jones, Ph.D., Kimberly J. Mitchell, Ph.D., Wendy A. Walsh, Ph.D. Document No.: 242016 Date Received: April 2013 Award Number: 2009-SN-B9-0004 This report has not been published by the U.S. Department of Justice. To provide better customer service, NCJRS has made this Federally- funded grant report available electronically. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. Evaluation of Internet Child Safety Materials Used by ICAC Task Forces in School and Community Settings (PROJECT NUMBER 2009-SN-B9-0004) NIJ EVALUATION FINAL TECHNICAL REPORT Lisa M. Jones 10 West Edge Dr., Suite 106 Crimes Against Children Research Center (CCRC) University of New Hampshire Durham, NH 03824 603-862-2515 [email protected] Kimberly J. Mitchell Wendy A. Walsh 603-862-24533 603-862-1026 [email protected] [email protected] Submission Date: December 31, 2012 This project was supported by Grant No. 2009-SN-B9-0004 awarded by the National Institute of Justice, Office of Justice Programs, U.S. Department of Justice. Opinions, findings, and conclusions or recommendations expressed in this publication/program/exhibition are those of the authors and do not necessarily reflect those of the Department of Justice. -
Male Sexual Orientation: a Cross-Cultural Perspective
MALE SEXUAL ORIENTATION: A CROSS-CULTURAL PERSPECTIVE LANNA J. PETTERSON Bachelor of Arts (Hons.), University of Lethbridge, 2012 MasterMALE of Science, SEXUAL University ORIENTATION: of Lethbridge, 2015 A CROSS-CULTURAL PERSPECTIVE MALE SEXUAL ORIENTATION: A CROSS-CULTURAL PERSPECTIVE A thesis submitted in partial fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY in EVOLUTION AND BEHAVIOUR Department of Psychology University of Lethbridge LETHBRIDGE, ALBERTA, CANADA © Lanna J. Petterson, 2020 MALE SEXUAL ORIENTATION: A CROSS-CULTURAL PERSPECTIVE LANNA J. PETTERSON Date of Defence: August 26th, 2020 Dr. P. Vasey Thesis Supervisor Professor Ph.D. Dr. J. B. Leca Thesis Examination Committee Member Associate Professor Ph.D. Dr. S. Pellis Thesis Examination Committee Member Professor Ph.D. Dr. S. Bubel Thesis Examination Committee Member Professor Ph.D. Dr. B. Kolb Internal External Examiner Professor Ph.D. Department of Neuroscience Faculty of Arts and Science Dr. K. Hsu External Examiner Penn State Abington Assistant Professor Ph.D. Abington, PA Dr. D. Logue Chair, Thesis Examination Committee Associate Professor Ph.D. General Abstract Some men experience sexual interest in MtF (male-to-feminine) transgender individuals, known as gynandromorphophilia. This sexual interest has received little academic attention. My thesis includes (a) a review of the literature pertaining to gynandromorphophilia; (b) studies characterizing Samoan gynandromorphophilic men; (c) a study assessing whether Canadian heterosexual men experience some degree of gynandromorphophilia; (d) studies examining the relevance of culture to men’s perception of, and sexual interest in, MtF transgender individuals; (e) a study exploring the relationship between individual factors and gynandromorphophilia; and (f) a discussion of whether gynandromorphophilia is a paraphilia.